Appendix: Films with Beach Endings

Almost all of these are seashore beaches. Lakeside beaches are included only if they function like a seashore; the two riverside beach endings, Sweet Sixteen and Baciami ancora, are special cases. Penult means the beach scene is followed by a coda/epilogue elsewhere; ES that it falls within an ending sequence. Bookend means the ending repeats or ech- oes the beginning. C century; fb fashback; inc. includes; TVS TV = = = = series; TVMS TV miniseries; v-o voice-over; X-cut cross cut; = = = y-o year-old. Not all voice-overs are noted. = Countries of origin are all in capitals. If no country is mentioned, it is the USA; with co-productions, only the country where the flm is set is usually cited. AUS Australia; BRA Brazil; CAN Canada; = = = FR France; GEO Georgia; GER Germany; GRE Greece; = = = = HK Hong Kong; ICE Iceland; IND India; INDO = = = = Indonesia; IS Israel; IT Italy; JAP Japan; MEX Mexico; = = = = NE Netherlands; NZ New Zealand; POR Portugal; SP Spain; = = = = SWE Sweden; TUR Turkey; W GER West Germany. Some coun- = = = tries are named in full. *the ending is discussed further in the text. **the ending is illustrated in a frame grab.

© The Editor(s) (if applicable) and The Author(s), under exclusive 273 license to Springer Nature Switzerland AG 2020 M. Walker, Endings in the Cinema, https://doi.org/10.1007/978-3-030-31657-0 274 Appendix: Films with Beach Endings

1900s 10 Gardian de la Camargue, Le FR: rejected in romance, man rides horse on beach and suicides in sea. 12 Sands of Dee, The* Heroine suicides in sea body ashore → → beach coda empty beach. → 14 Spoilers, The* Saloon girl leaving with reformed gambler; hero & heroine embrace; sunset. 18 When the Light Disappeared NE: husband’s infdelity leads blind heroine to drown herself body ashore. → 28 Chien Andalou, Un* FR: surrealist image of couple buried in sand; ‘au printemps’ on screen. 28 Submarine Two heroes come ashore by boat onto beach and go off together. 29 Rescue, The* Penult: hero and heroine part at grave of friend epilogue. → 35 Crime de Monsieur Lange, Le* FR: fugitive hero and heroine escape across beach towards frontier. 36 Road I Travel with You, The* JAP: at funeral, woman fees oppressive family atmosphere across beach. → 37 Nadare* JAP: woman rejects role as man’s mistress for quiet life with brother & dog. 39 Warm Current* JAP: having sent hero to marry another, hero- ine hides her tears. 41 Brothers and Sisters of the Toda Family JAP: man fees onto beach to avoid persistent suitor – comic. 42 Wake Island* WW2 Pacifc. Japanese victory coda: march- → ing US troops and fag. 43 Guadalcanal Diary* WW2 Pacifc. US troops control beach. 43 I Walked with a Zombie* Penult, night: man carries dezombifed lover into sea bodies home. → 43 Ordet SWE: wife waves to patriarch and sons as they ride horses on beach. 45 They Were Expendable* WW2 Philippines. US troops left behind as plane with senior offcers fies off. 46 Humoresque* Penult, night: heroine’s suicide X-cut with hero’s concert Liebestod epilogue. → 47 Ball at the Anjo House, The JAP: post-ball dawn: heroine and father on house porch look out at beach. 47 Tombolo, paradiso nero IT: shot by villain, hero dies on beach; cop salutes him. 47 Woman on the Beach, The* Studio, night. Blind husband burns paintings, rejects wife; hero leaves. 48 Si jolie petite plage, Une FR: hero suicides in blockhouse couple walk → on beach and cite flm’s title. 49 Late Spring* JAP: night, empty beach coda. 49 Whisky Galore* GB: couple walk on beach – the only islanders to get a happy ending. 50 Magnet, The GB: 10 y-o resolves his guilt about cheating by letting boy victim cheat him. Appendix: Films with Beach Endings 275

50 Pandora and the Flying Dutchman* GB, penult: out of fb, distant shot of reunion on beach epilogue in study. → 50 Treasure Island GB, 18th C: boy on beach helps pirate escape in a rowing boat with sail. 51 Distant Drums* 19th C Florida. Heroine will stay with hero and his son: kiss on lakeside beach. 52 Blackbeard the Pirate 18th C: pirate buried to head on shoreline and drowned; couple escape in boat. 52 Plaisir, Le* FR, 19th C: artist pushes disabled wife in wheelchair past Narrator. 52 Road to Bali Studio, comedy. Both women choose the hero, leaving buddy frustrated. 52 Subida al cielo* MEX, day-for-night: honeymoon couple and child they will adopt. 53 His Majesty O’Keefe* GB, 19th C Pacifc, biopic. Hero resolves tribal confict; foreigners expelled. 53 Master of Ballantrae, The GB, 18th C Scotland. Heroine on horseback joins fugitive heroes ride off. → 54 Drive a Crooked Road* Night: hero kills man assaulting woman; police arrive ironic coda. → 54 Sansho Dayu** JAP, 11th C: mother and son reunion. 54 Strada, La* IT, night: hero feels alone, mourns loss of heroine. 55 Female on the Beach* Night: bad woman arrested, beach bum hero joins heroine in beach house. 55 Kiss Me deadly* Apocalypse, night: atomic bomb in beach house hero & heroine fee into sea. → 55 Seven Cities of Gold* 18th C: renewal of Christian mission. 56 Carousel* Emblematic sunset as hero leaves beach to return to Heaven. 56 Forty First, The* USSR, Russian Civil War: Red heroine shoots White lover. 57 Sorority Girl* Bad woman expelled from sorority suicides in ocean empty beach. → 57 Yellow Crow, The JAP, New Year’s Day: family reconciliation: boy fies kite in competition. 58 Darby’s Rangers WW2 Italy. Saluting US troops perk up Darby crossing beach to landing craft. 58 Old Man and the Sea, The Hero’s dream of lions in Africa ends with shots of beach. 59 Beloved Infdel** Biopic: heroine mourns death of famous novelist hero. 59 Gidget* Young romantic couple at end of summer holidays. 59 Hole in the Head, A* Hero and young son reunite in shallows: hero- ine, brother and his wife arrive. 59 Plein soleil FR: cops arrive to arrest hero at beachside café for murder. 59 Quatre cents coups, Les** FR: adolescent hero at shoreline; unknown future: looks at camera. 276 Appendix: Films with Beach Endings

60 Dolce Vita, La** IT: socialites, fshermen, dead monster teen → girl offers, hero rejects renewal. 60 Where the Boys Are* Part studio: formation of young romantic couple at end of Spring holidays. 61 Battle at Bloody Beach WW2 Philippines. US hero & wife boat to sub; guerrilla on beach will fght on. 61 El Cid* 11th C Spain. Dead epic hero makes mythical ride along shoreline. 61 One-Eyed Jacks* Western: on horseback, hero & pregnant hero- ine part, but hope to meet again. 62 Ivan’s Childhood** USSR, WW2: dying fantasy: Ivan’s farewell to mother; runs with sister, fies. 62 Longest Day, The** WW2: end of D-Day assault landings → emblematic: GI helmet on sand. 62 What Ever Happened to Baby Jane?* Ageing sisters: one is dying; one goes mad. 62 Wrong Arm of the Law, The GB, part studio: criminals escape to south sea island and sell skirts. 63 Beach Party* Couples formed night: everyone parties on. → 63 Judex* FR: happy ending for hero, heroine, her daughter, and dog. 63 Lord of the Flies* GB: Arrival of Navy personnel on island halts schoolboy murderousness. 64 Black God White Devil* BRA: man runs, leaving wife behind camera → fies over deserted beach. 64 Zorba the Greek GRE: English hero shares Zorba’s insouciant zest for life by dancing with him. 65 Help! GB: Goonish silliness with various factions in slapstick climax. 65 Inside Daisy Clover* Heroine blows up beach house and sets off to freedom. 65 Sandpiper, The* Heroine paints with young son; estranged hero looks from clifftop, leaves. 65 Tattooed Life, A* JAP: hero buries carving at brother’s grave; farewell to heroine, off to jail. 65 Third Day, The Hero defeats villain, rescues kidnapped wife. 66 Glass Bottom Boat, The* Honeymooners in speedboat crash across beach and carry on snogging. 66 Seconds Hero’s dying memory: man, child and dog on beach. 66 Stranger Within a Woman, The* JAP: wife burdened with guilt at killing hus- band; children play happily. 67 Planet of the Apes** Hero in future discovers man’s past apocalypse: ruined Statue of Liberty. 68 Green Berets, The* Vietnam War. Hero marches orphaned boy across Vietnamese beach at sunset. 68 Will Our Heroes be able to Find their Friend who IT: man swims from ship to beach to join has Mysteriously Disappeared in Africa? Africans ship leaves. → 69 Age of Consent* AUS: couple frolic in shallows at night. 69 Last Summer* Post-trauma: freeze before teenagers reach deserted Edenic beach. Appendix: Films with Beach Endings 277

69 Lucia CUBA: macho husband of modern Lucia chases her around. 69 Ma nuit chez Maud* FR: hero’s saving lie to his wife; family off for a swim. 69 Tora-san, Our Lovable Tramp JAP: Tora-san and friend dance happily on beach. 70 Catch-22 WW2 Italy. Hero in dinghy paddles wildly to get away from empty beach. 70 If You Were Young: Rage JAP: hero and heroine meet at crashed truck site; he runs on shoreline. 71 Death in Venice** IT: death of middle-aged hero as he watches youth he desires. 71 Get Carter* GB: gangster hero shot dead on polluted beach. 71 Juste avant la nuit** FR: family recovers from death of hero, enacted by wife with his consent. 71 Lost Lovers JAP: hero walks with two blind deaf-mutes. 71 Out One: Noli me Tangere FR: theatrical games playing at sunset. 71 Summer of ’42* Nostalgic v-o as teenage hero walks on dunes emblematic sunset. → 72 King of Marvin Gardens, The* Grandfather watches home movie of two broth- ers playing as boys. 72 Rendezvous, The JAP: heroine waits in beach park for lover who won’t come waves. → 73 Paper Chase, The Cape Cod. Heroine celebrates divorce; hero throws away grades letter. 74 Harry and Tonto End of journey across US for ageing hero: builds sandcastles with boy. 75 Jaws* Two surviving shark killers return to shore. 76 Eagle Has Landed, The GB, WW2: heroine reads IRA lover’s letter → marooned boat stops his escape. 77 American Friend, The W GER, penult: Ripley left on beach by hero latter dies by river in car. → 77 Diabolo menthe** FR: lonely 14 y-o heroine looks at father: 400 coups homage photos. → 77 Last Wave, The* AUS: hero anticipates apocalyptic wave. 77 Semi-Tough* Miami. Post-interrupted wedding; formation of new couple on crowded beach. 78 Big Wednesday End of surfng era, three friends leave beach sunset. → 78 Coming Home* Suicide of husband X-cut with heroine shop- ping & her lover’s anti-war speech. 78 End, The Black comedy: ex-suicidal hero pursued in shallows by lunatic with knife. 78 Grease* Beach ending staged as pre-credits parody. 78 Piranha Piranhas reach the ocean and lurk offshore. 79 Black Stallion* Lost paradise (?): fb to idyllic time with boy and horse on island. 79 Escape from Alcatraz* Warden supervises search for signs of what happened to escaped prisoners. 278 Appendix: Films with Beach Endings

79 Nosferatu: Phantom der Nacht* W GER, 18th C: reborn as a vampire, hero rides across beach to spread disease. 79 Warriors, The Coney Island. Street gang have survived vio- lent journey home. 80 Blood Beach* Monsters still lurk under the sands beside unwitting beach goers. 80 Naissance du jour, La (TVM) FR: Colette takes dog down to beach at sunset. 80 Zigeunerweisen JAP: child beside beached boat beckons enigmatically. 81 Body Heat Femme fatale retires to tropical hideaway. 81 Buddy Buddy Beach house: fugitive buddy arrives to disrupt retired hitman’s island paradise. 81 Chariots of Fire* GB: lost paradise: iconic fb shots of runners on beach. 81 Eye of the Needle* GB, WW2: heroine kills enemy spy happy → ending with young son. 81 Four Friends* Lake Michigan. Night beach party with friends and partners; trunk ‘explodes’. 81 Girl with the Red Hair, The* NE, WW2: resistance heroine shot by Germans and buried on dunes. 81 S.O.B.* Dog on beach looks out to sea at mock Viking funeral and wags tail. 81 Tales of Ordinary Madness* IT: roused by teenage girl stripping naked, alcoholic poet delivers poem. 82 Nomad* HK: female Japanese Red Army assassin kills Chinese ship departure coda. → 83 Coup de foudre* FR: girl in beach house sees parents break up; sister & friends walk on beach. 83 Merry-go-round FR: in alternative reality, alter egos fnd har- mony on dunes. 83 Premiers désirs FR: after her night of erotic sex, the heroine runs to embrace her two friends. 83 Rumble Fish* After brother’s death, teen hero rides motor- bike to shore: 400 coups homage. 83 Trading Places* Hero, heroine, buddy and butler in tropical beach happy ending. 84 2010* ES: hero & family on beach included with emblematic shots around the Earth. 84 Harry & Son After Harry’s death, son forms new family with heroine and her son. 85 Cocoon Penult: boy at memorial service for people thought lost at sea spaceship. → 85 Commando* Beach war zone from hero’s assault; heroine fies him & daughter in seaplane. 85 Festa di laurea IT: beach credits for 16 mm documentary made of the party in the flm. 85 Fletch Hero and heroine walk on deserted Copacabana. 85 Parting Glances* Fire Island. Gay reunion: dying friend wants to go with hero to Africa. Appendix: Films with Beach Endings 279

86 Manhunter* Having survived serial killer’s attack, parents and son recover on beach. 86 Ruthless People* Married kidnappers reunite with loot; joined by now friendly kidnap victim. 87 Blind Date* Interrupted wedding swimming-pool → → honeymooners snog on dunes. 87 Throw Momma from the Train Hawaii. Happy ending of couple & sidekick recreates image in latter’s book. 87 Walker* 19th C, Honduras: beach execution of dictator Walker by fring squad at dawn. 88 Cobra Verde** W GER, 19th C, West Africa. German slaver fails to launch boat to escape. 88 Philosoph, Der W GER, Lake Wannsee. Hero dances with 3 ‘goddesses’ on beach at sunset. 88 Tequila Sunrise* Hero ‘reborn’ out of sea for happy ending with heroine. 89 Diamond Skulls UK: body at foot of cliffs looks like suicide, but is murder. 89 Glory* US Civil War biopic: mass grave of defeated black Union soldiers. 89 Mest KAZAKISTAN: two old women gossip. 89 Metropolitan Penult, winter: hero reconciles with heroine, joined by friend coda on road. → 89 Noce blanche* FR, Dunkirk. After hearing of young heroine’s suicide, hero sits & mourns. 90 C’est la vie* FR: teen heroine walks alone, v-o of her future letter to father; joins friends. 90 Field, The* UK: Irish patriarch’s rage causes accidental death of son; he rails at sea. 90 Havana* Florida Keys. Hero looks out to sea in vain hope of seeing heroine (sunset). 90 Longtime Companion* Fire Island. Lost paradise: fantasy reunion with dead gay friends. 90 Lord of the Flies* Arrival of marines on island halts military cadet murderousness. 90 Q & A Hero tracks woman he loves to Caribbean island beach and proposes: no reply. 91 Barton Fink** Hero on beach with hatbox fetish; recreation of picture in hotel room: insane? 91 Carne, La IT: insane hero offers murdered girlfriend’s fesh to sun god. 91 Jacquot de Nantes* FR, biopic: dying Jacques Demy on sands; gentle waves on shore. 91 Point Break* Australia. FBI hero frees surfer buddy to suicide in sea, throws away badge. 91 Scene at the Sea, A* JAP: heroine launches surfboard to sea to mourn hero beach memories. → 92 Living End, The After attempt to link sex and suicide fails, two HIV +ve men reconcile. 280 Appendix: Films with Beach Endings

92 Romper Stomper* AUS: to save heroine, buddy kills Nazi psycho- path, comforts her. 93 Carlito’s Way** Hero’s dying fantasy: heroine and son dance on tropical beach at sunset. 93 Caroline at Midnight Hero muses in v-o about dangers of noir life. 93 Philadelphia Wake of AIDS victim: home movie of childhood inc. beach scenes. 93 Secret of Roan Inish, The* Ireland. Cradle on beach and seal on rocks recall folk-tale elements. 93 Sonatine* JAP: post-credits empty beach: site of murder. 93 True Romance* Mexico. Heroine watches hero and their son play on beach at sunset. 94 Bella vita, La IT: hero swimming and wife on seashore rocks elsewhere linked by v-os. 94 Cold Fever ICE: Japanese hero and friend ride horses along Icelandic beach. 94 My Father the Hero Hero in cabin sees daughter & boyfriend on beach, phones girlfriend, proposes. 94 Postino, Il* IT: hero’s beach musing X-cut with demon- stration where friend killed poem. → 94 Shawshank Redemption, The* Mexico. Absconding parolee joins escaped hero on beach. 95 Carried Away* Honeymoon: hero and heroine visit seaside for frst time. 95 Dead Man 19th C West: dying hero launched in canoe; villain and Indian kill each other. 95 Waterworld* Post-apocalypse, penult: farewell on beach → boat departure clifftop. → 96 Driftwood* EIRE: drifting man washed up on second beach; two women eye him. 96 Love, etc.* FR, millennium New Year’s Day: heroine and two lovers celebrate on beach. 96 Truth about Cats and Dogs, The Couple snog on seaside bench; dog on railing contemplates beach at sunset. 97 Artemisia* FR, 17th C biopic: Artemisia sets up painting frame and studies the beach view. 97 Blackout, The* Night: alcoholic druggie actor suicides from guilt; girlfriend fails to prevent. 97 Hana-Bi** JAP: violent ex-cop hero shoots dying wife and self. 97 Knockin’ on Heaven’s Door* GER: men with cancer drive from Köln to Dutch coast: look at sea, one dies. 97 Kokkuri JAP: two schoolgirls suicide off bridge → bodies washed up on beach. 97 Under the Skin* UK, night: heroine scatters her half of her mother’s ashes: optimistic v-o. 98 City of Angels* After heroine’s death, angels at sunset: hero swims and enjoys feel of water. 98 Comte de Monte Cristo, Le (TVMS) FR, 19th C: happy ending: middle-aged hero and heroine frolic in sea. Appendix: Films with Beach Endings 281

98 Deep Impact* Apocalypse: 1st scene of ES: heroine and father killed on beach by tsunami. 98 Enemy of the State* ES: fugitive from US sends hero a beach mes- sage, beamed into latter’s TV. 98 Hilary and Jackie** UK: Jackie dies fb to Jackie as girl meeting → her adult self on shoreline. 98 Place Vendôme FR, Ostend. Man pursues heroine – lack of resolution. 98 Shakespeare in Love** 16th C: shipwrecked heroine arrives on unknown beach; hero writes her story. 98 Spiral, The JAP: his dead son resurrected, hero told he has released virus on world. 98 Wild Things ES ends with femme fatale making off with loot across beach. 99 Limbo Alaska. Hero, heroine and her daughter wait for plane and uncertain outcome. 99 Forces of Nature Penult: hero & bride beach honeymoon → undergrowth heroine & son in tree. → 99 Message in a Bottle* After hero’s death, heroine & his father say farewell on beach seashore shots. 2000s → 00 Beach, The* Lost paradise (?): photo of beach community on TV screen viewed by hero. 00 Bounce Hero and heroine reunite in beachside apart- ment walk onto beach together. → 00 Charlie’s Angels Holiday romp of three Angels and their minder; Charley secretly observes. 00 Eureka* JAP, ES: beach: girl recovers speaks in bus → hilltop: ‘Let’s go home’. → 00 Faithless SWE: writer fnishes manuscript, puts on music box, walks on beach. 00 Legend of Bagger Vance, The* Signalling his death, hero joins semi-mythical fgure on beach at sunset. 00 Patriot, The* War of Independence. ES: heroine reads hero’s letter to his children home. → 00 Possible Worlds* CAN: in hero’s post-mortem dream world, he and wife alone on beach. 00 Sous le sable** FR: heroine hallucinates husband’s return from earlier beach suicide. 01 American Pie 2 Vigorous copulation in car on edge of beach; alarm goes off – comic. 01 And Your Mother Too* MEX: penult: boys leave, heroine stays with beach community hear she died. → 01 Before You Go* UK: coda: home movie shot of girls running on beach from opening credits. 01 Behind the Sun* BRA: young peasant hero escapes feud and arrives at ocean to start new life. 01 Family JAP, Philippines. Yakuza and brother survive shootout he shoots at camera. → 282 Appendix: Films with Beach Endings

01 Mystic Masseur, The UK/IND, Trinidad. Retired hero paddles, superimposed with porch swing. 01 Stanza del fglio, La* IT: bereaved family walk on beach bus → departure. 01 Stickup, The Hero and heroine relax in hammock. 01 Summer Rain UK, Brighton. Night beach party day: new → romance for hero on beach bench. 02 Grosse Mädchen weinen nicht* GER: home movie of two friends as girls, play- ing on beach. 02 Road to Perdition* Penult, Lake Michigan. Fb framed by shots of youth on beach farm epilogue. → 02 Sweet Home Alabama* Penult: interrupted wedding beach reunion → in storm communal celebration. → 02 Sweet Sixteen* UK, Clyde estuary. Teen hero feeing from police: 400 coups homage. 02 Whale Rider* NZ: Maori haka and pregnant woman on beach canoe: 12 y-o heroine’s v-o. → 03 Caterina va in città IT, penult: 12 y-o Caterina writes diary, romps with boy at music school. → 03 I’ll Sleep when I’m Dead* UK: hero’s memory/fantasy of kid brother hitting golf balls into sea. 03 In-Laws, The* Small family wedding lakeside capture of → gangster woman swims to shore. → 03 Jism* IND: hero dies on pier: dying memory of femme fatale emerging from sea. 03 Liberi IT, penult: parents last dance on beachside foor teen hero swims college. → → 03 Ma che colpa abbiamo noi IT: pregnant woman walks on beach. 03 Moon Child* JAP: fantasy recreation of photo of friends on beach. 04 5X2* FR: ironic beginning of relationship: couple swim together at sunset. 04 Adam & Paul EIRE, dawn: Paul wakes, Adam dead from o.d; Paul takes his heroin. 04 Along Came Polly Hero with new girlfriend returns to holiday beach where his wife left him. 04 Birth** Interrupting her own wedding reception, heroine has breakdown on shoreline. 04 Eros: The dangerous thread of things IT: naked women lie on beach. 04 Eternal Sunshine of the Spotless Mind Couple frolic on snow-covered beach. 04 In Good Company Jogging on beach at sunset, young hero receives phone call from father fgure. 04 Manchurian Candidate, The* Traumatised hero puts memorial to dead com- rades in shallows, recalls past. 04 Sea Inside, The* SP: dead hero’s poem in v-o; two of his friends and their son play on beach. 04 Walk on Water IS: Sea of Galilee. Israeli’s dream: he and his German friend walk on water. 04 Yes Penult, Cuba. Heroine and hero frolic on beach narrator to camera coda. → Appendix: Films with Beach Endings 283

05 Chronicles of Narnia: The Lion, The Witch & the Children’s fantasy. 1st scene of ES: lion walks Wardrobe, The* on beach at sunset (ascension). 05 Girl from Monday, The Hero watches as alien heroine in sea tries to return to her planet. 05 Little Fish** AUS: body. Heroine, boyfriend & brother go for swim home movie bookend. → 05 Manuale d’amore* IT: middle-aged hero bonds with restaurateuse and her daughter. 05 Petit Lieutenant, Le FR, Nice, sunset. Police heroine upset at out- come of case looks at camera. → 05 Romanzo criminale* IT, fantasy: four young punks escape from police at twilight. 05 Sahara Monterey Bay. Away from Saharan perils, hero and heroine frolic in shallows. 05 Temps qui reste, Le* FR: dying of cancer, hero has fantasy of self as boy dies at sunset. → 06 Amico di famiglia, L’ IT, credits: cleaned-out moneylender scavenges beach for coins. 06 Apocalypto* 16th C, S America. Colonists in boats to shore hero and family into jungle. → 06 Atomised GER, lakeside beach: 3 friends in deckchairs, one fantasises dead girlfriend. 06 Black Book, The NE, penult: fb to WW2 from Israeli lakeside → coda in kibbutz. 06 Bobby* Credits: last photo from Kennedy album shows Bobby and dog on beach. 06 Counterfeiters, The GER, Monte Carlo. Man who lost counterfeit money dances with hooker. 06 Flags of our Fathers* WW2: men who planted Iwo Jima fag bathe in the sea. 06 Letters from Iwo Jima* WW2: emblematic shot of empty Iwo Jima beach. 06 Mr Lonely Penult: plane crash: nuns’ bodies in shallows surrealist bookend. → 06 Opera Jawa* INDO: ceremony for the dead: three killed in main drama, others in confict. 06 This is England* UK: 12 y-o hurls St George fag into sea; looks at camera: 400 coups homage. 07 Atonement UK: fantasy happy ending on Dover beach. 07 Beowulf Saga. New king fnds golden horn in sand; lured into sea by deadly siren. 07 Caravaggio** IT, 17th C, biopic. Caravaggio dies on beach hallucinating man on charger. 07 Catch and Release Heroine pursues hero to his beach house, fnds him on beach with dog. 07 Edge of Heaven, The TUR/ GER, Black Sea. Hero waits for his father to return from fshing. 07 Elegy Hero visits heroine in hospital beach scene → fb, slo-mo, credits. 284 Appendix: Films with Beach Endings

07 Pirates of the Caribbean: At World’s End Fantasy. ES: heroine has tryst with ‘dead’ husband pirate hero’s story. → 07 Ripple Effect Hero on beach at dawn family on beach up → to sunset. 07 Vie en rose, La FR, biopic. Piaf’s last interview on beach X-cut with last concert. 08 27 Dresses Heroine’s beach wedding, with 27 bridesmaids wedding photos credits. → 08 Adrift* BRA: father and daughter reunion family → photos coda. 08 Carriers* Post-apocalypse: survivor on beach X-cut with home movie childhood scenes. 08 Cold Souls Enigmatic dawn reunion: hero and drifting woman on Brighton Beach, NY. 08 Gomorra* IT: two teenage hoods shot by Camorra at sunset bodies into dumper. → 08 Partir* FR, credits: fb images of past happiness on beach with couple & his daughter. 08 What Happens in Vegas Penult: hero and heroine make up on beach, agree to re-marry comic coda. → 09 About Elly IRAN: heroine mourns in beach house; friends try and free car from sands. 09 Eclipse, The EIRE: hero walks his dog. 09 Fortapàsc IT, penult: empty beach where assassinated hero & editor walked jail coda. → 09 Meno male che ci sei* IT: teenage heroine, boyfriend, mother-fgure and latter’s baby walk together. 09 Road, The* Post-apocalypse: hero dies on beach; son taken in by family with dog. 09 Shinjuku Incident HK, bookend: Chinese boat people arrive on Japanese beach. 09 Storm* GER: beach remains in distance: unachieved beach ending. 10 Angèle et Tony FR: groom interrupts own wedding to take bride and her son to beach. 10 Baciami ancora** IT: ES ends on riverside beach: backpacker fnds Brazilian jungle paradise. 10 Chronicles of Narnia: The Voyage of the Dawn Children’s fantasy, penult: farewell to Narnia Treader, The** on beach portal home. → 10 Edge UK: saved from suicide by guests, heroine walks from hotel on wintry beach. 10 Harry Potter and the Deathly Hallows Part I Children’s fantasy, penult: hero & friends bury elf beside beach lakeside tomb. → 10 Island UK: heroine will take blame for mother’s death, and return later to her brother. 10 Last Song, The Penult: teenage heroine and boyfriend recon- cile she leaves for college. → 10 Knight and Day* Penult, Mexico: fugitive couple leave for Cape Horn his parents will also go. → Appendix: Films with Beach Endings 285

10 Lou* AUS: 12 y–o heroine, mother & sisters observe freighter: she dreams of travel. 10 Prima cosa bella, La IT: after mother’s funeral, hero to beach with girlfriend liberating swim. → 10 Submarine UK: 15 y-o hero makes up with girlfriend on shoreline at sunset. 10 Tree of Life 1st scene of ES: living and dead wander on a beach. 11 Corpo celeste IT: 13 y-o heroine arrives at rubbish-strewn beach boy shows her sandworm. → 11 Giochi d’estate IT, penult: 12 y-o boy & girl end of summer families leave; felds harvested. → 11 Intouchables FR, Dunkirk, biopic. Empty beach: futures of real-life men written on screen. 11 Pirates of the Caribbean: On Stranger Tides Fantasy. Pirate hero philosophises about life with sidekick. 11 Sarah’s Key* FR: heroine’s v-o: fb to teen Sarah’s 1st paddle young Sarah alone bookend. → 11 Take Shelter* Family views apocalyptic superstorm coming from sea. 11 Villaggio di cartone, Il* IT, credits: waves break at night on empty beach. 12 Barbara* GER, penult: Barbara helps teenage girl escape from E Germany epilogue. → 12 Blood UK: cop not arrested for manslaughter walks to sea: suicide? 12 Cloud Atlas* Alien planet. Saga narrated at night by elder to children. 12 E la chiamano estate IT, penult, night: sex-obsessed hero commits suicide happy fb coda. → 12 Haywire* Penult, sunset: heroine bests villain, he con- fesses, left to drown epilogue. → 12 Master, The Beach bookend: hero embraces sexualised female sand sculpture and sleeps. 12 Mea culpa FR: fb to photo taken on beach by cop hero’s wife of him and his friend. 12 Moonrise Kingdom* Lost paradise: vanished beach where runaway 12 y-o hero and heroine camped. 12 Savages Heroine muses on shoreline of exotic hidea- way; fb montage inc. beaches. 13 3 Days to Kill Beach (daughter), beach house (wife), cliffs (CIA handler): 3 women who pull hero. 13 About Time* UK, ES: hero & father time-travel to beach → coda credits inc. beach scenes. → 13 Beaux jours, Les FR: senior’s club members’ day out: heroine and husband frolic in sea. 13 Broadchurch (TVS) UK, night: community on beach and headland: beacons lit for murdered boy. 13 Calvary EIRE, penult: priest shot on beach his → daughter visits his killer in prison. 286 Appendix: Films with Beach Endings

13 Che strano chiamarsi Federico* IT, biopic: sitting in studio, Fellini looks out across beach, sea and sunset. 13 Complicated Story, A* HK: heroine muses: v-o of letter to lesbian friend & fbs tie threads together. 13 For Those in Peril** UK: town views dead monster home movie → fantasy: brothers are alive. → 13 Gangster Squad Cop hero throws badge into sea, joins wife and son on sands. 13 Tracks AUS, biopic: end of epic trek over W Australia, heroine swims in lagoon. 13 World War Z* Post-apocalypse: beach reunion of hero and family X-cut with zombie killing. 14 August Winds BRA: fshermen build wall to protect beach graveyard sea sweeps in past it. → 14 Backtrack AUS: hero says goodbye to his daughter’s ghost and embraces his wife. 14 Diary of a Teenage Girl Credits: teenage heroine and younger sister splash around in shallows. 14 Other Woman, The Youngest of trio of female friends ends on beach with father of eldest. 14 President, The** GEO: people debate what to do with their brutal deposed president kill him. → 14 Still Alice* Heroine with Alzheimer’s: home movie memory of childhood. 14 Tale of Samurai Cooking, A* JAP, penult: reunion as hero tracks heroine down countryside: their legacy. → 14 Trash* BRA/UK: three fugitive favela boys and girl escape villains & fnd paradise. 15 Arabian Nights Volume One: The Restless One POR: Aveiro, New Year’s Day. Annual commu- nity ‘swim’ in Atlantic. 15 Criminal* Watched by armed troops, ex-psycho hero reveals new persona: family unit. 15 Irrational Man* Heroine muses in v-o about the way things turned out. 15 Journey to the Shore JAP: heroine says farewell to revenant husband: he vanishes, she starts home. 15 Our Little Sister* JAP: post-funeral, four sisters to beach, three show love for youngest. 15 Revenants, Les (TVS) FR: heroine & girlfriend with adopted revenant boy – his beach happy ending. 16 Hologram for a King, A Penult, Saudi Arabia. Hero emails daughter → scenes of new life closing door. → 16 Moonlight* Fb: hero as 10 y-o looks out to sea, then turns to look at camera. 16 Rogue One ES: Blast over beach kills Rogue One leaders Star Wars saga continues. → 16 Shallows, The Heroine rescued after shark attack recov- → ered, returns with sister to surfng. 17 Ammore e malavita* IT, Hawaii: happy ending for fugitive Italians – hitman and pregnant heroine. Appendix: Films with Beach Endings 287

17 Baywatch Six members of Baywatch team run for exercise along shoreline. 17 Breathe* UK, biopic, credits: beach home movie of real- life hero: pulled in wheelchair. 17 Dunkirk* UK, WW2, Dunkirk. Pilot ditching plane X-cut with station ending in GB. 17 Memoir of War* FR, biopic: WW2 Dachau survivor attempts to recuperate on Italian beach. 17 My Cousin Rachel* UK, 19th C: heroine killed on beach hero & → family on another beach coda. → 17 On Chesil Beach* UK: fb to honeymoon, revealing hero’s responsibility for marital break-up. 17 Sicilian Ghost Story IT: 2 couples romp on beach: heroine seems to glimpse boy’s ghost bathing. 17 Submergence GER: hero’s sacrifcial death in Somalia X-cut with heroine’s survival in sub. 18 Baptiste (TVS) UK: Fbs from beach: Baptiste tells friend how various plot threads ended. 18 Mektoub, My Love* FR: hero fails to fnd woman encounters → another on beach, goes off with her. Index

0-9 About Time (R. Curtis, 2013), 254, 3 Days to Kill (McG, 2013), 285 286 3.10 to Yuma (D. Daves, 1957), 52 Above the Law (A. Davis, 1988), 81 5X2 (F. Ozon, 2004), 160, 165, 167, Abrahams, Harold, 250–251 282 Abrahams, Jim, 256 9/11, 71 Abrams, J.J., 42 21 Grams (A. González Iñárritu, Absolute Power (C. Eastwood, 1996), 2003), 56 22 27 Dresses (A. Fletcher, 2008), 255, Accident (J. Losey, 1967), 15 264, 284 Adam & Paul (L. Abrahamson, 2001: A Space Odyssey (Clarke novel), 2004), 282 16 Adamson, Andrew, 233 2001: A Space Odyssey (S. Kubrick, Adam’s Rib (G. Cukor, 1949), 89 1968), 16, 80, 83 Adelheid (F. Vláčil, 1969), 55 2010 (P. Hyams, 1984), 83, 278 Adieu Philippine (J. Rozier, 1963), 58 Adler, Carine, 221 Adrift (H. Dhalia, 2008), 257–258, A 284 Abduction Club, The (S. Schwartz, Affaire Farewell, L’ (C. Carion, 2009), 2001), 98 55 Abe Lincoln in Illinois (J. Cromwell, Affair to Remember, An (L. McCarey, 1940), 25, 26, 30, 34, 80, 86 1957), 23 Abe Lincoln in Illinois (Sherwood Age of Consent (Lindsay novel), 141 play), 25 Age of Consent (M. Powell, 1969), About Elly (A. Farhadi, 2009), 284 141–142, 264, 276

© The Editor(s) (if applicable) and The Author(s), under exclusive 289 license to Springer Nature Switzerland AG 2020 M. Walker, Endings in the Cinema, https://doi.org/10.1007/978-3-030-31657-0 290 Index

Agutter, Jenny, 74 Angèle et Tony (A. Delaporte, 2010), Ahn Byung-ki, 42 264, 284 Ai no corrida. See Empire of the Senses Anna Karenina (Tolstoy novel), 35 Alamo, The (J. Wayne, 1960), 62, 100 Annakin, Ken, 193 Aldrich, Robert, 206, 236 Anthony, Joseph, 79 Alessandrini, Goffredo, 21 Antoine, André, 17 Alfe (L. Gilbert, 1966), 78 Antonioni, Michelangelo, 65, 158 Alice in the Cities (W. Wenders, 1974), Aoyama, Shinji, 142 47, 143 Apartment, The (B. Wilder, 1960), 24 Allen, Woody, 15, 21, 24, 66, 98, 222 Apocalypto (M. Gibson, 2006), 132, All Quiet on the Western Front 133, 144, 283 (Remarque novel), 47 Apollo 13 (R. Howard, 1995), 65 All That Heaven Allows (D. Sirk, Apted, Michael, 233 1955), 68 Arabesque (S. Donen, 1966), 52 Almodóvar, Pedro, 86 Arabian Nights Volume One: The Along Came Polly (J. Hamburg, Restless One (M. Gomes, 2015), 2004), 282 286 Alsace (H. Pouctal, 1916), 22 Aranda, Vicente, 35 Altman, Robert, 55 Architecture of the Imagination (BBC Amantes (V. Aranda, 1991), 35–36 TV series, 1993), 21 Amelio, Gianni, 50 Armstrong, Gillian, 49 Amenábar, Alejandro, 215 Artemisia (A. Merlet, 1997), 124, American Beauty (S. Mendes, 1999), 269, 280 198 Asahara, Yuzo, 265 American Friend, The (W. Wenders, Ashby, Hal, 42, 175 1977), 277 Asher, William, 125 American Pie 2 (J.B. Rogers, 2001), 281 Asquith, Anthony, 68 Amico di famiglia, L’ (P. Sorrentino, Atalante, L’ (J. Vigo, 1934), 48–49 2006), 283 At First Sight. See Coup de foudre Amiel, Jon, 26, 75 Atiyah, Edward, 153 Ammore e malavita (A. & M. Manetti, Atomised (O. Roehler, 2006), 283 2017), 264, 267, 286 Atonement (J. Wright, 2007), 283 Anderson, Wes, 254 Audran, Stéphane, 155 Andresen, Björn, 186 August Winds (G. Mascar, 2014), 286 Andrews, Malcolm, 45 Au revoir les enfants (L. Malle, 1987), And the Band Played On (R. 67, 101 Spottiswoode, 1993), 81 Austen, Jane, 266 And They Call it Summer. See E la Autumn in New York (J. Chen, 2000), chiamano estate 49 And Your Mother Too (A. Cuarón, Avalanche. See Nadare 2001), 266 Avalon, Frankie, 125, 126 Angel-A (L. Besson, 2005), 42 Ayoade, Richard, 264 Index 291

B Bella vita, La (P. Virzi, 1994), 280 Bacall, Lauren, 268 Bellocchio, Marco, 81 Baciami ancora (G. Muccino, 2010), Bellour, Raymond, 5 246–247, 248, 273, 284 Beloved Infdel (H. King, 1959), Backtrack (M. Petroni, 2014), 286 123–124, 134, 206, 218, 275 Badlands (T. Malick, 1973), 101 Benson, Martin, 87 Balagueró, Jaume, 22 Beowulf (R. Zemeckis, 2007), 283 Ballard, Carroll, 249 Bergman, Ingmar, 15, 46, 50, 66 Ball at the Anjo House, The (K. Bergman, Ingrid, 70 Yoshimura, 1947), 274 Bergstrom, Janet, 105 Balzac and the Little Chinese Seamstress Bertolucci, Bernardo, 36 (Dai Sijie, 2002), 52 Besson, Luc, 42 Bandits (B. Levinson, 2001), 8 Betty (C. Chabrol, 1992), 53 Baptiste (TVS, 2018), 287 Beyond the Clouds (M. Antonioni & W. Barbara (C. Petzold, 2013), 265, 285 Wenders, 1995), 65 Barreto, Bruno, 264 Beyond the Forest (K. Vidor, 1949), Barry, John, 248 35, 86 Barthes, Sophie, 265 Bible, The, 94 Barton Fink (J. Coen, 1991), 206– Bigelow, Kathryn, 175 210, 279 Bigger than Life (N. Ray, 1956), 22 Basinger, Jeanine, 112 Big Girls Don’t Cry. See Grosse Batman (T. Burton, 1989), 19 Mädchen weinen nicht Battle at Bloody Beach (H. Coleman, Big Parade, The (K. Vidor, 1926), 196 1961), 276 Big Wednesday (John Milius, 1978), 277 Battle Cry (R. Walsh, 1955), 34 Birth (J. Glazer, 2004), 204–206, Baule-les Pins, La. See C’est la vie 210, 282 Baywatch (S. Gordon, 2017), 287 Birth of a Nation, The (D.W. Griffth, Beach, Rex, 106 1915), 85, 199 Beach, The (D. Boyle, 2000), 252– Biutiful (A. González Iñárritu, 2009), 253, 281 56 Beach, The (Garland novel), 252–253 Black, Shane, 79 Beach Party (W. Asher, 1959), Blackbeard the Pirate (R. Walsh, 125–127, 129, 134, 255, 276 1952), 275 Beatty, Warren, 69 Black Book (P. Verhoeven, 2006), 44 Beautiful Country, The (H.P. Moland, Black God, White Devil (G. Rocha, 2004), 97 1964), 136–137, 276 Beaux jours, Les (M. Vernoux, 2013), Black Narcissus (M. Powell & E. 264, 285 Pressburger, 1947), 53 Before You Go (L. Gilbert, 2001), 226, Blackout, The (A. Ferrara, 1997), 193, 227, 254, 281 280 Behind the Sun (W. Salles, 2001), 137, Black Stallion, The (C. Ballard, 1979), 265, 281 249, 251–252, 277 Bekmambetov, Timur, 53 Blake, William, 250 292 Index

Blier, Bertrand, 79 Bride Wore Black, The. See Mariée était Blind Date (B. Edwards, 1987), en noir, La 264–265, 279 Bridges of Madison County (C. Blood Beach (J. Bloom, 1980), 268, 278 Eastwood, 1995), 53, 54 Blood Work (C. Eastwood, 2002), 53, 54 Bright Days Ahead. See Beaux jours, Les Bloom, Jeffrey, 268 Brisseau, Jean-Claude, 219 Blue Collar (P. Schrader, 1978), 80, 83 Broadchurch (TVS, 2013), 285 Blue Moon (A.M. Dusl, 2002), 59, 60 Brook, Peter, 129 Bobby (E. Estevez, 2006), 254, 283 Brooks, Peter, 171, 183 Bodyguard, The (M. Jackson, 1992), 76 Brothers and Sisters of the Toda Family Body Heat (L. Kasdan, 1981), 254, (Y. Ozu, 1941), 274 278 Brown, Norman O., 49 Bogart, Humphrey, 76, 268 Brown, Tom, 74, 78 Boleslawski, Richard, 23 Brynner, Yul, 87 Bonaparte, Marie, 49 Buddy Buddy (B. Wilder, 1981), 278 Booker, Christopher, 202–203, 246 Buñuel, Luis, 203, 211 Boorman, John, 49, 62, 97 Burch, Noel, 80 Bordwell, David, 5–7, 15, 26, 40, 41, Burke, Frank, 120, 159 62, 74 Burton, Tim, 19 Borelli, Lyda, 115 Byron, Lord, 52 Borzage, Frank, 22, 55, 98 Boucher, Le (C. Chabrol, 1969), 43 Bounce (D. Roos, 2000), 263, 281 C Bouquet, Michel, 156 Café Society (W. Allen, 2016), 24 Bourguignon, Serge, 23 Call Girl (M. Marcimain, 2012), 76 Bourne Legacy, The (T. Gilroy, 2012), 48 Calvary (J.M. McDonagh, 2013), 285 Bourne Ultimatum, The (P. Cameo Kirby (J. Ford, 1923), 53 Greengrass, 2007), 52 Cameron, James, 84 Boy in the Striped Pajamas, The (M. Campbell, Colin, 106 Herman, 2008), 81 Campbell, Zane, 252 Boyle, Danny, 252 Campion, Jane, 52 Bracken, Eddie, 31 Canet, Guillaume, 46 Bradley, James, 194, 195 Capra, Frank, 19, 23, 213 Brahm, John, 205 Caravaggio (A. Longoni, 2007), 188 Branded to Kill (S. Suzuki, 1967), 85 Cardboard Village, The. See Villaggio Brando, Marlon, 258 di cartone, Il Breakfast at Tiffany’s (B. Edwards, Carion, Christian, 55 1961), 52 Carlito’s Way (B. De Palma, 1993), Breathe (A. Serkis, 2017), 228, 287 35–37, 229, 235, 280 Brenner en Eld, Det (G. Molander, Carne, La (M. Ferreri, 1991), 279 1943), 21 Carné, Marcel, 21 Brenon, Herbert, 107 Caro, Niki, 255 Brewster, Ben, 85 Index 293

Caroline at Midnight (S. McGinnis, Chronicles of Narnia: The Lion, the 1993), 221, 280 Witch and the Wardrobe, The Carousel (H. King, 1956), 97, 99, 275 (Lewis novel), 233 Carr, Samuel, 103 Chronicles of Narnia: Voyage of the Carried Away (B. Barreto, 1995), Dawn Treader, The (Lewis novel), 264, 265, 280 233 Carriers (A. & D. Pastor, 2008), 240, Chronicles of Narnia: Voyage of the 284 Dawn Treader, The (M. Apted, Castle Rock, 245 2010), 233, 284 Catch-22 (M. Nichols, 1970), 98, 277 Chukhrai, Grigori, 136 Catch and Release (S. Grant, 2007), 283 Churchill, Winston, 201 Caterina va in città (P. Virzi, 2003), Cieutat, Michel, 2, 99 265, 282 Cinagottini, Valeria, 159 Catwoman (Pitof, 2004), 19 Cinq fois deux. See 5X2 Cavalcanti, Alberto, 78 Citizen Kane (O. Welles, 1941), Cavani, Liliana, 21 18–19 Céline et Julie vont en bateau (J. City of Angels (B. Silberling, 1998), Rivette, 1974), 49 142, 213, 267, 280 C’est la vie (D. Kurys, 1990), 160, Clarke, Arthur C., 16, 83 162–163, 279 Claude Lorrain, 94 Ceylan, Nuri Bilge, 42, 55 Climates (N.B. Ceylan, 2006), 55, 56 Chabrol, Claude, 43, 53, 58–59, 152, Clock, The (V. Minnelli, 1945), 31 154–156, 211 Closely Observed Trains (J. Menzel, Chakushin ari (T. Miike, 2004), 22 1967), 35 Chardère, Bernard, 115, 122 Close My Eyes (S. Poliakoff, 1991), 43, Chariots of Fire (H. Hudson, 1981), 62 249–252, 278 Clothes of Deception (K. Yoshimura, Charlie’s Angels (McG, 2000), 281 1951), 21 Chase, Borden, 138 Cloud Atlas (L. Wachowski, A. Chase, William Merritt, 103 Wachowski & T. Tykwer, 2012), Chayko, Belinda, 214 242, 285 Chen, Joan, 49 Clurman, Harold, 68 Che strano chiamarsi Federico (E. Cobra Verde (W. Herzog, 1988), Scola, 2013), 160, 286 181–182, 279 Chevalier, Jean, 44, 45 Cocci, Marco, 247 Chibnall, Steve, 176 Cocoon (R. Howard, 1985), 255, 278 Chien andalou, Un (L. Buñuel, 1928), coda, defnition, 7 203, 274 Coen, Joel, 206 Chopin, Frédéric, 68, 69, 87 Cohen, Larry, 75 Chow, Kiwi, 223 Cold Fever (F.T. Fridriksson, 1994), 280 Christmas in July (P. Sturges, 1940), 15 Cold Souls (S. Barthes, 2008), 265, Chronicles of Narnia: The Lion, the 284 Witch and the Wardrobe, The (A. Color Purple, The (S. Spielberg, 1985), Adamson, 2005), 233, 283 61 294 Index

Come and See (E. Klimov, 1985), 89 Cromwell, John, 23, 25 Coming Home (H. Ashby, 1978), 175, Croupier (M. Hodges, 1997), 75 190–191, 277 Crowe, Cameron, 78 Commando (M.L. Lester, 1985), 144, Cuarón, Alfonso, 43, 266 180, 191, 267, 278 Cuckoo, The (A. Rogozhkin, 2002), 44 Complicated Story, A (K. Chow, Cukor, George, 24, 89, 98 2013), 223, 286 Cul-de-sac (R. Polanski, 1966), 42 Comte de Monte Cristo, Le (TVMS, Curtis, Richard, 69, 254 1998), 280 Conrad, Joseph, 107, 108 Consequences of Love (P. Sorrentino, D 2004), 56 Dai Sijie, 52 Constant Gardener, The (F. Meirelles, Daldry, Stephen, 243 2005), 72, 73, 271 Dali, Salvador, 203, 233 Contact (R. Zemeckis, 1997), 97 Damage (L. Malle, 1992), 66 Cooke, Dominic, 258 Daniel (S. Lumet, 1983), 89 Coppola, Francis Ford, 15, 84, 151 Dante, Joe, 268 Copycat (J. Amiel, 1995), 75 Darabont, Frank, 245, 246 Corbin, Alain, 94–95, 103, 127, 134, Darby’s Rangers (W. Wellman, 1958), 138, 242 275 Corman, Roger, 193 Dark Corner (H. Hathaway, 1946), 15 Corpo celeste (A. Rohrwacher, 2011), Dark Passage (D. Daves, 1947), 285 268–269 Corsini, Catherine, 254 Dave (I. Reitman, 1993), 76 Cosmatos, George P., 55 Daves, Delmer, 52, 68, 88, 268 Counterfeiters, The (S. Ruzowitzky, Davis, Andrew, 81 2006), 283 Day Watch (T. Bekmambetov, 2006), Coup de foudre (D. Kurys, 1983), 160, 53 162, 163, 278 Dead, The (J. Huston, 1987), 66, 67 Cox, Alex, 176 Deadline at Dawn (H. Clurman, Cranes are Flying, The (M. Kalatazov, 1946), 68 1957), 32–34 Dead Man (J. Jarmusch, 1995), 280 Crash Dive (A. Mayo, 1945), 81 Dead Pool, The (B. Van Horn, 1988), Cries and Whispers (I. Bergman, 53 1972), 66 Death in Venice (L. Visconti, 1971), Crime de M. Lange (J. Renoir, 1935), 184–187, 266, 277 108, 227, 265, 274 Deep Impact (M. Leder, 1998), 71, Crimes and Misdemeanors (W. Allen, 73, 98, 240, 242 1989), 66 Defence of the Realm (D. Drury, Criminal (A. Vromen, 2015), 144, 1985), 82 264, 267, 286 Delaporte, Alix, 264 Criss Cross (R. Siodmak), 86, 87 Del Toro, Guillermo, 52 Index 295

Demme, Jonathan, 8, 201, 225 Drive a Crooked Road (R. Quine, Demy, Jacques, 189–190 1954), 7, 99, 117–119, 122, 134, Dentellière, La (C. Goretta, 1977), 144, 175, 179, 218, 268, 269, 76, 77 275 De Palma, Brian, 35 Dr No (T. Young, 1962), 50 De Rosnay, Tatiana, 270 Drury, David, 82 Devil and Daniel Webster, The (W. Duel (S. Spielberg, 1972), 61 Dieterle, 1941), 75 Duel in the Sun (K. Vidor, 1946), 86 Deville, Michel, 76 Dunkirk (C. Nolan, 2017), 200–201, Devil’s Advocate, The (T. Hackford, 287 1997), 75 Dunmore, Laurence, 76 Dhalia, Heitor, 257 Du Pré, Hilary, 229 Diabolo menthe (D. Kurys, 1977), Du Pré, Jacqueline, 229 151, 160–163, 277 Durgnat, Raymond, 6, 212, 263, 264 Diamonds are Forever (G. Hamilton, Dusl, Andrea Maria, 59 1971), 50 Dwan, Allan, 44 Diamond Skulls (N. Broomfeld, 1989), 279 Diary of a Teenage Girl (M. Heller, E 2014), 286 Eagle Has Landed, The (J. Sturges, Dickie, Kate, 235 1976), 277 Dieterle, William, 52, 75 Early Summer (Y. Ozu, 1951), 40 Dirty Harry (D. Siegel, 1971), 53, Eastwood, Clint, 22, 53–54, 82, 54 194–196 Dirty Pretty Things (S. Frears, 2002), Eastwood, Kyle, 196 68, 69 Eaton, Michael, 3 Dishonored (J. von Sternberg, 1931), Eclipse, The (C. McPherson, 2009), 55 284 Distant Drums (R. Walsh, 1951), 263, Edge (C. Morley, 2010), 284 267, 275 Edge of Heaven, The (F. Akin, 2007), Dixon, Wheeler Winston, 242–243 283 Dolce Vita, La (F. Fellini, 1960), 77, Edgren, Gustav, 70 158–160, 234, 276 Edwards, Blake, 51, 53, 210, 264 Domicile conjugale (F. Truffaut, Egoyan, Atom, 71 1970), 84 Eichberg, Richard, 115 Donen, Stanley, 52 E la chiamano estate (P. Franchi, Donner, Richard, 75, 80, 89 2012), 193, 285 Double Indemnity (B. Wilder, 1944), El Cid (A. Mann, 1961), 132–134, 254 193, 250, 266, 276 Dragonfy (T. Shadyac, 2002), 44 Elegy (I. Coixet, 2007), 283 Driftwood (R. O’Leary, 1996), 125, Elephant Walk (W. Dieterle, 1954), 52 280 Elgar, Edward, 230, 231 296 Index

Eliot, T.S., 236 269, 275, 277, 278, 282, 283, Elsaesser, Thomas, 14 284, 285, 286, 287 Emmerich, Roland, 267 fantasy, 37, 52, 59, 73, 76, 84, Empire of the Senses (N. Oshima, 164–165, 197–198, 203, 1976), 65 229–236, 252, 276, 279, 280, Empire of the Sun (S. Spielberg, 1984), 282, 283, 286 57 farewell, 7–8, 25–32, 58, 72, 97, Endings 106, 198, 233, 237, 239, airport, 20, 24, 69 258–260, 276, 280, 281, 284, apocalypse/post-apocalypse, 71, 96, 286 175, 236–242, 256, 275, 276, frontier, 21, 24, 42, 55, 70, 280, 281, 284, 286 108–109, 133 biopic, 68–69, 86–87, 123, 124, funeral, 13, 22, 23, 46, 65, 109, 138–139, 188, 228–231, 275, 211, 226, 255 279, 280, 283–287 graveside/cemetery/memorial, Bond flms, 50–51, 77, 144 22–23, 53–54, 56, 69, 78, 81, breakdown/insanity, 22, 66, 138, 107–108, 182–183, 195, 199, 164–165, 203–211 219, 259, 274, 276, 279, bridge, 21, 24, 29, 43, 53–54 286 ceremonies in, 133, 202–203, 210, hallucination in, 64, 123, 164–165, 255–256, 267 166, 167, 188–189, 203–211, Christmas, 23–24, 55, 68, 150, 213 281, 283 clifftop, 13, 20, 42, 184, 232, 236, harbour, 7, 18, 20, 24, 39–41, 46, 239 57–60 closing door, 8, 15–16, 286 home movie, 66, 190, 224–229, coastal rocks, 42 234, 240, 254, 277, 280–284, death, 19–22, 35–37, 44, 47, 286, 287 55–56, 59, 61–64, 66–67, 69, honeymoon, 3, 211, 258, 264–265, 72–73, 84, 85, 86–88, 96, 275, 276, 279–281, 287 113, 130, 145–146, 166–167, hospital, 22, 69, 87, 226, 265 168–171, 175–193, 196–200, lakeside, 3, 9, 42–46, 48, 55, 64– 203, 217–218, 226–228, 65, 69, 72–73, 97, 140–141, 229–232, 255, 266 256, 273, 275, 278, 279, 282, emblematic shots/scenes in, 22, 25, 283, 284 31, 80–83, 86, 112, 194, 195, ‘Let’s go home’, 14, 45, 68–70, 238, 275–278, 283 143–144, 192, 281 empty beach, 105, 128, 136–138, looking at/addressing the camera, 169, 193, 196, 219, 255, 274, 16, 74–80, 149–150, 151–152, 275, 280, 284, 285 159–160, 189–190, 217, 275, family, 8, 22, 44, 49, 71, 75, 83, 283 101, 132, 145, 152, 153–157, lost paradise, 96, 171, 240, 248– 211–218, 240, 241, 258, 265, 255, 277, 278, 279, 281, 285 Index 297 mourning, 119, 123–124, 138, 140, sunset, 4, 17, 37, 46, 48, 53, 163, 164–165, 202, 203, 214, 61–62, 83, 99–101, 136, 142, 218–221, 222–223, 224, 275, 160, 165–166, 190, 195, 200, 276, 279, 284 233, 274–286 New Year, 23, 24, 55, 275, 280, superego fgures in, 20, 50–51, 52, 286 129, 132, 144–145, 180, 191, Paradise, 56, 242–248, 278, 284, 231, 256 286 swimming-pool, 51, 75, 265, 279 pollution in, 65, 97, 176, 240, 277 tableau, 27, 35, 85–89, 118, 179, rain, 2, 3, 8, 9, 52–53, 55 199 renewal, 17, 22, 33–34, 44, 95, theatricality in, 4, 17, 26–27, 34, 135, 138–146, 158, 159–160, 80, 83–89, 179, 180, 184, 188, 210, 226–227, 275, 276 205, 208, 277 reunion, 8, 22, 23, 33, 43, 46, 48, thresholds in, 4, 9, 13–19, 21–37, 52, 69, 84, 97, 98, 120–122, 41, 48, 57–60, 68, 95 134, 140–141, 144–145, 241, train, 2–3, 24, 27, 29, 40–41, 47, 245–246, 252, 256–258, 268, 60, 201 275, 278, 279, 282, 284, 286 transcendence in, 73, 89, 146, 175, rhetoric in, 4, 34, 72, 88–89, 266 101–113, 191–192, 201 underwater, 51, 52, 63–64 riverside, 9, 42, 43–48, 56, 97, 151, voice-over in, 4, 8, 15, 22, 36, 43, 246–248, 273, 277 49, 62–68, 70, 72, 75, 81, 83, rooftop, 19–20, 41 85, 100–101, 111, 113, 135, ship/boat, 48–51, 53, 70, 84–85, 152, 154, 157, 159, 163, 189, 210, 234, 264 194–195, 200–201, 204, 214, ship/boat departure, 7–8, 57–60, 216–217, 219, 221–224, 230, 183, 239, 275, 276, 278, 280 241, 245–246, 247, 248, 253, sky shots in, 88–89, 133, 146 258, 266, 267, 269–270, 277, snow, 43, 55–56, 66–67, 108, 264, 279, 280, 282, 285, 286 282 water, 9, 21, 24, 39–60, 63, 65, solitary refection, 95, 219–224 71–72, 75, 82, 93, 94–95, staircase/steps, 83–85, 231 103–104, 111, 117, 119, 127, station, 3, 20, 24–37, 75, 83, 201, 135, 141, 142, 145, 159, 175, 287 176, 186, 190, 191, 197–198, suicide, 21, 35, 72, 95, 98, 104– 202, 205, 228, 238, 247, 105, 124, 137, 138, 169–170, 248–249, 265, 280, 282 175, 190–193, 216, 218, 236, waterfront/sea front, 42, 52, 53, 269, 274, 275, 277, 279, 280, 57–60 285 wedding, 8, 13, 204–205, 224, sunrise/dawn, 16–17, 61, 71, 73, 255–256, 264–265, 277, 279, 76, 151, 176, 192, 201, 257, 282, 284 274, 279, 282, 284 298 Index

woman on the beach, 116, 117– Eye of the Needle (R. Marquand, 118, 120–125, 129–130, 1981), 179–180, 191, 199, 200, 135–136, 140, 154, 157, 278 164–165, 192, 204–206, 208, 223, 230–231, 260, 269 World War 1, 197–198 F World War 2, 23, 29–34, 47–48, Face of an Angel, The 68, 81, 111–113, 179–180, (M.Winterbottom, 2014), 77 182–183, 193–198, 200–201, Fahrenheit 451 (F. Truffaut, 1964), 258, 274–278, 283, 287 43, 56 end(ing) sequence, 7–8, 63, 64, Faithless (L. Ullman, 2000), 281 66–67, 71–74, 83, 98, 143–144, Fallen Angel (O. Preminger, 1945), 197–198, 229–231, 247, 254, 68 267, 278, 281, 283–286 Family (T. Miike, 2001), 281 End of Violence (W. Wenders, 1997), Family Friend, The. See Amico di 42 famiglia, L’ End, The (B. Reynolds, 1978), 277 Farewell. See Affaire Farewell, L’ Enduring Love (R. Michell, 2004), 75 Farewell to Arms, A (F. Borzage, Enemy of the State (T. Scott, 1998), 1932), 22 98, 281 Fargo, James, 53 Enfants du siècle, Les (D. Kurys, Farrow, John, 111 1999), 22 Father and Sons (Turgenev novel), 23 Enforcer, The (J. Fargo, 1976), 53, 54 Fauteuils d’orchestra (D. Thompson, Entrapment (J. Amiel, 1999), 26, 27 2005), 21 Entre nous. See Coup de foudre Fellini, Federico, 74, 76, 99, 157–161, Ephron, Nora, 19 286 epilogue, wordless, 14, 15, 55, 56, 89, Female on the Beach (J. Pevney, 1955), 119, 193, 199, 217, 222–223, 144, 275 237, 246, 265, 266, 268 Ferrara, Abel, 193 Eros: The Dangerous Thread of Things Ferreri, Marco, 145 (M. Antonioni, 2004), 282 Festa di laurea (P. Avati, 1985), 278 Escape from Alcatraz (D. Siegel, Field, The (J. Sheridan, 1990), 1979), 53, 54, 277 183–184, 279 Estate violenta (V. Zurlini, 1959), 35 Fille de D’Artagnan, La (B. Tavernier, Estes, Jacob Aaron, 66 1994), 75 Estevez, Emilio, 254 Fille sur le pont, La (P. Leconte, 1998), Eternal Breasts, The (K. Tanaka, 21 1955), 44 Finkiel, Emmanuel, 258 Eternal Sunshine of the Spotless Mind Fior di male (C. Gallone, 1915), 115 (M. Gondry, 2004), 264, 282 Fire (D. Mehta, 1996), 53 Eureka (S. Aoyama, 2000), 142–144, Fish Story (Y. Nakamura, 2009), 281 240 Eva (G. Molander, 1948), 42 Fiske, John, 93, 126, 127 Excalibur (J. Boorman, 1981), 62 Fitzgerald, F. Scott, 123, 134 Index 299

Five Graves to Cairo (B. Wilder, From Russia with Love (T. Young, 1943), 22 1963), 51 Flags of Our Fathers (biography), 195 Fuller, Graham, 14, 205 Flags of Our Fathers (C. Eastwood, Funicello, Annette, 125, 126 2006), 53, 54, 81, 194–196, 203, Fuoco, Il (G. Pastrone, 1915), 75 283 Fussell, Paul, 61 Fleischer, Ruben, 267 Fleming, Andrew, 255–256 Fletch (M. Ritchie, 1985), 263, 278 G Fletcher, Anne, 255 Gallone, Carmine, 115 Flowing (M. Naruse, 1955), 46 Gangster Squad, The (R. Fleischer, Forces of Nature (B. Hughes, 1999), 2013), 267, 286 264, 281 Garcia, Nicole, 265 Ford, John, 13, 43, 53, 74, 112, 134 Garden of Eden (L. Milestone, 1928), Forster, Marc, 241 15 Fortapàsc (M. Risi, 2009), 284 Garden of Eden, The, 94, 242 For Those in Peril (P. Wright, 2013), Gardian de la Camargue (L. Perret, 234–236, 240, 286 1910), 105, 274 Forty First, The (G. Chukhrai, 1956), Garland, Alex, 252 136, 199, 218, 269, 275 Garnett, Tay, 98 For Your Eyes Only (J. Glen, 1981), 51 Garrel, Philippe, 44 Four Friends (A. Penn, 1981), 140– Garrone, Matteo, 176 141, 255, 264, 265, 278 Gerow, Aaron, 172 Four Horsemen of the Apocalypse Getaway, The (S. Peckinpah, 1972), (R. Ingram, 1921), 77, 78, 246 196 Get Carter (M. Hodges, 1971), 175, Four Weddings and a Funeral (M. 176, 277 Newell, 1994), 2, 3, 8, 9, 52 Gheerbrant, Alain, 44, 45 Fragile (J. Balagueró, 2005), 22 Ghost (J. Zucker), 197 Franchi, Paolo, 193 Giacometti, Alberto, 258 Franju, George, 212 Gibson, Mel, 132 Frankenheimer, John, 201 Gidget (P. Wendkos, 1959), 125–127, Frankenstein (James Whale, 1931), 134, 263, 265, 275 211 Gift, The (S. Raimi, 2000), 22 Frankenstein (Shelley novel), 52 Gilbert, Lewis, 50, 78, 226 Franklyn (G. McMurrow, 2008), 53 Gilda (C. Vidor, 1946), 70 Frears, Stephen, 68, 78 Gilroy, Tony, 48 French Lieutenant’s Woman, The (K. Giochi d’estate (R. Colla, 2011), 285 Reisz, 1981), 49 Gioco da ragazze, Un (M. Rovere, Frend, Charles, 99 2008), 75 From Here to Eternity (F. Zinnemann, Girl, Interrupted (J. Mangold, 1999), 1953), 131 66 300 Index

Girl from Monday, The (H. Hartley, Green Berets, The (J. Wayne & R. 2005), 283 Kellogg, 1968), 99, 193, 276 Girl on the Bridge. See Fille sur le pont, Greengrass, Paul, 52, 82 La Green Ray, the. See Rayon vert, Le Girl on the Train, The (T. Taylor, Griffth, D.W., 85, 103–105, 198 2016), 47 Grinko, Nicolai, 197 Girl with the Red Hair, The (B. Grosse Mädchen weinen nicht (M. von Verbong, 1981), 182, 278 Heland, 2002), 225, 284 Giulietta degli spiriti (F. Fellini, Groundhog Day (H. Ramis, 1993), 55 1965), 77 Group, The (S. Lumet, 1966), 65 Glass Bottom Boat, The (F. Tashlin, Guadalcanal Diary (L. Seiler, 1943), 1966), 264, 276 112 Glatzer, Richard, 228 Gunning, Tom, 104, 105 Glazer, Jonathan, 55, 204 Glen, John, 50, 51 Glory (E. Zwick, 1989), 198, 279 H Godard, Jean-Luc, 42 Hackford, Taylor, 75 Godfather, The (F.F. Coppola, 1971), Hagener, Malte, 14 15–16 Hail the Conquering Hero (P. Sturges, Godfather Part III, The (F.F. Coppola, 1944), 30–31, 80, 81 1990), 84 Half Light (C. Rosenberg, 2006), 44 God Told Me To (L. Cohen, 1976), 75 Hamilton, Guy, 50 Golding, William, 129 Hammond, Brady, 96 Gomiashvili, Misha, 181 Hana-Bi (T. Kitano, 1997), 9, 167, Gomorra (M. Garrone, 2008), 176, 168–172, 176, 280 284 Hanayaki, Yoshiaki, 121 Gondry, Michael, 264 Handyside, Fiona, 96, 164, 166 Gone to Earth (M. Powell & E. Hanging Tree, The (D. Daves, 1959), Pressburger, 1950), 211 88 González Iñárritu, Alejandro, 56 Hara, Setsuko, 40 Gothic (K. Russell, 1986), 52 Hardy, Thomas, 23 Grahame, Kenneth, 49 Harold and Maude (H. Ashby, 1971), Graham, Sheilah, 123 42 Grande illusion, La (J. Renoir, 1937), Harrison, Linda, 238 21, 108 Harry & Son (P. Newman, 1984), Gran Torino (C. Eastwood, 2008), 264, 278 53, 54 Harry and Tonto (P. Mazursky, 1974), Grease (R. Kleiser, 1978), 97, 277 277 Great Expectations (A. Cuarón, 1997), Harry Potter and the Deathly Hallows 43 Part I (D. Yates, 2010), 284 Great Train Robbery, The (E.S. Porter, Hartman, Don, 24 1903), 80 Hart’s War (G. Hoblit, 2002), 85, 86 Index 301

Haskin, Byron, 138 Hope and Glory (J. Boorman, 1987), Hathaway, Henry, 15 49, 67 Havana (S. Pollack, 1990), 221, 279 Hotel du Nord (M. Carné, 1938), 21 Hawks, Howard, 79 House at the End of the Street (M. Haywire (S. Soderbergh, 2011), Tonderai, 2012), 75 175–177, 285 Housman, A.E., 248 Heath, Stephen, 6 Howard, Ron, 52, 65, 70, 255 Heavenly Creatures (P. Jackson, 1994), How Strange to be Named Federico. See 59 Che strano chiamarsi Federico Heifts, Josif, 55 How to Lose a Guy in Ten Days (D. Heine, Steven, 171 Petrie, 2003), 21 Heland, Maria von, 225 Hudson, Hugh, 249 Hell in the Pacifc (J. Boorman, 1968), Hughes, Bronwen, 264 97 Humoresque (J. Negulesco, 1946), Help! (R. Lester, 1965), 276 192–193, 274 Herman, Mark, 81 Huston, Danny, 205 Her (S. Jonze, 2013), 19 Huston, John, 50, 66, 67 Herzog, Werner, 181, 266, 268 Huston, Tony, 66–67 Heston, Charlton, 238 Hyams, Peter, 83 Hicks, Scott, 55 High Fidelity (S. Frears, 2000), 78 Hilary and Jackie (A. Tucker, 1998), I 229–231, 281 If Only (M. Ripoll, 1998), 76 Hillcoat, John, 239 If You Were Young: Rage (K. Fukasaku, Hiller, Arthur, 255 1970), 277 Hillman, James, 21 I’ll Sleep When I’m Dead (M. Hodges, His Majesty O’Keefe (B. Haskin, 2003), 222–223, 282 1953), 138–139, 266, 275 I’m Glad that You’re Here. See Meno Hitchcock, Alfred, 2–3, 4, 13, 20, 75, male che ci sei 144, 171 In Country (N. Jewison, 1989), 81 Hoblit, Gregory, 85 Indiana Jones and the Last Crusade Hodges, Mike, 75, 175, 222 (S. Spielberg, 1989), 61 Hole in the Head, A (F. Capra, 1959), In Good Company (P. Weitz, 2004), 282 213, 275 Ingram, Rex, 77 Holiday Affair (D. Hartman, 1949), 24 In Harm’s Way (O. Preminger, 1965), Hologram for a King, A (T. Tykwer, 136 2016), 286 In-Laws, The (A. Fleming, 2003), 255, Home from the Hill (V. Minnelli, 264, 282 1959), 22, 69 In-Laws, The (A. Hiller, 1979), 255 Homer, Winslow, 104 Inner Senses (Lo Chi-leung, 2002), 19 Hood, Thomas, 64 Inside Daisy Clover (R. Mulligan, Hook, Harry, 129 1965), 139–141, 149, 150–151, 302 Index

178, 206, 207, 211, 265, 269, Jeunet, Jean-Pierre, 65 276 Jewison, Norman, 81 Interiors (W. Allen, 1978), 98 Jism (A. Saxena, 2003), 254, 282 Intermezzo (G. Molander, 1936), 70 Johnny Guitar (N. Ray, 1954), 53 Interpreter, The (S. Pollack, 2005), 82 Jones, Gail, 63–64 Interview with the Vampire (N. Jordan, Jonze, Spike, 19 1994), 21 Jordan, Neil, 21 Intervista (F. Fellini, 1987), 160 Journey to the Shore (K. Kurosawa, In the Line of Fire (W. Petersen, 1993), 2015), 286 53, 54, 82 Judex (G. Franju, 1963), 212, 215, Intouchables (E. Toledano & O. 264, 276 Nakache, 2011), 285 Juste avant la nuit (C. Chabrol, Irrational Man (W. Allen, 2015), 222, 1971), 152–157, 218, 277 286 Island (B. Taylor & E. Mitchell, 2010), 284 K It’s a Wonderful Life (F. Capra, 1946), Kagemusha (A. Kurosawa, 1980), 52 23, 213 Kalatazov, Mikhail, 32 Ivan’s Childhood (A. Tarkovsky, 1962), Kant, Emmanuel, 94 196–198, 229, 235, 276 Karatsu, Rie, 96, 167 I Walked with a Zombie (J. Tourneur, Kasdan, Lawrence, 254 1943), 193, 274 Kassell, Nicole, 43 Keaton, Buster, 51 Kechiche, Abdellatif, 128 J Keighley, William, 265 Jackson, Kathy Merlock, 95, 126, 221 Kellogg, Ray, 99 Jackson, Mick, 76 Kemp, Philip, 214 Jackson, Peter, 7, 59 Kennedy, Bobby, 254 Jacobs, Lea, 85 Kermode, Mark, 245, 246 Jacoby, Alexander, 122 Kerr, Deborah, 87, 124 Jacquot de Nantes (A. Varda, 1991), Kershner, Irving, 77 188–190, 279 Key Largo (J. Huston, 1948), 50, 76 Jahn, Thomas, 145 Kidman, Nicole, 206 Jaoui, Agnès, 53 Kim Ji-woon, 44 Japanese Girls at the Harbour (H. King, Henry, 52, 97, 123 Shimizu, 1933), 57 King, Stephen, 245 Jason Bourne (P. Greengrass, 2016), 82 King and I, The (W. Lang, 1956), 86, 87 Jaws (S. Spielberg, 1975), 95, 257, King of Marvin Gardens, The (B. 277 Rafelson, 1972), 224–225, 277 Jeffries, Lionel, 74 Kings of the Road (W. Wenders, 1976), Jenkins, Barry, 151 143 Jerry Maguire (C. Crowe, 1996), 78 Kinski, Klaus, 182 Index 303

Kishimoto, Kayako, 170 Last Command, The (J. von Sternberg, Kiss Kiss Bang Bang (S. Black, 2005), 1927), 86 79 Last Kiss, The. See Ultimo, bacio, L’ Kiss Me Deadly (R. Aldrich, 1955), Last Song, The (J.A. Robinson, 2010), 236, 237, 242, 275 265, 284 Kitano, Takeshi, 9, 96, 157, 167–172, Last Summer (F. Perry, 1969), 128, 175, 177 130, 134, 242, 276 Klarwein, Eléonore, 161 Last Train from Gun Hill (J. Sturges, Kleiser, Randal, 97 1959), 27, 35, 86 Klimov, Elen, 89 Last Wave, The (P. Weir, 1977), Knight and Day (J. Mangold, 2010), 238–239, 241, 277 265, 267, 284 Late Spring (Y. Ozu, 1949), 40, 41, Knockin’ on Heaven’s Door (T. Jahn, 136, 274 1997), 145, 146, 266, 280 Leach, Edmund, 127 Kobayashi, Kenji, 156 Lean, David, 28, 76 Kobayashi, Masaki, 53 Léaud, Jean-Pierre, 150 Kokkuri (T. Zeze, 1997), 280 Leave Her to Heaven (J. Stahl, 1946), Komar, Vitaly, 45 43, 48, 69 Koreeda, Hiroshi, 215 Leaving. See Partir Kramer, Stanley, 236 Leconte, Patrice, 21 Kreutzer Sonata (M. Schweitzer, Lectrice, La (M. Deville, 1988), 76 1987), 76 Leder, Mimi, 71 Krieger und die Kaiserin, Der (T. Lee Thompson, J., 26 Tykwer, 2000), 6, 13, 20, 62 Le Fanu, Mark, 120 Kundun (M. Scorsese, 1997), 21 Legend of Bagger Vance (R. Redford, Kunkle, Sheila, 1 2000), 62, 281 Kuroneko (K. Shindo, 1968), 56 Lehmann, Michael, 263 Kurosawa, Akira, 22, 52 Lepage, Robert, 235 Kurys, Diane, 22, 151, 157, 160–163, LeRoy, Mervyn, 80 211 Lesson in Love, A (I. Bergman, 1954), Kwaidan (M. Kobayashi, 1964), 15 53 Lester, Mark L., 144 Lester, Richard, 80 Lethal Weapon 3 (R. Donner, 1992), L 89 Lacan, Jacques, 1 Letters from Iwo Jima (C. Eastwood, Lacemaker, The. See Dentellière, La 2006), 53, 54, 195–196, 283 Lady with the Little Dog, The (J. Let’s Talk About the Rain. See Parlez- Heifts, 1959), 55 moi de la pluie Lamerica (G. Amelio, 1994), 50 Levin, Henry, 127 Landis, John, 244 Levison, Barry, 8 Lang, Fritz, 2, 22, 23, 59, 80 Lewin, Albert, 98 Lang, Walter, 86 Lewis, C.S., 233 304 Index

Liberi (G.M. Tavarelli, 2003), 265, Love and Bullets. See Ammore e 282 malavita Libertine, The (L. Dunmore, 2005), 76 Love in the Afternoon (B. Wilder, Licence to Kill (J. Glen, 1989), 51 1957), 27 Liebelei (M. Ophuls, 1933), 56 Lover Come Back (D. Mann, 1961), 15 Limbo (J. Sayles, 1999), 264, 281 Love Suicides at Sonezaki. See Sonezaki Lincoln, Abraham, 25, 26, 30, 34, 80, shinju 82, 199 Lucia (H. Solas, 1969), 277 Little Caesar (M. LeRoy, 1930), 80 Lucky Star (F. Borzage, 1929), 55 Little Fish (R. Woods, 2005), 226– Lumet, Sidney, 65, 89 229, 240, 254, 283 Lust for Life (V. Minnelli, 1956), 69 Living End, The (G. Araki, 1992), 279 Loach, Ken, 151 Lo Chi-leung, 19 M Lock, Stock and Two Smoking Barrels MacArthur, General, 112, 113, 134 (G. Ritchie, 1998), 24 MacDowell, James, 1, 88, 89, 264 Locket, The (J. Brahm, 1946), 205 Ma che colpa abbiamo noi (C. Verdone, Long, Samantha, 42 2003), 282 Longest Day, The (K. Annakin et al., Mack, Max, 21 1962), 193–194, 196, 201, 276 Mackendrick, Alexander, 100 Longoni, Angelo, 188 Macnab, Geoffrey, 236 Longtime Companion (N. René, Madame De… (Max Ophuls, 1953), 1990), 251–252, 279 2, 3 Lord of the Flies (Golding novel), 129 Madden, John, 95 Lord of the Flies (H. Hook, 1990), Madeleine (D. Lean, 1950), 76 129, 130, 132, 144, 191, 279 Magic in the Water (R. Stevenson, Lord of the Flies (P. Brook, 1963), 129, 1995), 44 130, 132, 144, 276 Magnet, The (C. Frend, 1950), 99, Lord of the Rings: The Return of the 274 King, The (P. Jackson, 2003), Mahler, Gustav, 185, 187 7–8, 15, 62, 69 Major and the Minor, The (B. Wilder, Lord of the Rings: The Return of the 1942), 27 King, The (Tolkien novel), 69 Make Way for Tomorrow (L. McCarey, Losey, Joseph, 15 1937), 27–29, 41, 67 Lost Lovers (K. Shimizu & S. Tahara, Malick, Terrence, 97, 101 1971), 277 Malle, Louis, 66, 67 Lost Paradise (Y. Morita, 1997), 56 Manchurian Candidate, The (J. Lou (B. Chayko, 2010), 214–215, Demme, 2004), 201, 218, 282 265, 285 Manchurian Candidate, The (J. Love Actually (R. Curtis, 2003), 69 Frankenheimer, 1962), 201 Love, etc. (M. Vernoux, 1996), 265, Mandoki, Luis, 258 280 Manetti, Antonio, 264 Index 305

Manetti, Marco, 264 McEvoy, Emma, 4 Mangold, James, 66, 265 McGinnis, Scott, 221 Manhattan Murder Mystery (W. Allen, Mea culpa (F. Cavayé, 2012), 285 1993), 15 Meadows, Shane, 151 Manhunter (M. Mann, 1986), 258, Mean Creek (J.A. Estes, 2004), 66 279 Mean Girls (M. Waters, 2004), 78 Mann, Anthony, 132 Meet John Doe (F. Capra, 1941), 19, Mann, Delbert, 15 55 Mannequin (F. Borzage, 1937), 98 Meirelles, Fernando, 72 Mann, Michael, 258 Mektoub, my Love (A. Kechiche, 2018), Mann, Thomas, 185, 187 128, 287 Manuale d’amore (G. Veronese, Melamid, Alex, 45 2005), 145, 264, 283 Memoir of War (E. Finkiel, 2017), Ma nuit chez Maude (E. Rohmer, 258, 287 1969), 152–153, 155, 277 Mender of Nets, The (D.W. Griffth, Man’s Favorite Sport (H. Hawks, 1912), 105 1963), 79 Mendes, Sam, 44, 198 Man Who Never Was, The (R. Neame, Meno male che ci sei (L. Prieto, 2009), 1955), 22–23 214, 215, 284 Man With the Golden Gun, The (G. Merlet, Agnès, 124 Hamilton, 1974), 50 Merry-go-round (J. Rivette, 1983), Marcimain, Mikael, 76 152, 278 Mariée était en noir, La (F. Truffaut, Message in a Bottle (L. Mandoki, 1967), 8 1999), 258, 281 Marquand, Richard, 179 Mest (E. Shinarbaev, 1989), 279 Master, The (P.T. Anderson, 2012), Metropolis (F. Lang, 1926), 80 285 Metropolitan (W. Stillman, 1989), Master of Ballantrae, The (W. Keighley, 265, 279 1953), 265, 275 Michell, Roger, 75, 216 Matador (P. Almodóvar, 1985), 86, 88 Midnight in Paris (W. Allen, 2011), 21 Matania, Clelia, 155 Midnight in the Garden of Good and Matchmaker, The (J. Anthony, 1958), Evil (C. Eastwood, 1997), 54 79 Mildred Pierce (M. Curtiz, 1945), 17 Matter of Life and Death, A (M. Milestone, Lewis, 15 Powell & E. Pressburger, 1946), Milk (G. Van Sant, 2009), 81 96, 242 Miller, Frank, 19 Maupassant, Guy de, 221 Miller, Penelope Ann, 37 Mayo, Archie, 81 Minnelli, Vincente, 22, 31, 32, 46, McCabe and Mrs Miller (R. Altman, 69, 124 1970), 55, 56 Miracle of Morgan’s Creek, The (P. McCarey, Leo, 23, 27–28 Sturges, 1943), 23, 31 McCarthy, Cormac, 239 Missing, The (R Howard, 2003), 70 306 Index

Mizoguchi, Kenji, 22, 70, 99, N 120–122 Nadare (M. Naruse, 1937), 109, 274 ‘Modèle, La’ (De Maupassant short Naissance du jour, La (J. Demy, 1980), story), 221 190, 278 Mogambo (J. Ford, 1953), 43 Nakamura, Yoshihiro, 240 Moland, Hans Peter, 97 Nakata, Hideo, 22 Molander, Gustaf, 21, 42, 70 Naruse, Mikio, 35, 39, 42, 46, 109, Monkey’s Mask, The (S. Long, 2000), 42 156 Monzaemon, Chikamatsu, 171 Neame, Ronald, 22 Moon Child (T. Zeze, 2003), 232, 282 Negulesco, Jean, 192 Moonfeet (F. Lang, 1955), 59 Ne le dis à personne. See Tell No One Moonlight (B. Jenkins, 2016), 151, 286 Neruda, Pablo, 223, 224 Moonrise Kingdom (W. Anderson, Neupert, Richard, 1 2012), 254, 285 Never Say Never Again (I. Kershner, Moorhouse, Jocelyn, 66 1981), 77 Moretti, Nanni, 214 Newell, Mike, 2 Morgan, Elaine, 238 Newman, Joseph M., 70 Morita, Yoshimitsu, 56 Newman, Paul, 264 motifs, defnition, 2–4 Niblo, Fred, 21 Mottet, Jean, 103, 104, 165 Nichols, Jeff, 48, 241 Mr Lonely (H. Korine, 2006), 283 Nichols, Mike, 98 Mr Skeffngton (V. Sherman, 1944), 68 Nico. See Above the Law Muccino, Gabriele, 66, 246 Nightly Dreams (M. Naruse, 1933), 39 Mud (J. Nichols, 2012), 48 Night Moves (A. Penn, 1975), 50 Mulligan, Robert, 100, 101, 139 Night of the Demon (J. Tourneur, Mulvey, Laura, 18, 35 1957), 35 Murnau, F.W., 16, 87 Night Porter, The (L. Cavani, 1973), My Cousin Rachel (Du Maurier novel), 21 216, 218, 266, 287 Noce blanche (J-C. Brisseau, 1989), My Cousin Rachel (R. Michell, 2017), 219, 279 216–218 Nolan, Christopher, 200–201 My Father The Hero (S. Miner, 1994), Nomad (P. Tam, 1982), 183, 278 280 North by Northwest (A. Hitchcock, Mystère des roches de Kador, Le (L. 1959), 2, 3 Perret, 1912), 105 North West Frontier (J. Lee Mysterious Lady, The (F. Niblo, 1928), Thompson, 1959), 26 21, 70 Nosferatu (F.W. Murnau, 1922), 87 Mystic Masseur, The (I. Merchant, Nosferatu: Phantom der Nacht (W. 2001), 282 Herzog, 1979), 266, 268, 278 Mystic River (C. Eastwood, 2003), Notti bianche, Le (L. Visconti, 1957), 53, 55 55 Index 307

Notti di Cabiria, Le (F. Fellini, 1957), Outcast of the Islands (C. Reed, 1951), 74, 76 53 Nugroho, Garin, 255 Outlaw and his Wife, The (V. Sjöström, 1917), 55 Out of the Past (J. Tourneur, 1947), 118 O Out One: Noli me tangere (J. Rivette, Octopussy (J. Glen, 1983), 50 1971), 152, 277 O’Keefe, David, 138, 139 Ozon, François, 96, 160, 164–167, Old Man and the Sea, The (J. Sturges, 203 1958), 275 Ozu, Yasujiro, 18, 28, 39, 40, 41 O’Leary, Ronan, 125 Olmi, Ermanno, 137 Omen, The (R. Donner, 1976), 75 P On Chesil Beach (D. Cooke, 2017), Pabst, G.W., 23 258, 287 Paisa (R. Rossellini, 1946), 52 On Chesil Beach (McEwan novel), 258 Paltrow, Gwyneth, 135 One-Eyed Jacks (M. Brando, 1961), Pandora and the Flying Dutchman (A. 258, 276 Lewin, 1950), 98, 275 One Missed Call. See Chakushin ari Pandora’s Box (G.W. Pabst, 1928), 23 One Way Passage (T. Garnett, 1932), Paper Chase, The (J. Bridges, 1973), 98 277 On the Beach (S. Kramer, 1959), Paquet-Brenner, Gilles, 269 236–237, 239 Paradjanov, Sergo, 43 On the Beach (Shute novel), 236, 239 Paris nous apartient (J. Rivette, 1960), Opera Jawa (G. Nugroho, 2006), 43 255, 283 Paris when it Sizzles (R. Quine, 1963), Ophuls, Max, 2, 21, 56, 220 53 Orchestra seats. See Fauteuils Parlez-moi de la pluie (A. Jaoui, d’orchestra 2008), 53 Ordet (G. Molander, 1943), 274 Parting Glances (B. Sherwood, 1985), Orfanato, El. See Orphanage, The 264, 265, 278 Orphanage, The (J.A. Bayona, 2006), Partir (C. Corsini, 2008), 254, 284 166 Pastor, Alex, 240 Orvelashvili, Dachi, 181 Pastor, David, 240 Oscar and Lucinda (G. Armstrong, Pastrone, Giovanni, 75 1997), 49, 70 Paterson, Lucile, 177 Oshima, Nagisa, 65 Patriot, The (R. Emmerich, 2000), Other Woman, The (N. Cassavetes, 267, 281 2014), 286 Peckinpah, Sam, 246 Our Little Sister (H. Koreeda, 2015), Penn, Arthur, 50, 140 215, 286 Peppermint Soda. See Diabolo menthe Outbreak (W. Petersen, 1995), 22 Perez, Gilberto, 4 308 Index

Perkins, V.F., 5, 7, 17 Point Break (K. Bigelow, 1992), 175, Perret, Léonce, 103, 105 190–191, 267, 279 Perry, Frank, 53, 128 Polanski, Roman, 15, 42 Petersen, Wolfgang, 22, 53 Poliakoff, Stephen, 43 Petite marchande d’allumettes, La (J. Polidori, John, 52 Renoir, 1928), 55 Pollack, Sydney, 82, 221 Petit Lieutenant, Le (X. Beauvois, Porcari, George, 157, 158 2005), 283 Possible Worlds (R. Lepage, 2000), Petrie, Donald, 21 235, 281 Petrie, Graham, 153 Postino, Il (M. Radford, 1994), 9, 222, Petzold, Christian, 265 223, 280 Pevere, Geoff, 71 Potter, Sally, 78 Pevney, Joseph, 144 Pouctal, Henri, 22 Philadelphia (J. Demme, 1993), 225, Powell, Michael, 53, 96, 141, 211 280 Powers, Ron, 195 Philosoph, Der (R. Thome, 1988), Premiers désirs (D. Hamilton, 1983), 279 278 Phone (Ahn Byung-ki, 2002), 42 Preminger, Otto, 68, 136 Photographing Fairies (N. Willing, President, The (M. Makhmalbaf, 1997), 55, 56 2014), 180–181, 286 Piano, The (J. Campion, 1993), 52, Pressburger, Emeric, 53, 96, 211 62–64 Prévert, Jacques, 190 Pierrot le fou (J-L. Godard, 1965), 42 Pride of the Marines (D. Daves, 1945), Pinkerton, Nick, 258 68 Piranha (J. Dante, 1978), 268, 277 Prieto, Luis, 214 Pirates of the Caribbean: At World’s Prima cosa bella, La (P. Virzi, 2010), End (G. Verbinski, 2007), 284 285 Pirates of the Caribbean: On Stranger Princess and the Warrior, The. See Tides (R. Marshall, 2011), 285 Krieger und die Kaiserin, Der Pisier, Marie-France, 75 Production Code Administration Pitof, 19 (PCA), 89, 131, 193, 246 Place, J.A., 112 Psycho (A. Hitchcock, 1960), 75 Place Vendôme (N. Garcia, 1998), 265, Pursued (R. Walsh, 1951), 68 281 Placido, Michele, 231 Plaisir, Le (M. Ophuls, 1952), 220, Q 221, 275 Q & A (S. Lumet, 1990), 279 Planet of the Apes (F. Schaffner, 1967), Quatre cents coups, Les (F. Truffaut, 237–238, 276 1959), 76, 149–151, 161, 245, Play Misty for Me (C. Eastwood, 275 1971), 53, 54 Que la bête meure (C. Chabrol, 1969), Plein soleil (R. Clément, 1959), 275 58–59 Index 309

Quiet Duel, The (A. Kurosawa, 1949), Rich and Famous (G. Cukor, 1981), 22, 80 24 Quiet Man, The (J. Ford, 1952), 74 Rimbaud, Arthur, 42 Quine, Richard, 7, 53 Ringu 2 (H. Nakata, 1999), 22 Ripoll, Maria, 76 Ripple Effect (P. Caland, 2007), 284 R Ritchie, Guy, 24 Radford, Michael, 9 Ritchie, Michael, 263, 264 Rafelson, Bob, 224 Ritt, Martin, 21 Railway Children, The (L. Jeffries, River’s Edge, The (A. Dwan, 1957), 44 1970), 74 Rivette, Jacques, 43, 49, 85, 152 Raimi, Sam, 22 Road I Travel With You, The (M. Ramis, Harold, 55 Naruse, 1936), 109, 110, 274 Rampling, Charlotte, 165 Road, The (J. Hillcoat, 2009), Rank, Otto, 166 239–240, 242, 284 Raucher, Herman, 100 Road, The (McCarthy novel), 239 Ray, Nicholas, 22, 53 Road to Bali (H. Walker, 1952), 275 Rayon vert, Le (E. Rohmer, 1986), 42 Road to Perdition (S. Mendes, 2002), Redford, Robert, 62 44, 45, 267, 282 Redmond, Sean, 96, 151, 172, Roaring Twenties (R. Walsh, 1939), 175–176, 190–192, 202 231 Reds (W. Beatty, 1981), 69, 87 Robbe-Grillet, Alain, 75 Reed, Carol, 53 Robbins, Marty, 88 Reed, John, 69 Robinson, Julie Anne, 265 Règle du jeu, La (J. Renoir, 1939), 17, Rocha, Glauber, 136 83, 271 Roeg, Nicolas, 248 Reiner, Rob, 24 Rogozhkin, Aleksandr, 44 Reisz, Karel, 49 Rogue One (G. Edwards, 2016), 286 Reitman, Ivan, 76 Rohmer, Eric, 42, 152, 211 Remarque, Eric Maria, 47 Romanzo criminale (M. Placido, Rendezvous, The (K. Saito, 1972), 277 2005), 231, 232, 283 René, Norman, 251 Romper Stomper (G. Wright, 1992), Renoir, Jean, 17, 21, 55, 108, 176–179, 184, 265, 280 115–117 Roos, Don, 263 Rescue, The (Conrad novel), 107–108 Rosa, Salvatore, 94 Rescue, The (H. Brenon, 1929), Rosenberg, Craig, 44 107–108, 274 Rovere, Matteo, 75 Révélateur, Le (P. Garrel, 1968), 44 Rozier, Jacques, 58 Revenants, Les (TVS, 2015), 286 Rumble Fish (F.F. Coppola, 1983), Revenant, The (A. González Iñárritu, 151, 278 2015), 56 Ruskin, William, 61, 95 Reynolds, Kevin, 239 Russell, Ken, 52 310 Index

Russo, René, 82 Schrader, Paul, 80 Ruthless People (J. Abrahams, D. Schwartz, Stefan, 98 Zucker & J. Zucker, 1986), Schweitzer, Mikhail, 76 256–257, 279 Schwimmer, David, 75 Ryu, Chishu, 41 Scola, Ettore, 160 Scorsese, Martin, 21 Scott, Tony, 98, 101 S Sea Inside, The (A. Amenábar, 2004), Sahara (B. Eisner, 2005), 283 215–216, 266, 282 Samoilova, Tatiana, 34 Searchers, The (J. Ford, 1956), 13–16, Sanditon (Austen novel), 266 18, 68, 70, 271 Sandpiper, The (V. Minnelli, 1965), Seconds (J. Frankenheimer, 1966), 276 124–125, 276 Secret of Roan Inish, The (J. Sayles, Sands of Dee, The (D.W. Griffth, 1993), 234, 280 1912), 103–105, 115, 136, 165, Seeking a Friend for the End of the 192, 274 World (L. Scafaria, 2011), 241 Sansho Dayu (K. Mizoguchi, 1954), Seiler, Lewis, 112 99, 117, 120–122, 124, 130, Semi-Tough (M. Ritchie, 1977), 264, 134, 143, 149, 170, 218, 256, 265, 277 266, 275 Serkis, Andy, 228 Sans lendemain (M. Ophuls, 1940), Seven Cities of Gold (R.D. Webb, 21 1955), 130–133, 144, 275 Sarah’s Key (De Rosnay novel), 270 Shadyac, Tom, 44 Sarah’s Key (G. Paquet-Brenner, Shakespeare, William, 134 2011), 269–270, 285 Shakespeare in Love (J. Madden, Sartre, Jean-Paul, 258 1998), 95, 134–136, 257, 269, Savages (O. Stone, 2012), 285 281 Saving Private Ryan (S. Spielberg, Shallows, The (J. Collet-Serra, 2016), 1998), 22, 81 286 Saxena, Amit, 254 Shame (I. Bergman, 1968), 50 Sayles, John, 64, 234, 264 Shanghai Express (J. von Sternberg, Scafaria, Lorene, 241 1932), 25, 26 Scarlet Street (F. Lang, 1946), 23 Shape of Water, The (G. del Toro, Scattered Clouds (M. Naruse, 1967), 2017), 52, 144 42 Shaw, Robert Gould, 198 Scene at the Sea, A (T. Kitano, 1991), Shawshank Redemption, The (F. 167–168, 172, 279 Darabont, 1994), 245–246, 248, Schaffner, Franklin, 237 252, 256, 268, 269, 280 Schatz, Thomas, 5 Shelley, Mary, 52 Scherfg, Lone, 56 Shelley, Percy Bysshe, 52 Schmid, Hans-Christian, 97 Sheridan, Jim, 183 Index 311

Sherwood, Bill, 264 Sonatine (T. Kitano, 1993), 167–169, Sherwood, Robert E., 25 172, 176, 280 Shimizu, Hiroshi, 57 Sonezaki shinju (Monzaemon play), Shindo, Kaneto, 56 171 Shining, The (S. Kubrick, 1980), 55, 56 Song (R. Eichberg, 1928), 115 Shinjuku Incident (D. Yee, 2009), 284 Song to Remember, A (C. Vidor, Shot in the Dark, A (B. Edwards, 1944), 68–69, 86–87 1964), 51 Son’s Room, The. See Stanza del fglio, La Shrek (A. Adamson & V. Jenson, So Red the Rose (K. Vidor, 1935), 43 2001), 89 Sorority Girl (R. Corman, 1957), 193, Shute, Nevil, 236, 237 219, 275 Shyamalan, M. Night, 224 Sorrentino, Paolo, 56 Sicilian Ghost Story (F. Grassadonia & Sous le sable (F. Ozon, 2000), 160, A. Piazza, 2017), 287 164–165, 167, 188, 203, 204, Siegel, Don, 53, 176 210, 282 Sight & Sound ‘Greatest flms ever Spider’s Stratagem (B. Bertolucci, made’ poll, 13–20, 39–41 1970), 36 Si jolie petite plage, Une (Y. Allegret, Spielberg, Steven, 4, 21, 22, 53, 57, 1948), 274 61, 95 Silberling, Brad, 142 Spiral, The (J. Iida, 1998), 281 Silent Duel, The. See Quiet Duel, The Spirit, The (F. Miller, 2008), 19 Silver City (J. Sayles, 2004), 64–65, Splash (R. Howard, 1984), 52, 144 176 Spoilers, The (Beach novel), 106 Since You Went Away (J. Cromwell, Spoilers, The (C. Campbell, 1914), 1944), 23 106–107, 130, 265, 274 Siodmak, Robert, 86 Spooner, Catherine, 4 Sirk, Douglas, 44, 68 Spottiswoode, Roger, 50, 81 Sixth Sense, The (M.N. Shyamalan, Spy Who Came in from the Cold, The 1999), 224 (M. Ritt, 1966), 21 Sjöström, Victor, 55, 211 Spy Who Loved Me, The (L. Gilbert, Sleeping Beauty (Disney, 1959), 89 1977), 50 Sleepless in Seattle (N. Ephron, 1993), 19 Stahl, John, 43 Snow Falling on Cedars (S. Hicks, Stanza del fglio, La (N. Moretti, 1999), 55 2001), 214, 215, 227, 282 Snow White and the Seven Dwarfs Star is Born, A (G. Cukor, 1954), 98 (Disney, 1937), 89 Star is Born, A (W. Wellman, 1937), 98 S.O.B. (B. Edwards, 1981), 210–211, Star Wars: The Force Awakens (J.J. 255, 278 Abrams, 2015), 42 Soderbergh, Steven, 175 State Fair (H. King, 1933), 52 Solas (B. Zambrano, 1999), 22 Steamboat Bill, Jr. (C.F. Reisner, Some Came Running (V. Minnelli, 1928), 51 1958), 46 Sternberg, Josef von, 25, 55, 86 312 Index

Stevens, Michael, 196 Sutherland, Kathryn, 266 Stevenson, Rick, 44 Suzuki, Seijun, 85, 136, 260 Stevenson, Robert Louis, 56 Sweet Home Alabama (A. Tennant, Stickup, The (R. Herrington, 2001), 2002), 8, 282 282 Sweet Sixteen (K. Loach, 2002), 151, Still Alice (R. Glatzer & W. 273, 282 Westmoreland, 2014), 228, 286 Swimmer, The (F. Perry, 1968), 53 Stillman, Whit, 265 Stone, Oliver, 76 Storm (H-C. Schmid, 2009), 97, 145, T 284 tabula rasa beach metaphor, 94, 105, Strada, La (F. Fellini, 1954), 99, 117, 106, 108, 129–136, 149, 164, 119–120, 122–123, 125, 129, 166, 203, 267 149, 158, 218, 275 Take Shelter (J. Nichols, 2011), 241, Stranger within a Woman, The (M. 285 Naruse, 1966), 156–157, 221, Tale of Samurai Cooking, A (Y. 276 Asahara, 2014), 265, 286 Strauss, Richard, 16 Tale of Two Sisters, A (Kim Ji-woon, Streisand, Barbra, 50 2003), 44 Strick, Philip, 52 Tales of Ordinary Madness (M. Ferreri, Sturges, John, 27 1981), 145 Sturges, Preston, 15, 23, 30, 31 Tam, Patrick, 183 Subida al cielo (L. Buñuel, 1952), 211, Tanaka, Kinuyo, 44, 121 215, 245, 265, 275 Tarkovsky, Andrei, 196 Submarine (F.Capra, 1928), 274 Tarr, Carrie, 160, 161, 163 Submarine (R. Ayoade, 2010), 264, Tashlin, Frank, 264 285 Tattooed Life, A (S. Suzuki, 1965), Submergence (W. Wenders, 2017), 287 136, 259–260, 269, 276 Sudden Impact (C. Eastwood, 1983), 53 Tavarelli, Gianluca Maria, 265 Sugarland Express (S. Spielberg, Tavernier, Bertrand, 75 1974), 21, 42, 44, 45, 61, 62 Tell No One (G. Canet, 2006), 46 Summer of ’42 (R. Mulligan, 1971), Temps qui reste, Le (F. Ozon, 2005), 100, 101, 277 160, 166–167, 184, 185, 231, Summer Rain (J. Glendening, 2001), 283 282 Tennant, Andy, 8 Summertime (D. Lean, 1955), 28, 29 Tequila Sunrise (R. Towne, 1988), Sundays and Cybèle (S. Bourguignon, 257, 263, 264, 279 1962), 23, 55, 56 Terre, La (A. Antoine, 1921), 17 Sunrise (F.W. Murnau, 1927), 16, 17 Testament Des Dr Mabuse, Das (F. Sunset Blvd. (B. Wilder, 1950), 84 Lang, 1933), 22 Superman (R. Donner, 1978), 80 They Were Expendable (J. Ford, 1945), Superman II (R. Lester, 1980), 80 112, 130, 134, 274 Index 313

Thin Line, The (Atiyah novel), 153, Townsend, Isabelle, 209 156 Tracks (J. Curran, 2013), 286 Third Day, The (J. Smight, 1965), 276 Trading Places (J. Landis, 1983), 244, Third Degree, The (M. Curtiz, 1926), 74 248, 252, 278 This is England (S. Meadows, 2006), Trans-Europ-Express (A. Robbe- 151, 267, 283 Grillet, 1966), 75 This Island Earth (J.M. Newman, Trash (S. Daldry, 2014), 243–245, 1955), 70 248, 252, 286 Thompson, Danièle, 21 Treasure Island (B. Haskin, 1950), Thousand Acres, A (J. Moorhouse, 275 97), 66 Tree of Life (T. Malick, 2010), 97, 285 Three Godfathers (R. Boleslawski, Trintignant, Jean-Louis, 75 1936), 23 Trop belle pour toi (B. Blier, 1989), 79 Three Sisters with Maiden Hearts (M. tropes, defnition, 3–4 Naruse, 1936), 35 True Romance (T. Scott, 1993), 101, Throw Momma from the Train (D. 211, 221, 242, 246, 280 DeVito, 1987), 279 Truffaut, François, 8, 43, 55, 76, 84, Thunderball (T. Young, 1965), 50 149–150 Tightrope (R. Tuggle, 1984), 53, 54 Trust (D. Schwimmer, 2010), 75, 224 Time to Leave. See Temps qui reste, Le Truth About Cats and Dogs (M. Time to Love and a Time to Die, A (D. Lehmann, 1996), 263, 280 Sirk, 1958), 44, 47 Truth About Charlie, The (J. Demme, Tirez sur le pianiste (F. Truffaut, 2002), 8 1960), 55, 56 Tucker, Anand, 229 Titanic (J. Cameron, 1997), 84, 89 Tuggle, Richard, 53 Tod in Venedig, Der (Mann novel), Turgenev, Ivan, 23 185 Turner, J.M.W., 61 Tokyo Story (Y. Ozu, 1953), 18, 28, Turner, William James, 229 39–41, 46 Turturro, John, 209 Tolkien, J.R.R, 69 Tykwer, Tom, 6, 242 Tolstoy, Leo, 35 Tombolo, paradiso nero (G. Ferroni, 1947), 274 U Tombstone (G.P. Cosmatos, 1993), 55, Ugetsu Monogatari (K. Mizoguchi, 65 1953), 22 Tomorrow Never Dies (R. Ukrainian Rhapsody (S. Paradjanov, Spottiswoode, 1997), 50 1961), 43 Tonderai, Mark, 75 Ultimo bacio, L’ (G. Muccino, 2001), Tora-san, Our Lovable Tramp (Y. 66, 246, 247 Yamada, 1969, 277 Under the Sand. See Sous le sable Tourneur, Jacques, 35, 118, 193 Under the Skin (C. Adler, 1997), 221, Towne, Robert, 257 255, 269, 280 314 Index

Under the Skin (J. Glazer, 2013), 55 W Under the Tuscan Sun (A. Wells, W. (O. Stone, 2008), 76 2003), 53 Wachowski, Andy, 242 Un long dimanche de fançailles. See Wachowski, Lana, 242 Very Long Engagement, A Wagner, Richard, 192 Uzak (N.B. Ceylan, 2003), 42 Wake Island (J. Farrow, 1942), 111–113 Walkabout (N. Roeg, 1970), 248–249, V 252 Vallée, Jean-Marc, 43 Walker, Alexander, 77 Vangelis, 250, 251 Walker, Michael, 2, 4, 20, 66, 73, 85, Van Gogh, Vincent, 69 87, 197 Van Horn, Buddy, 53 Walker (A. Cox, 1987), 176–177, Van Sant, Gus, 81 182, 255, 279 Varda, Agnès, 189–190 Walk on Water (E. Fox, 2004), 282 Va savoir (J. Rivette, 2001), 85 Wallace, Randall, 81 Vaughn, Tom, 264 Walpurgis Night (G. Edgren, 1935), Venus in Furs (R. Polanski, 2013), 15 70 Verbong, Ben, 182 Walsh, Raoul, 34, 68, 231, 263 Verhoeven, Paul, 44 Ward, Vincent, 42 Vernoux, Marion, 264, 265 War Horse (S. Spielberg, 2011), 61 Veronese, Giovanni, 145 Warm Current (K. Yoshimura, 1939), Vertigo (A. Hitchcock, 1958), 13, 19, 110–111 20 Warner, Marina, 49 Very Long Engagement, A (J-P. Jeunet, War of the Worlds (S. Spielberg, 2005), 2004), 65 53, 66, 85, 271 Vidor, Charles, 68, 70 Warriors, The (W. Hill, 1979), 278 Vidor, King, 35, 43, 86, 196 Waters, Mark, 78 Vie en rose, La (O. Dahan, 2007), Waterworld (K. Reynolds, 1995), 284 239–240, 258, 280 View to a Kill, A (J. Glen, 1985), 51 Watson, Emily, 230 Vigo, Jean, 49 Wayne, John, 62, 99–100 Villaggio di cartone, Il (E. Olmi, Webb, Clifton, 23 2011), 137, 285 Webb, Robert D., 130 Vincendeau, Ginette, 163 Weir, Peter, 238 Vincere (M. Bellocchio, 2009), 81 Weir of Hermiston, The (Stevenson Violent Summer. See Estate violenta novel), 56 V.I.P.s, The (A. Asquith, 1963), 68, 69 Wells, Audrey, 53 Virzi, Paolo, 265 Wenders, Wim, 42, 47, 65, 142, 143 Visconti, Luchino, 55, 184–187 Wendkos, Paul, 125 Vláčil, František, 55 Went the Day Well? (A. Cavalcanti, Vromen, Ariel, 144 1942), 78 Index 315

Westmoreland, Wash, 228 Wind, The (V. Sjöström, 1928), 211 We the Living (G. Alessandrini, 1942), Wind in the Willows, The (Grahame 21, 55 novel), 49 We Were Soldiers (R. Wallace, 2002), 81 Wings of Desire (W. Wenders, 1981), 142 Whale, James, 211 Winterbottom, Michael, 77 Whale Rider (N. Caro, 2002), 255, Wintle, Heather, 96, 239, 240 267, 282 Wollen, Peter, 96 What Dreams May Come (V. Ward, Woman in Black, The (J. Watkins, 1998), 42 2011), 35, 36 Whatever Happened to Baby Jane? Woman in the Window, The (F. Lang, (Farrell novel), 208 1945), 2, 3 What Ever Happened to Baby Jane? (R. Woman on the Beach, The (J. Renoir, Aldrich, 1962), 206–208, 210, 276 1947), 115, 117, 124, 125, 268, What Happens in Vegas (T. Vaughn, 274 2008), 264, 284 woman on the beach trope, 115–125, What Lies Beneath (R. Zemeckis, 129–130, 135–136, 140, 155– 2000), 56 156, 157, 164–165, 192, 204– When Harry Met Sally (R. Reiner, 206, 208, 223, 229–231, 269 1989), 24 Wong, Anna May, 115 When the Light Disappeared (M.H. Wood, Robin, 40, 120–122, 136 Binger, 1918), 274 Woodlanders (Hardy novel), 23 Where Now are the Dreams of Youth? Woodsman, The (N. Kassell, 2004), (Y. Ozu, 1932), 41 43 Where the Boys Are (H. Levin, 1960), Woods, Rowan, 226 127, 134, 265, 276 World War Z (M. Forster, 2013), 241, Whisky Galore (A. Mackendrick, 256, 286 1949), 100, 263, 274 Wright, Geoffrey, 176 White Hunter, Black Heart (C. Wright, Paul, 234 Eastwood, 1990), 53, 54 Wrong Arm of the Law, The (C. Owen, Wilbur Wants to Kill Himself (L. 1962), 276 Scherfg, 2002), 56 Wuthering Heights (W. Wyler, 1939), Wild (J-M. Vallée, 2014), 43 56 Wilder, Billy, 22, 24, 27, 84, 254 Wyler, William, 56 Wild Strawberries (I. Bergman, 1957), 46 Wild Things (J. McNaughton, 1998), Y 281 Yearning (M. Naruse, 1964), 156 Willing, Nick, 55 Yellow Crow, The (H. Gosho, 1957), Will Our Heroes be able to Find their 275 Friend who has Mysteriously Yentl (B. Streisand, 1984), 50 Disappeared in Africa? (E. Scola, Yes (S. Potter, 2004), 78, 284 1968), 276 Yoshimura, Kozaburo, 21, 110 316 Index

Young, Terence, 50, 51 Zigeunerweisen (S. Suzuki, 1980), 278 You Only Live Twice (L. Gilbert, Zinnemann, Fred, 131 1967), 50 Zorba the Greek (M. Cacoyannis, Y tu mamá también. See And Your 1964), 276 Mother Too Zucker, David, 256 Zucker, Jerry, 197, 256 Zurlini, Valerio, 35 Z Zweimal gelebt (M. Mack, 1912), 21 Zambrano, Benito, 22 Zwick, Edward, 198 Zemeckis, Robert, 56, 97 Zeze, Takahisa, 232