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The Role of Cú Chulainn in Old and Middle Irish Narrative Literature with Particular Reference to Tales Belonging to the Ulster Cycle
The role of Cú Chulainn in Old and Middle Irish narrative literature with particular reference to tales belonging to the Ulster Cycle. Mary Leenane, B.A. 2 Volumes Vol. 1 Ph.D. Degree NUI Maynooth School of Celtic Studies Faculty of Arts, Celtic Studies and Philosophy Head of School: An tOllamh Ruairí Ó hUiginn Supervisor: An tOllamh Ruairí Ó hUiginn June 2014 Table of Contents Volume 1 Abstract……………………………………………………………………………1 Chapter I: General Introduction…………………………………………………2 I.1. Ulster Cycle material………………………………………………………...…2 I.2. Modern scholarship…………………………………………………………...11 I.3. Methodologies………………………………………………………………...14 I.4. International heroic biography………………………………………………..17 Chapter II: Sources……………………………………………………………...23 II.1. Category A: Texts in which Cú Chulainn plays a significant role…………...23 II.2. Category B: Texts in which Cú Chulainn plays a more limited role………...41 II.3. Category C: Texts in which Cú Chulainn makes a very minor appearance or where reference is made to him…………………………………………………...45 II.4. Category D: The tales in which Cú Chulainn does not feature………………50 Chapter III: Cú Chulainn’s heroic biography…………………………………53 III.1. Cú Chulainn’s conception and birth………………………………………...54 III.1.1. De Vries’ schema………………...……………………………………………………54 III.1.2. Relevant research to date…………………………………………………………...…55 III.1.3. Discussion and analysis…………………………………………………………...…..58 III.2. Cú Chulainn’s youth………………………………………………………...68 III.2.1 De Vries’ schema………………………………………………………………………68 III.2.2 Relevant research to date………………………………………………………………69 III.2.3 Discussion and analysis………………………………………………………………..78 III.3. Cú Chulainn’s wins a maiden……………………………………………….90 III.3.1 De Vries’ schema………………………………………………………………………90 III.3.2 Relevant research to date………………………………………………………………91 III.3.3 Discussion and analysis………………………………………………………………..95 III.3.4 Further comment……………………………………………………………………...108 III.4. -
Scorrybreac Page A
Vol. 19 No. 3 The Journal of Clan MacNicol in North America November Scorrybreac 2003 In Memoriam Iain MacNeacail of MacNeacail and Scorrybreac 19 June 1921 – 15 October 2003 t is with heavy heart we report the passing of our much loved Chief, Iain MacNeacail of MacNeacail and Scorrybreac on Thursday 16 October 2003, having suffered a severe stroke earlier in the week. He was 83 years of age. To his family Bobbie (Allan), John, Mac, Lisa (Dillon) and their families go III Continued on page 4 Scorrybreac From The President his is an exceptional time in the life of our Clan. planning our first ever annual Our beloved Chief Scorrybreac has passed on, gathering in Texas to be held in leaving his family and all of us bereft. He was the late spring of 2004. Prepara- TTtruly the father of the modern Clan, having presided tions for the 2004 Skye Inter- over its revival and return to a glory not known for several national Gathering are proceed- centuries. We give thanks for the lives of Scorrybreac and ing apace under the management Pam, for their warmth, their humanity, and their dedica- of David Nicolson, Jan Nicolson tion to the Clan. Together, they represented us so well and other Scottish members. We Jeremy Nicholson around the world and evoked such admiration and respect expect a major turn-out in Portree from all those they met. People of all walks of life were for the weekend of October 14. John, our new Chief, will touched by their kindness, solicitude and good humor. -
Bartlett, T. (2020) Time, the Deer, Is in the Wood: Chronotopic Identities, Trajectories of Texts and Community Self-Management
Bartlett, T. (2020) Time, the deer, is in the wood: chronotopic identities, trajectories of texts and community self-management. Applied Linguistics Review, (doi: 10.1515/applirev-2019-0134). This is the author’s final accepted version. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/201608/ Deposited on: 24 October 2019 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Tom Bartlett Time, the deer, is in the wood: Chronotopic identities, trajectories of texts and community self-management Abstract: This paper opens with a problematisation of the notion of real-time in discourse analysis – dissected, as it is, as if time unfolded in a linear and regular procession at the speed of speech. To illustrate this point, the author combines Hasan’s concept of “relevant context” with Bakhtin’s notion of the chronotope to provide an analysis of Sorley MacLean’s poem Hallaig, with its deep-rootedness in space and its dissolution of time. The remainder of the paper is dedicated to following the poem’s metamorphoses and trajectory as it intertwines with Bartlett’s own life and family history, creating a layered simultaneity of meanings orienting to multiple semio-historic centres. In this way the author (pers. comm.) “sets out to illustrate in theory, text analysis and (self-)history the trajectories taken by texts as they cross through time and space; their interconnectedness -
'Goblinlike, Fantastic: Little People and Deep Time at the Fin De Siècle
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output ’Goblinlike, fantastic: little people and deep time at the fin de siècle https://eprints.bbk.ac.uk/id/eprint/40443/ Version: Full Version Citation: Fergus, Emily (2019) ’Goblinlike, fantastic: little people and deep time at the fin de siècle. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email ‘Goblinlike, Fantastic’: Little People and Deep Time at the Fin De Siècle Emily Fergus Submitted for MPhil Degree 2019 Birkbeck, University of London 2 I, Emily Fergus, confirm that all the work contained within this thesis is entirely my own. ___________________________________________________ 3 Abstract This thesis offers a new reading of how little people were presented in both fiction and non-fiction in the latter half of the nineteenth century. After the ‘discovery’ of African pygmies in the 1860s, little people became a powerful way of imaginatively connecting to an inconceivably distant past, and the place of humans within it. Little people in fin de siècle narratives have been commonly interpreted as atavistic, stunted warnings of biological reversion. I suggest that there are other readings available: by deploying two nineteenth-century anthropological theories – E. B. Tylor’s doctrine of ‘survivals’, and euhemerism, a model proposing that the mythology surrounding fairies was based on the existence of real ‘little people’ – they can also be read as positive symbols of the tenacity of the human spirit, and as offering access to a sacred, spiritual, or magic, world. -
Etymology of the Principal Gaelic National Names
^^t^Jf/-^ '^^ OUTLINES GAELIC ETYMOLOGY BY THE LATE ALEXANDER MACBAIN, M.A., LL.D. ENEAS MACKAY, Stirwng f ETYMOLOGY OF THK PRINCIPAL GAELIC NATIONAL NAMES PERSONAL NAMES AND SURNAMES |'( I WHICH IS ADDED A DISQUISITION ON PTOLEMY'S GEOGRAPHY OF SCOTLAND B V THE LATE ALEXANDER MACBAIN, M.A., LL.D. ENEAS MACKAY, STIRLING 1911 PRINTKD AT THE " NORTHERN OHRONIOLB " OFFICE, INYBRNESS PREFACE The following Etymology of the Principal Gaelic ISTational Names, Personal Names, and Surnames was originally, and still is, part of the Gaelic EtymologicaJ Dictionary by the late Dr MacBain. The Disquisition on Ptolemy's Geography of Scotland first appeared in the Transactions of the Gaelic Society of Inverness, and, later, as a pamphlet. The Publisher feels sure that the issue of these Treatises in their present foim will confer a boon on those who cannot have access to them as originally published. They contain a great deal of information on subjects which have for long years interested Gaelic students and the Gaelic public, although they have not always properly understood them. Indeed, hereto- fore they have been much obscured by fanciful fallacies, which Dr MacBain's study and exposition will go a long way to dispel. ETYMOLOGY OF THE PRINCIPAI, GAELIC NATIONAL NAMES PERSONAL NAMES AND SURNAMES ; NATIONAL NAMES Albion, Great Britain in the Greek writers, Gr. "AXfSiov, AX^iotv, Ptolemy's AXovlwv, Lat. Albion (Pliny), G. Alba, g. Albainn, * Scotland, Ir., E. Ir. Alba, Alban, W. Alban : Albion- (Stokes), " " white-land ; Lat. albus, white ; Gr. dA</)os, white leprosy, white (Hes.) ; 0. H. G. albiz, swan. -
Whyte, Alasdair C. (2017) Settlement-Names and Society: Analysis of the Medieval Districts of Forsa and Moloros in the Parish of Torosay, Mull
Whyte, Alasdair C. (2017) Settlement-names and society: analysis of the medieval districts of Forsa and Moloros in the parish of Torosay, Mull. PhD thesis. http://theses.gla.ac.uk/8224/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten:Theses http://theses.gla.ac.uk/ [email protected] Settlement-Names and Society: analysis of the medieval districts of Forsa and Moloros in the parish of Torosay, Mull. Alasdair C. Whyte MA MRes Submitted in fulfillment of the requirements for the Degree of Doctor of Philosophy. Celtic and Gaelic | Ceiltis is Gàidhlig School of Humanities | Sgoil nan Daonnachdan College of Arts | Colaiste nan Ealain University of Glasgow | Oilthigh Ghlaschu May 2017 © Alasdair C. Whyte 2017 2 ABSTRACT This is a study of settlement and society in the parish of Torosay on the Inner Hebridean island of Mull, through the earliest known settlement-names of two of its medieval districts: Forsa and Moloros.1 The earliest settlement-names, 35 in total, were coined in two languages: Gaelic and Old Norse (hereafter abbreviated to ON) (see Abbreviations, below). -
THE ABERDEEN KAYAK and ITS CONGENERS. by DAVID MACRITCHIE, F.S.A
THE ABERDEEN KAYAK AND ITS CONGENERS. 213 V. THE ABERDEEN KAYAK AND ITS CONGENERS. By DAVID MACRITCHIE, F.S.A. SCOT. The following observations supplement, to a considerable extent, a paper which I read before the Society many years ago, on the subject oa so-callef d " Finnish " boat preserve Edinburgh.n i d t thaA 1t t awarno s etim thawa I e similaa t r boat, wit similaha r history, was, and is still, preserved in Aberdeen. Indeed, I only became aware of that fact last autumn, which is my excuse for not taking an earlier opportunit drawinf yo e attentiogth e Societ th s existence f it n o o yt . e specieTh f boao s n questioi t s knowi n a kayak.wore s na Th d kayak is here taken in its common acceptation as denoting the long, narrow, skin-covered canoe of the Eskimos. This kind of canoe has other name s; and, conversely e worth , d kayak (varying into kayik kayook)d an s sometimei s applie vesselo dt differena f so t description. But it is useful to employ the word in its commonest sense. e presenth t A tovee day us kayae greaa r n th i , s tki extene th f o t Arctic regions, from East Greenland westward across Arctic America, and along some 800 miles of the Asiatic coast, both westward and south-westward from Bering Straits. In the sixteenth and seventeenth centuries it is reported at a point very much farther to the west, namely, on the coast of north-east Russia, beside Vaygatz Island. -
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland a study © Adrienne Clare Scullion Thesis submitted for the degree of PhD to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow. March 1992 ProQuest Number: 13818929 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818929 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Frontispiece The Clachan, Scottish Exhibition of National History, Art and Industry, 1911. (T R Annan and Sons Ltd., Glasgow) GLASGOW UNIVERSITY library Abstract This study investigates the cultural scene in Scotland in the period from the 1880s to 1939. The project focuses on the effects in Scotland of the development of the new media of film and wireless. It addresses question as to what changes, over the first decades of the twentieth century, these two revolutionary forms of public technology effect on the established entertainment system in Scotland and on the Scottish experience of culture. The study presents a broad view of the cultural scene in Scotland over the period: discusses contemporary politics; considers established and new theatrical activity; examines the development of a film culture; and investigates the expansion of broadcast wireless and its influence on indigenous theatre. -
Full Bibliography (PDF)
SOMHAIRLE MACGILL-EAIN BIBLIOGRAPHY POETICAL WORKS 1940 MacLean, S. and Garioch, Robert. 17 Poems for 6d. Edinburgh: Chalmers Press, 1940. MacLean, S. and Garioch, Robert. Seventeen Poems for Sixpence [second issue with corrections]. Edinburgh: Chalmers Press, 1940. 1943 MacLean, S. Dàin do Eimhir agus Dàin Eile. Glasgow: William MacLellan, 1943. 1971 MacLean, S. Poems to Eimhir, translated from the Gaelic by Iain Crichton Smith. London: Victor Gollancz, 1971. MacLean, S. Poems to Eimhir, translated from the Gaelic by Iain Crichton Smith. (Northern House Pamphlet Poets, 15). Newcastle upon Tyne: Northern House, 1971. 1977 MacLean, S. Reothairt is Contraigh: Taghadh de Dhàin 1932-72 /Spring tide and Neap tide: Selected Poems 1932-72. Edinburgh: Canongate, 1977. 1987 MacLean, S. Poems 1932-82. Philadelphia: Iona Foundation, 1987. 1989 MacLean, S. O Choille gu Bearradh / From Wood to Ridge: Collected Poems in Gaelic and English. Manchester: Carcanet, 1989. 1991 MacLean, S. O Choille gu Bearradh/ From Wood to Ridge: Collected Poems in Gaelic and English. London: Vintage, 1991. 1999 MacLean, S. Eimhir. Stornoway: Acair, 1999. MacLean, S. O Choille gu Bearradh/From Wood to Ridge: Collected Poems in Gaelic and in English translation. Manchester and Edinburgh: Carcanet/Birlinn, 1999. 2002 MacLean, S. Dàin do Eimhir/Poems to Eimhir, ed. Christopher Whyte. Glasgow: Association of Scottish Literary Studies, 2002. MacLean, S. Hallaig, translated by Seamus Heaney. Sleat: Urras Shomhairle, 2002. PROSE WRITINGS 1 1945 MacLean, S. ‘Bliain Shearlais – 1745’, Comar (Nollaig 1945). 1947 MacLean, S. ‘Aspects of Gaelic Poetry’ in Scottish Art and Letters, No. 3 (1947), 37. 1953 MacLean, S. ‘Am misgear agus an cluaran: A Drunk Man looks at the Thistle, by Hugh MacDiarmid’ in Gairm 6 (Winter 1953), 148. -
Scottish Naming Customs Craig L
Scottish Naming Customs Craig L. Foster AG® [email protected] Origins of Scottish Surnames Surnames are said to have begun to be used by Scottish nobility at the direction of King Malcolm Ceannmor in about 1061. William L. Kirk, Jr. “Introduction to the Derivation of Scottish Surnames,” Clan Macrae (1992), http://www.clanmacrae.ca/documents/names.htm “In some Highland areas, though, fixed surnames did not become the norm until the 18th century, and in parts of the Northern Isles until the 19th century.” “Surnames,” ScotlandsPeople, https://www.scotlandspeople.gov.uk/guides/surnames Types of Scottish Surnames Location-Based Surnames Some people were named for localities. For example, the surname “Murray from the lands of Moray, and Ogilvie, which, according to Black, derives from the barony of Ogilvie in the parish of Glamis, Angus. Tenants might in turn assume, or be given, the name of their landlord, despite having no kinship with him.” Sometimes surnames referred to a specific topographical feature of the landscape such as a river, a loch, a hill, etc. Some examples might include: Names that contain 'kirk' (as in Kirkland, or Selkirk) which means 'church' in Gaelic; 'Muir' or names that contain it (means 'moor' in Gaelic); A name which has 'Barr' in it (this means 'hilltop' in Gaelic). “Surnames,” ScotlandsPeople, https://www.scotlandspeople.gov.uk/guides/surnames Occupational Surnames A significant amount of surnames come from occupations. So a smith became known as Smith or Gow (Gaelic for smith), a tailor became Tailor/Taylor, a baker was Baxter, a weaver was Webster, etc. “Surnames,”ScotlandsPeople, https://www.scotlandspeople.gov.uk/guides/surnames Descriptive Surnames “Nicknames were 'descriptional' ie. -
Barristers on Panel
st Report Run Date: 21 Jun 2019 BARRISTERS ON PANEL The below list contains information on the number of payments* and the total amount paid to On Panel barristers for the period 1/07/18 – 31/12/18 Amount Number Amount Number Amount Number Amount Number Barrister Name Payable of Barrister Name Payable of Barrister Name Payable of Barrister Name Payable of (€) Payments (€) Payments (€) Payments (€) Payments Buckley, Declan 417,945 52 McGrath, Imogen 43,604 15 Binchy, Michael 11,132 8 Fitzpatrick, Andrew 3,094 6 Egan, Emily 394,952 24 Boughton, David 43,480 86 Farrelly, Aoife 10,908 13 Fitzgerald, William 2,653 11 Hanratty, Patrick 385,932 11 Fleck, Kieran 43,142 7 Delaney, Michael Patrick 10,701 2 MacMahon, Noel A. 2,583 1 Halpin, Conor 337,833 26 Gayer, Sasha Louise 39,452 4 Lydon, Eileen 10,578 2 Roberts, Conor 2,030 3 O'Braonain, Luan 231,215 17 Ramsey, Michael 37,023 1 Hand, Derry 10,376 8 Cheatle, John 1,845 1 Kavanagh, James M. 187,198 6 Fahey, Grainne 36,678 73 Scully, Lorraine 9,696 6 Maher, Jeremy 1,538 2 Foley, Brian 181,914 20 McGuinness, Donal 29,223 5 Hogan, John 9,545 7 Keleher, Daniel 1,162 1 Woulfe, Donnchadh 179,160 9 Lowe, Robert 28,226 2 Walsh, Aidan 8,979 1 Hewson, Dermot G. 1,119 1 McCrann, Oonah 159,623 18 Barrington, Eileen 27,596 2 Kilfeather, Jonathan 8,642 4 Keane, Deirdre 1,076 4 McCullough, Eoin 143,268 14 White, Rory 27,032 14 Fleming, David 8,107 2 Danaher, Gerard 954 2 Corcoran, Sarah 139,707 104 Farren, Georgina 25,227 5 Tennyson, Lauren 7,679 3 Cullinane, Padraig J. -
Contemporary Gaelic Language and Culture: an Introduction (SCQF Level 5)
National Unit specification: general information Unit title: Contemporary Gaelic Language and Culture: An Introduction (SCQF level 5) Unit code: FN44 11 Superclass: FK Publication date: July 2011 Source: Scottish Qualifications Authority Version: 01 Summary The purpose of this Unit is to provide candidates with the knowledge and skills to enable them to understand development issues relating to the Gaelic language; understand contemporary Gaelic media, performing arts and literature; and provide the opportunity to enhance the four language skills of speaking, listening, reading and writing. This is a mandatory Unit within the National Progression Award in Contemporary Gaelic Songwriting and Production but can also be taken as a free-standing Unit. This Unit is suitable both for candidates who are fluent Gaelic speakers or Gaelic learners who have beginner level skills in written and spoken Gaelic. It can be delivered to a wide range of learners who have an academic, vocational or personal interest in the application of Gaelic in the arts and media. It is envisaged that candidates successfully completing this Unit will be able to progress to further study in Gaelic arts. Outcomes 1 Describe key factors contributing to Gaelic language and cultural development. 2 Describe key elements of the contemporary Gaelic arts and media world. 3 Apply Gaelic language skills in a range of contemporary arts and media contexts. Recommended entry While entry is at the discretion of the centre, candidates are expected to have, as a minimum, basic language skills in Gaelic. This may be evidenced by the attainment of Intermediate 1 Gaelic (Learners) or equivalent ability in the four skills of listening, speaking, reading and writing.