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The-Odyssey-Greek-Translation.Pdf
05_273-611_Homer 2/Aesop 7/10/00 1:25 PM Page 273 HOMER / The Odyssey, Book One 273 THE ODYSSEY Translated by Robert Fitzgerald The ten-year war waged by the Greeks against Troy, culminating in the overthrow of the city, is now itself ten years in the past. Helen, whose flight to Troy with the Trojan prince Paris had prompted the Greek expedition to seek revenge and reclaim her, is now home in Sparta, living harmoniously once more with her husband Meneláos (Menelaus). His brother Agamémnon, commander in chief of the Greek forces, was murdered on his return from the war by his wife and her paramour. Of the Greek chieftains who have survived both the war and the perilous homeward voyage, all have returned except Odysseus, the crafty and astute ruler of Ithaka (Ithaca), an island in the Ionian Sea off western Greece. Since he is presumed dead, suitors from Ithaka and other regions have overrun his house, paying court to his attractive wife Penélopê, endangering the position of his son, Telémakhos (Telemachus), corrupting many of the servants, and literally eating up Odysseus’ estate. Penélopê has stalled for time but is finding it increasingly difficult to deny the suitors’ demands that she marry one of them; Telémakhos, who is just approaching young manhood, is becom- ing actively resentful of the indignities suffered by his household. Many persons and places in the Odyssey are best known to readers by their Latinized names, such as Telemachus. The present translator has used forms (Telémakhos) closer to the Greek spelling and pronunciation. -
*2019-09 •fi Beleå¾nica
1 41 1 42 KYGO & WHITNEY HOUSTON - HIGHER LOVE 2 34 0 34 SHAWN MENDES & CAMILA CABELLO - SENORITA 3 32 1 33 DADDY YANKEE & SNOW - CON CALMA 4 29 0 29 ED SHEERAN & JUSTIN BIEBER - I DON'T CARE 5 27 1 28 LEA SIRK - PO SVOJE 6 27 0 27 TAYLOR SWIFT - YOU NEED TO CALM DOWN 7 26 1 27 EME & ZEEBA - SAY GOODBYE 8 25 0 25 VILI RESNIK - MOJ OBJEM 9 24 0 24 NINNAY - SRCE ZAGORI 10 24 2 26 PINK - WALK ME HOME 11 23 2 25 MEDUZA - PIECE OF YOUR HEART 12 23 1 24 MATIC MARENTIČ - LEN DAN 13 22 0 22 2B - KOT MORJE 14 22 0 22 AVICII & ALOE BLAC - SOS 15 22 0 22 SHAWN MENDES - IF I CAN'T HAVE YOU 16 22 0 22 MARK RONSON & MILEY CYRUS - NOTHING BREAKES LIKE A HEART 17 22 0 22 FED HORSES - SPREMEMBE 18 22 0 22 CHAINSMOKERS - WHO DO YOU LOVE 19 21 0 21 LEWIS CAPALDI - HOLD ME WHILE YOU WAIT 20 21 1 22 SAM SMITH & NORMANI - DANCING WITH A STRANGER 21 20 0 20 ALYA - SPET ZALJUBLJENA 22 20 1 21 TOM WALKER - JUST YOU AND I 23 20 1 21 TINKARA KOVAČ - BODI Z MANO DO KONCA 24 20 0 20 VITAVOX - MALO NAD OBLAKI 25 19 0 19 LENA & NICO SANTOS - BETTER 26 18 0 18 OFENBACH - BE MINE 27 18 0 18 DRAGO MISLEJ MEF - MA NE ŽE SPET 28 18 0 18 NERA - RABLJENO DEKLE 29 18 0 18 ONE REPUBLIC - RESCUE ME 30 17 0 17 ŠANK ROCK - DVIGNI POGLED 31 17 0 17 DON ALLEN - OKUS MARELICE 32 17 1 18 IMAGINE DRAGONS - BAD LIAR 33 17 0 17 LV - LOVE YOU A LOT 34 16 0 16 LEA SIRK & DRILL - RECEPT ZA LAJF 35 16 0 16 GROMEE - LIGHT ME UP 36 16 0 16 GAŠPER RIFELJ & EVA BOTO - DOVOLJ JE POLETJA 37 15 0 15 BISERI - ZA NJO 38 15 0 15 5 SECONDS OF SUMMER - LIE TO ME 39 15 0 15 NIKA ZORJAN - NA PLAŽO 40 15 -
Beyond Good and Evil
Beyond Good and Evil Friedrich Nietzsche Helen Zimmern translation PREFACE SUPPOSING that Truth is a woman—what then? Is there not ground for suspecting that all philosophers, in so far as they have been dogmatists, have failed to understand women—that the terrible seriousness and clumsy importunity with which they have usually paid their addresses to Truth, have been unskilled and unseemly methods for winning a woman? Certainly she has never allowed herself to be won; and at present every kind of dogma stands with sad and discouraged mien—IF, indeed, it stands at all! For there are scoffers who maintain that it has fallen, that all dogma lies on the ground— nay more, that it is at its last gasp. But to speak seriously, there are good grounds for hoping that all dogmatizing in philosophy, whatever solemn, whatever conclusive and decided airs it has assumed, may have been only a noble puerilism and tyronism; and probably the time is at hand when it will be once and again understood WHAT has actually sufficed for the basis of such imposing and absolute philosophical edifices as the dogmatists have hitherto reared: perhaps some popular superstition of immemorial time (such as the soul-superstition, which, in the form of subject- and ego-superstition, has not yet ceased doing mischief): perhaps some play upon words, a deception on the part of grammar, or an audacious generalization of very restricted, very personal, very human— all-too-human facts. The philosophy of the dogmatists, it is to be hoped, was only a promise for thousands of years afterwards, as was astrology in still earlier times, in the service of which probably more labour, gold, acuteness, and patience have been spent than on any actual science hitherto: we owe to it, and to its "super- terrestrial" pretensions in Asia and Egypt, the grand style of architecture. -
I Wish I Could Be a Stay at Home Mom
I Wish I Could Be A Stay At Home Mom stonedAusten Bogartnever dauts rejuvenizing any obolus soapily outtravels and preponderate instead, is Barrethis tailplanes piping and tetanically communicative and ruddily. enough? Rudd occlude glandularly. Plum and Well as the day, i have to school activities like a second job is always easy, could stay at an executive, false if taking It is incredibly sad face, stay at a home mom i could be. But the little, but stay at a home mom i wish could be? All mothers want to set the best example possible for their children, and when others have the audacity to question a stay at home mother in this way, it is hurtful and unfounded. Click the bake treats and locked for all go back out i wish could a stay home mom, and dads and frustration level or as i watched every meal! And be a stay at home mom i wish i found that exists in. Have a simple wedding and use that money to stay home for a year with your first baby! We also started doing what does wish i could be stay at home a mom and mentally draining. Why i hope both happy staying at a home mom i wish. That makes being a brilliant comment made to toddlers karma for which makes me, i wish could be a stay home at mom had me to trust. Looking back, I realize this decision was based both on the need to shift my professional priorities and to focus on my family. -
Five Star Transcript
Five Star Transcript Timecode Character Dialogue/Description Explanation INT: Car, Night 01:00:30:00 Primo March 24th, 2008, a little boy was born. 01:00:40:00 Sincere Israel Najir Grant, my son. 01:01:00:00 That's my son. 01:01:01:00 You know where I was? Nah, not the hospital bed. 01:01:10:00 Nah not in the waiting room. 01:01:13:00 I was locked the fuck up. 01:01:23:00 Remember gettin' that call, putting the call in I should say. Had a beautiful baby boy, and I wasn't there to greet him when he 01:01:33:00 came into the world. 01:01:36:00 And, um, it's funny. 01:01:40:00 I was released the week after. 01:01:43:00 April 1st, my Pop's birthday. Dialogue Transcript Five Star a film by Keith Miller 1 Five Star Transcript Timecode Character Dialogue/Description Explanation 01:01:48:00 Came home on April Fool's Day, dig that. I remember walking in, into the P's*. Everybody yo Primo, Primo oh, 01:01:56:00 * P’s = projects/housing project shit. 01:02:03:00 Fuck y'all. I want to see my son. 01:02:06:00 Walked up the stairs, I was nervous. 01:02:14:00 Haven't seen my daughter in so long. Open the door, everybody greeting me. Oh welcome home! Welcome 01:02:20:00 home! Yeah it's nice, that that that was sweet. Move! I want to see my son. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
View Was Provided by the National Endowment for the Arts
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. TOOTS THIELEMANS NEA Jazz Master (2009) Interviewee: Toots Thielemans (April 29, 1922 – August 22, 2016) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: August 31 and September 1, 2011 Repository: Archives Center, National Museum of American History Description: Transcript, 80 pp. Brown: Today is August 31, 2011. My name is Anthony Brown, and I am conducting the Smithsonian Institution Oral History with NEA Jazz Master, harmonica virtuoso, guitarist and whistler, Toots Thielemans. Hello… Thielemans: Yes, my real name is Jean. Brown: Jean. Thielemans: And in Belgium… I was born in Belgium. Jean-Baptiste Frédéric Isidor. Four first names. And then Thielemans. Brown: That’s funny. Thielemans: And in French-speaking Belgium, they will pronounce it Thielemans. But I was born April 29, 1922. Brown: That’s Duke Ellington’s birthday, as well. Thielemans: Yes. For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 Brown: All right. Thielemans: Yes, same day. Brown: Yeah, same day. Just a few years later. [laughs] Thielemans: [laughs] Oh, Duke. Okay. Brown: Where in Belgium? What city? Thielemans: In Brussels. Brown: That’s the capitol. Thielemans: In a popular neighborhood of Brussels called Les Marolles. There was… I don’t know, I wouldn’t know which neighborhood to equivalent in New York. Would that be Lower East Side? Or whatever… popular. And my folks, my father and mother, were operating, so to speak, a little beer café—no alcohol but beer, and different beers—in this café on High Street, Rue Haute, on the Marolles. -
Cenance, Robin Cenance, Robin
Fordham University Masthead Logo DigitalResearch@Fordham Oral Histories Bronx African American History Project 7-15-2009 Cenance, Robin Cenance, Robin. Bronx African American History Project Fordham University Follow this and additional works at: https://fordham.bepress.com/baahp_oralhist Part of the African American Studies Commons Recommended Citation Cenance, Robin. July 15, 2009. Interview with the Bronx African American History Project. BAAHP Digital Archive at Fordham University. This Interview is brought to you for free and open access by the Bronx African American History Project at DigitalResearch@Fordham. It has been accepted for inclusion in Oral Histories by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. MN (Mark Naison): Hello, today is July 15th, 2009 and this is an interview with the oral history project of the Bronx African American History Project. We’re here today with Robin Cenance aka DJ Rockin’ Robin who’s been a major figure in hip hop in the Bronx and New York City. And today we’re going to talk about her life and her experiences in music. With us today is Kathleen Adams who’s a senior at Fordham college, one of the organizers of Mama’s Hip Hop Kitchen, and our videographer and documentary film maker, Dawn Russels. So to begin Robin, could you please spell your name and give us your date of birth. Robin Cenance (RC): Robin, R-O-B-I-N with an I. Cenance C-E-N-A-N-C-E. February 20th. MN: OK, tell us about your family and how they ended up coming to the Bronx. -
Probability and Probability Distributions
M05_SULL8028_03_SE_C05.QXD 9/9/08 7:59 PM Page 257 Probability PART and Probability Distributions CHAPTER3 5 We now take a break from the statistical process. Why? In Probability Chapter 1, we mentioned that inferential statistics uses methods CHAPTER 6 that generalize results obtained from a sample to the population Discrete Probability Distributions and measures their reliability. But how can we measure their reliability? It turns out that the methods we use to generalize CHAPTER 7 The Normal results from a sample to a population are based on probability Probability and probability models. Probability is a measure of the likelihood Distribution that something occurs. This part of the course will focus on meth- ods for determining probabilities. M05_SULL8028_03_SE_C05.QXD 9/9/08 7:59 PM Page 258 5 Probability Outline 5.1 Probability Rules 5.2 The Addition Rule and Complements 5.3 Independence and the Have you ever watched a sporting Multiplication Rule event on television in which the an- 5.4 Conditional Probability nouncer cites an obscure statistic? and the General Where do these numbers Multiplication Rule come from? Well, pretend 5.5 Counting Techniques that you are the statisti- 5.6 Putting It Together: Which cian for your favorite Method Do I Use? sports team. Your job 5.7 Bayes’s Rule (on CD) is to compile strange or obscure probabili- ties regarding your favorite team and a competing team. See the Decisions project on page 326. PUTTING IT TOGETHER In Chapter 1, we learned the methods of collecting data. In Chapters 2 through 4, we learned how to summa- rize raw data using tables, graphs, and numbers. -
Leksykon Polskiej I Światowej Muzyki Elektronicznej
Piotr Mulawka Leksykon polskiej i światowej muzyki elektronicznej „Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego-Kultura w sieci” Wydawca: Piotr Mulawka [email protected] © 2020 Wszelkie prawa zastrzeżone ISBN 978-83-943331-4-0 2 Przedmowa Muzyka elektroniczna narodziła się w latach 50-tych XX wieku, a do jej powstania przyczyniły się zdobycze techniki z końca XIX wieku m.in. telefon- pierwsze urządzenie służące do przesyłania dźwięków na odległość (Aleksander Graham Bell), fonograf- pierwsze urządzenie zapisujące dźwięk (Thomas Alv Edison 1877), gramofon (Emile Berliner 1887). Jak podają źródła, w 1948 roku francuski badacz, kompozytor, akustyk Pierre Schaeffer (1910-1995) nagrał za pomocą mikrofonu dźwięki naturalne m.in. (śpiew ptaków, hałas uliczny, rozmowy) i próbował je przekształcać. Tak powstała muzyka nazwana konkretną (fr. musigue concrete). W tym samym roku wyemitował w radiu „Koncert szumów”. Jego najważniejszą kompozycją okazał się utwór pt. „Symphonie pour un homme seul” z 1950 roku. W kolejnych latach muzykę konkretną łączono z muzyką tradycyjną. Oto pionierzy tego eksperymentu: John Cage i Yannis Xenakis. Muzyka konkretna pojawiła się w kompozycji Rogera Watersa. Utwór ten trafił na ścieżkę dźwiękową do filmu „The Body” (1970). Grupa Beaver and Krause wprowadziła muzykę konkretną do utworu „Walking Green Algae Blues” z albumu „In A Wild Sanctuary” (1970), a zespół Pink Floyd w „Animals” (1977). Pierwsze próby tworzenia muzyki elektronicznej miały miejsce w Darmstadt (w Niemczech) na Międzynarodowych Kursach Nowej Muzyki w 1950 roku. W 1951 roku powstało pierwsze studio muzyki elektronicznej przy Rozgłośni Radia Zachodnioniemieckiego w Kolonii (NWDR- Nordwestdeutscher Rundfunk). Tu tworzyli: H. Eimert (Glockenspiel 1953), K. Stockhausen (Elektronische Studie I, II-1951-1954), H. -
Talking Leaves 2009-2010
TALKING LEAVES COPYRIGHT 2009-2010 II Talking Leaves Staff Production Editors Oshu Huddleston, Senior Editor Cole Billman, Assistant Editor Production Assistant Joe Land Faculty Sponsor Lisa Siefker Bailey, Ph.D. Advisory Editor Katherine V. Wills, Ph.D. Copy Editors Jerry Baker Cole Billman Lindsey Daugherty Oshu Huddleston Abby Jones Joe Land Copyright 2009-2010 by the Trustees of Indiana University. Upon publication, copyright reverts to the author/artist. We retain the right to electronically archive and publish all issues for posterity and the general public. Talking Leaves is published annually by the Talking Leaves IUPUC Division of Liberal Arts Editorial Board. Statement of Policy and Purpose Talking Leaves accepts original works of fiction, poetry, photography, and line drawings from students at Indiana University- Purdue University Columbus. Each anonymous submission is reviewed by a Selection Roundtable and is judged solely on artistic merit. III IV TABLE OF CONTENTS VII – A WORD FROM THE FACULTY SPONSOR 1 - Beachcomber - poem by Beth McQueen 1 - The Flight - poem by Cole Billman 2 - Drifting - poem by Sarah Akemon 3 - Water PROOF - poem by Joe Land 4 - Noir Goode - short fiction by Oshu Huddleston 7 - Untitled (Short heaves) - poem by Joe Land 8 - National Treasure - poem by Sarah Akemon 8 - Untitled (1) - poem by Beth McQueen 8 - Untitled (2) - poem by Beth McQueen 9 - what is this sedentary thing - poem by Joe Land 9 - In the Hour of Our Death - poem by Sarah Akemon 10 - Write Shitty - poem by Sherry Traylor 10 - Blah. Eck! -
Največkrat Predvajane Skladbe V Letu 2020 Na Radiu 94
Največkrat predvajane skladbe v letu 2020 na Radiu 94 Mesto Predv. Izvajalec in skladba 1 311 REGARD - RIDE IT 2 259 MAROON 5 - MEMORIES 3 240 ONE REPUBLIC - BETTER DAYS 4 239 TONES AND I - DANCE MONKEY 5 232 ZMELKOOW & JANEZ DOWČ - KAJ NAM FALI(2020) 6 227 TABU - NA KONICAH PRSTOV 7 215 MEDUZA & BECKY HILL & GOODBOYS - LOSE CONTROL 8 212 BILLIE EILISH - BAD GUY 9 205 SAM SMITH & NORMANI - DANCING WITH A STRANGER 10 204 ROLLING STONES - LIVING IN A GHOST TOWN 11 201 LEA SIRK - V DVOJE 12 199 THEORY OF A DEADMAN - SAY NOTHING 13 196 KYGO & WHITNEY HOUSTON - HIGHER LOVE 14 194 LEWIS CAPALDI - BRUISES 15 193 HARRY STYLES - ADORE YOU 16 193 FED HORSES - ZAHODNO DEKLE 17 188 LEVANTE - SIRENE 18 188 TOM WALKER - JUST YOU AND I 19 188 LEA SIRK - PO SVOJE 20 187 BISERI - ZA NJO 21 185 LENNON STELLA & CHARLIE PUTH - SUMMER FEELINGS 22 185 VITAVOX - RAVNO OBRATNO 23 182 NINA PUŠLAR - VČERAJ IN ZA ZMERAJ 24 181 TINKARA KOVAČ - BODI Z MANO DO KONCA 25 181 MARY ROSE - KO TAKO OBJAME 26 177 SOPRANOS - NIMAM SKRBI 27 173 ŠANK ROCK - DVIGNI POGLED 28 168 AVICII & ALOE BLAC - SOS 29 167 GROMEE - LIGHT ME UP 30 165 TOPIC feat. & A7S - BREAKING ME 31 165 MATIC MARENTIČ & V. DIMENZIJA - IZBRIŠI ME S SEZNAMA 32 163 EME & ZEEBA - SAY GOODBYE 33 162 LADY GAGA - STUPID LOVE 34 159 JAN PLESTENJAK - ČLOVEK BREZ IMENA 35 155 VITAVOX - TRIK 36 154 I.C.E. - LAHKO BI BILO LEPO 37 154 AVA MAX - SO AM I 38 151 ROBIN SCHULZ & WES - ALANE 39 150 SCORPIONS - SING OF HOPE 40 148 LOST FREQUENCIES & ZONDERLING - CRAZY 41 147 WEEKND - BLINDING LIGHTS 42 146 JONAS BROTHERS