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1/2016 New Issue Title

1 New Publications 1/2016 · The Programme Contents

Piano Handel: Coronation Anthems Zadok the Priest HWV 258. BA 10258 ...... 22 Chopin: Vingt-quatre Préludes pour le piano The King shall rejoice HWV 260. BA 10259 ...... 23 op. 28, Prélude pour le piano op. 45. BA 9610 ...... 3 Reger: Sacred Choral Music a cappella. BA 7549...... 24 Beethoven: Sonatas for Pianoforte ...... 4-5 Jansson: Missa Popularis. BA 7420 ...... 25 Three Sonatas in F minor, A major, C major Zelenka: Missa Divi Xaverii ZWV 12. BA 9594 ...... 26 op. 2. BA 10859 Sonata in D major op. 28 “Pastorale”. BA 11814 Vocal Score / Opera Sonata in A major op. 101. BA 11811 Dušek: Complete Sonatas for Piano, Volume I Schubert: Rosamunde, Fürstin von Cypern D 797 BA 11513 ...... 6 BA 5570-90 ...... 27

In celebration of the 150th Orchestra Erik Satie jubilee ...... 7 Dvořák: Serenade in E major op. 22. BA 10423 ...... 28 Haydn: Symphony in G major “Oxford” Hob. I:92. Complete Editions ...... 8 BA 10977 ...... 29 Suk: Meditation on the Old Czech Hymn Strings “St. Wenceslas” op. 35a. BA 9584 ...... 15 Rachmaninoff: Sonate op. 19, Prélude et Danse Study Scores orientale op. 2, Lied. BA 9994 ...... 9 Sassmannshaus: Cello Recital Album, First Position. Dvořák: Symphony no. 7 in D minor op. 70. Volume 1: BA 8994, Volume 2: BA 8995 ...... 10–11 TP 617 ...... 30 Bériot: Scène de Ballet op. 100. BA 10695 ...... 12 Beethoven: The Five Piano Concertos. TP 921-925 ....31 Bériot: Violin Concerto No. 9 in A minor op. 104 BA 10696 ...... 13 Organ Bach: Complete Organ Works in revised editions. Chamber Music Volume 4: BA 5264, Volume 6: BA 5266 ...... 32–33 Froberger: New Edition of the Complete Works, Suk: Meditation on the Old Czech Hymn Volume VII. BA 9298 ...... 34–35 “St. Wenceslas” op. 35a. BA 9583, TP 583 ...... 14–15 Cabanilles: Selected Organ Works, Volume I Dvořák: Piano Trio in B-flat major op. 21. BA 9578 ....16 BA 11228 ...... 36 Ready to Play Dubois: Complete Organ Works, Volume III BA 8470 ...... 37 Classic Hits for two Clarinets. BA 10636 ...... 17 Ascension of Christ, Pentecost and Trinity for Organ. BA 11237 ...... 38 Choir Solo Voice Beethoven: Mass in C major op. 86. BA 9039 ...... 18 Telemann: Der Tod Jesu TVWV 5:6. BA 5853-90 ...... 19 Rameau: Airs d’opéra: Dessus, Vol. 2. BA 9192 ...... 39 Mendelssohn Bartholdy: Psalm 98 Rameau: Airs d’opéra: Haute-contre, Vol. 2. MWV A 23 / op. posth. 91. BA 9076 ...... 20 BA 9197 ...... 39 Bach: “Now my soul exalts the Lord” Cantata BWV 10. BA 10010-90, TP 1010 ...... 21 Your Contacts ...... 40

New Issue Title

New Publications 1/2016 · The Programme 2 Piano

Historically informed view of the Préludes

Frédéric Chopin: Vingt-quatre Préludes pour le piano op. 28 Prélude pour le piano op. 45

BÄRENREITER URTEXT

Hardly any cycle of piano pieces can match the magnetic attraction Edited by Christoph Flamm of Chopin’s 24 Préludes, published in 1839. Schumann called them With fingering and notes “sketches, beginnings of études, [...] ruins, stray eagle's pinions, all on performance practice disorder and wild confusion”. by Hardy Rittner Christoph Flamm has critically reevaluated the sources, bringing to BA 9610 · approx. € 16.50 light new readings of this well-known musical text. Hardy Rittner, a hammerklavier specialist and two-time winner of the ECHO Classic To appear in June 2016 prize, who has recorded Brahms’ piano music and all of Chopin’s Études on period pianofortes, has supplemented Chopin’s fingering from a historically informed perspective. He also provides valuable notes on performance practice, especially with regard to pedalling, rubato, latent polyphony, legato and Chopin’s perception of sound.

An aesthetically presented engraving and practical page-turns make this current edition indispensable for today’s scholars and performers. ISMN 979-0-006-53073-1

• Urtext edition with new readings

• Notes on performance practice (Ger/Eng) 9 790006 530731 • With historically informed fingering and practical page-turns • Informative Foreword (Ger/Eng) and detailed Critical Commentary (Eng) New Issue Title

3 New Publications 1/2016 · The Programme Piano

New Urtext editions of ...

Ludwig van Beethoven: Sonatas for Pianoforte

BÄRENREITER URTEXT

Edited by Jonathan Del Mar With an Introduction by Misha Donat and notes on performance practice by Jonathan Del Mar and Misha Donat Bärenreiter continues its Urtext edition of the complete Beethoven Three Sonatas piano sonatas with three major works at once. They begin with the in F minor, A major, frequently played op. 2 Sonatas (nos. 1-3) which stem from his early yet mature oeuvre when he was developing an independent style C major op. 2 from the legacy of Mozart and Haydn. They then proceed to the lyrical D major Sonata op. 28 from his middle period (nicknamed “Pastorale” BA 10859 · approx. € 25.95 by the publisher of the original edition) and finally to the Sonata To appear in June 2016 op. 101, Beethoven’s first sonata specifically intended for the “hammerklavier” and the one that introduced his esoteric late Sonata in D major style to the piano sonatas. op. 28 “Pastorale”

BA 11814 · approx. € 7.95 To appear in May 2016

ISMN 979-0-006-56193-3 ISMN 979-0-006-56187-2 ISMN 979-0-006-56184-1 Sonata in A major

op. 101 9 790006 561933 9 790006 561872 9 790006 561841 BA 10859 BA 11814 BA 11811 BA 11811 · approx. € 7.50 To appearNew in Issue May Title 2016 New Issue Title New Issue Title New Issue Title

New Publications 1/2016 · The Programme 4 Piano

... Beethoven’s piano sonatas

The acclaimed Beethoven specialist Jonathan Del Mar has consulted every known source for these critical Urtext performing editions. In addition he has analysed various copies of the prints published during Beethoven’s lifetime. The results of his accurate research are presented in a meticulously edited musical text at the cutting edge of scholarship, together with a detailed Critical Commentary.

All three volumes stand out in terms of their elegant and well- presented layout. Special emphasis has been placed on optimum page-turns and on the consideration of the flow of the music. The highly informative Introductions on the genesis and significance of the works are supplemented by valuable notes on historical performance practice.

• New critical performing editions at the cutting edge of scholarship • Optimum page-turns • Introductions with valuable notes on historical performance practice (Eng/Ger) and Critical Commentaries (Eng)

Already published:

Ludwig van Beethoven Grande Sonate pathétique in C minor for Pianoforte op. 13 BA 10851 · € 5.95

Sonata quasi una fantasia in E-flat major for Pianoforte op. 27 no. 1 / Sonata quasi una fantasia in C-sharp minor for Pianoforte op. 27 no. 2 BA 10853 · € 11.50

Sonata in F minor “Appassionata” for Pianoforte op. 57 BA 10852 · € 7.95 Jonathan Del Mar New Issue Title

5 New Publications 1/2016 · The Programme Piano

Complete critical edition of Dušek’s sonatas

František Xaver Dušek: Complete Sonatas for Piano Volume I

BÄRENREITER URTEXT

Edited by Vojtěch Spurný BA 11513 · approx. € 21.95 The Czech composer František Xaver Dušek (1731-1799) was a leading figure in Prague’s music life in the latter half of the 18th century. To appear in April 2016 He was an outstanding pianist, composer and piano teacher whose pupils included Leopold Koželuch.

Now all of Dušek’s 21 sonatas, many of which have until now been available only in old prints or manuscripts, are appearing in two volumes. The editor, Vojtĕch Spurný, has carefully collected and compared archival sources strewn throughout Europe. The sonatas, arranged in chronological order by date of publication, now appear for the first time in critical editions. They are easy to play, some most probably having been written for teaching purposes.

• First complete critical edition of Dušek’s sonatas ISMN 979-0-2601-0762-5 • Previously hard to reach repertoire • Trilingual Foreword (Cz/Eng/Ger) and Critical Commentary (Eng)

9 790260 107625 • Easy to moderate difficulty

New Issue Title

New Publications 1/2016 · The Programme 6 Piano

In celebration of the 150th Erik Satie jubilee on 17 May 2016

Already published:

Avant-dernières pensées BA 10849 · € 6.95

Embryons desséchés BA 10811 · € 6.95

Le fils des étoiles BA 10814 · € 19.95

Ogives, Gymnopédies ȃŒ˜––Žȱž—ȱ›˜œœ’—˜•ȱšž’ȱŠž›Š’ȱ–Š•ȱŠž¡ȱŽ—œȄ BA 10806 · € 6.50 ȃŠœȱ’ȱŠȱ—’‘’—Š•Žȱ‘ŠȱŠȱ˜˜‘ŠŒ‘ŽȄ ȃŠ•œȱ‘§ĴŽȱŽ’—ŽȱŠŒ‘’Š••ȱŠ‘—œŒ‘–Ž›£Ž—Ȅ Gnossiennes ȃ“Žȱ—ȂŠ’ȱ™ŠœȱŽȱŠ‹ŠŒȱ ‘Žž›ŽžœŽ–Ž—ȱšžŽȱ“Žȱ—Žȱž–Žȱ™ŠœȄ

ȃ ȱ‘ŠŸŽȱ—˜ȱ˜‹ŠŒŒ˜ȱ BA 10807 · € 7.95 ˜›ž—ŠŽ•¢ǰȱ ȱ˜ȱ—˜ȱœ–˜”ŽȄ ȃ’Œ‘ȱ‘Š‹Žȱ”Ž’—Ž—ȱŠ‹Š”ȱ

£ž–ȱ •ûŒ”ȱ›ŠžŒ‘Žȱ’Œ‘ȱ—’Œ‘Ȅ 3 Morceaux en forme de Poire

avec une Manière de ȃ™˜ž›ȱŒ‘Š›–Ž›ȱ•Žȱ’‹’Ž›Ȅ © Bibliothèque nationale de France ȃ˜ȱŒ‘Š›–ȱ‘ŽȱŠ–ŽȄ Commencement, une ȃž–ȱŠœȱ’•ȱ£žȱ‹Ž£’›£Ž—Ȅ

Prolongation du même & cce Un En Plus, suivi d’une Redite for piano duet Piano Works by Satie BA 10809 · € 12.95 ȃŒŠŽ—ŒŽȱ˜‹•’·ŽȱǻŽȱ•ȂžŽž›ǼȄȱ ȃ˜‹•’Š˜›¢ȱŒŠŽ—£Šȱǻ˜ȱ‘Žȱž‘˜›ǼȄ ȃ˜‹•’ŠŽȱ ŠŽ—£ȱǻŽœȱž˜›œǼȄ Our promotional material

 !" #$%& for this jubilee: 
         

                           Poster Erik Satie    
  

       (Format: DIN A1 long), 

  
      SPA 50_68 free of charge  

                  
          
                         
             
                      
        
      
                       
             


New Issue Title

7 New Publications 1/2016 · The Programme Complete Editions

New publications up to December 2015

Concentus Musicus, Band XV Jean-Philippe Rameau Sei cantate a voce sola Opera Omnia, OOR IV. 5 Edited by Giulia Giovani Dardanus BA 8391-01 Edited by Cécile Davy-Rigaux and Denis Herlin BA 8854

Franz Schubert New Edition of the Complete Works Series IV, Volume 15, Register Edited by Walther Dürr and Susanne Eckstein BA 5572-01

Heinrich Schütz New Edition of the Complete Works, Volumes 34/35 Larger Church Works Edited by Andreas Waczkat BA 4486-01 George Frideric Handel Halle Handel Edition, Series II, Volume 7 Lucio Cornelio Silla Edited by Terence Best BA 10701-01

Halle Handel Edition, Series III, Volume 10 Coronation Anthems Edited by Stephan Blaut BA 10711-01

Johann Pachelbel Complete Vocal Works, Volume 6 Magnificat III Georg Philipp Telemann Edited by Katharina Larissa Paech Musical Works, Volume 55 BA 10556-01 Jahrgang ohne Recitativ Edited by Ralph-Jürgen Reipsch BA 7805-01 Johann Pachelbel Complete Vocal Works Musical Works, Volume 51 All 11 volumes available at a Concerten-Jahrgang special set price of € 1,338 Edited by Maik Richter New Issue Title BA 7803-01

New Publications 1/2016 · The Programme 8 Strings

First Urtext edition of Rachmaninoff’s cello works

16 A Monsieur A. Brandoukoff S O N A T E op. 19 I Lento (q = 48) Sergei Rachmaninoff b ˙. œ œ B b 3 œ ‰‰nœ ˙. œ œ ‰‰œ œ œ ˙ Violoncello 4 J J J J p p Lento (q = 48) - 3 - b 3 ‰Œ‰ nœ œ ˙ œ j œ ˙ œ &b 4 œ J ‰Œ‰œ #œ œ J ‰ŒŒ ‰#œ Piano p œ œ p p j œ ? b 3 ‰ŒŒ ‰ j J ‰ŒŒ ‰‰3 j œ œ ‰Œ‰? œ #œ { b 4 & #œ œ œ œ J œ œ b œ nœ bœ #nœ 6 #œ B bb ˙. œ œ ‰Œ ŒŒ‰?#œ ˙ œ œ #œ ˙ œ B J J #œ œ œ œ mf . p . mf - -˙ Œ j ‰Œ . Œ j ‰Œ œ b ˙. j ˙ œ œ Œ j ‰Œ ˙ œ œ #œ b œ ˙ ‰ œ ˙ œ œ ˙ œ œ & œ #œ ˙ œ œ ˙ œ œ #œ ˙ œ #œ ˙˙ œœ mf mf dim. pp p cresc. ˙ œ œ ˙ œ #œ œ œ œ œ œ œ œ ˙˙ œœ œ ˙˙ œœ œ ? b #œ œ ∏ #œ ˙ #œ ˙ œ #œ #œ œ œ œ œ œ œ #œ ∏ œ ˙ ‰ œ b œ œ œ ∏ œ ˙ J œ ˙ œ { œ ∏ ˙ œ #œ œ #œ n œ b œ ∏ œ ˙ ∏ Œ œ ‰Œ Œ œ ‰Œ ∏ Œ ‰Œ J. œ J. J. 12 b œ œ œ j meno mosso B b œ ‰Œ nœ œ ˙ œ ‰ B c #œ ˙. œ &œ œ œ œ J . p mf pp Œ œj ‰ Œ rit. e dim. ˙ œ meno mosso ˙˙ œœ - œ b ˙ œ j œ œ ˙ œ c &b J ‰‰ ˙ . œ J ‰ œœnœ œ ˙ œœnœ ˙. œ œ œ Serge Rachmaninoff: ---œ œ œ œ #œ nœ ˙. œ œ j pp ˙ œ p -- p ˙ œ j mf - rit. e dim. ? b ˙ œ ‰ ‰ œ œ œ ∑ c { b œ nœ œ ˙ bœ œ ˙. œ œ œ . Sonate op. 19 Œ ‰Œ -œ n-œ œ ˙ bœ œ ˙ œ œ - ‰ œ J. ° * 17 Allegro moderato (q = 112) œ B bb .–œ ˙ œ œ œ. œ œ c ∑ . Œ J Prélude p espressivo e tranquillo Allegro moderato (q = 112) b &b c Œ #œ œ . œ œ œ œ œ œ œ œ œ œ œ#nœ œ n œ œ œ œ œ#œ œ œ œ nœ#œ œ œ œ œ œ œ œ œ œ œ œ..œ -œ œ. . - œ et Danse orientale op. 2 mf p ? b c Œ œ . nœ bœ œ ˙. nœ { b œ œ œ œ . œ œ˙ w œ œ . . œ. -œ . œ. -œ BA 9994 © 2016 by Bärenreiter-Verlag, Kassel Lied

for Piano and Violoncello This is the first scholarly-critical edition of Rachmaninoff’s works for piano and violoncello. It contains Lied (1890), Prélude et Danse BÄRENREITER URTEXT orientale op. 2 (1892) and the Sonate op. 19 (1901). The last two works were dedicated to the cello virtuoso Anatoly Brandoukoff, the teacher Edited by David B. Cannata of Piatygorski. Score with part BA 9994 · approx. € 28.95 Lied is a short lyrical piece that places light demands on technique. Prélude et Danse orientale op. 2 dates from Rachmaninoff’s early To appear in May 2016 years and the Sonate was written after he had successfully recovered from a depression accompanied by a “creative paralysis”. One of the major cello works of the 20th century, the Sonate is written in the same expressive vein as the Second Piano Concerto op. 18. The acclaimed Rachmaninoff scholar David Cannata has taken all sources into account, documenting the works’ genesis and incorporating Brandoukoff’s performance instructions into the score. ISMN 979-0-006-55972-5

• Detailed bilingual Foreword (Eng/Ger) and Critical Commentary

(Eng) 9 790006 559725 • With Brandoukoff’s performance instructions • Large format (25.5 x 32.5 cm) New Issue Title

9 New Publications 1/2016 · The Programme Strings

Collections of recital pieces for the cello

• Charming collections of easy pieces in first position

• Each cello part is supported by a piano accompaniment for student performances

• Alternately a second cello part allows duo playing with the teacher during lessons. This early introduction to chamber music brings joy and satisfaction to the young cellist and teaches the student to hear the music as a whole.

• The two volumes are designed as companion publications to the Early Start on the Cello method. However, they work equally well Sassmannshaus as a supplement to any other cello method. Cello Recital Album • A variety of rarely published works by well-known cellists and for Cello and Piano pedagogues such as Wilhelm Fitzenhagen, Hugo Schlemüller, or Two Cellos and August Nölck make these publications attractive to teachers and students. Edited by Christoph Sassmannshaus and Melissa Lusk The Cello Recital Album, Volume 1, can be used as a supplement to the Volume 1: First Position Early Start on the Cello method, Volumes 1 and 2 (BA 8996 and BA 8997). Score and part, plus additional The 18 pieces in Volume 1 are structured to follow the same cello part for duet version progression of finger patterns introduced in the Early Start method. BA 8994 · approx. € 15.95 This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do To appear in May 2016 not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound.

Already published:

ISMN 979-0-006-56244-2 Violin Recital Album for Violin and Piano or Two Violins, edited by Kurt and Christoph Sassmannshaus 9 790006 562442 and Melissa Lusk BA 9668 Volume 1: First Position · € 14.95 New Issue Title BA 9669 Volume 2: First Position · € 16.95

New Publications 1/2016 · The Programme 10 Strings

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Sassmannshaus Cello Recital Album for Cello and Piano or Two Cellos

Edited by Christoph Sassmannshaus and Melissa Lusk

The Cello Recital Album, Volume 2, can be used as a supplement to the Volume 2: First Position Early Start on the Cello method, Volumes 2 and 3 (BA 8997 and BA 8998). Score and part, plus additional cello part for duet version The 12 pieces in Volume 2 are structured to follow the same BA 8995 · approx. € 15.95 progression of finger patterns introduced in the Early Start method, Volumes 2 and 3. The later repertoire in this volume includes a careful To appear in May 2016 introduction of downward and upward extensions.

Already published:

Early Start on the Cello by Egon and Kurt Sassmannshaus ISMN 979-0-006-56245-9 and Michael Corssen BA 8996 Volume 1 · € 12.95

BA 8997 Volume 2 · € 12.95 9 790006 562459 BA 8998 Volume 3 · € 12.95 BA 8999 Volume 4 · € 12.95 New Issue Title

11 New Publications 1/2016 · The Programme Strings

Charles-Auguste de Bériot: Scène de Ballet op. 100

for Violin and Piano

Edited by Kurt Sassmannshaus BA 10695 Violin part with enclosed violin/piano score The Belgian Charles Auguste de Bériot (1802-1870) was not only a BA 10695 · approx. € 13.95 violinist but also a teacher and composer. Scène de Ballet, perhaps his best-known composition, is a favourite with violin students. To appear in April 2016 One such student was the young Itzhak Perlman, who included it in his collection Concertos from my Childhood. The piece captivates with its beautiful melodies and refined rhythms.

Bériot also composed a number of concertos. His Concerto no. 9 in A minor, published in 1859, is likewise a favourite with more advanced students. Julia Fischer played it with verve at the early age of eight. The piece stands out with seemingly virtuosic short passages, varied rhythms and a slight Hungarian touch.

The Editor

ISMN 979-0-006-55977-0 Kurt Sassmannshaus is a world-famous violin teacher with a professorship in Cincinnati (Ohio, USA). He is also the founder of the Great Wall Music Academy, an international summer camp for young 9 790006 559770 string players in China. He continues the family tradition of Early Start on the Violin, founded by his father Egon Sassmannshaus and New Issue Title published by Bärenreiter with editions in German and English.

New Publications 1/2016 · The Programme 12 Strings

Charles-Auguste de Bériot: Violin Concerto No. 9 in A minor op. 104

for Violin and Piano

Edited by Kurt Sassmannshaus The series Bärenreiter's Concert Pieces includes works for solo strings, Violin part with enclosed usually the violin, but also viola and cello, all with piano violin/piano score accompaniment. BA 10696 · approx. € 13.95

To appear in April 2016 Recent editions of Mollenhauer works published in this series:

The Infant Paganini for Violin and Piano BA 10691 · € 8.95

The Boy Paganini for Violin and Piano BA 10692 · € 8.95

The Infant Paganini ISMN 979-0-006-56171-1 for Cello and Piano BA 10693 · € 8.95

The Boy Paganini 9 790006 561711 for Cello and Piano BA 10694 · € 8.95 New Issue Title

13 New Publications 1/2016 · The Programme Chamber Music

First Urtext edition of Suk’s Meditation ...

Josef Suk: Meditation on the Josef Suk played second violin in the Bohemian String Quartet. Since 1914 the ensemble was obliged to perform the Austrian Old Czech Hymn national anthem at the opening of every concert. Suk decided to “St. Wenceslas” supplement this obligatory piece with a work inspired by the op. 35a ancient sacred Bohemian St. Wenceslas hymn. The hymn’s message – a plea for the well-being of the Czech people, directed at their patron for String Quartet saint – was immediately understood by the audience.

The Bohemian String Quartet performed this single-movement BÄRENREITER URTEXT Meditation for the first time on 27 September 1914; the premiere of Edited by Zdeněk Nouza the version for string orchestra followed on 22 November 1914, played by the Czech Philharmonic. That same year the piece was published Version for string quartet by Fr. A. Urbánek together with arrangements for piano and organ. Parts in slipcover BA 9583 · approx. € 9.95

Study score ISMN 979-0-2601-0781-6 ISMN 979-0-2601-0780-9 TP 583 · approx. € 10.50 BA 9583 TP 583

To appearNew in Issue June Title 2016 9 790260 107816 New Issue Title 9 790260 107809 New Issue Title

New Publications 1/2016 · The Programme 14 Chamber Music

... in two versions

Josef Suk: Meditation on the Old Czech Hymn “St. Wenceslas” op. 35a

for String Orchestra

This first Urtext edition, prepared by the Suk scholar Zdenĕk Nouza, BÄRENREITER URTEXT is published in two scorings, one for string quartet and another for string orchestra. The orchestral version differs in some details and Edited by Zdeněk Nouza has an added part for double bass. Version for string orchestra Score BA 9584 · approx. € 17.95 • First Urtext edition • Informative trilingual Foreword (Cz/Eng/Ger) and Critical Violin I BA 9584-74 · approx. € 2.50 Commentary (Eng) by the editor Violin II BA 9584-75 · approx. € 2.50 • Two versions published in two separate editions Viola BA 9584-79 · approx. € 2.50 Violoncello BA 9584-82 · approx. € 2.50 Double bass BA 9584-85 · approx. € 2.50

To appear in June 2016

ISMN 979-0-2601-0782-3

9 790260 107823

New Issue Title BA 9584

15 New Publications 1/2016 · The Programme Chamber Music

Dvořák’s Piano Trio op. 21 in a new edition

Antonín Dvořák: Piano Trio in B-flat major op. 21

Edited by Antonín Čubr BA 9578 · approx. € 24.95 (replaces H 1128)

To appear in May 2016 Dvořák’s Trio in B-flat major op. 21, the first of his four works for violin, violoncello and piano, was composed in 1875 and premiered two years later. This edition presents the musical text from Volume IV/9 of the Complete Edition of the Works of Antonín Dvořák. The violoncello part has been newly engraved and the sections which were written in treble clef have been transferred to tenor clef. In his Foreword, Dvořák authority David R. Beveridge vividly describes the work’s genesis and reception on the basis of the latest research findings.

• Standard work from the chamber music repertoire • Newly engraved violoncello part • New Foreword by David R. Beveridge (Eng/Cz/Ger)

ISMN 979-0-2601-0729-8

9 790260 107298

New Issue Title

New Publications 1/2016 · The Programme 16 New in the Ready to Play series

Classic Hits for two Clarinets

Edited by Douglas Woodfull-Harris BA 10636 · € 12.95 (replaces BA 8157)

To appear in January 2016 “Récréation” and “divertissement” – relaxation and entertainment: those were the popular catchwords applied in the 19th century to ISMN 979-0-006-56241-1 arrangements of well-known and much loved pieces. They allowed larger scored compositions to find their way into the parlour or music lessons. The 26 duets in this volume are mostly taken from 19th 9 790006 562411 century tutors, though some have also been prepared by the editor. New Issue Title They include popular melodies by Mozart, Haydn, Gluck, Weber, Beethoven, Mendelssohn, Schubert, Schumann and Chopin. These moderately difficult duets are suitable for ambitious beginners. Other editions for winds in the The second part is generally played by the teacher. Ready to Play series:

Classic Hits for two Flutes From the contents: BA 10613 · € 13.50 W. A. Mozart, Das klinget so herrlich (The Magic Flute) / F. Schubert, Lullaby (op. 98, no. 2 D 498) / R. Schumann, Träumerei Flute Classics for Flute and Guitar (Scenes from Childhood) / F. Mendelssohn Bartholdy, Wedding March BA 10610 · € 13.50 (A Midsummer Night’s Dream) / F. Chopin, Waltz (op. 64, no. 2) / Christmas Hits for two Flutes L. van Beethoven, Freude schöner Götterfunken (Symphony no. 9 BA 10634 · € 10.95 op. 125) / C. M. von Weber, Huntsmen’s Chorus (Freischütz) Klezmer for Clarinet and Piano BANew 10616 Issue · Title€ 13.95

17 New Publications 1/2016 · The Programme Choir

New scholarly-critical edition

Ludwig van Beethoven: Mass in C major op. 86 for Soloists, Choir and Orchestra

BÄRENREITER URTEXT Edited by Barry Cooper Piano reduction by Andrea Campora

Score Beethoven’s sacred works include two settings of the Mass. BA 9039 · approx. € 65.00 The Mass in C major, completed and premiered in 1808, has been unjustly described as a preliminary step towards the great Missa Vocal score (Lat) solemnis. Yet it is a self-contained and, for its time, decidedly modern BA 9039-90 · approx. € 11.95 piece of church music. Wind set BA 9039-65 · approx. € 44.95 Organ BA 9039-67 · approx. € 12.50 Drawing on the rich body of sources, Beethoven specialist Barry Violin I BA 9039-74 · approx. € 5.50 Cooper suggests practical solutions to the work’s musical and Violin II BA 9039-75 · approx. € 5.50 interpretative problems. His deep study of the sources convinced him Viola BA 7590-79 · approx. € 5.50 to include a fully realized organ part in the score, just as Beethoven Violoncello BA 9039-82 · approx. € 5.50 envisioned it for the first printed edition. As stated in the sources, Double bass BA 9039-85 · approx. € 5.50 the parts for the soloists and choir are notated on joint staves to To appear in March 2016 demonstrate that the soloists are also to sing the choral passages. Rounding off this Urtext edition are a Foreword on the work’s genesis ISMN 979-0-006-54354-0 ISMN 979-0-006-54355-7 and a detailed Critical Commentary.

9 790006 543540 9 790006 543557 • Score with realization of the organ part BA 9039-90 BA 9039 • Bilingual Foreword (Eng/Ger) and Critical Commentary (Eng) New Issue Title New Issue Title • Idiomatic piano reduction

New Publications 1/2016 · The Programme 18 Choir

A moving passion oratorio by Telemann

Georg Philipp Telemann: Der Tod Jesu TVWV 5:6 for Solo Voices, Mixed Choir and Orchestra

BÄRENREITER URTEXT

Edited by Wolf Hobohm Telemann’s passion oratorio Der Tod Jesu was composed in 1754-55, Piano reduction by Andreas Köhs roughly at the same time as the same-named highly regarded work by Carl Heinrich Graun. Both pieces are settings of the same libretto Vocal score (Ger) by Karl Wilhelm Ramler. In this late work, Telemann consciously BA 5853-90 · € 29.95 contrasts the carefully crafted recitatives with musically reduced solemn choruses to obtain an emotional reading of the Passion text. Performance material available on hire This vocal score complements the Urtext score of this moving passion oratorio which is published as part of the Georg Philipp Already published Telemann Musical Works. The complete orchestral material is available on hire.

• A supreme late work by Telemann • Constitutes a valuable addition to the sacred choral repertoire ISMN 979-0-006-55997-8 • Based on the Georg Philipp Telemann Musical Works

9 790006 559978

New Issue Title

19 New Publications 1/2016 · The Programme Choir

Mendelssohn’s last orchestral psalm

Felix Mendelssohn Bartholdy: Psalm 98 MWV A 23 / op.posth. 91 for Soloists, two Mixed Choirs and Orchestra

BÄRENREITER URTEXT Mendelssohn’s setting of Psalm 98 was written in a few weeks to Edited by John Michael Cooper satisfy a commission in his new position as general music director of Score BA 9076 · approx. € 22.95 Prussia and was premiered by the Berlin Cathedral Choir on 1 January Vocal score (Ger/Eng) 1844. As he neither released the work for publication nor produced a BA 9076-90 · approx. € 5.95 vocal score, his psalm setting did not appear in print until after his death. Wind set BA 9076-65 · approx. € 29.95 Organ BA 9076-67 · approx. € 4.95 For this edition the authoritative Mendelssohn specialist John Violin I BA 9076-74 · approx. € 2.95 Michael Cooper drew primarily on the autograph score with its many Violin II BA 9076-75 · approx. € 2.95 subsequent corrections and amendments. In this way it differs from Viola BA 9076-79 · approx. € 2.95 many other editions, which tend to treat the autograph as a Violoncello/Double bass subordinate source. Rounding off the edition are an informative BA 9076-82 · approx. € 2.95 Foreword and a detailed Critical Commentary. The piano reduction is based on the first printed edition, published by F. Kistner and To appear in March 2016 Evers & Co. in 1851. ISMN 979-0-006-53161-5 ISMN 979-0-006-53153-0

• Urtext edition of Mendelssohn’s last orchestral psalm • Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) 9 790006 531615 9 790006 531530 BA 9076-90 BA 9076 • Words underlaid in both German and English New Issue Title New Issue Title • Piano reduction based on the first printed edition

New Publications 1/2016 · The Programme 20 Choir

A German Magnificat

Johann Sebastian Bach: “Now my soul exalts the Lord” Cantata BWV 10 for Soloists, Mixed Choir and Orchestra

BÄRENREITER URTEXT Edited by Uwe Wolf Johann Sebastian Bach’s chorale cantata Now my soul exalts the Lord Piano reduction by Matthias Grünert (BWV 10) was composed in 1724 for the Feast of Visitation (2 July). Its themes are based on the Marian hymn of praise (Magnificat) from Vocal score (Ger/Eng) the Gospel according to Luke. BA 10010-90 · € 7.95 Wind set BA 10010-65 · € 8.95 Bach gave the free combination of poetic paraphrase and Biblical Harpsichord/Organ BA 10010-67 · € 14.95 text a varied musical setting ranging from the mighty opening Violin I BA 10010-74 · € 3.95 chorus via two large arias to an intimate duet and richly pictorial Violin II BA 10010-75 · € 3.95 recitatives. Despite the small instrumental forces of ad libitum Viola BA 10010-79 · € 3.95 trumpet, two oboes, strings and basso continuo, Bach creates a Bassi (Cello, Viol, Bassoon) majestic musical language appropriate to the Magnificat. This BA 10010-82 · € 4.50 Urtext performing edition is based on the New Bach Edition. Study score TP 1010 · € 8.95 Already published • Bach cantata with a small instrumental ensemble ISMN 979-0-006-56152-0 ISMN 979-0-006-20555-4 • Based on the Urtext of the New Bach Edition • Performance duration of 20-25 minutes

9 790006 561520 9 790006 205554 BA 10010-90 TP 1010 New Issue Title New Issue Title

21 New Publications 1/2016 · The Programme Choir

Handel Coronation Anthems ...

George Frideric Handel: Zadok the Priest HWV 258 Coronation Anthem for Mixed Choir and Orchestra

BA 10258 BÄRENREITER URTEXT

Edited by Stephan Blaut Zadok the Priest and The King shall rejoice are the best-known of the four Piano reduction by Andreas Köhs coronation anthems that Handel wrote for the crowning of George II in London (1727). HWV 258 accompanied the king’s anointment, Score HWV 260 his actual coronation. BA 10258 · approx. € 14.95 Thanks to their festive and majestic structure befitting the occasion Vocal score (Eng) as well as their spacious scoring for large choir and orchestra, it BA 10258-90 · approx. € 4.95 comes as no surprise that motifs from Zadok the Priest have found their way into the official hymn of the UEFA Champions League. Wind set BA 10258-65 · approx. € 19.95

Organ BA 10258-67 · approx. € 7.95 Violin I BA 10258-74 · approx. € 3.95 Violin II BA 10258-75 · approx. € 3.95 ISMN 979-0-006-56217-6 ISMN 979-0-006-56218-3 Violin III BA 10258-76 · approx. € 3.95 Viola BA 10258-79 · approx. € 3.95 Bass BA 10258-82 · approx. € 3.95 9 790006 562176 9 790006 562183

To appearNew in Issue June Title 2016 New Issue Title BA 10258 New Issue Title BA 10258-90

New Publications 1/2016 · The Programme 22 Choir

... in Urtext editions for the first time

George Frideric Handel: The King shall rejoice HWV 260 Coronation Anthem for Mixed Choir and Orchestra

BÄRENREITER URTEXT

The present editions by the authoritative Handel scholar Stephan Blaut Edited by Stephan Blaut are the first to offer these two anthems based on the Urtext from the Piano reduction by Andreas Köhs Halle Handel Edition. Score • Bilingual Forewords (Ger/Eng) BA 10259 · approx. € 24.95 • Idiomatic piano reductions Vocal score (Eng) • Based on the Halle Handel Edition BA 10259-90 · approx. € 10.95

Wind set BA 10259-65 · approx. € 29.95

Organ BA 10259-67 · approx. € 8.95 Violin I BA 10259-74 · approx. € 4.95 Violin II BA 10259-75 · approx. € 4.95 ISMN 979-0-006-56221-3 ISMN 979-0-006-56222-0 Viola BA 10259-79 · approx. € 4.95 Bass BA 10259-82 · approx. € 4.95

9 790006 562213 9 790006 562220 To appear in June 2016

New Issue Title BA 10259 New Issue Title BA 10259-90 New Issue Title

23 New Publications 1/2016 · The Programme Choir

For the Reger centenary

2016 marks the first centenary of the death of Max Reger. In addition to his best-known field of creativity – organ music – his choral compositions form another major part of his oeuvre.

This edition contains a selection of his sacred a cappella choral works. Their scoring, level of difficulty and length make them ideal for choirs who are wary of tackling the large-scale op. 110 motets. For the first time, the selection of works includes the previously unpublished Acht Grabgesänge (1900). The pieces are arranged in chronological order, culminating in the well-known cycle of Acht geistliche Gesänge op. 138 (1914).

Max Reger: Contents Sacred Choral Music • Tantum ergo (1895) a cappella • Maria Himmelsfreud (1899-1900) • Acht Grabgesänge (ca. 1900)

BÄRENREITER URTEXT • Acht Marienlieder op. 61d (1901) • Sechs Trauergesänge op. 61g (1901) Edited by Michael Chizzali • Palmsonntagmorgen (1902) German text • Vier Kirchengesänge (1904) BA 7549 · approx. € 24.95 • Easter motet: Lasset uns den Herren preisen (1911) • Abschiedslied (1914) To appear in March 2016 • Acht geistliche Gesänge op. 138 (1914)

The Editor Michael Chizzali has been a scholarly assistant at the Institute of Musicology in Weimar-Jena (Germany) since 2014. His dissertation on Reger’s contemporary, the Tyrolean composer Josef Gasser (1873-1957), was published in Innsbruck in 2014.

• All extant sources consulted • Edition for the first centenary of Reger’s death • Cross-section of Reger’s music for a cappella choir • Foreword (Ger/Eng) and Critical Commentary (Eng) ISMN 979-0-006-56107-0

9 790006 561070

New Issue Title

New Publications 1/2016 · The Programme 24 new from mårten jansson

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First edition of a gem from the Bohemian Baroque

Jan Dismas Zelenka: Missa Divi Xaverii ZWV 12 for Soloists, Mixed Choir and Orchestra

BÄRENREITER URTEXT

Edited by Václav Luks The Missa Divi Xaverii ZWV 12, an expansive and unusually richly Piano reduction by Václav Luks scored work, marks a highlight in the œuvre of Jan Dismas Zelenka (1679-1745). It was composed in 1729 while he was working at the Score Dresden court. BA 9594 · approx. € 60.00 The principal source of this first edition is the damaged autograph Vocal score (Lat) score which had long been kept under lock and key. Passages missing BA 9594-90 · approx. € 11.95 because of its damaged condition have been supplemented using secondary sources or reconstructed by Václav Luks, clearly marked as Performance material such in the musical text. available on hire The first performance to use the present new edition took place in To appear in June 2016 the summer of 2014, when it was performed at the Utrecht Early Music Festival. A CD recording by Collegium 1704, conducted by Václav Luks, will be released in March 2016. ISMN 979-0-2601-0753-3 ISMN 979-0-2601-0752-6 • Magnum opus of Zelenka’s music and the Bohemian Baroque • Scholarly-critical first edition 9 790260 107533 9 790260 107526 • Welcome addition to the sacred choral repertoire BA 9594-90 BA 9594 • Also suitable for ambitious amateur choirs New Issue Title New Issue Title • Instructive Foreword (Cz/Eng/Ger) and Critical Commentary (Eng)

New Publications 1/2016 · The Programme 26 Vocal Score / Opera

“The full moon shines on mountain heights ...”

Franz Schubert: Rosamunde, Fürstin von Cypern D 797

Incidental music to the four-act play by Helmina von Chézy

BÄRENREITER URTEXT

On 20 December 1823 Helmina von Chézy’s Rosamunde received its Edited by Christine Martin (Nos. 1–9) premiere performance at Vienna’s Theater an der Wien. Unfortunately and Walther Dürr (Overture) the Viennese version of this drama with ghosts, pirates, attempted Piano reduction by Hans Schellevis poisonings and other horrifying ingredients has not survived – unlike Vocal score (Ger) Schubert’s popular incidental music which also includes choruses and BA 5570-90 · approx. € 17.95 dances. This music was already highly praised by contemporary Performance material critics, with special acknowledgment given to “the genius of this available on hire much-loved master”. As evidence of its popularity, the overture and the Hunters’ Chorus had to be encored at the premiere. Now Bärenreiter To appear in May 2016 is issuing one of Schubert’s best-known compositions in a complete vocal score with piano reduction.

• Urtext edition based on the New Schubert Edition • Comprehensive bilingual Foreword (Ger/Eng) ISMN 979-0-006-56206-0 • Idiomatic uncluttered piano reduction

9 790006 562060

New Issue Title BA 5570-90

27 New Publications 1/2016 · The Programme Orchestra

Urtext edition of a popular Dvořák work

Antonín Dvořák: Serenade in E major op. 22 for String Orchestra

BÄRENREITER URTEXT

Edited by Robin Tait Dvořák’s Serenade in E major for string orchestra is one of his most Score popular and frequently played works. It was written in the spring BA 10423 · approx. € 22.95 of 1875, when he had just experienced his first successes at the (replaces H 971) conductor’s podium and had received a state arts scholarship. The score and parts were published by Bote & Bock, Berlin, in 1879. Violin I BA 10423-74 · approx. € 3.95 Violin II BA 10423-75 · approx. € 3.95 This Urtext edition is based on the composer’s autograph score. It Viola BA 10423-79 · approx. € 3.95 corrects mistakes found in the first edition and so, for the first time, Violoncello BA 10423-82 · approx. € 3.95 the editor incorporates omitted passages from the autograph, Double bass BA 10423-85 · approx. € 3.95 marking them with Vi-de. This reconstruction makes it possible to clarify the piece’s structure. The author of the Foreword, Kateřina To appear in March 2016 Nová, is head of the Dvořák Museum in Prague.

• Detailed Foreword by Kateřina Nová (Cz/Eng/Ger) and ISMN 979-0-2601-0747-2 Critical Commentary by the editor (Eng) • Including Vi-de passages from the autograph score

9 790260 107472

Score BA 10423 New Issue Title

New Publications 1/2016 · The Programme 28 Orchestra

The symphony with the nickname “Oxford”

SINFONIE in G

1789 Hoboken I:92  Adagio       Flauto           Oboe I           Oboe II            Fagotti            2 Corni in G          )  2 Clarini in C *            Timpano in G–D *) 

                    Violino I   piano Joseph Haydn:             Violino II                   Symphony in G major                Viola                 “Oxford” Hob. I:92                      Violoncello         obligato         URTEXT Contrabassi   

BA 10977 © 2010 by G. Henle Verlag, München Bärenreiter-Verlag, Kassel 2016 Edited by Andreas Friesenhagen

Score Like its companions Nos. 90 and 91, Haydn’s Symphony No. 92 in G BA 10977 · approx. € 24.95 major was written in 1789. All three symphonies were commissioned Wind set in 1788 by Prince Kraft Ernst von Oettingen-Wallerstein, who was to BA 10977-65 · approx. € 32.95 be granted exclusive ownership. However, Haydn first sold the works to the Parisian Masonic lodge Société Olympique and was thus Violin I BA 10977-74 · approx. € 3.95 unable to fulfil his obligation to send the autograph scores to the prince. Violin II BA 10977-75 · approx. € 3.95 Viola BA 10977-79 · approx. € 3.95 The symphony received its nickname “Oxford” in the 19th century, Violoncello BA 10977-82 · approx. € 3.95 probably in connection with a performance that took place when Double bass BA 10977-85 · approx. € 3.95 Haydn received an honorary doctorate from Oxford University in 1791. To appear in January 2016 This edition continues the collaboration between Bärenreiter and the Henle publishing company regarding Haydn’s large-scale choral works, operas and symphonies. It is based on the Henle Complete Edition of the Works of Joseph Haydn. Bärenreiter has published the ISMN 979-0-006-55988-6 complete performance material for several Sturm und Drang symphonies and all of the London and Paris symphonies.

9 790006 559886 • Based on the Henle Complete Edition of the Works of Joseph Haydn • Orchestral parts in a large format (25.5 x 32.5 cm) New Issue Title Score BA 10977

29 New Publications 1/2016 · The Programme Study Scores

Dvořák’s Seventh Symphony now in a study score

Antonín Dvořák: Symphony No. 7 in D minor op. 70

BÄRENREITER URTEXT

Edited by Jonathan Del Mar With an Introduction by Jan Smaczny Dvořák’s Seventh Symphony was commissioned by the Royal Philharmonic Society in August 1883 and premiered in London under Study score the composer’s baton on 22 April 1885. Two months later he shortened TP 617 · approx. € 18.95 the second movement by about 40 bars. The work was published by Simrock in this form in 1885. To appear in January 2016 In 2013 Bärenreiter published the score and orchestral parts in a first scholarly-critical edition of Dvořák’s Seventh Symphony (BA 10417). Now it is being issued in a study score edition. The editor, Jonathan Del Mar, has already won international acclaim for his editions of the Dvořák Cello Concerto (BA 9045) as well as of works by Beethoven and Elgar. He has taken every source into account, including the extant correspondence.

ISMN 979-0-006-20546-2 Like the score and parts, this study score edition presents the original version of the second movement in the appendix. Dvořák scholar Jan Smaczny has added a new Foreword.

9 790006 205462 • Includes the original London version of the second movement New Issue Title • Foreword by Dvořák scholar Smaczny (Cz/Eng/Ger)

New Publications 1/2016 · The Programme 30 Study Scores

Beethoven’s five piano concertos – now in separate study scores

Having published the scores, Critical Commentaries and the complete performance material (BA 9021-9025) as well as a boxed set of study score editions (TP 920) to all five of Beethoven’s piano concertos, the study scores can now also be purchased individually.

The musical text reflects a meticulous examination of every surviving source, resulting in Urtext editions at the highest possible level. The study scores are supplemented by Introductions by Beethoven scholar Barry Cooper on the genesis of the concertos as well as Forewords by the renowned editor Jonathan Del Mar, with descriptions Ludwig van Beethoven: of the sources and the editorial method. The Five Piano Concertos

• Urtext editions at the cutting edge of scholarship BÄRENREITER URTEXT • Reference editions for pianists, students, conductors and libraries • Each score contains an Introduction by Barry Cooper (Ger/Eng) Edited by Jonathan Del Mar

Study scores ISMN 979-0-006-20548-6

Concerto No. 1 * in C major op. 15 9 790006 205486 TP 921 · € 12.95 TP 921

ISMN 979-0-006-20549-3 Concerto No. 2 * in B-flat major op. 19 9 790006 205493 Also available: TP 922 · € 11.95 TP 922 Concerto No. 3 * Ludwig van Beethoven ISMN 979-0-006-20550-9 The Five Piano Concertos in C minor op. 37 5 study scores in a boxed set TP 923 · € 10.95 9 790006 205509 TP 920 · € 54.00 Concerto No. 4 * TP 923

in G major op. 58 ISMN 979-0-006-20551-6 TP 924 · € 11.95

Concerto No. 5 * 9 790006 205516 in E-flat major op. 73 TP 924

TP 925 · € 11.95 ISMN 979-0-006-20552-3

Already published

9 790006 205523 *New New Issue Issue Title Title TP 925

31 New Publications 1/2016 · The Programme Organ

Johann Sebastian Bach: Complete Organ Works ...

Any complete scholarly critical edition of the works of Johann Sebastian Bach must incorporate new research findings in the interest of scholars and performers alike. Now all of Bärenreiter’s new performing editions of Bach’s organ works are being revised to reflect the current state of scholarship and to convey maximum fidelity to the sources by being linked to Bach digital.

The present volume is an updated edition of Series IV, Volume 6 of the New Bach Edition (NBA), prepared by Dietrich Kilian in 1964. The discovery of new sources and a reassessment of existing handwritten copies have brought about changes to the contents of the volume, which now includes the Fantasia in C minor (BWV 1121), the Fantasia Johann Sebastian Bach: in G major (BWV 571), the Fugue in G major (BWV 577) and the C major Organ Works, Volume 6 version of the Toccata and Fugue in E major (BWV 566). On the other hand, the Prelude in G major (BWV 568) as well as the alternative Preludes, Toccatas, versions of the Fugue in C minor (BWV 574a) and the Prelude in A major Fantasias and Fugues II (BWV 536a) have been discarded as presumably spurious.

BÄRENREITER URTEXT Besides the new compilation and corrections of the musical text, the volume also contains a detailed Foreword by Peter Wollny with Edited by Dietrich Kilian, observations on each work and the extant sources. Page turns have updated edition by Peter Wollny been re-examined and improved. BA 5266 · approx. € 24.95 (replaces BA 5176) In collaboration with the Bach Archive Leipzig and its Bach digital database, links are provided to all the major sources. The website To appear in June 2016 http://links.baerenreiter.com enables readers to access the relevant page in the source simply and conveniently via short URLs. The links stored there are examined for their validity on a regular basis.

Contents: BWV 551, 563-566 (version in E major), 569-571, 573-575, 577-579 and 1121 / Early versions and variants to I (Vol. 5) and II (Vol. 6): BWV 532a, 533a, 535a, 543a, 545a, 549a, 566 (version in C major) and 574b

• New detailed Foreword (Ger/Eng) by Peter Wollny on the works and their sources

ISMN 979-0-006-52312-2

BA 5266

New Issue Title 9New 790006 Issue 523122 Title

New Publications 1/2016 · The Programme 32 Organ

... in revised editions

Already published:

• New contents reflecting the current state of source evaluations • Links to sources in Bach digital • Complete new engraving and revised page-turns 

                  
                  
   Johann Sebastian Bach:    Organ Works, Volume 4 from: BA 5174 ↑ from: BA 5264 ( ) ↑ Third Part of the Clavier Übung

BÄRENREITER URTEXT Altered readings in the musical text: Bюџ Vќіѐђ Cќњњђћѡ Edited by Manfred Tessmer, Praeludium (BWV ůůŬ / ū) : updated edition by Christoph Wolff ţŤ, ţŦ IV manualiter15 (ŠŠťţţ) Links to BA 5264 · € 24.95 ţŨ, ŤŠ IV manualiter sources in (replaces BA 5174) ššţ, ššť IV manualiter (ŠŠťŤ) Bach digital ššŧ, ššũ IV manualiter Contents Prelude and Fugue in E-flat major Excerpt from Foreword, page 16: BA 5264 BWV 552 / 21 Chorale Preludes BWV 669-689 “Organ Mass” / Four Duets BWV 802-805

http://links.baerenreiter.com  short link:: BA5264-0053 New Issue Title

33 New Publications 1/2016 · The Programme Organ

The critical complete edition comes to a close

Johann Jacob Froberger: New Edition of the Complete Works Volume VII: Works for Ensemble and Catalogue of the Complete Works Each volume in this complete bilingual edition of the works of Johann (FbWV) Jacob Froberger (1616-1667) contains a Critical Commentary and a detailed Foreword with sections on the edition’s structure and scope, BÄRENREITER URTEXT editorial method and performance practice, as well as discussions of contemporary instruments, ornamentation and Froberger’s life. Commissioned by the Society of Music History in Volume VII now brings the complete edition to a close. It contains two Baden-Württemberg, previously unpublished motets, Alleluia absorta est mors (FbWV 701) edited by Siegbert Rampe and Apparuerunt Apostolis (FbWV 702), both for soprano, tenor, bass, Score with parts two violins and continuo, as well as the Capriccio in C (FbWV 706) for four voices or four instruments. The parts are included with the edition. BA 9298 · € 49.95 The appendix provides a catalogue of all Froberger works known to Already published date (FbWV), including, where applicable, the incipit of each work and entries on its instrumentation, date of composition, editions and sources along with special comments. Another section directs ISMN 979-0-006-55999-2 readers to the most important references in the secondary literature.

9 790006 559992 • Complete Urtext edition at the cutting edge of scholarship • First publication of two motets New Issue Title • Catalogue of all Froberger works in an appendix (FbWV)

New Publications 1/2016 · The Programme 34 Organ

Now available at a special set price

Johann Jacob Froberger Complete Works in 11 Volumes BA 9299

only € 399 · instead of € 533.25

The set includes:

Volume I: Libro Secondo (1649) BA 8063 · € 42.95

Volume II: Libro Quarto (1656) – Libro di Capricci e Ricercati (ca. 1658) BA 8064 · € 44.95

Keyboard and Organ Works from Copied Sources:

Volume III.1: Partitas and Partita Movements, Part 1a BA 8065 · € 56.00

Volume III.2: Partitas and Partita Movements, Part 1b BA 8435 · € 48.50

Volume IV.1: Partitas and Partita Movements, Part 2 BA 8066 · € 56.00

Volume IV.2: Partitas and Partita Movements, Part 3 BA 8434 · € 54.00

Volume V.1: Toccatas BA 9211 · € 47.95

Volume V.2: Polyphonic Works BA 9212 · € 49.95

Volume VI.1: New Sources, New Readings, New Works, Part 1 BA 9213 · € 41.50

Volume VI.2: New Sources, New Readings, New Works, Part 2 BA 9269 · € 41.50 ISMN 979-0-006-56234-3

Volume VII: Works for Ensemble and Catalogue of the Complete Works (FbWV) 9 790006 562343 BA 9298 · € 49.95 BANew 9299, Issue special Title set price

35 New Publications 1/2016 · The Programme Organ

Highlight of Spanish organ music

Juan Cabanilles: Selected Organ Works Volume I Tientos Ilenos

BÄRENREITER URTEXT BA 11228 © 2016 by Bärenreiter-Verlag, Kassel

Edited by Gerhard Doderer and Miguel Bernal Ripoll Juan Cabanilles was the organist at Valencia Cathedral and the BA 11228 · approx. € 34.95 towering figure of Spanish organ music in the latter half of the 17th century. His works, primarily Tientos, organ hymns and organ versets, To appear in March 2016 have come down to us entirely in manuscript copies.

Volume I of this planned three-volume edition of selected works contains ten Tientos llenos in a total of seven tonos (ecclesiastical modes). They show the contemporary typical stylistic features of keyboard music to good advantage. This volume seeks to make the most appealing and significant of Cabanilles’ works readily accessible and to present them in a revised and critical edition.

• Three-volume Urtext edition of selected organ works • Detailed Foreword (Ger/Eng/Span) on the works, sources and ISMN 979-0-006-56102-5 previous editions, with notes on registration and contemporary organ building

9 790006 561025 • Critical Commentary (Eng)

New Issue Title

New Publications 1/2016 · The Programme 36 Organ

First Urtext edition of Dubois’ organ works

During his tenure at “La Madeleine” in Paris, Théodore Dubois composed a large number of organ works. Volume III, together with the already published Volumes II and IV, brings our first complete Urtext edition of this body of music to a close. It contains Trois Pièces (Prélude – grave, Adoratio et Vox Angelica, Hosannah) and the well- known and frequently performed wedding piece Messe de Mariage (Entrée du Cortège, Bénédiction nuptiale, Offertoire, Invocation, Laus Deo, Sortie).

Like the two previous volumes, this volume contains many facsimile pages, a Critical Commentary (Fr/Eng/Ger), a catalogue of sources and a detailed Foreword that sheds light on the composer’s life, instrument-specific issues and performance practice. Théodore Dubois: Complete Organ Works • First complete Urtext edition of Théodore Dubois’ organ works Volume III • Based on the latest research findings • Suitable for church worship and concert performance Trois Pièces, • Detailed Foreword, Critical Commentary (Fr/Eng/Ger) and Messe de Mariage facsimile pages BÄRENREITER URTEXT

Edited by Helga Schauerte-Maubouet Already published: BA 8470 · approx. € 48.50

Théodore Dubois To appear in June 2016 Complete Organ Works

Volume I: Early Works and Works with little or facultative pedal use BA 8468 · € 48.50

Volume II: Organist at the Church “La Madeleine”: Douze Pièces pour Orgue ou Piano-Pédalier (1886) BA 8469 · € 48.50

Volume IV: Organist at the Church “La Madeleine”:

Douze Pièces nouvelles (1893) / Ascendit Deus (1902) ISMN 979-0-006-56239-8 BA 8471 · € 48.50

Volume V: His Last Organ Works: Dix Pièces (nouvelles) (1921) / 9 790006 562398 Fantasietta avec Variations (1922) BA 9208 · € 46.50 New Issue Title

37 New Publications 1/2016 · The Programme Organ

Organ music for festive occasions

This volume contains organ music for Ascension, Pentecost and Trinity. It includes Max Gulbins’s Two Festive Fantasias for Ascension and Pentecost and Biblical Pictures (Pentecost), a Pentecostal Postlude by Paul Kickstat, Wilhelm Rudnick’s Organ Sonata on “O Heil'ger Geist kehr bei uns ein” (op. 51), an Organ Fantasia on Pentecost by Heinrich Pfannschmidt (op. 54), Paul Blumenthal’s Chorale Trio on “Komm, o komm, du Geist des Lebens” and chorale fantasias and preludes on familiar hymns associated with Pentecost by such late 19th and early 20th century composers as Waldemar von Bausznern, Moritz Brosig, Theophil Forchhammer, Johann Georg Herzog, Johann Christoph Oley and Johannes Weyhmann.

Ascension of Christ, • Suitable for liturgical use and special occasions Pentecost and Trinity • For full-time and semi-professional church musicians and organists for Organ

Edited by Andreas Rockstroh Already available by Bärenreiter: BA 11237 · approx. € 27.95 Christmas for Organ To appear in April 2016 Volume I: BA 8495 · € 27.95 Volume II: BA 9258 · € 27.95

Passiontide and Easter for Organ BA 9210 · € 27.95

Praise and Thanks for Organ Volume I: BA 8496 · € 27.95 Volume II: BA 8497 · € 26.95

Organ Music for the End of the Church Year BA 9266 · € 27.95

Organ Music for Communion BA 9265 · € 27.95

The Organ Wedding Album

ISMN 979-0-006-56212-1 BA 8200 · € 27.95

The Organ Funeral Album BA 9207 · € 27.95 9 790006 562121 Organ Events New Issue Title BA 11220 · € 24.95

New Publications 1/2016 · The Programme 38 Solo Voice

Jean-Philippe Rameau “Airs d’opéra” Series

Airs d’opéra : Dessus, Volume 2 / Operatic Arias: Soprano

Edited by Sylvie Bouissou, Benoît Dratwicki, Julien Dubruque. Piano reduction by François Saint-Yves Vocal score (Fr) BA 9192 / CAH.262/OORVIa2 · € 52.00 To appear in January 2016

Like Volume 1, Volume 2 contains the lyric soprano parts for the main characters.

Soprano arias from the operas: Les Indes galantes (Émilie, Zinna) / Io (Io) / Naïs (Naïs) / La Naissance d’Osiris (Pamilie) / Les Paladins (Argie) / Les Surprises de l’amour (Adonis, Parthénope) / Zaïs (Zélidie) / Zéphyre (Zéphyre) / Zoroastre (Ámélite)

Airs d’opéra : Haute-contre, Volume 2 / Operatic Arias: Tenor

Edited by Sylvie Bouissou, Benoît Dratwicki, Julien Dubruque. Piano reduction by François Saint-Yves Vocal score (Fr) Already published: BA 9197 / CAH.267/OORVIa7 · € 52.00 Airs d’opéra, Grand dessus To appear in January 2016 (Soprano and Mezzo-soprano) This volume contains the second half of the great monologues, arias Vocal score (Fr) BA 9195 · € 52.00 and ariettas that Rameau wrote for haute contre, and which are sung today by a high tenor. Airs d’opéra, Haute-contre (Tenor), Vol. 1 Vocal score (Fr) Tenor arias from the operas: Les Paladins (Atis, Manto) / Platée BA 9196 · € 52.00 (Thespis, Platée) / Pygmalion (Pygmalion) / Le Temple de la Gloire The following volumes will appear (Apollon, Bacchus, Trajan) / Zaïs (Zaïs, un Sylphe) / Zoroastre within the next few months: (Zoroastre) BA 9191 Dessus (Soprano), Vol. 1 • Detailed historical Introductions (Fr/Eng) BA 9193 Dessus (Soprano), Vol. 3 • Well-presented idiomatic piano reductions based on Rameau’s BA 9194 Dessus (Soprano), Vol. 4

Opera Omnia ISMN 979-0-006-56141-4 ISMN 979-0-006-56138-4 • Each number is preceded by a brief account of the dramatic situation and an English translation of the vocal text • Co-edited by the Centre de musique baroque de Versailles and the 9 790006 561414 9 790006 561384 Société Jean Philippe Rameau (distributed exclusively by BA 9192 BA 9197 Bärenreiter) New Issue Title New Issue Title

39 New Publications 1/2016 · The Programme Your Contacts

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