Grease Book, Music, and Lyrics by JIM JACOBS & WARREN CASEY
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Theatrical CV
Represented by Miles Polaski SOUND DESIGNER & COMPOSER Michael Griffo [email protected] 773.905.4529 [email protected] www.milespolaski.com 212-556-6714 SOUND DESIGN — PLAYS (selected credits) PRODUCTION PLAYWRIGHT PRODUCING COMPANY DIRECTOR WHERE STORMS ARE BORN Harrison David Rivers Williamstown T h eatre Festival Saheem Ali TWO CLASS ACTS A.R. Gurney The Flea Theatre Stafford Arima FULFILLMENT Thomas Bradshaw The Flea Theatre Ethan McSweeny BOOK OF JOSEPH Karen Hartman Chicago Shakespeare Theatre Barbara Gaines BYHALIA MISSISSIPPI Evan Linder Contemporary American Thtr. Fest. Marc Masterson WASHER DRYER Nandita Shenoy Ma-Yi Theatre Benjamin Kamine SAGITTARIUS PONDEROSA MJ Kaufman Nat. Asian American Theatre Co. Ken Rus Schmoll A CHRISTMAS CAROL add. James Palmer Trinity Repertory James D. Palmer THE HAIRY APE Eugene O’Neill Goodman / The Hypocrites Sean Graney MEN ON BOATS Jaclyn Backhaus American Theatre Company William Davis PICNIC and ...LITTLE SHEBA William Inge Transport Group Jack Cummings III WANT Zayd Dohrn Steppenwolf Theatre Kimberly Senior MAN IN LOVE Christina Anderson Steppenwolf Theatre Robert O’Hara THE KID THING Sarah Gubbins Chicago Dramatists -
Grease" Is Presented Through Special Arrangement with and All Authorised Performance Material Are Supplied by Theatrical Rights Worldwide (TRW)
The Geneva Amateur Operatic Society Really Youthful Group presents: Book, Music, and Lyrics by Jim Jacobs and Warren Casey "Grease" is presented through special arrangement with and all authorised performance material are supplied by Theatrical Rights Worldwide (TRW). 122-124 Regents Street, 3rd floor, London, W1B 5SA www.theatricalrights.co.uk The videotaping or audio recording of this performance is strictly prohibited Know it all Chairman's welcome Dear Friends of GAOS, on behalf of the Society I would like to welcome you to the Marens theatre here for the 2019 Really Youthful Group production of Grease. I’m sure Grease needs no introduction – as both young and old will have seen clips of Olivia Newton John and John Travolta singing the well known melodies. So instead I thought it would be more useful - for the benefit of those that have never seen a GAOS musical production until now – to explain that GAOS has been active in Geneva since 1971 – and has welcomed thousands of people to its shows over the soon to be 50 years. We depend on ticket sales to finance future production and we receive no sponsorship or subsidies. Over the years we have enjoyed a growing and diverse membership of people who work and have fun together on-and- off stage to produce shows of a high standard. The Really Useful Group was established by the Society over ten years ago as a means to introduce teenagers to musical theatre, and most importantly, to encourage those returning to Geneva after their studies to enrich the Society with their newly acquired skills either as actors, musicians, set designers, costume designers, lighting or sound engineers, or any of the other myriad of jobs that together make our productions so enjoyable for audiences and participants alike. -
Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975 By
Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975 By Elizabeth Sallinger M.M., Duquesne University, 2010 B.A., Pennsylvania State University, 2008 Submitted to the graduate degree program in Musicology and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Paul R. Laird Roberta Freund Schwartz Bryan Kip Haaheim Colin Roust Leslie Bennett Date Defended: 5 December 2016 ii The dissertation committee for Elizabeth Sallinger certifies that this is the approved version of the following dissertation: Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975 Chair: Paul R. Laird Date Approved: 5 December 2016 iii Abstract In 1968, the sound of the Broadway pit was forever changed with the rock ensemble that accompanied Hair. The musical backdrop for the show was appropriate for the countercultural subject matter, taking into account the popular genres of the time that were connected with such figures, and marrying them to other musical styles to help support the individual characters. Though popular styles had long been part of Broadway scores, it took more than a decade for rock to become a major influence in the commercial theater. The associations an audience had with rock music outside of a theater affected perception of the plot and characters in new ways and allowed for shows to be marketed toward younger demographics, expanding the audience base. Other shows contemporary to Hair began to include rock music and approaches as well; composers and orchestrators incorporated instruments such as electric guitar, bass, and synthesizer, amplification in the pit, and backup singers as components of their scores. -
GREASE • Production Overview • Lesson Guides • Student Activities • At-Home Projects • Reproducibles Copyright 2007, Camp Broadway, LLC All Rights Reserved
A tool for using the theater across the curriculum to meet National Standards for Education GREASE • Production Overview • Lesson Guides • Student Activities • At-Home Projects • Reproducibles Copyright 2007, Camp Broadway, LLC All rights reserved This publication is based on Grease with book, music and lyrics by Jim Jacobs and Warren Casey and directed and choreographed by Kathleen Marshall. The content of the Grease edition of StageNOTES™: A Field Guide for Teachers is fully protected under the copyright laws of the United states of America and all other countries with which the United States has reciprocal copyright relations. All rights regarding publishing, reprint permissions, public readings, and mechanical or electronic reproduction, including but not limited to, CD-ROM, information storage and retrieval systems and photocopying, and the rights of translation into foreign languages are strictly prohibited. Printed in the United States of America First Digital Edition: January 2008 For more information on StageNOTES™ and other theatre arts related programs, contact: Camp Broadway, LLC 336 West 37th Street, Suite 460 New York, New York 10018 Telephone: (212) 575-2929 Facsimile: (212) 575-3125 Email: [email protected] www.campbroadway.com Table of contents Using the Field Guide and Lessons...................................................................................................4 Synopsis and Character Breakdown..................................................................................................5 Overture -
University of Hawai'i at Hilo Theatre
UH Hilo Performing Arts Department Master Production List 1979- 2020 Musicals GIVE MY REGARDS TO BROADWAY - A Musical Revue AMAHL AND THE NIGHT VISITORS by Gian Carlo Menotti CAROUSEL by Rodgers and Hammerstein OLIVER by Lionel Bart SOUTH PACIFIC by Rodgers and Hammerstein MY FAIR LADY by Lerner and Loewe FLOWER DRUM SONG by Rodgers and Hammerstein FIDDLER ON THE ROOF by Stein and Bock THE SOUND OF MUSIC by Rodgers and Hammerstein CABARET by Kander and Ebb I DO! I DO! by Jones and Schmidt YOU’RE A GOOD MAN CHARLIE BROWN by Clark Gesner archy and mehitabel by Joe Darion and Mel Brooks AN EVENING OF OPERA SCENES, Conceived by Margaret Harshbarger JESUS CHRIST SUPERSTAR by Tim Rice and Andrew Lloyd Weber** THE MIKADO by Gilbert and Sullivan WEST SIDE STORY by Bernstein and Sondheim (1988) I’M GETTING MY ACT TOGETHER AND TAKING IT ON THE ROAD, by Joan Micklin Silver & Julianne Boyd ANNIE by Thomas Meehan A.....MY NAME IS ALICE by Joan Micklin Silver, Julianne Boyd LITTLE SHOP OF HORRORS by Ashman & Menken NUNSENSE by Dan Goggin MUSIC MINUS ONE by George Furth, starring Leslie Uggams* * World Premiere EASY STREET: AN AMERICAN DREAM, by Wendell Ing * * World Premiere CAMELOT by Lerner and Lowe WORKING, THE MUSICAL A CHRISTMAS CAROL, by Bedloe, Wood, & Shapcott AMAHL AND THE NIGHT VISTORS, by Gian-Carolo Menotti SWEENEY TODD, by Stephen Sondheim INTO THE WOODS, by Stephen Sondheim GUYS AND DOLLS, by Frank Loesser A LITTLE NIGHT MUSIC, by Stephen Sondheim COMPANY, by Stephen Sondheim 100 YEARS OF BROADWAY, A Musical Revue OKLAHOMA, by Rodgers -
Grease Musical
Grease musical Named after the 1950s United States working-class youth subculture known as greasers, the musical is set in 1959 at fictional Rydell High School and follows ten working-class teenagers as Grease is a 1971 musical by Jim Jacobs and Warren Casey with additional they navigate the complexities of peer pressure, politics, personal core values, and love songs written by John Farrar. They wanted to break the traditional musical style The film was released in 1978 The show mentions social issues such as teenage pregnancy, peer pressure and gang violence; its themes include love, friendship, teenage rebellion, sexual exploration during adolescence, The score borrows heavily from the sounds of early rock and roll and, to some extent, class consciousness/class conflict. including Buddy Holly, Little Richard and Elvis Prestley At the heart of the story is the romance between hot-rodding gangster Danny Zuko and the sweet new girl in town, Sandy Dumbrowski. They had a secret romance in summer, but now back in the context of school, peer-pressure and cliques make their love a bit more complicated.pink ladies Can 1 Danny maintain his cool dude status and still get make demure Sandy his girl? The whole gang singshttp://www.bin and dances g.com/images/search?view=detailV2&ccid=jEQ77DUR&id=B49D933FAB28B9013C11C4613636F75CE2C6ADCB&thid=OIP.jEQ77DURq4AmqParound Danny and Sandy’s romance, through such hit songs as "Greased Lightnin'", "We Go Together”, and “Mooning”, recalling the music of Buddy Holly, Little Richard and Elvis Presley that became the soundtrack of a generation. Starting off with an eight-year Broadway run, Grease is among the world’s most popular musicals and has a yY99kLCwEsDN&q=images+of+t+birds+from+grease&simid=607987729438868238&selectedIndex=23&adlt=strict cult-like following, especially among teens! Key characters Pink Ladies Sandy – key lead, sweet, naïve girl next door. -
Great Valley Middle School Theater Company Proudly Presents
Great Valley Middle School Theater Company proudly presents Book, Music and Lyrics by Jim Jacobs and Warren Casey “Grease: SchoolGeneral Version” isWayne presented Theater by special arrangement with SAMUELMalvern, FRENCH, PA INC. General Wayne Theater Malvern, PA January 11, 12, and 13th, 2018 JIM JACOBS (Book, Music and Lyrics). Jacobs, who created Grease (in 1970) with Warren Casey, was born and raised on the mean streets of Chicago’s far northwest side. During the golden era of rock ‘n’ roll (1956-1960) he was a guitar-playing “greaser” student at Taft High School. In 1963, Jacobs met Warren Casey when they were both cast in a local theatre production of A Shot in the Dark. Seven years later they wrote what was to become one of the greatest musicals of all time. Grease opened in 1971 in a former trolley barn called the Kingston Mines Theatre in Chicago. A year later, Grease made it to Broadway and “Greasemania” took off, resulting in one of the longest running shows in Broadway history. The 1978 movie became and remains the highest grossing movie musical of all time. Originally an actor, Jacobs has been seen on television, in motion pictures, regional theatre, national tours, and on Broadway. He is the co-author of several other plays and musicals including Island of Lost Coeds, a musical spoof of the low budget sci-fi/horror/jungle movies of the 1950s, which he wrote with Warren Casey. In May 2014, Mr. Jacobs was presented with an honorary doctorate degree from Columbia College in Chicago. He currently resides in Southern California and remains active in the theatre, especially with the American Theatre Company of Chicago. -
P2 It's Almost Time for GREASE!
Women’s Health CLINIC MAY 2018 SEASON | YEAR A NEWSLETTER DEDICATED TO GROUPS, ORGANIZATIONS AND FRIENDS OF THE FIRESIDE THEATRE It's almost time for GREASE! BACK IN 1980 THE LONGEST RUNNING SHOW IN BROADWAY HISTORY WAS A MUSICAL COMEDY THAT HAD RUN FOR NINE YEARS. THAT MUSICAL COMEDY WAS GREASE. IT HAD SURPASSED THE RUNS OF SUCH MEGA HITS AS FIDDLER ON THE ROOF AND MY FAIR LADY. Nowadays, with shows like THE LION KING many generations from those of us who which has been running for twenty one were around in the fifties to Generation X years and PHANTOM OF THE OPERA and their children to today’s millennials. which has been running for thirty years, a nine year run may not sound like much, but I will be going to NYC in early June to when you take into account that GREASE cast the show and I am expecting a huge has been performed in 25 countries around turnout because in addition to GREASE the world, has spawned a popular film being one of the most popular shows for version as well as a sequel; has inspired audiences it is a show that most young a reality TV show; has been revived on musical theatre actors want to do. So I am Broadway twice, has had three national confident that we will have a stellar cast. tours; has won three Theatre World Awards, two Drama Desk Awards, and GREASE is traditionally one of the best "It is simply one of the most been nominated for ten Tony Awards, it selling shows in regional theatre so you’d entertaining shows in Broadway paints a pretty impressive picture of this fun, better make plans to see the show while little musical about teenagers in the 50’s. -
Performing Arts Collection Coll2007.016
http://oac.cdlib.org/findaid/ark:/13030/kt609nd56d No online items Inventory of the Performing Arts Collection Coll2007.016 Finding aid prepared by ONE National Gay and Lesbian Archives staff Processing this collection has been funded by a generous grant from the National Historical Publications and Records Commission. ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California 909 West Adams Boulevard Los Angeles, California, 90007 (213) 741-0094 [email protected] © 2007 Inventory of the Performing Arts Coll2007.016 1 Collection Coll2007.016 Title: Performing Arts collection Identifier/Call Number: Coll2007.016 Contributing Institution: ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California Language of Material: English Physical Description: 63.75 linear feet Date (bulk): Bulk, 1980-2000 Date (inclusive): 1937-2012 Abstract: Programs, flyers, press kits, photographs, correspondence, newspaper clippings including reviews, and periodicals primarily documenting gay and lesbian actors and theater 1980-2000. The core of this artificial collection was formed from performing arts materials from the collection of Ken Dickmann, supplemented with materials from the Purple Circuit collection, an information clearinghouse for gay and lesbian theater, founded by Bill Kaiser. General Physical Description note: 51 records storage boxes creator: ONE National Gay and Lesbian Archives Access The collection is open to researchers. There are no access restrictions. Publication Rights Researchers wishing to publish materials must obtain permission in writing from ONE National Gay and Lesbian Archives as the physical owner. Researchers must also obtain clearance from the holder(s) of any copyrights in the materials. Note that ONE National Gay and Lesbian Archives can grant copyright clearance only for those materials for which we hold the copyright. -
Musicals (PDF)
UW-Green Bay Theatre Revised: November 2012 Script Library Musical Library Title Author 1940's Radio Hour Walton Jones A Day in Hollywood/A Night in the Ukraine Music by Frank Lazarus A…. My name is Alice Conceived and Directed by Joan Micklin Silver and Julianne Boyd A…My Name is Alice Joan Micklin Silver and Julianne Boyd Big River Book by William Hauptman and Roger Miller, Music and Lyrics by Roger Miller Blood Brother Willy Russell Chicago Music by John Kander, Lyrics by Fred Ebb Dames at Sea Music by Jim Wise Doonesbury Book and Lyrics by G.B. Trudeau Music by Elizabeth Swados Falsettos Music and Lyrics by William Finn Fiddler on the Roof Music by Jerry Bock, Lyrics by Sheldon Harnick Gorey Stories Music by David Aldrich Grease Book, Music, and Lyrics by Jim Jacobs and Warren Casey Little Shop of Horrors Music by Alan Menken Man of LaMancha Written by Dale Wasserman, Lyrics Joe Darion, Music Mitch Leigh Nine Book by Arthur Kopit, Music and Lyrics by Maury Yeston Nunsense Book, Music, and Lyrics by Dan Goggin Of Thee I Sing Music by George Gershwin, Lyrics by Ira Gershwin Pippin Roger O. Hirson, M&L by Stephen Schwartz Pump Boys and Dinettes Conceived and Written by John Foley, etc Purlie Music by Gary Geld, Lyrics by Peter Udell Quilters Music and Lyrics by Barbara Damashek Something's Afoot Music and Lyrics by James McDonald, etc. Sunday in the Park with George Music and Lyrics by Stephen Sondheim, Book by James Lapine The Best Little Whorehouse in Texas Music and Lyrics by Carol Hall The Fantasticks Music by Harvey Schmidt The Frogs Music and Lyrics by Stephen Sondheim. -
The Dinner Theatre of Columbia P R E S E N T S
The Dinner Theatre of Columbia P r e s e n t s May 22 - July 28 Next at TOBY’S August 1 - September 8 Good rates backed by Good Neighbor service That’s State Farm Insurance. 5805 Clarksville Square Drive Suite 5 • Box 315 Clarksville, Maryland 21029 WASH. 301-596-9100 BALT. 410-531-2057 EMAIL: [email protected] EMILY A. KENDALL Agent Like a good neighbor, State Farm is there. State Farm Insurance Companies • Home Offices: Bloomington, Illinois HOWARDHUGHES.COM DOWNTOWNCOLUMBIAMD.COM 15-COL-00013 Columbia Ad Resize - Downtown Columbia Brand Ad-4.5X3.75BW.indd 1 8/27/15 2:30 PM THE DINNER THEATRE OF COLUMBIA Production of Grease Book, Music and Lyrics by Jim Jacobs and Warren Casey Director / Choreographer Mark Minnick Music Director Ross Scott Rawlings Scenic Designer Lighting Designer David A. Hopkins Lynn Joslin Costume Designer Sound Designer Janine Sunday Mark Smedley Grease is presented by special arrangement with SAMUEL FRENCH, INC. The videotaping or other video or audio recording of this performance is strictly prohibited. Fog, haze and strobe effects are used in this performance. Toby’s Dinner Theatre of Columbia • 5900 Symphony Woods Road • Columbia, MD 21044 Box Office (410) 730-8311 • (301) 596-6161 • (410) 995-1969 www.tobysdinnertheatre.com The CAST (in order of appearance) Miss Lynch ........................................................................................... Crystal Freeman Patty Simcox .......................................................................................... Louisa Tringali Eugene Florczyk -
The Analysis of Sandy's Character Development
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI SANDY DUMBROWSKI’S PERSONALITY DEVELOPMENT AS SEEN IN JIM JACOBS AND WARREN CASEY’S GREASE AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By GREGORIUS LABA Student Number : 054214032 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2012 PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI SANDY DUMBROWSKI’S PERSONALITY DEVELOPMENT AS SEEN IN JIM JACOBS AND WARREN CASEY’S GREASE AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters Gregorius Laba Student Number: 054214032 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2012 i PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI It does not matter how slow you go So long as you do not stop (Wisdom of Confusius) v PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI vi PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ACKNOWLEDGEMENTS The process of writing a thesis is nothing but a journey spiced with countless obstacles and entanglements. It was a battle of my life that will be determined not only by my own skills and by will to fight, but also by the supports of those who helped and guided me. In this section, I dedicated my greatest thanks to those who have guided and supported me to finish the process of writing this undergraduate thesis. My first thanks goes to my only Lord Jesus, the Almighty, whose great love and mercy never decline although I often forget Him; and I knew I would never succeed to finish this thesis without His blessings.