PSA International Conference 2-4 April 2018, Cardiff University Performativity, Parody and Post-Marxism: Reading Capital All Over Again Terrell Carver Professor of Political Theory School of Sociology, Politics & International Studies University of Bristol, UK
[email protected] [This text is adapted from the typescript of my book, Marx, Polity Press, 2018.] Abstract Reading Capital as a work of modern economics has never been a success. This is because ‘positive’ economics relies for its scientific status on a commonplace epistemology of empiricism, claims to a methodology of heuristic abstraction notwithstanding. Reading Capital all over again as a parodic political intervention is closer to the text’s own terms and therefore more likely to make sense of it. Marx’s appropriation of idealism’s ‘active side’ presupposed his critique of ‘all hitherto existing materialism’. Thus his major concepts – commodity, value, money, capital – are all performatives. Performatives are discursive practices that enact or produce what they name; they have no ontological status apart from the activities that constitute their reality. It follows that other activities will constitute other realities, and Marx’s ‘critique of the economic categories’ works politically to that end. The ontological assumptions, as well as the political content, of even ‘Marxist economics’ are at odds with Marx’s quite different project. 1 Performativity, Parody and Post-Marxism: Reading Capital All Over Again1 Before we consider ‘Marx’ and his masterwork Capital, we need to pause and reflect on exactly what we as readers are characteristically presupposing about the person and the work. Rather than presuming that Marx was a ‘thinker’ and that Capital (as an incomplete ‘whole’ or in its ‘theoretical’ parts) is an instance of his ‘thought’, I am suggesting that we try an alternative perspective, namely that of ‘do-er’ – as applied to both the person and the book.