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CENTRAL EURASIAN STUDIES REVIEW (CESR) Is a Publication of the Central Eurasian Studies Society (CESS)
The CENTRAL EURASIAN STUDIES REVIEW (CESR) is a publication of the Central Eurasian Studies Society (CESS). CESR is a scholarly review of research, resources, events, publications and developments in scholarship and teaching on Central Eurasia. The Review appears two times annually (Winter and Summer) beginning with Volume 4 (2005) and is distributed free of charge to dues paying members of CESS. It is available by subscription at a rate of $50 per year to institutions within North America and $65 outside North America. The Review is also available to all interested readers via the web. Guidelines for Contributors are available via the web at http://cess.fas.harvard.edu/CESR.html. Central Eurasian Studies Review Editorial Board Chief Editor: Marianne Kamp (Laramie, Wyo., USA) Section Editors: Perspectives: Robert M. Cutler (Ottawa/Montreal, Canada) Research Reports: Jamilya Ukudeeva (Aptos, Calif., USA) Reviews and Abstracts: Shoshana Keller (Clinton, N.Y., USA), Philippe Forêt (Zurich, Switzerland) Conferences and Lecture Series: Payam Foroughi (Salt Lake City, Utah, USA) Educational Resources and Developments: Daniel C. Waugh (Seattle, Wash., USA) Editors-at-Large: Ali Iğmen (Seattle, Wash., USA), Morgan Liu (Cambridge, Mass., USA), Sebastien Peyrouse (Washington, D.C., USA) English Language Style Editor: Helen Faller (Philadelphia, Penn., USA) Production Editor: Sada Aksartova (Tokyo, Japan) Web Editor: Paola Raffetta (Buenos Aires, Argentina) Editorial and Production Consultant: John Schoeberlein (Cambridge, Mass., USA) Manuscripts and related correspondence should be addressed to the appropriate section editors: Perspectives: R. Cutler, rmc alum.mit.edu; Research Reports: J. Ukudeeva, jaukudee cabrillo.edu; Reviews and Abstracts: S. Keller, skeller hamilton.edu; Conferences and Lecture Series: P. -
Rare Birds in Iran in the Late 1960S and 1970S
Podoces, 2008, 3(1/2): 1–30 Rare Birds in Iran in the Late 1960s and 1970s DEREK A. SCOTT Castletownbere Post Office, Castletownbere, Co. Cork, Ireland. Email: [email protected] Received 26 July 2008; accepted 14 September 2008 Abstract: The 12-year period from 1967 to 1978 was a period of intense ornithological activity in Iran. The Ornithology Unit in the Department of the Environment carried out numerous surveys throughout the country; several important international ornithological expeditions visited Iran and subsequently published their findings, and a number of resident and visiting bird-watchers kept detailed records of their observations and submitted these to the Ornithology Unit. These activities added greatly to our knowledge of the status and distribution of birds in Iran, and produced many records of birds which had rarely if ever been recorded in Iran before. This paper gives details of all records known to the author of 92 species that were recorded as rarities in Iran during the 12-year period under review. These include 18 species that had not previously been recorded in Iran, a further 67 species that were recorded on fewer than 13 occasions, and seven slightly commoner species for which there were very few records prior to 1967. All records of four distinctive subspecies are also included. The 29 species that were known from Iran prior to 1967 but not recorded during the period under review are listed in an Appendix. Keywords: Rare birds, rarities, 1970s, status, distribution, Iran. INTRODUCTION Eftekhar, E. Kahrom and J. Mansoori, several of whom quickly became keen ornithologists. -
Epidemiology of Cutaneous Leishmaniosis in South Fars Province, Iran: a Retrospective Decade Long Survey
Bazrafshan MR, Safari K, Shokrpour N, Delam H Archive of SID Original article Epidemiology of Cutaneous Leishmaniosis in South Fars Province, Iran: A Retrospective Decade Long Survey Mohammad-Rafi Bazrafshan1, Abstract PhD; Khalil Safari2, MSc Background: Fars province in south Iran is an endemic focus Student; Nasrin Shokrpour3, of Leishmaniosis. This study was designed to evaluate the 4 PhD; Hamed Delam *, MSc epidemiological status of cutaneous Leishmaniasis in Fars province, South Iran, from 2007 to 2016. Methods: This study was a retrospective-analytical cross- sectional study. The study population consisted of all people with Leishmaniasis, who referred to the infectious disease center in four cities of Larestan, south Fars province, from 2007 to 2016. Chi-square test and ANOVA were used in data analysis. The significance level was considered as 5%. Results: In the period 2007-2016, 4599 cases of cutaneous 1Associate Professor, Department Leishmaniosis were registered. The highest number of cases of Nursing, School of Nursing, Larestan University of Medical occurred in 2008. The mean age in 2007 and 2016 was 17.7±17.1 Sciences, Larestan, Iran; and 12.9±16.5, respectively. Women were the majority of cases, 2Department of Medical Entomology, from 2007 to 2012. Hand ulcers were the most prevalent part School of Health, Shiraz University of Medical Sciences, Shiraz, Iran; of the body in all these years, except 2016. In terms of seasonal 3Full Professor, English Department, distribution, most of the cases occurred in winter and the least Shiraz University of Medical Sciences, in summer. Afghan and Pakistani immigrants produced the Shiraz, Iran; 4Student Research Committee, majority of cases. -
Are You Suprised ?
INTERNATIONAL JOURNAL OF OPTIMIZATION IN CIVIL ENGINEERING Int. J. Optim. Civil Eng., 2013; 3(1):179-207 HYBRID ARTIFICIAL NEURAL NETWORKS BASED ON ACO- RPROP FOR GENERATING MULTIPLE SPECTRUM- COMPATIBLE ARTIFICIAL EARTHQUAKE RECORDS FOR SPECIFIED SITE GEOLOGY G. Ghodrati Amiri *, † and P. Namiranian Center of Excellence for Fundamental Studies in Structural Engineering, School of Civil Engineering, Iran University of Science & Technology, Tehran, IRAN ABSTRACT The main objective of this paper is to use ant optimized neural networks to generate artificial earthquake records. In this regard, training accelerograms selected according to the site geology of recorder station and Wavelet Packet Transform (WPT) used to decompose these records. Then Artificial Neural Networks (ANN) optimized with Ant Colony Optimization and resilient Backpropagation algorithm and learn to relate the dimension reduced response spectrum of records to their wavelet packet coefficients. Trained ANNs are capable to produce wavelet packet coefficients for a specified spectrum, so by using inverse WPT artificial accelerograms obtained. By using these tools, the learning time of ANNs reduced salient and generated accelerograms had more spectrum-compatibility and save their essence as earthquake accelerograms. Received: 27 April 2012; Accepted: 15 January 2013 KEY WORDS: artificial earthquake accelerograms; ant colony optimization algorithm; wavelet packet transform; artificial neural network; principal component analysis; resilient backpropagation algorithm 1. INTRODUCTION Civil engineers use „response spectrum‟ to evaluate the seismic response of ordinary *Corresponding author: G. Ghodrati Amiri, Center of Excellence for Fundamental Studies in Structural Engineering, School of Civil Engineering, Iran University of Science & Technology, Tehran, IRAN †E-mail address: [email protected] (Gholamreza Ghodrati Amiri) 180 G. -
Friday 21 Lifestyle | Feature Friday, September 18, 2020
Friday 21 Lifestyle | Feature Friday, September 18, 2020 (From left) Oud player Noushin Yousefzadeh, kasser drummer (From left) Kasser drummer Negin Heydari, pippeh drummer Noushin Yousefzadeh, a member of the all-women Iranian Negin Heydari, pippeh drummer Malihe Shahinzadeh, and drum- Malihe Shahinzadeh, and drummer Faezeh Mohseni practice music band “Dingo” who plays the Oud (Middle Eastern lute), mer Faezeh Mohseni practise together at a home studio called together at a home studio called the “Dingo room”. poses for a picture as she practises at a home studio called the the “Dingo room”. “Dingo room”. Noushin Yousefzadeh, oud player of the Iranian all-women Noushin Yousefzadeh, a member of the all-women Iranian Women audience members applaud as they attend a perform- music band “Dingo” performs with other band members at a music band “Dingo” who plays the oud (Middle Eastern lute), ance by the Iranian all-women music band “Dingo”. concert. poses for a picture as she practises at a home studio called the “Dingo room”. cording to Sahar Taati, a former director at the music depart- with the dohol and pippeh. So now, whenever authorities arrange ment of Iran’s Ministry of Culture and Islamic Guidance, festivals and shows like this one in their home town, they apply known as Ershad. and hope they will be selected, even if it means not knowing until Nonetheless, most clerics believe that the sound of female the last minute if they have been. singing is “haram”-or forbidden-because it can be sensuously But, the exhilaration of playing for mixed audiences is worth all stimulating for men and lead to depravity, she added. -
Photovoltaic System Iran Pre-Feasibility Study
OCCASION This publication has been made available to the public on the occasion of the 50th anniversary of the United Nations Industrial Development Organisation. DISCLAIMER This document has been produced without formal United Nations editing. The designations employed and the presentation of the material in this document do not imply the expression of any opinion whatsoever on the part of the Secretariat of the United Nations Industrial Development Organization (UNIDO) concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries, or its economic system or degree of development. Designations such as “developed”, “industrialized” and “developing” are intended for statistical convenience and do not necessarily express a judgment about the stage reached by a particular country or area in the development process. Mention of firm names or commercial products does not constitute an endorsement by UNIDO. FAIR USE POLICY Any part of this publication may be quoted and referenced for educational and research purposes without additional permission from UNIDO. However, those who make use of quoting and referencing this publication are requested to follow the Fair Use Policy of giving due credit to UNIDO. CONTACT Please contact [email protected] for further information concerning UNIDO publications. For more information about UNIDO, please visit us at www.unido.org UNITED NATIONS INDUSTRIAL DEVELOPMENT ORGANIZATION Vienna International Centre, P.O. Box 300, 1400 Vienna, Austria Tel: (+43-1) 26026-0 · www.unido.org · [email protected] UNIDO Photovoltaic System Iran Pre-Feasibility Study Tehran, Iran 8/1/2014 Table of Contents 1. -
Arts D'orient Vendredi 29 Juin 2012
Arts d’Orient Vendredi 29 juin 2012 - Drouot Richelieu Arts d’Orient Cette vente sera inscrite dans le cadre de la vente Tableaux, Mobilier et Objets d’Art à partir du lot n° 101 vendredi 29 juin 2012 à 15 heures drouot richelieu - salle 5 9 rue Drouot - 75009 Paris tél. : +33(0)1 48 00 20 05 expositions publiques : jeudi 28 juin 2012 de 11 h à 18 h vendredi 29 juin 2012 de 11 h à 12 h expert Membre de la Chambre Nationale des Experts Spécialisés CNES 5 rue des deux Ponts 75004 PARIS tél./fax : +33[0]1 44 07 33 02 tél. : +33[0]6 80 37 74 00 [email protected] www.alexisrenard.com Nous remercions M. Armen Tokatlian pour son aide à la rédaction des notices des pages de miniature et des pages de manuscrit du catalogue. Commissaires-Priseurs habilités : Isabelle Boisgirard et Pierre-Dominique Antonini 1 rue de la grange-Batelière - 75009 Paris - tél. : +33(0)1 47 70 81 36 - fax : +33(0)1 42 47 05 84 mail : [email protected] www.boisgirard.com SVV Boisgirard et Associés - N° agrément 2001-002 - RCS B 441 779 196 p2 | Arts d’Orient 101 Coupe en lustre Ilkhanide Céramique siliceuse à décor de lustre métallique Décorée en lustre métallique brun sur glaçure opaque blanche d’un rondeau de palmettes entrecoupées de bandes rayonnantes et d’une frise concentrique d’inscriptions pseudo-coufiques. Motifs en « virgules » et points au revers. Pièce complète, fissures Iran, art ilkhanide de Kashan, 13e siècle Diamètre : 19,7 cm 2 000/3 000 € 101 102 Bol à décor de personnage Pâte siliceuse à décor peint sous glaçure incolore. -
PDF Fileiranian Migrations to Dubai: Constraints and Autonomy of A
Iranian Migrations to Dubai: Constraints and Autonomy of a Segmented Diaspora Amin Moghadam Working Paper No. 2021/3 January 2021 The Working Papers Series is produced jointly by the Ryerson Centre for Immigration and Settlement (RCIS) and the CERC in Migration and Integration www.ryerson.ca/rcis www.ryerson.ca/cerc-migration Working Paper No. 2021/3 Iranian Migrations to Dubai: Constraints and Autonomy of a Segmented Diaspora Amin Moghadam Ryerson University Series Editors: Anna Triandafyllidou and Usha George The Working Papers Series is produced jointly by the Ryerson Centre for Immigration and Settlement (RCIS) and the CERC in Migration and Integration at Ryerson University. Working Papers present scholarly research of all disciplines on issues related to immigration and settlement. The purpose is to stimulate discussion and collect feedback. The views expressed by the author(s) do not necessarily reflect those of the RCIS or the CERC. For further information, visit www.ryerson.ca/rcis and www.ryerson.ca/cerc-migration. ISSN: 1929-9915 Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 Canada License A. Moghadam Abstract In this paper I examine the way modalities of mobility and settlement contribute to the socio- economic stratification of the Iranian community in Dubai, while simultaneously reflecting its segmented nature, complex internal dynamics, and relationship to the environment in which it is formed. I will analyze Iranian migrants’ representations and their cultural initiatives to help elucidate the socio-economic hierarchies that result from differentiated access to distinct social spaces as well as the agency that migrants have over these hierarchies. In doing so, I examine how social categories constructed in the contexts of departure and arrival contribute to shaping migratory trajectories. -
Googoosh and Diasporic Nostalgia for the Pahlavi Modern
Popular Music (2017) Volume 36/2. © Cambridge University Press 2017, pp. 157–177 doi:10.1017/S0261143017000113 Iran’s daughter and mother Iran: Googoosh and diasporic nostalgia for the Pahlavi modern FARZANEH HEMMASI University of Toronto Faculty of Music, 80 Queen's Park, Toronto, Ontario, M5S 2C5, Canada E-mail: [email protected] Abstract This article examines Googoosh, the reigning diva of Persian popular music, through an evaluation of diasporic Iranian discourse and artistic productions linking the vocalist to a feminized nation, its ‘victimisation’ in the revolution, and an attendant ‘nostalgia for the modern’ (Özyürek 2006) of pre-revolutionary Iran. Following analyses of diasporic media that project national drama and desire onto her persona, I then demonstrate how, since her departure from Iran in 2000, Googoosh has embraced her national metaphorization and produced new works that build on historical tropes link- ing nation, the erotic, and motherhood while capitalising on the nostalgia that surrounds her. A well-preserved blonde in her late fifties wearing a silvery-blue, décolletage-revealing dress looks deeply into the camera lens. A synthesised string section swells in the back- ground. Her carefully groomed brows furrow with pained emotion, her outstretched arms convey an exhausted supplication, and her voice almost breaks as she sings: Do not forget me I know that I am ruined You are hearing my cries IamIran,IamIran1 Since the 1979 establishment of the Islamic Republic of Iran, Iranian law has dictated that all women within the country’s borders must be veiled; women must also refrain from singing in public except under circumscribed conditions. -
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To:$M.r$Ahmad$Shahid$ Special$Rapporteur$on$the$human$rights$situation$in$Iran$ $ Dear%Sir,% % such%as%equal%rights%to%education%for%everyone,%preventing%the%dismissal%and%forced%retirements%of% dissident%university%professors,%right%of%research%without%limitations%in%universities%and%to%sum%up% expansion%of%academic%liberties.%Student%activists%have%also%been%pursuing%basic%rights%of%the%people% such%as%freedom%of%speech,%press,%and%rallies,%free%formation%and%function%of%parties,%syndicates,%civil% associations%and%also%regard%of%democratic%principles%in%the%political%structure%for%many%years.% % But%unfortunately%the%regime%has%rarely%been%friendly%towards%students.%They%have%always%tried%to%force% from%education,%banishments%to%universities%in%remote%cities,%arrests,%prosecutions%and%heavy%sentences% of%lashing,%prison%and%even%incarceration%in%banishment,%all%for%peaceful%and%lawful%pursuit%of%the% previously%mentioned%demands.%Demands%which%according%to%the%human%rights%charter%are%considered% the%most%basic%rights%of%every%human%being%and%Islamic%Republic%of%Iran%as%a%subscriber%is%bound%to% uphold.% % The%government%also%attempts%to%shut%down%any%student%associations%which%are%active%in%peaceful%and% lawful%criticism,%and%their%members%are%subjected%to%all%sorts%of%pressures%and%restrictions%to%stop%them.% Islamic%Associations%for%example%which%have%over%60%years%of%history%almost%twice%as%of%the%Islamic% republic%regimeE%and%in%recent%years%have%been%the%only%official%criticizing%student%associations%in% universities,%despite%their%massive%number%of%student%members,%have%been%shut%down%by%the% -
List of Cities in Iran
S.No. Name of City 1 Abadan 2 Abadeh 3 Abyek 4 Abhar 5 Abyaneh 6 Ahar 7 Ahvaz 8 Alavicheh 9 Aligoodarz 10 Alvand 11 Amlash 12 Amol 13 Andimeshk 14 Andisheh 15 Arak 16 Ardabil 17 Ardakan 18 Asalem 19 Asalouyeh 20 Ashkezar 21 Ashlagh 22 Ashtiyan 23 Astaneh Arak 24 Astaneh-e Ashrafiyyeh 25 Astara 26 Babol 27 Babolsar 28 Baharestan 29 Balov 30 Bardaskan 31 Bam 32 Bampur 33 Bandar Abbas 34 Bandar Anzali 35 Bandar Charak 36 Bandar Imam 37 Bandar Lengeh 38 Bandar Torkman 39 Baneh 40 Bastak 41 Behbahan 42 Behshahr 43 Bijar 44 Birjand 45 Bistam 46 Bojnourd www.downloadexcelfiles.com 47 Bonab 48 Borazjan 49 Borujerd 50 Bukan 51 Bushehr 52 Damghan 53 Darab 54 Dargaz 55 Daryan 56 Darreh Shahr 57 Deylam 58 Deyr 59 Dezful 60 Dezghan 61 Dibaj 62 Doroud 63 Eghlid 64 Esfarayen 65 Eslamabad 66 Eslamabad-e Gharb 67 Eslamshahr 68 Evaz 69 Farahan 70 Fasa 71 Ferdows 72 Feshak 73 Feshk 74 Firouzabad 75 Fouman 76 Fasham, Tehran 77 Gachsaran 78 Garmeh-Jajarm 79 Gavrik 80 Ghale Ganj 81 Gerash 82 Genaveh 83 Ghaemshahr 84 Golbahar 85 Golpayegan 86 Gonabad 87 Gonbad-e Kavous 88 Gorgan 89 Hamadan 90 Hashtgerd 91 Hashtpar 92 Hashtrud 93 Heris www.downloadexcelfiles.com 94 Hidaj 95 Haji Abad 96 Ij 97 Ilam 98 Iranshahr 99 Isfahan 100 Islamshahr 101 Izadkhast 102 Izeh 103 Jajarm 104 Jask 105 Jahrom 106 Jaleq 107 Javanrud 108 Jiroft 109 Jolfa 110 Kahnuj 111 Kamyaran 112 Kangan 113 Kangavar 114 Karaj 115 Kashan 116 Kashmar 117 Kazeroun 118 Kerman 119 Kermanshah 120 Khalkhal 121 Khalkhal 122 Khomein 123 Khomeynishahr 124 Khonj 125 Khormuj 126 Khorramabad 127 Khorramshahr -
Women Musicians and Dancers in Post-Revolution Iran
Negotiating a Position: Women Musicians and Dancers in Post-Revolution Iran Parmis Mozafari Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Music January 2011 The candidate confIrms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. 2011 The University of Leeds Parmis Mozafari Acknowledgment I would like to express my gratitude to ORSAS scholarship committee and the University of Leeds Tetly and Lupton funding committee for offering the financial support that enabled me to do this research. I would also like to thank my supervisors Professor Kevin Dawe and Dr Sita Popat for their constructive suggestions and patience. Abstract This research examines the changes in conditions of music and dance after the 1979 revolution in Iran. My focus is the restrictions imposed on women instrumentalists, dancers and singers and the ways that have confronted them. I study the social, religious, and political factors that cause restrictive attitudes towards female performers. I pay particular attention to changes in some specific musical genres and the attitudes of the government officials towards them in pre and post-revolution Iran. I have tried to demonstrate the emotional and professional effects of post-revolution boundaries on female musicians and dancers. Chapter one of this thesis is a historical overview of the position of female performers in pre-modern and contemporary Iran.