MUSIC LIST Master

Total Page:16

File Type:pdf, Size:1020Kb

MUSIC LIST Master updated: 13/2/18, 2:29 pm CHRIST CHURCH MUSIC LIST 2018 (B) 31 Dec 17 ORG/Talia Epiphany Mass DUDMAN Prelude Wie schön leuchtet der Morgenstern - Johann Pachelbel (1653-1706) Hymns 291; 452; 454; 268 Communion Wie schön leuchtet der Morgenstern - F.W.Zachow (1663-1712) Postlude Vom Himmel hoch, LV 51 - F.W.Zachow 7 Jan 18 NO Lucians (no Sunday School) ORG/cw & Jonathan Lee (Canberra) Baptism of our Lord We welcome visiting organ student Jonathan Lee Mass DUDMAN Prelude Andante Allegro from Organ Concerto in Bb, op.4/6 - G.F.Handel (1685- Hymns 3081750) (AHB t.230); 405; 526; 447 Communion Larghetto from Organ Concerto in Bb, op.4/6 - G.F.Handel Postlude Allegro moderato from Organ Concerto in Bb, op.4/6 - G.F.Handel 14 Jan 18 NO Lucians (no Sunday School) ORG/Talia Ep 2 Mass DUDMAN Prelude Der Tag, der ist so freudenreich - Johann Pachelbel Hymns 449; 448; 497; 246 Communion Prière & Non troppo lento - César Franck Postlude Fugue No.3 in D - G.F.Handel 21 Jan 18 NO Lucians Last day of School Holidays ORG/cw Ep 3 Mass DUDMAN Prelude Christ, unser Herr, zum Jordan kam, BWV 684 - J.S.Bach (1685-1750) Hymns 160; 598; 560i; 595 Communion Christ, unser Herr, zum Jordan kam, BWV 685 - J.S.Bach Postlude Allebreve in D, BWV 589 - J.S.Bach 28 Jan 18 Australia Day Long-Weekend Ep 4 Mass DUDMAN Prelude Improvisation - Colin Brumby (1933-2018) Hymns 59; 226; 672ii; 631 (t.517) Communion Extemporization III - A.E.Floyd (1877-1974) Postlude Carillon (on 'Old 100th') - Archie Day (1901-1975) 4 Feb 18 LUCIANS RESUME Ep 5 Mass RUTTER Allegretto (3rd mvt) from Sonata IV in Bb, op,65/4 - Felix Mendelssohn Prelude (1809-1847) Hymns 111; 219 (1st t. 7am / 2nd t. 9am; 143 (7am) / 414 (9am); 210 (t.425) Psalm 147:1-11 (Francis Jackson) PSALTER p23 Anthem O sing joyfully - Adrian Batten (1519-1637) SHEET Motet O Lord, my God to thee - attrib. Jaques Arcadelt (c.1510-1568) NCAB p293 Communion (7am) Expressions VI - Jean Langlais (1907-1991 Postlude Allegro con brio (1st mvt) from Sonata IV in Bb, op,65/4 - Felix Mendelssohn Sat 11 Feb GARAGE SALE (Lucians to run BBQ) UQ O-week Ep 6 (Pr 1) Mass RUTTER Prelude Andante moderato (from 3 Pieces) - Frank Bridge (1879-1941 Hymns 133 [omit v4]; 594; 96 (7am) / 110, t.479 (9am); 201 Psalm 30 (J.Corfe from Henry Lawes & William Croft) PSALTER p24 Anthem Cantate Domino - Giuseppe Ottavio Pitoni (1657-1743) NCAB p92 Motet Lord, I trust Thee - G.F.Handel (1685-1750) NCAB p228 Communion (7am) Schmücke dich - Karg-Elert Postlude Præludium in G - Niklaus Bruhns (1665-1697) updated: 12/3/18, 11:25 pm CHRIST CHURCH MUSIC LIST 2018 (B) L E N T Wed 14 Feb SUNG EUCHARIST with Imposition of Ashes (No Lucians) Ash Wednesday, 7.30pm Mass DUDMAN (San/Ben/Acc/Agnus) Prelude Chorale Prelude 'Erbarm' dich mein, O Herre Gott', BWV 721 - J.S.Bach Hymns 559 (t.558); 131; 580; 576 Postlude Ich ruf zu dir, BWV 639 - J.S.Bach 18 Feb 18 Le 1 Mass RUTTER Prelude Fantasia super 'Jesu, meine Freude', BWV 713 Hymns 546; 463; 446 (t.772); 684 Kyrie Orbis factor (Plainsong) SHEET Psalm 25:1-10 (John Joubert) PSALTER p4 Anthem O for a closer walk with God - C.V. Stanford (1852-1924) AfC p142 Motet Lord, for thy tender mercy's sake - attrib. Farrant (16th c.) NCAB p224 Communion (7am) Ich ruf zu dir, BWV 639 - J.S.Bach Postlude Prelude in f, BWV 534 - J.S.Bach 25 Feb 18 Le 2 Mass RUTTER Prelude O Lamm Gottes unschuldig, BWV 1095 - J.S.Bach Hymns 559 (t.558); 485; 139; 583 Psalm 22:24-32 (George C. Martin) PSALTER p6 Anthem Lead me, Lord - S.S.Wesley (1810-1876) NCAB p206 Motet Ave verum corpus - William Byrd (1539/40-1623) NCAB p38 Communion (7am) O Lamm Gottes unschuldig - Johann Pachelbel Postlude Ciacona in f - Johann Pachelbel ORGAN CONCERT by Hector Olivera at 2pm 4 Mar 18 FAMILY SERVICE at 9am (no LUCIANS); Lucians REH 10-11.45am Le 3 Largo e spicatto (Concerto in d), BWV 596 - Prelude (7am) TALIA (7am) A.Vivaldi (4.3.1678-1741) / arr. J.S.Bach (1685-1750) Hymns (7am) 131; 464; 576; 611 Communion (7am) Auf meinen lieben Gott - Zachow Postlude (7am) Prelude in g, BWV 558 - J.S.Bach 10am-11.45 Lucians Rehearsal for LENT/Holy Week 3.45pm Rehearsal for CHORAL EVENSONG (Service @ 5.30pm) EVENSONG Voluntary Fugue in a-flat minor, WoO 8 - Johannes Brahms (1833-1897) Introit Lord, for thy tender mercy's sake - attrib. Farrant (16th c.) AWtE p13 Responses William Byrd (c.1543-1623), with Farmer (c.15.70-c.1601) Lord's Prayer BOOKLET / SHEET Hymns 121 (omit v3), 472, 558 BOOKLET / TIS Psalm 119:57-64 BOOKLET Canticles Thomas Caustun (c.1525-1569) SHEET Anthem Teach me, O Lord - William Bryd (1543-1623) SHEET Voluntary Largo e spicatto (Concerto in d), BWV 596 - Vivaldi/J.S.Bach (1685-1750) 11 Mar 18 (Birthday of Rene Vierne, d.1918) Le 4 (Mothering) Mass SHEPHARD Prelude Prière in Db - Rene Vierne (Improv. at 7am) Hymns 575; 25; 498; 609 Psalm 107:1-3, 17-22 (Bairstow) PSALTER pp9-10 Anthem God so loved the world - Bob Chilcott (b.1955) AWtE p64 Motet Ave verum corpus - W.A. Mozart (1756-1791) NCAB p48 Communion (7am) Prière in Db - Rene Vierne Postlude Psalm-Prelude II/2 (Ps.139:11) - Herbert Howells updated: 5/4/18, 12:16 am CHRIST CHURCH MUSIC LIST 2018 (B) Sat 17 Mar BACH ORGAN CONCERT - Christopher Wrench (free admission) 3.30pm (60') 18 Mar 18 Le 5 Mass SHEPHARD Prelude Jesus Christus, unser Heiland, BWV 666 - J.S.Bach (1685-1750) Hymns 139 (t.405); 482 (t.575); 347; 595 SHEET Psalm 119: 9-16 (Joseph Barnby) PSALTER p11 Anthem Wash me throughly - S.S.Wesley (1810-1876) AwtE p45 Motet Nolo mortem peccatoris - Thomas Morley (1577/8-1602) NCAB p259 Communion (7am) Like as the hart - Peter Hurford (b.1930) Postlude Fugue in c, BWV 537 - J.S.Bach 10.40am EXTENDED REHEARSAL to 12.15pm 25 Mar 18 Baptisms Palm Sunday Mass SHEPHARD Prelude Valet will ich dir geben, BWV 735 - J.S.Bach Hymns 333; 342; 341; 351 Hosanna Hosanna - Orlando Gibbons (1853-1625) SHEET Psalm 31:9-18 (David Willcocks) PSALTER p5 Anthem Christus Factus est - Felice Anerio (c.1560-1614) AWtE p52 Motet Adoramus te, Christe - Orlande de Lassus (1532-1594) AWtE p69 7am (Comm) O Lamm Gottes unschuldig, BWV 1095 - J.S.Bach Postlude Prelude in b, BWV 544 - J.S.Bach c.10.40am EXTENDED REHEARSAL to 12.45pm Thu 29 Mar CHOIR REHEARSAL at 6pm (for GF/Easter) Maunday Thursday CHOIR warm-up at 6.35pm for SUNG EUCHARIST, 7.30pm Mass SHEPHARD (NB: incl. 'Gloria') Prelude Le banquet céleste – Olivier Messiaen (1908-1922) Hymns 141; 536; 640 (after Duruflé); 534; 501 SHEETS x2 Psalm 116:1-2, 11-18 (Percy Buck) PSALTER p8 Anthem (FW) Ubi caritas - Maurice Duruflé (1902-1986), followed by TIS 640 SHEET Motet Verily, verily - Thomas Tallis (?1505-1585) SHEET Psalm 88 (Luke Flintoft), during the stripping of the altar & sanctuary PSALTER Fri 30 Mar Good Friday 8.00am Veneration of the Cross / Reproaches / Distribution of the Reserved Sacrament NO LUCIANS Prelude Herzlich tut mich verlangen - Johann Peter Kellner (1705-1772) Hymns 339; 342; 344; 341 Communion Voluntary O Mensch, bewin dein Sünde groß, BWV 622 - J.S.Bach 10.45am REH Messiaen (vln/pfe) 11.00am - Lucians arrive 11.10am REHEARSAL 12pm-3pm Seven Moments LUCIANS CHOIR Adoramus te, Christe - Orlande de Lassus (1532-1594) AWtE p69 Hymn A time to watch (Breslau) SHEET CHOIR To mock your reign - Thomas Tallis (?1505-1585) SHEET ORGAN Chorale Prelude on ‘Rockingham’ – C.Hubert H. Parry (1848-1918) CHOIR Solus ad Victimam - Kenneth Leighton (1929-1988) AfC p13, [NCAB p416] ORGAN O Lamm Gottes, unschuldig, BWV 618 – J.S.Bach Hymn 530 There is a green hill CHOIR Nolo mortem peccatoris - Thomas Morley (1577/8-1602) NCAB p259 Hymn 342 When I survey ORGAN Chorale Prelude on ‘Caswall’ – Peter Hurford (b.1930) ORGAN Prière – Jean Langlais (1907-1991) Hymn 344 Glory be to Jesus ORGAN Da Jesus an dem Kreuze stund, BWV 621 – J.S.Bach updated: 9/5/18, 9:56 am CHRIST CHURCH MUSIC LIST 2018 (B) ORGAN Herzliebter Jesu; Herzlich tut mich verlangen, op.122 – Johannes Brahms CHOIR God so loved the world - Bob Chilcott (b.1955) AWtE p64 ORGAN Consummatum est (7 Chorals-poemes, op. 37/7) - Tournemire (1870-1939) Hymn 339 O sacred head (vv1-3) CHOIR Ecce quomodo moritur justus – Jacob Händl (1550-1591) AWtE p67 CHOIR Wash me throughly - S.S.Wesley (1810-1876) AwtE p45 Hymn Lift high the cross (S.Murray / not TIS) SHEET Vln & Pfe Louange à l'Immortalité de Jésus (‘Quartet' - Olivier Messiaen (1908-92) ORGAN O Mensch, bewein dein Sünde groß, BWV 622 – J.S.Bach 1 Apr 18 CHOIR warm-up at 5.15am School Holidays begin Easter Day 6am CHORAL EUCHASIST (Dawn) Mass DARKE in F (no Kyrie, Acclamations/adapt) Hymns The night is past; 393, 370 [no DESCANTS] NB: no Psalm Gos. Process Christ lag in Todesbanden, BWV 625 - J.S.Bach Anthem This joyful Eastertide - Charles Wood (1866-1926) SHEET Motet My Master from a Garden Rose - Eleanor Daley (b.1955) SHEET Postlude Prelude in D, BWV 532 - J.S.Bach 7.30am Easter Breakfast in the Hall 8.10am REHEARSE in CHURCH (with Trumpet from 8.30am) 9am SUNG EUCHARIST TRUMPET/Paul Rawson Mass RUTTER Prelude Sarabande for the Morning of Easter - Herbert Howells (1892-1983) 370 [Intro/v1 Rutter, v3 Halley, v4 DESC/Wrench]; 386; Hymns 388 (omit vv 5,6,7) v3 TPT DESC/cw & v8 SOP DESC/cw; SHEETS 361 (v3 TPT DESC/Oxley) Psalm 118: 1-2, 14-24 (George Thalban-Ball / George J.
Recommended publications
  • Concerto Per Organo
    I Concerti di San Gioacchino in Prati in collaborazione con l’Accademia Romana d’Organo C. Franck DOMENICA 18 febbraio 2018 ORE 17 – Ingresso libero Concerto per Organo Organista: Eugenio Maria Fagiani (Organista Aggiunto del Santuario Francescano della Verna, Arezzo) Via Pompeo Magno Tel.: 06-3216659 (Piazza dei Quiriti - Roma) Fax: 06-3216659 Sito: www.sangioacchino.org E-mail: [email protected] Programma Charles-Marie Widor Mattheus-Final (da “Bach’s Memento”) (1844-1837) Moritz Brosig Preludio in sol minore op. 3 n°5 (1815-1887) Johann Sebastian Bach Aus tiefer Not schrei’ zu dir BWV 686 (1685-1750) Johannes Brahms O Welt, ich muss dich lassen op. 122 n°3 (1833-1897) Josef Gabriel Rheinberger Passacaglia (dalla “Ottava Sonata op. 132”) (1839-1901) Eugenio Maria Fagiani è annoverato tra i maggiori organisti italiani e più presenti sulla scena internazionale. Si esibisce costantemente in tutta Europa, Cipro, Giordania, Israele, Libano, Palestina, Siria, Russia, Bielorussia, Stati Uniti e Canada sugli strumenti più prestigiosi.È Docente Titolare della Classe di Organo dei Corsi Accademici del “Magnificat Institute” di Gerusalemme, Israele, ed è costantemente invitato a tenere conferenze e masterclasses sia d'interpretazione che d'improvvisazione (arte nella quale è internazionalmente riconosciuto come grande specialista) presso prestigiose istituzioni musicali Europee e Nordamericane quali l'Ente Ecclesiastico Duomo di Messina (dove è stato incaricato di un corso annuale di improvvisazione organistica, su uno degli strumenti più grandi d’Europa), il Cambridge University Organ Scolars' Forum (UK), i corsi dell’ISAM in Ochsenhausen (D), Il Conservatorio di Minsk (BY) ed il Royal Canadian College of Organists di Toronto (CDN).
    [Show full text]
  • A Prima Vista
    A PRIMA VISTA a survey of reprints and of recent publications 2002/1 BROEKMANS & VAN POPPEL Van Baerlestraat 92-94 Postbus 75228 1070 AE AMSTERDAM sheet music: 020-6796575 CDs: 020-6751653/fax: 020-6646759 also on INTERNET: www.broekmans.com e-mail: [email protected] 2 CONTENTS A PRIMA VISTA 2002/1 PAGE HEADING 03 PIANO 2-HANDS 07 PIANO 4-HANDS, 2 AND MORE PIANOS, HARPSICHORD 08 ORGAN 09 KEYBOARD 1 STRING INSTRUMENT WITHOUT ACCOMPANIMENT: 10 VIOLIN SOLO, VIOLA SOLO 1 STRING INSTRUMENT WITH ACCOMPANIMENT, piano unless stated otherwise: 11 VIOLIN WITH ACCOMPANIMENT 12 VIOLIN PLAY-ALONG 13 VIOLA WITH ACCOMPANIMENT, CELLO WITH ACCOMPANIMENT 14 VIOLA DA GAMBA WITH ACCOMPANIMENT 14 2 AND MORE STRING INSTRUMENTS WITH AND WITHOUT ACCOMPANIMENT: 1 WIND INSTRUMENT WITHOUT ACCOMPANIMENT: 18 FLUTE SOLO, OBOE SOLO 19 CLARINET SOLO, SAXOPHONE SOLO, BASSOON SOLO, TRUMPET SOLO 20 HORN SOLO, TROMBONE SOLO, TUBA SOLO 1 WIND INSTRUMENT WITH ACCOMPANIMENT, piano unless stated otherwise: 20 PICCOLO WITH ACCOMPANIMENT, FLUTE WITH ACCOMPANIMENT 22 FLUTE PLAY-ALONG, ALTO FLUTE WITH ACCOMPANIMENT 23 OBOE WITH ACCOMPANIMENT, OBOE PLAY-ALONG, CLARINET WIT ACCOMPANIMENT 24 CLARINET PLAY-ALONG 25 BASSETHORN WITH ACCOMPANIMENT, SAXOPHONE WITH ACCOMPANIMENT 27 SAXOPHONE PLAY-ALONG 28 BASSOON WITH ACCOMPANIMENT, TRUMPET WIT ACCOMPANIMENT 29 TRUMPET PLAY-ALONG, HORN WITH ACCOMPANIMENT 30 TROMBONE WITH ACCOMPANIMENT, TROMBONE PLAY-ALONG 31 TUBA WITH ACCOMPANIMENT, EUPHONIUM PLAY-ALONG 2 AND MORE WIND INSTRUMENTS WITH AND WITHOUT ACCOMPANIMENT: 31 2 AND MORE WOODWIND
    [Show full text]
  • Katalog Zbioru Muzykaliów Zgromadzonych Na Chórze Kościoła Pw
    Katalog zbioru muzykaliów zgromadzonych na chórze Kościoła pw. Najświętszego Imienia Jezus we Wrocławiu. Mariusz Urban NINIEJSZA PRACA POWSTAŁA W RAMACH PROGRAMU INSTYTUTU MUZYKI I TAŃCA „MUZYCZNE BIAŁE PLAMY” Wrocław 2012 r. WSTĘP I. Charakterystyka ogólna zbioru. Zbiór muzykaliów zgromadzony jest na chórze kościoła pw. Najświętszego imienia Jezus w starej, 30-półkowej, zamykanej na klucz dwudrzwiowej szafie stojącej między organami a wejściem południowym na chór. Szafa od wielu lat służyła jako miejsce przechowywania muzykaliów, o czym świadczą zachowane napisy na półkach w języku niemieckim (Requia, Vesperae, Sonntags Offertoria itp.) Kolekcja zawiera około 800 kompozycji z XVIII i XIX wieku. W toku prac porządkowania i katalogowania zbioru wyłoniono następujące grupy kompozycji: A: wokalne i wokalno-instrumentlne utwory religijne do wykonywania podczas liturgii w Kościele katolickim (ok. 80 % zbioru), B: wokalne i wokalno-instrumentalne utwory religijne pozaliturgiczne (najczęściej z tekstami poetyckimi w języku niemieckim (ok. 15 % zbioru), C: popularne utwory salonowe na głos wokalny i fortepian oraz wyciągi fortepianowe powszechnie znanych kompozycji wokalno-instrumentalnych (np. Ein Deutsches Requiem Brahmsa) (ok. 5 %). Oprócz wymienionych wyżej grup w kolekcji wydzielono grupę D: ok. 3 kg makulatury w postaci luźnych pojedynczych kartek z fragmentami kompozycji. Ponieważ najczęściej są to dziesiątki identycznych odbitek krótkich utworów liturgicznych znanych z grupy A, wykonanych metodą kopiowania przez kalkę, wartość tej grupy została oceniona jako znikoma. Około 70 % zbioru stanowią kompozycje zapisane w postaci ksiąg głosowych. Księgi głosowe zebrane są najczęściej w grubszej tekturowej obwolucie, stanowiącej zarazem nośnik dla karty tytułowej. Większe kompozycje znajdują się w zawiązywanych na sznurek tekturowych teczkach. Na kolekcję składają się odpisy rękopiśmienne (ok. 70 %), oraz druki (ok.
    [Show full text]
  • Basso Continuo and Partimento Realization
    FIRST INTERNATIONAL COMPETITION FOR BASSO CONTINUO AND PARTIMENTO REALIZATION INFORMATION BOOKLET Karol Szymanowski Academy of Music in Katowice January 12-14, 2019 organisers Karol Szymanowski Academy of Music in Katowice Harpsichord and Historical Performance Practice Department Organisation: Prof. Marek Pilch Artistic directors: Prof. Marek Toporowski, Prof. Marcin Świątkiewicz, Prof. Marek Pilch. Competition office: Katarzyna Drogosz, Dominika Maszczyńska Cooperating institutions: Academy of Music in Łódź, Harpsichord and Early Music Department, baroque flute class of Prof. Magdalena Pilch Academy of Music, University in Ljubjana (delegating Prof. Dalibor Miklavčič as a jury member) Vocal Institute of the Academy of Music in Katowice Henryk Mikołaj Górecki Silesian Philharmonic NOSPR Chamber music partners: In the first round: Students in the baroque violin class of Prof. Martyna Pastuszka: Izabela Kozak, Marta Korbel, Antonina Cierpioł & Aleksandra Radwańska, and Martyna Pastuszka & Adam Pastuszka. Students in the baroque flute class of Prof. Magdalena Pilch: Aleksandra Gajkowska (AM Łódź), Radosław Orawski (AM Łódź) & Marta Gawlas (AM Katowice) In the second round: Instrumental ensemble: Antonina Cierpioł, Marta Korbel (violin), Szymon Stochniol (viola), Monika Hartmann (violoncello), Marta Gawlas & Aleksandra Gajkowska (baroque flute) Vocalist: Katarzyna Bełkius (soprano), Olena Zaiets (soprano), Barbara Grzybek (alto), Artur Plinta (alto) & Adrian Janus (bass). competition schedule FIRST ROUND Saturday, January 12, 2019 11:00 - 13:00 and 17:00 - 19:30 Sunday, January 13, 2019 11:00 - 13:00 and 16:00-17:30 ca. 18:30 results of the first round SECOND ROUND (FINAL) Monday, January 14, 2019 15:00-17:30 ca. 18:30 final results The competition will take place at the Karol Szymanowski Academy of Music in Katowice, at the Bolesław Szabelski recital hall.
    [Show full text]
  • OPOLE REGION and CENTRAL MORAVIA on the Trail of the Common Heritage of the Polish-Czech Borderland OPOLE REGION and CENTRAL MORAVIA
    EN active recreation cultural heritage promotional natural events heritage OPOLE REGION AND CENTRAL MORAVIA On the trail of the common heritage of the Polish-Czech borderland OPOLE REGION AND CENTRAL MORAVIA On the trail of the common heritage of the Polish-Czech borderland cultural heritage natural cultural natural heritage heritage heritage active recreation active promotional recreation events The brochure has been created within the project Cultural and Natural Heritage for the Development of Polish-Czech Borderland „Common Heritage” which is co-financed by the European Regional Development Fund as part of the Programme INTERREG V-A Czech Republic – Poland and from the resources of the Self-Government of the Opolskie Voivodeship. promotional events Opolska Regionalna Organizacja Turystyczna ul. Żeromskiego 3 OPOLE REGION AND CENTRAL Ordering Party 45-053 Opole tel. +48 77 44 12 521 MORAVIA http://orot.pl On the trail of the common heritage of the Magdalena Budkiewicz Text Dominika Borówka-Sitnik Polish-Czech borderland Jolanta Sieradzka-Kasprzak Piotr Mielec Hundreds of monuments, unique museums, and a rich cul- Content Alicja Mroczek supervision Adam Krzyżanowski tural life, accompanied by a picturesque landscape and Adam Kraska priceless nature, create an extraordinary combination Jarosław Małkowski / BANKFOTO Archive of the Opole Regional Tourist Organisation and its members which attracts thousands of tourists every year. Where can Archive of the project Partner Střední Morava – Sdružení cestovního ruchu Portal www.dabrowskieskarby.pl – s.11 you find all this? On the Polish-Czech borderland: in the re- Prudnicki Ośrodek Kultury – s. 17 Miejski Ośrodek Sportu i Rekreacji w Opolu – s. 18 gion of Opole and Central Moravia.
    [Show full text]
  • Moritz Brosig (1815–1887) – Działalność Organoznawcza Na Śląsku Opolskim Na Podstawie Zbiorów Archiwum Państwowego W Opolu
    Studia Teologiczno-Historyczne Śląska Opolskiego 40 (2020), nr 1 DOI: 10.25167/sth.1950 GrzeGorz Poźniak Instytut Historii Uniwersytetu Opolskiego https://orcid.org/0000-0002-0529-1025 Moritz Brosig (1815–1887) – działalność organoznawcza na Śląsku Opolskim na podstawie zbiorów Archiwum Państwowego w Opolu 1. Moritz Brosig (1815–1887) i jego pisma – 2. Pisma Moritza Brosiga w zbiorach Archiwum Państwowego w Opolu – 3. Omówienie dokumentów Najprościej można by zacząć niniejszy artykuł od prezentacji sylwetki Moritza Brosiga (1815–1887), całość zaś zwieńczyć omówieniem dokonywanych przez niego ocen eksperckich, które dotyczyły organów piszczałkowych na Śląsku Opol- skim. Tego rodzaju działanie odpowiadałoby w pełni pryncypiom metodologicz- nym. Jednakże pisząc już artykuł o działalności rzeczoznawcy od organów, Wilhel- ma Osburga (1859–1929)1, autor niniejszego artykułu starał się uniknąć wszelkiej schematyczności i – czasami idącej za tym – powierzchowności. Śląsk – zarówno Dolny, jak i Górny – był miejscem spotkania kultur2, które owocowało w zakresie 1 Zob. Grzegorz Poźniak. 2015. Wilhelm Osburg (1859–1929) – opinia rzeczoznawcy o orga- nach Paula Berschdorfa w Wierzchu. W Śląskie organy IV. Materiały konferencji organoznawczej zorganizowanej przez Katedrę Muzyki Kościelnej i Wychowania Muzycznego Wydziału Teologicznego Uniwersytetu Opolskiego oraz Diecezjalny Instytut Muzyki Kościelnej w dniu 18 marca 2015 (Sym- pozja 87). Red. Grzegorz Poźniak, Piotr Tarlinski, 73–92. Opole: Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego. 2 Zob. np. Remigiusz Pośpiech. 2004. Muzyka wielogłosowa w celebracji eucharystycznej na Śląsku w XVII i XVIII wieku (Z Dziejów Kultury Chrześcijańskiej na Śląsku 29). Opole: Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego. 180 Grzegorz Poźniak budownictwa instrumentów m.in. organami piszczałkowymi, których jakość prze- trwała do czasów współczesnych, stając się asumptem dla określenia „śląski krajo- braz organowy” (Orgellandschaft Schlesien)3.
    [Show full text]
  • Visitopolskie.Pl ISBN: 978-83-938575-4-8 Moszna Castle Opole Province Is a Mysterious Place
    OPOLSKIE Współfinansowane T R A V E L G U I D E przez Samorząd Województwa Opolskiego www.visitopolskie.pl ISBN: 978-83-938575-4-8 Moszna Castle Opole Province is a mysterious place. Known for years through the lens of the biggest Polish music festival – the National Festival of Polish Song in Opole, today, it blossoms with attractions that will surprise you with their diversity and extend! The capital of the region, Opole, is one of the oldest Polish cities. You will find here the Polish Song Museum and an amazing ZOO. The Piast Tower, as the evidence of the historical turmoil, constitutes the remains of a medieval castle, but in the Opole area, you can find over 200 fairy-tale like castles and palaces! Some of them are part O P O L S K I E of the Opolskie Castles and Palaces Route and present extraordinary and original features, T R A V E L G U I D E as well as host exceptional events, such as the annual Blooming Azalea Music Festival in Moszna Castle. Opolskie has its own, special taste. If you are a foodie, we recommend try- ing the traditional regional dish: the beef roulade served with red cabbage. And for dessert - the Silesian crumb cake – Streuselkuchen with apples, poppy seeds or curd cheese. After visiting the restaurants along the Opolskij Bifyj Route, it is a great pleasure to take a walk around the picturesque towns and cities, such as Nysa, Prudnik, Głuchołazy, Paczków or Opole 2 Głogówek. The hiking enthusiasts will definitely appreciate the Opawskie Mountains, with Cities and towns 6 low and gentle slopes, picturesque gullies and valleys, perfect for family trips and hikes.
    [Show full text]
  • The Musiciansl Choice
    8h[dh[_j[h J^[Cki_Y_WdiÊ9^e_Y[ ȱȱȱȱȃȱǯȄȱȱ ȱ¢ȱȱȱȱȱ¢ȱ ǯȱȱȱȱȱȱȱǰȱȱ ¢ȱȱȱȱȱȬ ǰȱ ȱǯȱ¡ȱȱȱȱȱ ¢ȱǯȱ ȱȱȱȱ ȱȱȱ¢ȱ ȱȬǯȱ Die Unwissenden nennen sie „Seegurke“. Die ȱĴȱû ȱȱȱȱ ȱȱǯȱȱȱȱ ȱȱ ĵǰȱȱđȱȱȱȱȱ ǰȱȱǯȱȱ ȱ ȱȱȱȱ£ȱ§ǯȱ ȱȱ ȱȱ ȱȱȱȱȱȬǯ J^[Fhe]hWcc[ D[mFkXb_YWj_edi I^[[jCki_Y 1/2016 New Issue Title 1 New Publications 1/2016 · The Programme Contents Piano Handel: Coronation Anthems Zadok the Priest HWV 258. BA 10258 ......................22 Chopin: Vingt-quatre Préludes pour le piano The King shall rejoice HWV 260. BA 10259 ............23 op. 28, Prélude pour le piano op. 45. BA 9610 ........3 Reger: Sacred Choral Music a cappella. BA 7549........ 24 Beethoven: Sonatas for Pianoforte .............................. 4-5 Jansson: Missa Popularis. BA 7420 ..................................25 Three Sonatas in F minor, A major, C major Zelenka: Missa Divi Xaverii ZWV 12. BA 9594 ............. 26 op. 2. BA 10859 Sonata in D major op. 28 “Pastorale”. BA 11814 Vocal Score / Opera Sonata in A major op. 101. BA 11811 Dušek: Complete Sonatas for Piano, Volume I Schubert: Rosamunde, Fürstin von Cypern D 797 BA 11513 ..............................................................................6 BA 5570-90 ......................................................................27 In celebration of the 150th Orchestra Erik Satie jubilee ................................................7 Dvořák: Serenade in E major op. 22. BA 10423 ............28 Haydn: Symphony in G major “Oxford” Hob. I:92. Complete Editions ...................................................8 BA 10977 ..........................................................................29 Suk: Meditation on the Old Czech Hymn Strings “St. Wenceslas” op. 35a. BA 9584 ..............................15 Rachmaninoff: Sonate op. 19, Prélude et Danse Study Scores orientale op. 2, Lied. BA 9994 ....................................9 Sassmannshaus: Cello Recital Album, First Position. Dvořák: Symphony no. 7 in D minor op.
    [Show full text]
  • UDC: 78.03+78.071.2 Yu. Rusnak TRADITIONS of the GERMAN PAINOFORTE HIGHER SCHOOL in the WORLD's PERFORMANCE the Ukrainian S
    UDC: 78.03+78.071.2 Yu. Rusnak TRADITIONS OF THE GERMAN PAINOFORTE HIGHER SCHOOL IN THE WORLD’S PERFORMANCE The article is devoted to the consideration of the German pianoforte art formation and origination of the state music education in Germany in the XIX century in connection with the activities of Weimar and Leipzig schools, grouped around the figures of F. Mendelssohn–Bartholdy and F. Liszt. There were noted peculiarities of the pedagogic traditions extension in the context of the existence of the higher music educational establishments and outside them, taking into account the creative activity of the students of outstanding musicians of their day. Keywords: pianoforte higher school, state music education, German pianoforte tradition, pedagogic tradition, art movement. The Ukrainian scientists and musicians have a nodding acquaintance with the German pianoforte school as a historical phenomenon, covering several centuries and including names of famous piano players, performers and teachers. That is why, there is a need to study and reconstruct it. The existing information thereof is op–ed articles in German. There are almost no theoretical works in German related to the modern German pianoforte school. On the other hand, historical backgrounds, traditions and trends of the German pianoforte art existence, creative career of the outstanding musicians of Germany are important principles for studying this issue. The German pianoforte higher school as an educational category is compendium of concepts, which require reconstruction and discussion. Historical backgrounds of the music higher school formation as an educational establishment allow to add to the notion of “pianoforte higher school” an idea of the structured state education in terms of music academies (conservatories of music), as well as a category of school as movement and trend of creative activity of the people of art group, united by the “leader”, founder and central representative of the school.
    [Show full text]
  • Who Wrote Bruckner's 8Th Symphony…?
    ISSN 1759-1201 www.brucknerjournal.co.uk Issued three times a year and sold by subscription FOUNDING EDITOR: Peter Palmer (1997-2004) Editor: Ken Ward [email protected] 23 Mornington Grove, London E3 4NS Subscriptions and Mailing: Raymond Cox [email protected] 4 Lulworth Close, Halesowen, B63 2UJ 01384 566383 VOLUME EIGHTEEN, NUMBER THREE, NOVEMBER 2014 Associate Editors Dr Crawford Howie & Dr Dermot Gault In this issue: The Ninth Bruckner Journal Who wrote Bruckner’s 8th symphony…? Readers Biennial Conference A RECENT comment on a concert review web-site was anxious to announcement page 2 assert that the cymbal clash in the 7th symphony “probably” did not Bad Kreuzen - Speculation originate with Bruckner and was not approved of by him. On the basis and no end - by Dr. Eva Marx Page 3 of the inconclusive evidence we have, there is no probability: we just Anton Bruckner’s early stays in do not know. Steyr - by Dr Erich W Partsch Page 10 In the case of the 8th symphony, we are sure that Bruckner alone Book Reviews: wrote the first version of 1887. If one is after ‘pure’ Bruckner in this Paul Hawkshaw: Critical Report symphony, this is the only place to find it. Come the 1890 version, we for Symphony VIII review by Dr. Dermot Gault Page 13 know its very existence was due to Hermann Levi’s rejection of the first version, that to some extent Bruckner involved Josef and Franz David Chapman Bruckner and The Generalbass Tradition Schalk in its extensive revision and re-composition, and that the review by Dr.
    [Show full text]
  • Hudba 19. Století Ve Vratislavi, Štýrském Hradci a Praze (2. Díl)
    Muzyka w XIX-wiecznym Wrocławiu, Grazu i Pradze (cz. 2) The Music of 19th Century Wrocław, Graz and Prague (part II) Die Musik im 19. Jahrhundert in Breslau, Graz und Prag (II. Teil) Hudba 19. století ve Vratislavi, Štýrském Hradci a Praze (2. díl) 10 Redaguje zespół / editorial staff: Artur Bielecki (konsultant muzyczny / musical consultant) Przemysław Jastrząb (redaktor graficzny / graphics editor) Piotr Karpeta (konsultant muzyczny / musical consultant) Edyta Kotyńska (redaktor naczelna / editor-in-chief) Poszczególne opisy opracowali / descriptions written by: Ute Bergner (UB) Iwona Bińkowska (IB) Alicja Borys (AB) Beata Krzywicka (BK) Ryszard Len (RL) Wacław Sobociński (WS) Przekłady na języki obce / translations: Anna Leniart Kateøina Mazáèová Dennis Shilts Korekta: kolektyw autorski / Proof-reading: staff of authors Kopie obiektów wykonali / copies of objects: Pracownia Reprograficzna Biblioteki Uniwersyteckiej we Wrocławiu (Tomasz Kalota, Jerzy Katarzyński, Alicja Liwczycka, Marcin Szala) Karl-Franzens-Universität Graz, Universitätsbibliothek, Sondersammlungen und Digitalisierung Nagrane utwory wykonują / recordings performed by: CD 10.2 Ewa Pilinko & Ekaterina Ounterberguer CD 10.3 Łukasz Kazanecki & Ekaterina Ounterberguer CD 10.4 Maria Augustyn & Ekaterina Ounterberguer CD 10.5, 10,11 Rafał Chalabala & Ekaterina Ounterberguer CD 10.1, 10.6, 10.7, 10.8, 10.9, 10.10 chór kameralny Cantores Minores Wratislavienses / the Cantores Minores Wratislavienses chamber choir Maria Augustyn, Ewa Pilinko - soprany / sopranos Rafał Chalabala, Łukasz Kazanecki - basy / basses Ekaterina Ounterberguer - fortepian / piano www.cantores.art.pl Skład i druk: Drukarnia i oficyna wydawnicza FORUM nakład 800 egz. ISBN 83-89988-00-3 (całość) ISBN 83-89988-10-0 (vol. 10) © Wrocławscy Kameraliści & Biblioteka Uniwersytecka we Wrocławiu, Wrocław 2005 Wrocławscy Kameraliści Cantores Minores Wratislavienses PL 50-156 Wrocław, ul.
    [Show full text]
  • Key of B Flat Minor, German Designation)
    B dur C B Dur C BAY DOOR C (key of B flat major, German designation) B moll C b moll C BAY MAWL C (key of b flat minor, German designation) Baaren C Kees van Baaren C KAYAYSS funn BAHAH-renn Babadzhanian C Ar0no Babadzhanian C AR-no bah-buh-jah-nihAHN Babayev C Andrei Babayev C ahn-DRAYEE bah-BAH-yeff Babbi C Cristoforo Babbi C kree-STOH-fo-ro BAHB-bee C (known also as Pietro Giovanni Cristoforo Bartolomeo Gasparre Babbi [peeAY-tro jo-VAHN-nee kree-STOH-fo-ro bar-toh-lo- MAY-o gah-SPAHR-ray BAHB-bee]) Babbi C Gregorio Babbi C gray-GAW-reeo BAHB-bee Babbi C Gregorio Babbi C gray-GAW-reeo BAHB-bee C (known also as Gregorio Lorenzo [lo-RAYN-tso] Babbi) Babic C Konstantin Babi C kawn-stahn-TEEN BAH-bihch Babin C Victor Babin C {VICK-tur BA-b’n} VEEK-tur BAH-binn Babini C Matteo Babini C maht-TAY-o bah-BEE-nee Babitz C Sol Babitz C SAHL BA-bittz Bacarisse C Salvador Bacarisse C sahl-vah-THAWR bah-kah-REESS-say Baccaloni C Salvatore Baccaloni C sahl-vah-TOH-ray bahk-kah-LO-nee Baccanale largo al quadrupede C Baccanale: Largo al quadrupede C bahk-kah-NAH-lay: LAR-go ahl kooah-droo-PAY-day C (choral excerpt from the opera La traviata [lah trah- veeAH-tah] — The Worldly Woman; music by Giuseppe Verdi [joo-ZAYP-pay VAYR-dee]; libretto by Francesco Maria Piave [frahn-CHAY-sko mah-REE-ah peeAH-vay] after Alexandre Dumas [ah-leck-sah6-dr’ dü-mah]) Bacchelli C Giovanni Bacchelli C jo-VAHN-nee bahk-KAYL-lee Bacchius C {BAHK-kihôôss} VAHK-kawss Baccholian singers of london C Baccholian Singers of London C bahk-KO-lee-unn (Singers of London) Bacchus C
    [Show full text]