Zhang Kechun Artworks

Total Page：16

File Type：pdf, Size：1020Kb

GALERIE PARIS-BEIJING ZHANG KECHUN ARTWORKS The Yellow River People Crossing the Yellow River with a Photo of Mao Zedong, Henan, 2012 Size A: 115 x 157 cm Size B: 100 x 120 cm Size C: 75 x 100 cm 2011 Size A: 115 x 157 cm Size B: 100 x 120 cm Size C: 75 x 100 cm The man who pumped from the desert, Ningxia, 2012 Size A: 115 x 157 cm Size B: 100 x 120 cm Size C: 75 x 100 cm 2012 Size A: 115 x 157 cm Size B: 100 x 120 cm Size C: 75 x 100 cm 2015 Size A: 115 x 157 cm Size B: 100 x 120 cm Size C: 75 x 100 cm 2015 Size A: 115 x 157 cm Size B: 100 x 120 cm Size C: 75 x 100 cm 2012 Size A: 115 x 157 cm Size B: 100 x 120 cm Size C: 75 x 100 cm Two men painting a house in the River, Gansu, 2011 Size A: 115 x 157 cm Size B: 100 x 120 cm Size C: 75 x 100 cm Two men painting a house in the River, Gansu, 2011 Size A: 115 x 157 cm Size B: 100 x 120 cm Size C: 75 x 100 cm 2011 Size A: 115 x 157 cm Size B: 100 x 120 cm Size C: 75 x 100 cm The River among Mountains, Gansu, 2011 Size A: 115 x 157 cm Size B: 100 x 120 cm Size C: 75 x 100 cm Lanzhou City, Gansu, 2012 Size A: 115 x 157 cm Size B: 100 x 120 cm Size C: 75 x 100 cm Between the mountains and water 2014 Size A: 135 x 167 cm Size B: 90 x 110 cm 2014 Size A: 135 x 167 cm Size B: 90 x 110 cm 2013 Size A: 135 x 167 cm Size B: 90 x 110 cm 2014 Size A: 135 x 167 cm Size B: 90 x 110 cm 2015 Size A: 135 x 167 cm Size B: 90 x 110 cm WANG BING I GALERIE PARIS-BEIJING Born in Xi’an in 1967, China Currently lives and works in Beijing, China EXHIBITIONS 2013 The 4th edition of PHOTOQUAI world photography biennale, Musee de Quai Branly, Paris, France The 6rd L’Iris d’Or Award Exhibition, somersethouse, London, UK Collection Exhibition, 1st Beijing Photo Biennial, The China Millennium Monument, Beijing, China Delhi International Photography Festival, Delhi, India The 5rd Dali International Photography Biennale, Dali, China The 6rd LOOK3 Festival of the Photograph, Charlottesville, USA The 3rd Chengdu Multi-dimensional View Exhibition, Fanmate Art Museum, Chengdu, China Remote Places, Close Spaces, Street Level Photoworks, Glasgow, UK The 1rd Future Master Exhibition, Winshare Art Museum, Chengdu, China 2012 Get It Louder, Sanlitun Village, Beijing, China The Interactions - Yixian International Photo Festival,Yixian, China The 8rd Angkor Photography Festival, Siempeap, Kampuchea THERE THERE - Photographic Exhibition, Cork City, Ireland The 4rd Jinan International Photography Biennale, Jinan, China CAFAM - Future Exhibition, CAFA Art Museum, Beijing, China Crossover: The 2013 Three Shadows Photography Award Exhibition, Beijing, China 2010 Right In Front of Your Eyes, Chengdu International Photography Center, Chengdu, China Southern Documentary Photography Exhibition, Guangdong, China AWARDS 2014 Les Rencontres d’Arles Discovery Award, winner Daynight photo awards, winner Prix HSBC pour la Photographie, nominated 2013 Sony World Photography Awards, nominated 2012 Sony World Photography Awards, nominated 2008 National Geographic Picks Global, winner PRESS .

Copy Link

Recommended publications

The Politics of Photographic Representation in Postsocialist China
Staging the Future: The Politics of Photographic Representation in Postsocialist China by James David Poborsa A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of East Asian Studies University of Toronto © Copyright by James David Poborsa 2018 Staging the Future - The Politics of Photographic Representation in Postsocialist China James David Poborsa Doctor of Philosophy Department of East Asian Studies University of Toronto 2018 Abstract This dissertation examines the changing nature of photographic representation in China from 1976 until the late 1990s, and argues that photography and photo criticism self-reflexively embodied the cultural politics of social and political liberalisation during this seminal period in Chinese history. Through a detailed examination of debates surrounding the limits of representation and intellectual liberalisation, this dissertation explores the history of social documentary, realist, and conceptual photography as a form of social critique. As a contribution to scholarly appraisals of the cultural politics of contemporary China, this dissertation aims to shed insight into the fraught and often contested politics of visuality which has characterized the evolution of photographic representation in the post-Mao period. The first chapter examines the politics of photographic representation in China from 1976 until 1982, and explores the politicisation of documentary realism as a means of promoting modernisation and reform. Chapter two traces the internationalisation
[Show full text]
Urban Demolition and the Aesthetics of Recent Ruins In
Urban Demolition and the Aesthetics of Recent Ruins in Experimental Photography from China Xavier Ortells-Nicolau Directors de tesi: Dr. Carles Prado-Fonts i Dr. Joaquín Beltrán Antolín Doctorat en Traducció i Estudis Interculturals Departament de Traducció, Interpretació i d’Estudis de l’Àsia Oriental Universitat Autònoma de Barcelona 2015 ii 工地不知道从哪天起，我们居住的城市变成了一片名副其实的大工地这变形记的场京仿佛一场反复上演的噩梦，时时光顾失眠着走到睡乡之前的一刻就好像门面上悬着一快褪色的招牌 “欢迎光临”，太熟识了以到于她也真的适应了这种的生活 No sé desde cuándo, la ciudad donde vivimos 比起那些在工地中忙碌的人群 se convirtió en un enorme sitio de obras, digno de ese 她就像一只蜂后，在一间屋子里 nombre, 孵化不知道是什么的后代 este paisaJe metamorfoseado se asemeja a una 哦，写作，生育，繁衍，结果，死去 pesadilla presentada una y otra vez, visitando a menudo el insomnio 但是工地还在运转着，这浩大的工程 de un momento antes de llegar hasta el país del sueño, 简直没有停止的一天，今人绝望 como el descolorido letrero que cuelga en la fachada de 她不得不设想，这能是新一轮 una tienda, 通天塔建造工程：设计师躲在 “honrados por su preferencia”, demasiado familiar, 安全的地下室里，就像卡夫卡的鼹鼠， de modo que para ella también resulta cómodo este modo 或锡安城的心脏，谁在乎呢？ de vida, 多少人满怀信心，一致于信心成了目标 en contraste con la multitud aJetreada que se afana en la 工程质量，完成日期倒成了次要的 obra, 我们这个时代，也许只有偶然性突发性 ella parece una abeja reina, en su cuarto propio, incubando quién sabe qué descendencia. 能够结束一切，不会是“哗”的一声。 Ah, escribir, procrear, multipicarse, dar fruto, morir, pero el sitio de obras sigue operando, este vasto proyecto 周瓒 parece casi no tener fecha de entrega, desesperante, ella debe imaginar, esto es un nuevo proyecto, construir una torre de Babel: los ingenieros escondidos en el sótano de seguridad, como el topo de Kafka o el corazón de Sión, a quién le importa cuánta gente se llenó de confianza, de modo que esa confianza se volvió el fin, la calidad y la fecha de entrega, cosas de importancia secundaria.
[Show full text]
July/August 2016 Volume 15, Number 4 Inside
J U L Y / A U G U S T 2 0 1 6 VOLUME 15, NUMBER 4 INSIDE Cross-Cultural Encounters in Modernist Calligraphy Hong Kong After the Umbrella Protests New Media Arts from Taiwan Artist Features: susan pui san lok, Wang Bing, Xie Nanxing, Zhang Kechun Buried Alive: Preface US$12.00 NT$350.00 PRINTED IN TAIWAN 6 VOLUME 15, NUMBER 4, JULY/AUGUST 2016 CONTENTS 29 2 Editor’s Note 4 Contributors 6 Lines in Translation: Cross-Cultural Encounters in Modernist Calligraphy, Early 1980s–Early 1990s Shao-Lan Hertel 53 29 Spots, Dust, Renderings, Picabia, Case Notes, Flavour, Light, Sound, and More: Xie Nanxing’s Creations Carol Yinghua Lu 45 Zhang Kechun: Photographing "China’s Sorrow" Adam Monohon 53 Hong Kong After the Umbrella Protests John Batten 65 65 RoCH Redux Alice Ming Wai Jim 71 Wuxia Makes Me Nervous Henry Tsang 76 New and Greater Prospects Beyond the Frame: New Media Arts from Taiwan Claudia Bohn-Spector 81 In and Out of the Dark with Extreme Duration: Documenting China One Person at a Time in 76 the Films of Wang Bing Brian Karl 91 Buried Alive: Preface Lu Huanzhi 111 Chinese Name Index Cover: Zhang Kechun, Buddha in a Coal Yard, Ningxia (detail), 81 from the series The Yellow River, 2011, archival pigment print, 107.95 x 132 cm. © Zhang Kechun. Courtesy of the artist. We thank JNBY Art Projects, D3E Art Limited, Chen Ping, and Stephanie Holmquist and Mark Allison for their generous contribution to the publication and distribution of Yishu. Vol. 15 No.
[Show full text]
पेटट कायालय Official Journal of the Patent Office
पेटट कायालय शासकय जनल OFFICIAL JOURNAL OF THE PATENT OFFICE िनगमन सं. 12/2014 शुबवारü दनांक: 21/03/2014 ISSUE NO. 12/2014 FRIDAY DATE: 21/03/2014 पेटट कायालय का एक ूकाशन PUBLICATION OF THE PATENT OFFICE The Patent Office Journal 21/03/2014 8657 INTRODUCTION In view of the recent amendment made in the Patents Act, 1970 by the Patents (Amendment) Act, 2005 effective from 01st January 2005, the Official Journal of The Patent Office is required to be published under the Statute. This Journal is being published on weekly basis on every Friday covering the various proceedings on Patents as required according to the provision of Section 145 of the Patents Act 1970. All the enquiries on this Official Journal and other information as required by the public should be addressed to the Controller General of Patents, Designs & Trade Marks. Suggestions and comments are requested from all quarters so that the content can be enriched. (Chaitanya Prasad) CONTROLLER GENERAL OF PATENTS, DESIGNS & TRADE MARKS 21ST MARCH, 2014 The Patent Office Journal 21/03/2014 8658 CONTENTS SUBJECT PAGE NUMBER JURISDICTION : 8660 – 8661 SPECIAL NOTICE : 8662 – 8663 PUBLIC NOTICE FOR ENTRIES IN PATENT REGISTER : 8664 U/S (58)(3) IN PATENT 197257 (DELHI) EARLY PUBLICATION (DELHI) : 8665 – 8669 EARLY PUBLICATION (CHENNAI) : 8670 – 8689 PUBLICATION AFTER 18 MONTHS (DELHI) : 8690 – 9185 PUBLICATION AFTER 18 MONTHS (MUMBAI) : 9186 – 9316 PUBLICATION AFTER 18 MONTHS (CHENNAI) : 9317 – 9510 PUBLICATION AFTER 18 MONTHS (KOLKATA) : 9511 – 9562 AMENDMENT UNDER SEC. 57 (KOLKATA) :
[Show full text]
Bio from Zhang, GB Et Chinese
ZHANG KECHUN 张克纯 (Born in 1980) Zhang Kechun, born in 1980 in Sichuan province, China. He now lives and works in Chengdu. He won the National Geographic Picks Global Prize in 2008, was nominated by Three Shadow Photo Award in 2012, nominated by Sony World Photography Awards in 2012 and 2013, nominated by the Prix HSBC Pour la Photographie 2014. 2014 Daylight photo Award. 2014 Arles Photo Festival Discovery Award. His works were exhibited on 2012 CAFAM-Future Exhibition, 2013 Beijing Photo Biennial, 2013 PHOTOQUAI World Photography Biennale, 2014 Arles Photo Festival, 2014 Beijing +3 Gallery solo exhibition. His works were reported by many medias, such as Time, BBC News, Telegraph Magazine, China Photo Magazine and so on. He’s works have been collected internationally by many other museums and private Collectors from U.S.A, France, Germany, Japan and China, such as Chinese Image and Video Archive, Canada; Williams College Museum of Arts, USA; CAFA Art Museum, China 张克纯，1980 年生于中国四川, 现生活、工作于成都。他曾获得 2008 年美国国家地理摄影奖，2012 年三影堂摄影奖提名，2012 年及 2013 年索尼摄影奖提名，2014 年法国汇丰银行摄影奖提名,2014 年美国 DAYLIHGT 摄影奖,2014 年法国阿尔勒摄影节发现奖。他参加的主要展览包括：2012 年中央美术学院美术馆未来展，2013 年北京国际摄影双年展，2013 年法国巴黎 Photoquai 摄影双年展，2014 年法国阿尔勒摄影节以及 2014 年北京+3 画廊“北流活活”个展。他的作品曾在《时代周刊》《BBC News》《 Telegraph Magazine》《中国摄影》等媒体上刊载。他的作品已经被多家国际知名的博物馆以及个人收藏家收藏，诸如加拿大中国影像档案馆、中央美术学院美术馆、美国威廉斯学院美术馆。 La Galerie, 74 Hollywood Road, Central, Hong Kong www.lagalerie.hk Exhibition & Award 2013-The 4th edition of PHOTOQUAI world photography biennale (Musee de Quai Branly,Paris,France ) 2013-The 6rd L'Iris
[Show full text]
KECHUN Zhang
FOR IMMEDIATE RELEASE ATTENTION : Arts Editors and Photography Collectors LA GALERIE PRESENTS THE YELLOW RIVER BY ZHANG KECHUN Exhibition of photography Hong Kong, March 2015 – La Galerie on Hollywood Road in Hong Kong is presenting an exhibition of works by Zhang Kechun featuring art photographs taken on the banks of the 2nd longest river in China. The exhibition opens Thursday March 26th and will run until May 1st. Zhang Kechun has spent two years on the banks the Yellow River. He travels on a fold- up bicycle, following the river’s silted water from the coastal flats of Shandong, west, to the mountains of Qinghai. As a boy, he read about the mythic river. As a man, he went to find its source. The Yellow River is a project inspired by the novel River of the North written by Zhang Chengzhi. Attracted by the powerful words in this novel, Zhang Kechun decided to take a walk along the Yellow River to experience and feel the father-like broad and wide brought from this river. The artist targeted to find the root of his soul : « while along the way, the river from my mind was inundated by the stream of reality. The river, which once was full of legends, has gone and disappeared. » Through his work, Zhang Kechun wants to believe that nature and human beeings will together preserve the river. This collection shows also the drift of our materialistic society that pushes us to consume always more and more. But would possess more drive us to happiness ? For the photographer, nevertheless, as a vast country with a strong history, its future is always bright.
[Show full text]
DP Les Flots Écoulés Jumièges FINAL 02.06 EN
PRESS KIT Le Département de la Seine-Maritime présente LES FLOTS ÉCOULÉS NE REVIENNENT PAS À LA SOURCE Regards de photographes sur la rivière en Chine Abbaye de Jumièges 15 2011 juillet 29 : Zhang Kechun, Le ﬂeuve jaune. Un homme pompe au milieu du désert, Ningxia, nov. Artistes exposés : Yang Yongliang, Sui Taca, Luo Dan, Michael Cherney, Edward Burtynsky, Zhuang Hui, Chen Qiulin, Mu Ge, Liu Ke, Jia Zhangke, Chen Ronghui, Zhang Xiao, Zhang Kechun Commissaires d’exposition : Victoria Jonathan et Bérénice Angremy www.abbayedejumieges.fr Conception et réalisation : Département de la Seine-Maritime / Direction Communication l’Information - 2020 Photo SUMMARY THE EXHIBITION « FLOWING WATERS NEVER GO BACK TO THE SOURCE » 1 ARTISTS 3 CURATORS 10 EXHIBITION BOOK 12 JUMIÈGES ABBEY 13 EXHIBITION LABELED NORMANDY IMPRESSIONIST 15 ROYALTY-FREE PHOTOGRAPHS 16 PRACTICAL INFORMATION 24 THE EXHIBITION « FLOWING WATERS NEVER GO BACK TO THE SOURCE » Echoing the site of Jumièges Abbey, located near the Seine river, the exhibition “Flowing Waters Never Go Back to the Source. Photographers looking at the river in China” * focuses on the Chinese river, a seminal theme in contemporary photography in China, as seen through the eyes of thirteen photographers. From the re-appropriation of traditional Chinese painting where idealized landscapes seem suspended in time (“mountain-water”) to the accelerated modernization of the country and its consequences on nature and environment, and visual narratives using its evocative power, the river has formed a recurring motif of inspiration for photographers in China for the past twenty years - whether they are Chinese or not. Exhibited artists: Yang Yongliang, Sui Taca, Luo Dan, Michael Cherney, Edward Burtynsky, Zhuang Hui, Chen Qiulin, Mu Ge, Liu Ke, Jia Zhangke, Zhang Xiao, Chen Ronghui, Zhang Kechun.
[Show full text]
Shanghai Announces World-Class Galleries and Key Artists Within Its Public Program
For Immediate Release August 22 2017 PHOTOFAIRS | Shanghai announces world-class galleries and key artists within its public program • 8-10 September at Shanghai Exhibition Center (Collector & Press Preview, Thursday 7 September) • Full gallery list announced – 50 galleries and institutions from 16 countries and 28 cities, the most international edition to date • For press tickets and images contact [email protected] • www.photofairs.org #PHOTOFAIRS @Photo_Fairs London, August 22 2017: With less than one month until the opening of its fourth edition, PHOTOFAIRS | Shanghai today announces the prominent Chinese collectors and their artworks for its new Collectors’ Exhibition alongside the complete 2017 gallery list. The fair’s Presenting Partner, Porsche, also announces the debut of its ‘Fascination’ exhibition. PHOTOFAIRS | Shanghai was created to serve the growing demand for the collection of contemporary photography in China and across the Asia Pacific. The fair’s success since launching in 2014 has been key in driving the Chinese art market forward and positioning photography as the collectable medium of our generation. Through its hand-selected galleries and curated public programming, PHOTOFAIRS | Shanghai meets the demand for collectable, fine-art photography by giving individual collectors and curators from public museums and private collections unparalleled access to the leading Chinese and international artists working at the cutting-edge of photography and the medium’s foremost experts. PHOTOFAIRS | Shanghai 2017 is specifically
[Show full text]
Zhang Kechun
GALERIE PARIS-BEIJING BornZHANG in 1980 in Bazhong, KECHUN Sichuan Province, China Lives and works in Chengdu, Sichuan Province, China COLLECTIONS Chinese Image and Video Archive, Canada Williams College Museum of Arts, USA CAFA Art Museum, China SOLO EXHIBITIONS 2019 Where the River Bends, Threee Shadows Photography Art Centre, Beijing, China Zhang Kechun: New Work, Huxley-Parlour Gallery, London, UK Yellow Ricer of China, Wanda Hollensteiner Gallery, The Wright Museum at Beloit College, Wisconsin, USA 2016 Zhang Kechun - Between the Mountains and Water, La Galerie Paris 1839, Hong Kong Zhang Kechun, Huxley-Parlour, London, UK Zhang Xiao & Zhang Kechun, Double Solo Exhibitions, Aki Gallery, Taipei 2015 The Yellow River solo Exhibition, La Galerie Paris 1839, Hong Kong The Metaphorical River, 10 Corso Como, Shanghai, China 2014 The Yellow River, Three shadows +3 gallery, Beijing, China GROUP EXHIBITIONS 2020 Bangkok Art Biennale, Bangkok, Thailand China Imagined, Breda Photo 2020, Grote Kerke (Big Church), Breda, Netherlands Les flots écoulés ne reviennent pas à leur source, Abbaye de Jumièges, France 2019 Art Xiamen 2019, Three Shadows +3 Gallery, Xiamen, China Photo London 2019, Huxley-Parlour, London, UK The Photography Show 2019, Huxley-Parlour, Birmingham, New York, USA Beijing Contemporary 2019, Beijing, China Golden Panda Photography Awards 2019 Exhibition, Chengdu Contemporary Image Museum, Chengdu, China 2018 The Photography Show 2018, Huxley-Parlour, Birmingham, UK Seoul Photo Festival 2018, Brave New World, Seoul Museum of Art,
[Show full text]
ZHANG KECHUN Born on December 14Th, 1980, in Bazhong, Sichuan Province, China
ZHANG KECHUN Born on December 14th, 1980, in Bazhong, Sichuan Province, China. Works and lives in Chengdu, Sichuan Province, China. COLLECTIONS Chinese Image and Vedio Archive, Canada Williams College Museum of Arts, USA CAFA Art Museum, China EXHIBITIONS 2017 FotoFest – International Discoveries VI, Silver Street Studios, Houston, USA 2013 The 4th edition of PHOTOQUAI world photography biennale, Musee du Quai Branly, Paris, France The 6rd L’Iris d’Or Award Exhibition, Somerset House, London, UK Collection Exhibition, 1st Beijing Photo Biennial, The China Millennium Monument, Beijing, China Delhi International Photography Festival, Delhi, India The 5rd Dali International Photography Biennale, Dali, China The 6rd LOOK3 Festival of the Photograph, Charlottesville, USA The 3rd Chengdu Multi-dimensional View Photo Exhibition, Fanmate Art Museum, Chengdu, China Remote Places, Close Spaces – Street Level Photoworks, Glasgow, United King- dom The 1rd Future Master Exhibition, Winshare Art Museum, Chengdu, China 2012 Get It Louder, Sanlitun Village, Beijing, China The Interactions – Yixian International Photo Festival, Yixian, China The 8rd Angkor Photography Festival, Siemreap, Kampuchea THERE THERE – Photographic Exhibition, Cork City, Ireland The 4rd Jinan International Photography Biennale, Jinan, China CAFAM – Future Exhibition, CAFA Art Museum, Beijing, China Crossover: The 2013 Three Shadows Photography Award Exhibition, Three Sha- dows Photography Centre, Beijing 2010 Right In Front of Your Eyes Exhibition, Chengdu International Photography Center, Chengdu, China Southern Documentary Photography Exhibition, Guangdong, China AWARDS 2014 Les Rencontres d’Arles Discovery Award, winner Daynight photo awards, winner The Prix HSBC pour la Photographie, nominated 2013 Sony World Photography Awards, nominated 2012 Sony World Photography Awards, nominated 2008 National Geographic Picks Global, winner.
[Show full text]
ASPAC 2016 Beyond Cultural Eulogy and Temporal Elegy: Situating
ASPAC 2016 2016 Beyond Cultural Eulogy and Temporal Elegy: Situating Zhang Kechun’s Yellow River Photo Series in the Visual Culture of the Yellow River in the Post-Socialist Era Xing Zhao Art History, Theory, and Criticism University of California, San Diego 9500 Gilman Drive, La Jolla, CA 92093 In 2013, Zhang Kechun (b. 1980) exhibited his first photo series Yellow River 北流活活, which took him four years to complete. Nominated by Bohnchang Koo, this project soon received international recognition and won the Discovery Award at the 2013 Rencontres d’Arles, France.i This series consists of forty-nine photos which were taken in the cities, townships, villages, and less cultivated lands along the Yellow River. The photos primarily depict either artificial or intrinsic landscapes, and some frame human activities in minimal scales. W.J.T. Mitchell claims that, “Landscape is a natural scene mediated by culture. It is both a represented and presented space, both a frame and what a frame contains, both a real place and its simulacrum, both a package and the commodity inside the package.”ii The modern and contemporary visual and textual elaboration and appropriation, carrying human wills, exploits and overshadows the ontology of the Yellow River. For a long time, the Yellow River, known as the mother river of China, and the land along it, called the Yellow Earth Plateau, have been tightly associated with sociocultural, ethnical, spiritual, geopolitical and historical metaphors and allegories. It was given the personification as a loving mother, a cruel ruler, or a tough survivor. In short, it plays an important role in the formation and function of an imagined organic community and an imagined organic continuity which together construct the awareness and consciousness of China as an entity on multiple levels.
[Show full text]
Chapter I Yangtze the Mother River
COPYRIGHT STATEMENT This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis and no information derived from it may be published without the author’s prior consent. 1 YANGTZE THE MOTHER RIVER Photography, Myth and Deep Mapping By YAN WANG PRESTON A thesis submitted to Plymouth University in partial fulfilment of the degree of DOCTOR OF PHILOSOPHY School of Art, Design and Architecture May 2017 2 Table of Contents ACKNOWLEDGEMENTS 5 AUTHOR’S DECLARATION 6 ABSTRACT 10 NOTES TO READER 12 INTRODUCTION 15 CHAPTER I 29 YANGTZE THE MOTHER RIVER 29 PART I: ESSENTIAL FACTS AND FIGURES ABOUT THE YANGTZE RIVER 31 PART II: SONG OF THE LONG RIVER 35 PART III: YANGTZE LANDSCAPES IN TRADITIONAL CHINA 39 PART IV: YANGTZE LANDSCAPES IN MODERN CHINA: 1949-1980S 47 CHAPTER CONCLUSION 63 CHAPTER II 65 MAPPING AND THE TOPOGRAPHIC LANDSCAPE – MY ARTISTIC LINEAGE 65 PART I: THE PROTOCOL 67 PART II: INDIVIDUAL CASE STUDIES 77 CHAPTER CONCLUSION 101 CHAPTER III 104 PHOTOGRAPHING THE YANGTZE – A WIDER CONTEXT 104 PART I: HISTORICAL YANGTZE PHOTOGRAPHY: 1840S–1940S 104 PART II: CRITICAL CONTEMPORARY CHINESE YANGTZE PHOTOGRAPHERS: 1990S - 2016 122 PART III: CRITICAL CONTEMPORARY FOREIGN YANGTZE PHOTOGRAPHERS SINCE THE 2000S 139 CHAPTER CONCLUSION 147 CHAPTER IV 150 FROM A YANGTZE PHOTOGRAPHER TO A YANGTZE SWIMMER 150 THE CHANGING RESEARCH METHODS 150 ROLE I. A YANGTZE PHOTOGRAPHER 153 ROLE II: A YANGTZE SEEKER 169 ROLE III: A YANGTZE SWIMMER 194 CHAPTER CONCLUSION 205 CHAPTER V 209 A RETURN TO PHOTOGRAPHIC MAPPING – THE Y POINTS SYSTEM 209 PART I: THE PHYSICAL REALISATION OF THE Y POINTS SYSTEM 211 PART II: THE Y POINTS SYSTEM EVALUATION 218 PART III: EDITING AND PRESENTING THE WORK 248 PART IV: PUBLIC RESPONSES TOWARDS MOTHER RIVER EXHIBITIONS IN CHINA 254 CHAPTER CONCLUSION 257 3 CONCLUSION 261 NOTE 279 BIBLIOGRAPHY 286 PART I: ENGLISH SOURCES 286 PART II: CHINESE PUBLICATIONS 中文文献索引 301 APPENDIX I ERROR! BOOKMARK NOT DEFINED.
[Show full text]