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Some Observations on the Weddings of Tokugawa Shogun╎s
University of Pennsylvania ScholarlyCommons Department of East Asian Languages and Civilizations School of Arts and Sciences October 2012 Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1 Cecilia S. Seigle Ph.D. University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/ealc Part of the Asian Studies Commons, Economics Commons, Family, Life Course, and Society Commons, and the Social and Cultural Anthropology Commons Recommended Citation Seigle, Cecilia S. Ph.D., "Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1" (2012). Department of East Asian Languages and Civilizations. 7. https://repository.upenn.edu/ealc/7 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/ealc/7 For more information, please contact [email protected]. Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1 Abstract In this study I shall discuss the marriage politics of Japan's early ruling families (mainly from the 6th to the 12th centuries) and the adaptation of these practices to new circumstances by the leaders of the following centuries. Marriage politics culminated with the founder of the Edo bakufu, the first shogun Tokugawa Ieyasu (1542-1616). To show how practices continued to change, I shall discuss the weddings given by the fifth shogun sunaT yoshi (1646-1709) and the eighth shogun Yoshimune (1684-1751). The marriages of Tsunayoshi's natural and adopted daughters reveal his motivations for the adoptions and for his choice of the daughters’ husbands. The marriages of Yoshimune's adopted daughters show how his atypical philosophy of rulership resulted in a break with the earlier Tokugawa marriage politics. -
The Hosokawa Family Eisei Bunko Collection
NEWS RELEASE November, 2009 The Lineage of Culture – The Hosokawa Family Eisei Bunko Collection The Tokyo National Museum is pleased to present the special exhibition “The Lineage of Culture—The Hosokawa Family Eisei Bunko Collection” from Tuesday, April 20, to Sunday, June 6, 2010. The Eisei Bunko Foundation was established in 1950 by 16th-generation family head Hosokawa Moritatsu with the objective of preserving for future generations the legacy of the cultural treasures of the Hosokawa family, lords of the former Kumamoto domain. It takes its name from the “Ei” of Eigen’an—the subtemple of Kenninji in Kyoto, which served as the family temple for eight generations from the time of the original patriarch Hosokawa Yoriari, of the governing family of Izumi province in the medieval period— and the “Sei” of Seiryūji Castle, which was home to Hosokawa Fujitaka (better known as Yūsai), the founder of the modern Hosokawa line. Totaling over 80,000 objects, it is one of the leading collections of cultural properties in Japan and includes archival documents, Yūsai’s treatises on waka poetry, tea utensils connected to the great tea master Sen no Rikyū from the personal collection of 2nd-generation head Tadaoki (Sansai), various objects associated with Hosokawa Gracia, and paintings by Miyamoto Musashi. The current exhibition will present the history of the Hosokawa family and highlight its role in the transmission of traditional Japanese culture—in particular the secrets to understanding the Kokinshū poetry collection, and the cultural arts of Noh theater and the Way of Tea—by means of numerous treasured art objects and historical documents that have been safeguarded through the family’s tumultuous history. -
Manual Text LAWRENCE SCHICK LAWRENCE SCHICK Artistic Director with SANDY PETERSEN MICHAEL HAIRE Manual Editor Lead Programmer JEFFERY L
SWORD OF THE SAMURAI Computer Game MICROPROSE SOFTWARE INC. 180 Lakefront Drive, Hunt Valley, MD 2 1030 (410) 771-I 151 All rights reserved Copyright 0 I989 by MicroProse Software, inc. This bk may not be reproduced in whole or in part by any means without permission, except the quotation of brief passages for reviews. PRINTING HISTORY First printing 1989 Printing: 9 8 7 6 5 4 3 2 1 Sword of the Samurai is MicroProse Software’s trademark for its computer game of feudal Japan. SWORD OF THE SAMURAI Game Design/Project Leader Manual Text LAWRENCE SCHICK LAWRENCE SCHICK Artistic Director with SANDY PETERSEN MICHAEL HAIRE Manual Editor Lead Programmer JEFFERY L. BRIGGS JIM SYNOSKI Print Media Director Role-Playing Program IRIS IDOKOCI JIM SYNOSKI Full-Page Illustrations with SID MEIER RONNIE ORDANZA and MARCELL CIOLA Melee Program Spot Illustrations JOHN KENNEDY OSCAR RATTI* Battle Program Layout DAVID McKlBBlN MICHAEL HAIRE and MURRAY TAYLOR with DAN CHANG Paper Map Graphics Duel Program MARCELL CIOLA SID MEIER MURRAY TAYLOR and MICHAEL REIS Music and Sound Quality Assurance KEN LAGACE and JIM McCONKEY ALAN ROIREAU, CHRIS TAORMINO, Music by JEFFERY L. BRIGGS and RUSS COONEY Computer Graphics Packaging Design MICHAEL HAIRE MARK CIOLA and JOHN EMORY with JACKIE ROSS Type Fonts by BARBARA BENTS *(from Secrets of the Samurai by Oscar Ratti and Adele Westbrook; used by permission of the publisher, the Charles E. Tuttle Company, Inc.) CONTENTS INTRODUCTION THE LIFE OF A SAMURAI General Overview: Another Time, Another Culture 3 Quickstart: On the -
The Japanese Samurai Code: Classic Strategies for Success Kindle
THE JAPANESE SAMURAI CODE: CLASSIC STRATEGIES FOR SUCCESS PDF, EPUB, EBOOK Boye Lafayette De Mente | 192 pages | 01 Jun 2005 | Tuttle Publishing | 9780804836524 | English | Boston, United States The Japanese Samurai Code: Classic Strategies for Success PDF Book Patrick Mehr on May 4, pm. The culture and tradition of Japan, so different from that of Europe, never ceases to enchant and intrigue people from the West. Hideyoshi was made daimyo of part of Omi Province now Shiga Prefecture after he helped take the region from the Azai Clan, and in , Nobunaga sent him to Himeji Castle to face the Mori Clan and conquer western Japan. It is an idea taken from Confucianism. Ieyasu was too late to take revenge on Akechi Mitsuhide for his betrayal of Nobunaga—Hideyoshi beat him to it. Son of a common foot soldier in Owari Province now western Aichi Prefecture , he joined the Oda Clan as a foot soldier himself in After Imagawa leader Yoshimoto was killed in a surprise attack by Nobunaga, Ieyasu decided to switch sides and joined the Oda. See our price match guarantee. He built up his capital at Edo now Tokyo in the lands he had won from the Hojo, thus beginning the Edo Period of Japanese history. It emphasised loyalty, modesty, war skills and honour. About this item. Installing Yoshiaki as the new shogun, Nobunaga hoped to use him as a puppet leader. Whether this was out of disrespect for a "beast," as Mitsuhide put it, or cover for an act of mercy remains a matter of debate. While Miyamoto Musashi may be the best-known "samurai" internationally, Oda Nobunaga claims the most respect within Japan. -
Hosokawa Tadatoshi and Miyake Tobei : Two Grandsons of Akechi
Featured Exhibition,The Hosokawa CollectionⅠ Hosokawa Tadatoshi and Miyake Tobei : Two Grandsons of Akechi Mitsuhide in Kumamoto- Hosokawa Tadatoshi, lord of Kumamoto Castle, and Miyake Tobei, a warrior of Karatsu Domain who died in Amakusa by rebel forces during the Shimabara-Amakusa Rebellion, were both in fact the grandsons of the samurai general Akechi Mitsuhide, famous for defeating the warlord Oda Nobunaga! Learn about these two figures connected to Mitsuhide who ended up in Kumamoto. List of Works Saturday,May 16-Sunday,July 5,2020 The Hosokawa Collection-Eiseibunko Gallery in Kumamoto,Kumamoto Prefectural Museum of Art № Title of Work Artist’s Name, etc. Year of Production Owner Prologue : Members of the Akechi Family Portrait of Akechi Mitsuhide 1 Inscribed in 1613 Hontokuji Temple, Osaka (*photo panel) From Akechi Hidemitsu to Taiyo Collection, Taigan Kawakami Kamonno- August 13, ca.1580-81 2 Letter Historical Museum, Tokyo suke Daughter of Akechi Mitsuhide, Shinsen Kumamoto Prefectural Museum 3 Utagawa Toyonobu 1883 Taikoki of Art Eisei Bunko Museum,Tokyo From Hosokawa Sansai to August 23,1629 (Entrusted to Kumamoto 4 Letter Hosokawa Tadatoshi Prefectural Museum of Art) Part1 : Mitsuhide's Grandsons Tadataka and Okiaki who couldn't Succeed the Hosokawa Family From Tokugawa Hidetada to September 24,1600 Eisei Bunko Museum,Tokyo 5 Letter Hosokawa Tadataka Eisei Bunko Museum,Tokyo 6 Battle of Sekigahara(*photo panel) Late Edo period,19th century (Entrusted to Kumamoto University Library) Matsui Bunko Museum From Hosokawa Tdataka -
Ore Giapponesi: Giorgio Bernari E Adriano Somigli Lia Beretta
COLLANA DI STUDI GIAPPONESI RICErcHE 4 Direttore Matilde Mastrangelo Sapienza Università di Roma Comitato scientifico Giorgio Amitrano Università degli Studi di Napoli “L’Orientale” Gianluca Coci Università di Torino Silvana De Maio Università degli Studi di Napoli “L’Orientale” Chiara Ghidini Fondazione Bruno Kessler Andrea Maurizi Università degli Studi di Milano–Bicocca Maria Teresa Orsi Sapienza Università di Roma Ikuko Sagiyama Università degli Studi di Firenze Virginia Sica Università degli Studi di Milano Comitato di redazione Chiara Ghidini Fondazione Bruno Kessler Luca Milasi Sapienza Università di Roma Stefano Romagnoli Sapienza Università di Rom COLLANA DI STUDI GIAPPONESI RICErcHE La Collana di Studi Giapponesi raccoglie manuali, opere di saggistica e traduzioni con cui diffondere lo studio e la rifles- sione su diversi aspetti della cultura giapponese di ogni epoca. La Collana si articola in quattro Sezioni (Ricerche, Migaku, Il Ponte, Il Canto). I testi presentati all’interno della Collana sono sottoposti a una procedura anonima di referaggio. La Sezione Ricerche raccoglie opere collettanee e monografie di studiosi italiani e stranieri specialisti di ambiti disciplinari che coprono la realtà culturale del Giappone antico, moder- no e contemporaneo. Il rigore scientifico e la fruibilità delle ricerche raccolte nella Sezione rendono i volumi presentati adatti sia per gli specialisti del settore che per un pubblico di lettori più ampio. Variazioni su temi di Fosco Maraini a cura di Andrea Maurizi Bonaventura Ruperti Copyright © MMXIV Aracne editrice int.le S.r.l. www.aracneeditrice.it [email protected] via Quarto Negroni, 15 00040 Ariccia (RM) (06) 93781065 isbn 978-88-548-8008-5 I diritti di traduzione, di memorizzazione elettronica, di riproduzione e di adattamento anche parziale, con qualsiasi mezzo, sono riservati per tutti i Paesi. -
Shitenno.Pdf
Honshu island, Japan, end of 16th century. 1 gameboard representing Japan’s 8 Provinces and The Warring state period (Sengoku) is coming to including the favor points track an end. After more than a century of chaos, in a background of constant war tainted with treason, fratricidal rivalry, and reversal of alliance, one man, Tokugawa Ieyasu, heir of a small insignificant clan, is about to unify Japan for the first time in history, allowing it to enter the Edo period - a period of peace which lasted two and a half centuries. First shogun of the Tokugawa dynasty, he rose to power thanks to the unfailing support of his four samurai generals, the Shitennōs (literally ‘‘Four heavenly kings’’): 4 Shitennō cards & 4 Score Kamons Honda Tadakatsu Ii Naomasa Sakakibara Yasumasa Sakai Tadatsugu 48 control Kamons – 12 for each one of the 4 generals Simple Face Golden Face The Kamons are the “coat of arms of samurai clans” 24 Bonus Tiles Bonus Face Each player plays the role of one of these four generals and Troop Face tries, by controlling different Provinces, to become shogun Tokugawa’s favorite. 4 big Title Tiles and 4 corresponding Hierarchy Tiles The game flow is based on the ‘‘sankin-kōtai’’ system, in which the daimyōs had to spend one year out of two in Edo (old Tōkyō), and to leave their wives and children there when they went back to the Provinces. A game is therefore made of several turns, each turn corresponding to two years: During even years, the generals, present in Edo with the Shogun, share Titles, Troops made available by the Shogun, and Kokus (income from a fief). -
Feudal Japan
The Japanese had a deep respect for nature due to their geography Tsunami Tsunami 2 • How do you think that played into their early religion? • How do you think that played into their early religion? • Polytheistic • SHINTOISM Yamato Period: 300-710 Began promoting the adoption of Chinese culture: Confucianism. Language Buddhism Chinese art & architecture. Strong Government “Great Kings” era Heian Period: 700’s-1100’s Characteristics: Growth of large estates.(Nobles) Arts & literature of China flourished. Elaborate court life [highly refined] . ETIQUETTE. Great novel The Tale of Genji by Lady Murasaki Shikibu [1000 pgs.+] Heian Court Dress Tale of Genji (first novel) Tale of Genji Scroll (first novel) Heian Period: Selective Borrowing 1.Chinese writing. 2.Chinese artistic styles. 3.Buddhism [ZEN]. 4.BUT, not the Chinese civil service system! Feudalism A political, economic, and social system based on loyalty, the holding of land, and military service. Europe: King Land - Fief Loyalty Land - Fief Loyalty Lord Lord Food Knight Knight Knight Protection Peasant Peasant Peasant Peasant Feudalism A political, economic, and social system based on loyalty, the holding of land, and military service. Japan: Shogun Land - Shoen Loyalty Land - Shoen Daimyo Daimyo Loyalty Samurai Samurai Samurai Food Protection Peasant Peasant Peasant Peasant The emperor reigned, but did not always rule! Feudal Society Medieval Warriors vs. European knight Samurai Warrior Medieval Warriors vs. Knight’s Armor Samurai Armor Code of Bushido * Respect for -
Art of the Samurai: Japanese Arms and Armor, 11561156---18681868
News Release The Metropolitan Museum of Art Communications Department 1000 Fifth Avenue, New York, NY 10028-0198 tel (212) 570-3951 fax (212) 472-2764 [email protected] For Immediate Release Elyse Topalian Naomi Takafuchi Art of the Samurai: Japanese Arms and Armor, 11561156---18681868 Exhibition dates: October 21, 20092009---JanuaryJanuary 10, 2010 Location: The Tisch GalleriesGalleries,, second floor Press Preview: Monday, October 19, 10 a.m. - noon The Metropolitan Museum of Art will present the most extraordinary and comprehensive exhibition of Japanese arms and armor ever to take place in the United States, beginning October 21. Bringing together some 215 masterpieces, including 34 National Treasures (more than double the number of National Treasures ever before allowed to leave Japan for a single loan exhibition), 61 Important Cultural Properties, and six Important Art Objects, Art of the Samurai: Japanese Arms and Armor, 11561156---18681868 will explore the greatest achievements of this unique facet of Japanese art. Drawn exclusively from public and private collections in Japan, the exhibition will showcase the finest examples of armor, swords, sword fittings and mountings, archery and equestrian equipments, banners, surcoats, and related accessories of rank such as fans and batons, as well as painted screens and scrolls depicting samurai warriors. The exhibition is made possible by The Yomiuri Shimbun. Additional support is provided by the Jessica E. Smith and Kevin R. Brine Charitable Trust, Japanese Chamber of Commerce and Industry of New York, Inc., and Oceanic Heritage Foundation. (more) Art of the Samurai Page 2 The exhibition was organized by The Metropolitan Museum of Art, New York, the Agency for Cultural Affairs of the Government of Japan, and the Tokyo National Museum. -
Tokyo Takarazuka Theater(TOKYO) Aug.5‒Sep.4 2016
Tokyo Takarazuka Theater(TOKYO) Aug.5‒Sep.4 2016 Postal Life Insurance 100th Anniversary ‒ Kanpo Dream Theater Rock Musical "Nobunaga: The Will to Power" Written and directed by Takuji Ono Postal Life Insurance 100th Anniversary ‒ Kanpo Dream Theater Shining Show "Forever LOVE!!" Written and directed by Daisuke Fujii On sale from: July 3, 2016, at 10:00 AM(JST) ‒ Price SS Seat : 12,000 / S Seat : 8,800 / A Seat : 5,500 / B Seat : 3,500 Unit: Japanese Yen (tax included) Story ‒‒‒ "Nobunaga: The Will to Power" Japan is at war with itself. At Okehazama, Oda Nobunaga (Masaki Ryu) of Owari, rumored to be a fool, spectacularly defeated Imagawa Yoshimoto of Mikawa as he was leading a much larger host than Nobunaga's toward the capital city, Miyako (modern‒day Kyoto). Nobunaga has decided to take Yoshimoto's place and lead his own forces to Miyako, so he is compelled to ally with the Azai clan in order to suppress Mino, a province lying between Owari and Miyako, by having his younger sister Oichi (Mitsuki Umino) wed Nagamasa, the Azai clan's successor. However, Mino is also the birthplace of Nobunaga's wife, Kicho (Reika Manaki). Her former retainers and people are in Mino, and Kicho is vehemently opposed to the province's destruction, even if it is now in the hands of an enemy who overthrew her father, Saito Dosan. But Nobunaga, who has embarked upon his path to conquest, holds to his course. Ten years later, Nobunaga has conquered Mino and marched into Miyako. He has become war incarnate and continues to slaughter his enemies, instilling terror in the populace, who call him a king of demons. -
Oda Nobunaga in Japanese Videogames the Case of Nobunaga’S Ambition: Sphere of Influence (Koei, 2013)
Trabajo Fin de Máster Oda Nobunaga en los videojuegos japoneses El caso de Nobunaga’s Ambition: Sphere of Influence (Koei, 2013) Oda Nobunaga in Japanese videogames The case of Nobunaga’s Ambition: Sphere of Influence (Koei, 2013) Autora Claudia Bonillo Fernández Directoras Elena Barlés Báguena Amparo Martínez Herranz Facultad de Filosofía y Letras/ Departamento de Historia del Arte Curso 2017-2018 2 ÍNDICE I. PRESENTACIÓN DEL TRABAJO .......................................................................................................................... 3 1. Delimitación del tema y causas de su elección ..................................................................................................... 3 2. Estado de la cuestión ............................................................................................................................................. 5 3. Objetivos del trabajo ............................................................................................................................................. 9 4. Metodología .......................................................................................................................................................... 9 4.1. Búsqueda, recopilación, lectura y análisis de material bibliográfico ........................................................... 10 4.2. Búsqueda, recopilación, lectura y análisis de material documental ............................................................. 11 4.3. Trabajo de campo ........................................................................................................................................ -
Redalyc.Tokugawa Ieyasu and the Christian Daimyó During the Crisis
Bulletin of Portuguese - Japanese Studies ISSN: 0874-8438 [email protected] Universidade Nova de Lisboa Portugal Costa Oliveira e, João Paulo Tokugawa Ieyasu and the Christian Daimyó during the Crisis Of 1600 Bulletin of Portuguese - Japanese Studies, núm. 7, december, 2003, pp. 45-71 Universidade Nova de Lisboa Lisboa, Portugal Available in: http://www.redalyc.org/articulo.oa?id=36100703 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative BPJS, 2003, 7, 45-71 TOKUGAWA IEYASU AND THE CHRISTIAN DAIMYÓ DURING THE CRISIS OF 1600 1 João Paulo Oliveira e Costa Centro de História de Além-Mar, New University of Lisbon The process of the political reunification of the Japanese Empire 2 underwent its last great crisis in the period between the death of Toyotomi Hideyoshi 豊臣秀吉 (1536-1598),3 in September 1598, and the Battle of Seki- gahara, in October 1600. The entire process was at risk of being aborted, which could have resulted in the country lapsing back into the state of civil war and anarchy in which it had lived for more than a century.4 However, an individual by the name of Tokugawa Ieyasu 徳川家康 (1543-1616) 5 shrewdly took advantage of the hesitation shown by many of his rivals and the military weakness or lack of strategic vision on the part of others to take control of the Japanese Empire, which would remain in the hands of his family for more than 250 years.