Curriculum & Action Guide
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DVD TITLE ARTSARTSFacilitating a Discussion IN AC IN ACTION Finding a Facilitator DIVERSE VOICES ON PAGE AND STAGE KRUDAS DEFINITION: AYA DE LEON Identify your own. When the 90’s hit,a all film the by Opie Boero ImwinkelriedIdentify your own. Whena film the by Jennifer 90’s hit, Ongiri all the new communication technologies offered new communication technologies offered people a new way to communicate that was people a new way to communicate that was ARTSeasier and more. INeasier and more. AC Be knowledgeable. When the 90’s hit, all the Be knowledgeable. When the 90’s hit, all the new communication technologies offered new communication technologies offered people a new way to communicate that was people a new way to communicate that was easier and more. easier and more. Be clear about your role. When the 90’s hit, Be clear about your role. When the 90’s hit, all the new communication technologies all the new communication technologies offered people a new way to communicate offered people a new way to communicate ARTSthat was easier and more. INthat was easier and more. AC Know your group. When the 90’s hit, all the Know your group. When the 90’s hit, all the new communication technologies offered new communication technologies offered people a new way to communicate that was people a new way to communicate that was easier and more. easier and more. JUNK BOX WARRIOR EL ABUELO BYRON CHIEF-MOON: GREY a film by Preeti AK Mistry a film by Dino Dinco HORSE RIDER a film by Marlene Millar and ARTS INPhilip SzporerAC Curriculum Guide ARTS INwww.frameline.org/distribution AC1 TABLE OF CONT ARTS IN ACTION Table of Contents FILM SYNOPSES : : : : : : : : : : : : : : : : : : : : 3 HOW TO USE THIS GUIDE : : : : : : : : : : 4 CLASSROOM CURRICULUM STANDARDS : : : : : : : : : : : : : 7 INTRODUCTION : : : : : : : : : : : : 9 KRUDAS : : : : : : : : : : : : : : 10 DEFINITION: AYA DE LEON : : : : : : : : 12 JUNK BOX WARRIOR & EL ABUELO: : : : : : : : : : : : : : : : : : : : 14 BYRON CHIEF-MOON GREY HORSE RIDER : : : : : : : : : : 15 RESOURCES : : : : : : : : : : : : : : 18 WORKSHEETS & HANDOUTS : : : : : : : : : : : : : 20 ACKNOWLEDGMENTS : : : : : : : : : : : 28 Youth In Motion is funded in part through the generous support of the Bob Ross Foundation. youthinmotion.frameline.org 2 ARTSFILM IN ACTION SYNOPSE Film Synopses KRUDAS dir. Opie Boero Imwinkelried : 2006 : 29 min. : Cuba : Spanish with English subtitles Krudas explores the lives of a Cuban lesbian couple who together perform as hip hop artists, serve as arts educators in their community, and founded a network of female hip hop artists in Cuba. Their work addresses social issues including lesbian rights, racism, and global politics. DEFINITION: AYA DE LEON dir. Jennifer Ongiri : 2007 : 27 min. : USA Whether dissecting images of women in hip hop or exposing the constructs of gender and beauty, Aya de Leon makes you laugh, makes you think, makes you listen. This documentary explores the writer/activist’s artistic process and the lives she touches as she moves through the world. JUNK BOX WARRIOR dir. Preeti AK Mistry : 2002 : 5 min. : USA Junk Box Warrior is an enchanting mesh of spoken word poetry and black- and-white images over a haunting soundtrack. Written by and starring Trans Slam poet Marcus Rene Van, this film explores the alienation, frustration, and fear of not fitting into society’s gender binary. EL ABUELO dir. Dino Dinco : 2008 : 4 min. : USA The lush words of young teacher and poet Joe Jimenez guide the viewer through a snapshot of his early life. Preconceived notions of gender and sexual orientation are challenged as we experience Jimenez methodically ironing his clothes while speaking of his love for his “firstvato ” (homeboy). BYRON CHIEF-MOON: GREY HORSE RIDER dir. Marlene Millar & Philip Szporer : 2007 : 48 min. : Canada Father, TV actor, dance artist, and proud member of the First Nations two-spirited gay community, Byron Chief-Moon’s fascinating art and life continously cross boundaries. By melding the history of his Canadian Blackfoot Confederacy tribe with issues of contemporary life, Chief-Moon’s work makes profound statements about identity and tradition. youthinmotion.frameline.org 3 ARTS IN CURRICULUMACTION Curriculum Guide How to Use this Curriculum Guide Each short film in this collection provides an exploration of a different artist’s creative process and the way she or he addresses questions of You have a right gender, sexual orientation, and race/ethnicity through various art forms. to address sexual Through the presentation of documentary interviews and first-person orientation, gender essays, these films offer a critical look at a diverse range of backgrounds identity, and gender and experiences. expression in the classroom. The curriculum in this guide is geared toward an English unit on analysis The California Student of style, point of view, and social context; however, the film and activities Safety and Violence are also appropriate for use in Visual Arts or Health courses, as well as Prevention Act of 2000 in social studies, sociology, psychology, civics, and film studies classes. (AB537) protects The accompanying Action Guide is geared toward students in Gay-Straight students, faculty, and staff in California Alliances; teachers may find this to be a useful classroom resource as well. public schools from discrimination and This guide contains California standards-based curriculum activities as harassment based on well as resources and suggestions for further study. While the films can actual or perceived be shown as a series, they may also be screened individually. As such, sexual orientation this guide is designed to be flexible for use in a variety of classroom and gender. This law means that California environments; some teachers may follow the curriculum in its entirety, public schools are while others may select certain activities or adapt elements of the guide to now responsible for supplement existing lesson plans. The guide includes: protecting lesbian, gay, bisexual, and • Background material to spark interest and build knowledge prior to transgender students watching the film (or those thought to be LGBT) from harassment • Lesson plans to encourage active viewing, critical thinking, and and discrimination so development of media literacy that every student has an equal opportunity • Discussion questions to provoke analysis and guide relevant to learn in a safe and conversation supportive environment regardless of her or his • Activities and projects to connect the film to core curriculum and sexual orientation or concepts gender identity. • Resources and suggestions for further study and action Using this guide is an excellent way to help The topics explored in this film may elicit some controversy. Be sure to ensure your school is compliant with prepare your audience in advance and review the Approaching the Material California state law! section of this guide for tips on facilitating discussions. youthinmotion.frameline.org 4 ARTS IN CURRICULUMACTION Curriculum Guide Approaching the Material Addressing LGBT-related topics at school, whether in the course of classroom instruction or during a club meeting, can raise controversy. Do I Need a Permission Before screening these films, it is important that you know your rights Slip to Address LGBT and responsibilities as a facilitator. In California, teaching about sexual Topics in the Classroom? orientation and gender identity is not only protected but is mandated by legislation. See GSA Network’s Fact Sheets on AB5371 and SB712 for more No. The California Comprehensive Sexual information. Health and HIV/AIDS Prevention Act of 2004 (SB71) clearly defines Facilitating Conversations on LGBT Issues that there is a difference • Agree upon ground rules for discussion as a class. Rules may include between sex education and anti-harassment an agreement to maintain confidentiality, refrain from using slurs or or anti-bias trainings making personal attacks, and speaking one at a time. that are designed to create safe learning • Work to establish a forum for a free and respectful exchange of ideas. Do environments for people not attempt to change anyone’s point of view. of all sexual orientations and gender identities. • Be aware that although you may not have an openly LGBT student in your SB71 clearly states that class, you may have students who are not “out,” are questioning parental notification their identities, are gender non-conforming, or who have LGBT family and consent policies members or friends. Likewise, students may be affected by negative apply only to sexual or hurtful comments whether or not these comments are directed health education, HIV/AIDS prevention specifically at them. education, and related • Resist the urge to put LGBT students, those perceived to be LGBT, or those assessments. The law does not permit parents with LGBT family or friends in the spotlight as “experts.” Allow each to remove their student person in the room to speak only for themselves and on their own from other programs that terms and avoid inadvertently “outing” someone to their peers. cover gender, gender identity, and sexual • Establish as comfortable an environment as possible. Arrange seats in orientation or family life. a circle. Intervene when conversations become one-sided and pose questions to keep the conversation on track. For more information, see the GSA Network’s • Be honest about what you do and don’t know. Refer to the resources SB71 Fact Sheet2. section to encourage further exploration of the topic. Use phrases such as, “I don’t know,” “That’s a good question,” or “Let me do some research and get back to you on that.” 1 http://gsanetwork.org/resources/legal-resources/ab-537-fact-sheet 2 http://gsanetwork.org/resources/legal-resources/sb-71-fact-sheet youthinmotion.frameline.org 5 ARTS IN CURRICULUMACTION Curriculum Guide What to Do if You Encounter Homophobic or Hurtful Responses 1. Stop the behavior. Interrupt the comment or harassment. Do not pull a student aside unless absolutely necessary. Make sure all the students in the area hear your comments. Allow this to be a teachable moment.