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8h[dh[_j[h J^[Cki_Y_WdiÊ9^e_Y[ ȱȱȱȱȃȱǯȄȱȱ ȱ¢ȱȱȱȱȱ¢ȱ ǯȱȱȱȱȱȱȱǰȱȱ ¢ȱȱȱȱȱȬ ǰȱ ȱǯȱ¡ȱȱȱȱȱ ¢ȱǯȱ ȱȱȱȱ ȱȱȱ¢ȱ ȱȬǯȱ Die Unwissenden nennen sie „Seegurke“. Die ȱĴȱû ȱȱȱȱ ȱȱǯȱȱȱȱ ȱȱ ĵǰȱȱđȱȱȱȱȱ ǰȱȱǯȱȱ ȱ ȱȱȱȱ£ȱ§ǯȱ ȱȱ ȱȱ ȱȱȱȱȱȬǯ J^[Fhe]hWcc[ D[mFkXb_YWj_edi I^[[jCki_Y 1/2016 New Issue Title 1 New Publications 1/2016 · The Programme Contents Piano Handel: Coronation Anthems Zadok the Priest HWV 258. BA 10258 ......................22 Chopin: Vingt-quatre Préludes pour le piano The King shall rejoice HWV 260. BA 10259 ............23 op. 28, Prélude pour le piano op. 45. BA 9610 ........3 Reger: Sacred Choral Music a cappella. BA 7549........ 24 Beethoven: Sonatas for Pianoforte .............................. 4-5 Jansson: Missa Popularis. BA 7420 ..................................25 Three Sonatas in F minor, A major, C major Zelenka: Missa Divi Xaverii ZWV 12. BA 9594 ............. 26 op. 2. BA 10859 Sonata in D major op. 28 “Pastorale”. BA 11814 Vocal Score / Opera Sonata in A major op. 101. BA 11811 Dušek: Complete Sonatas for Piano, Volume I Schubert: Rosamunde, Fürstin von Cypern D 797 BA 11513 ..............................................................................6 BA 5570-90 ......................................................................27 In celebration of the 150th Orchestra Erik Satie jubilee ................................................7 Dvořák: Serenade in E major op. 22. BA 10423 ............28 Haydn: Symphony in G major “Oxford” Hob. I:92. Complete Editions ...................................................8 BA 10977 ..........................................................................29 Suk: Meditation on the Old Czech Hymn Strings “St. Wenceslas” op. 35a. BA 9584 ..............................15 Rachmaninoff: Sonate op. 19, Prélude et Danse Study Scores orientale op. 2, Lied. BA 9994 ....................................9 Sassmannshaus: Cello Recital Album, First Position. Dvořák: Symphony no. 7 in D minor op. 70. Volume 1: BA 8994, Volume 2: BA 8995 ..........10–11 TP 617 .............................................................................. 30 Bériot: Scène de Ballet op. 100. BA 10695 .....................12 Beethoven: The Five Piano Concertos. TP 921-925 ....31 Bériot: Violin Concerto No. 9 in A minor op. 104 BA 10696 ...........................................................................13 Organ Bach: Complete Organ Works in revised editions. Chamber Music Volume 4: BA 5264, Volume 6: BA 5266 ..........32–33 Froberger: New Edition of the Complete Works, Suk: Meditation on the Old Czech Hymn Volume VII. BA 9298 .............................................34–35 “St. Wenceslas” op. 35a. BA 9583, TP 583 .........14–15 Cabanilles: Selected Organ Works, Volume I Dvořák: Piano Trio in B-flat major op. 21. BA 9578 ....16 BA 11228 ...........................................................................36 Ready to Play Dubois: Complete Organ Works, Volume III BA 8470 ...........................................................................37 Classic Hits for two Clarinets. BA 10636 ....................... 17 Ascension of Christ, Pentecost and Trinity for Organ. BA 11237 .......................................................38 Choir Solo Voice Beethoven: Mass in C major op. 86. BA 9039 ..............18 Telemann: Der Tod Jesu TVWV 5:6. BA 5853-90 .........19 Rameau: Airs d’opéra: Dessus, Vol. 2. BA 9192 ........... 39 Mendelssohn Bartholdy: Psalm 98 Rameau: Airs d’opéra: Haute-contre, Vol. 2. MWV A 23 / op. posth. 91. BA 9076 ........................20 BA 9197 ............................................................................39 Bach: “Now my soul exalts the Lord” Cantata BWV 10. BA 10010-90, TP 1010 ................. 21 Your Contacts ............................................................40 New Issue Title New Publications 1/2016 · The Programme 2 Piano Historically informed view of the Préludes Frédéric Chopin: Vingt-quatre Préludes pour le piano op. 28 Prélude pour le piano op. 45 BÄRENREITER URTEXT Hardly any cycle of piano pieces can match the magnetic attraction Edited by Christoph Flamm of Chopin’s 24 Préludes, published in 1839. Schumann called them With fingering and notes “sketches, beginnings of études, [...] ruins, stray eagle's pinions, all on performance practice disorder and wild confusion”. by Hardy Rittner Christoph Flamm has critically reevaluated the sources, bringing to BA 9610 · approx. € 16.50 light new readings of this well-known musical text. Hardy Rittner, a hammerklavier specialist and two-time winner of the ECHO Classic To appear in June 2016 prize, who has recorded Brahms’ piano music and all of Chopin’s Études on period pianofortes, has supplemented Chopin’s fingering from a historically informed perspective. He also provides valuable notes on performance practice, especially with regard to pedalling, rubato, latent polyphony, legato and Chopin’s perception of sound. An aesthetically presented engraving and practical page-turns make this current edition indispensable for today’s scholars and performers. ISMN 979-0-006-53073-1 • Urtext edition with new readings • Notes on performance practice (Ger/Eng) 9 790006 530731 • With historically informed fingering and practical page-turns • Informative Foreword (Ger/Eng) and detailed Critical Commentary (Eng) New Issue Title 3 New Publications 1/2016 · The Programme Piano New Urtext editions of ... Ludwig van Beethoven: Sonatas for Pianoforte BÄRENREITER URTEXT Edited by Jonathan Del Mar With an Introduction by Misha Donat and notes on performance practice by Jonathan Del Mar and Misha Donat Bärenreiter continues its Urtext edition of the complete Beethoven Three Sonatas piano sonatas with three major works at once. They begin with the in F minor, A major, frequently played op. 2 Sonatas (nos. 1-3) which stem from his early yet mature oeuvre when he was developing an independent style C major op. 2 from the legacy of Mozart and Haydn. They then proceed to the lyrical D major Sonata op. 28 from his middle period (nicknamed “Pastorale” BA 10859 · approx. € 25.95 by the publisher of the original edition) and finally to the Sonata To appear in June 2016 op. 101, Beethoven’s first sonata specifically intended for the “hammerklavier” and the one that introduced his esoteric late Sonata in D major style to the piano sonatas. op. 28 “Pastorale” BA 11814 · approx. € 7.95 To appear in May 2016 ISMN 979-0-006-56193-3 ISMN 979-0-006-56187-2 ISMN 979-0-006-56184-1 Sonata in A major op. 101 9 790006 561933 9 790006 561872 9 790006 561841 BA 10859 BA 11814 BA 11811 BA 11811 · approx. € 7.50 To appearNew in Issue May Title 2016 New Issue Title New Issue Title New Issue Title New Publications 1/2016 · The Programme 4 Piano ... Beethoven’s piano sonatas The acclaimed Beethoven specialist Jonathan Del Mar has consulted every known source for these critical Urtext performing editions. In addition he has analysed various copies of the prints published during Beethoven’s lifetime. The results of his accurate research are presented in a meticulously edited musical text at the cutting edge of scholarship, together with a detailed Critical Commentary. All three volumes stand out in terms of their elegant and well- presented layout. Special emphasis has been placed on optimum page-turns and on the consideration of the flow of the music. The highly informative Introductions on the genesis and significance of the works are supplemented by valuable notes on historical performance practice. • New critical performing editions at the cutting edge of scholarship • Optimum page-turns • Introductions with valuable notes on historical performance practice (Eng/Ger) and Critical Commentaries (Eng) Already published: Ludwig van Beethoven Grande Sonate pathétique in C minor for Pianoforte op. 13 BA 10851 · € 5.95 Sonata quasi una fantasia in E-flat major for Pianoforte op. 27 no. 1 / Sonata quasi una fantasia in C-sharp minor for Pianoforte op. 27 no. 2 BA 10853 · € 11.50 Sonata in F minor “Appassionata” for Pianoforte op. 57 BA 10852 · € 7.95 Jonathan Del Mar New Issue Title 5 New Publications 1/2016 · The Programme Piano Complete critical edition of Dušek’s sonatas František Xaver Dušek: Complete Sonatas for Piano Volume I BÄRENREITER URTEXT Edited by Vojtěch Spurný BA 11513 · approx. € 21.95 The Czech composer František Xaver Dušek (1731-1799) was a leading figure in Prague’s music life in the latter half of the 18th century. To appear in April 2016 He was an outstanding pianist, composer and piano teacher whose pupils included Leopold Koželuch. Now all of Dušek’s 21 sonatas, many of which have until now been available only in old prints or manuscripts, are appearing in two volumes. The editor, Vojtĕch Spurný, has carefully collected and compared archival sources strewn throughout Europe. The sonatas, arranged in chronological order by date of publication, now appear for the first time in critical editions. They are easy to play, some most probably having been written for teaching purposes. • First complete critical edition of Dušek’s sonatas ISMN 979-0-2601-0762-5 • Previously hard to reach repertoire • Trilingual Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) 9 790260 107625 • Easy to moderate difficulty New Issue Title New Publications 1/2016 · The Programme 6 In celebration of the 150 Piano Erik Satie jubilee on 17 Mayth 2016 Already published: Avant-dernières pensées BA 10849 · € 6.95 Embryons desséchés BA 10811 · € 6.95 Le fils des étoiles BA 10814 · € 19.95 Ogives, Gymnopédies BA 10806 · € 6.50 Gnossiennes ȃȱȱȱȱȱȱ¡ȱȄ ȃȱȱȱȱȱȱȄ BA
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    Schiller and Music COLLEGE OF ARTS AND SCIENCES ImUNCI Germanic and Slavic Languages and Literatures From 1949 to 2004, UNC Press and the UNC Department of Germanic & Slavic Languages and Literatures published the UNC Studies in the Germanic Languages and Literatures series. Monographs, anthologies, and critical editions in the series covered an array of topics including medieval and modern literature, theater, linguistics, philology, onomastics, and the history of ideas. Through the generous support of the National Endowment for the Humanities and the Andrew W. Mellon Foundation, books in the series have been reissued in new paperback and open access digital editions. For a complete list of books visit www.uncpress.org. Schiller and Music r.m. longyear UNC Studies in the Germanic Languages and Literatures Number 54 Copyright © 1966 This work is licensed under a Creative Commons cc by-nc-nd license. To view a copy of the license, visit http://creativecommons. org/licenses. Suggested citation: Longyear, R. M. Schiller and Music. Chapel Hill: University of North Carolina Press, 1966. doi: https://doi.org/ 10.5149/9781469657820_Longyear Library of Congress Cataloging-in-Publication Data Names: Longyear, R. M. Title: Schiller and music / by R. M. Longyear. Other titles: University of North Carolina Studies in the Germanic Languages and Literatures ; no. 54. Description: Chapel Hill : University of North Carolina Press, [1966] Series: University of North Carolina Studies in the Germanic Languages and Literatures. | Includes bibliographical references. Identifiers: lccn 66064498 | isbn 978-1-4696-5781-3 (pbk: alk. paper) | isbn 978-1-4696-5782-0 (ebook) Subjects: Schiller, Friedrich, 1759-1805 — Criticism and interpretation.
  • Cpo 555 156 2 Booklet.Indd 1 12.06.2020 09:36:39 Jean-Philippe Rameau

    Cpo 555 156 2 Booklet.Indd 1 12.06.2020 09:36:39 Jean-Philippe Rameau

    Jean-Philippe Rameau Pigmalion · Dardanus Suites & Arias Anders J. Dahlin L’Orfeo Barockorchester Michi Gaigg cpo 555 156_2 Booklet.indd 1 12.06.2020 09:36:39 Jean-Philippe Rameau cpo 555 156_2 Booklet.indd 2 12.06.2020 09:36:39 Jean-Philippe Rameau (1683–1764) Pigmalion Acte-de-ballet, 1748 Livret by Sylvain Ballot de Sauvot (1703–60), after ‘La Sculpture’ from Le Triomphe des arts (1700) by Houdar de la Motte (1672–1731) (selected movements: Suite & Arias) 1 Ouverture 4'41 2 [Air,] ‘Fatal Amour’ (Pigmalion) 3'22 3 Air. Très lent – Gavotte gracieuse – Menuet – Gavotte gai – Chaconne vive – 5'44 Loure – Passepied vif – Rigaudon vif – Sarabande pour la Statue – Tambourin 4 Air gai 2'19 5 Pantomime niaise 0'44 6 2e Pantomime très vive 2'07 7 Ariette, ‘Règne Amour’ (Pigmalion) 4'35 8 Air pour les Graces, Jeux et Ris 0'50 9 Rondeau Contredanse 1'37 cpo 555 156_2 Booklet.indd 3 12.06.2020 09:36:39 Dardanus Tragedie en musique, 1739 (rev. 1744, 1760) Livret by Charles-Antoine Leclerc de La Bruère (1716–54) (selected movements: Suite & Arias) 10 Ouverture 4'13 11 Prologue, sc. 1: Air pour les [Jeux et les] Plaisirs [et la Jalousie et sa Suite] 1'06 12 Air pour les [Jeux et les] Plaisirs 1'05 13 Prologue, sc. 2: Air gracieux [pour les Peuples de différentes nations] 1'30 14 Rigaudon 1'41 15 Act 1, sc. 3: Air vif 2'46 16 Rigaudons 1 et 2 3'36 17 Act 2, sc. 1: Ritournelle vive 1'08 18 Act 4, sc.