It Chapter Two Dvd Release
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Exploring the Portrayal of Stuttering in It (2017)
POSTS AND G-G-GHOSTS: EXPLORING THE PORTRAYAL OF STUTTERING IN IT (2017) A Thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts in Communication, Culture, and Technology By Mary-Cecile Gayoso, B. A Washington, D.C. April 13, 2018 Copyright 2018 by Mary-Cecile Gayoso All Rights Reserved ii Dedication The research and writing of this thesis is dedicated to my parents and the name they gave me MY PARENTS, for always listening, for loving me and all my imperfections, and for encouraging me to speak my mind always MY NAME, for being simultaneously the bane and joy of my existence, and for connecting me to my Mamaw and to the Grandfather I never knew Thank you, I love you, Mary-Cecile iii Acknowledgements “One of the hardest things in life is having words in your heart that you can't utter.” - James Earl Jones This thesis would not have been possible without those that are part of my everyday life and those that I have not spoken to or seen in years. To my family: Thank you for your constant support and encouragement, for letting me ramble about my thesis during many of our phone calls. To my mother, thank you for sending me links about stuttering whenever you happened upon a news article or story. To my father, thank you for introducing me to M*A*S*H as a kid and to one of the most positive representations of stuttering in media I’ve seen. -
Rahma Firliyan Mirza Sartika Reg. Number: A73216082
AN ANALYSIS OF LANGUAGE DISORDERS SUFFERED BY THE MAIN CHARACTER IN IT (2017) MOVIE THESIS BY: RAHMA FIRLIYAN MIRZA SARTIKA REG. NUMBER: A73216082 ENGLISH DEPARTMENT FACULTY OF ARTS AND HUMANITIES UIN SUNAN AMPEL SURABAYA 2020 iv ii iii v ABSTRACT Sartika, R. F. M. (2020). An Analysis of Language Disorders on a Stuttering Character in IT (2017) Movie. English Department, UIN Sunan Ampel Surabaya. Advisor: Raudlotul Jannah, M. App. Ling Keywords: language disorder, stuttering, associated behavior. A language disorder is a type of disorder in which the speaker is doing repetition or prolongation of speech sounds, syllables, or words. Stuttering is included in one of the types of language disorder that is an expressive language disorder. The writer researched language disorder in ―IT‖ movie that shows stuttering phenomena suffered by the main character named Bill Denbrough. There are three problems to be solved in this research, (1) what kinds of stuttering are found in the utterances produced by a stuttered boy in ―IT‖ movie, (2) what types of associated behavior experienced by Bill Denbrough found in ―IT‖ movie, (3) what causes of stuttering are suffered by Bill Denbrough in ―IT‖ movie. This study uses a descriptive qualitative approach. It is descriptive because it described the data from the utterances spoken by Bill Denbrough and his behavior when stuttering from ―IT (2017)‖ movie. Then it is qualitative because the researcher wanted to provide in-depth analysis and give the explanation more detail. The data were taken from a movie script and stuttering words produced by Bill Denbrough. The analysis continued by identifying the associated behavior experienced by Bill Denbrough and finally causes of stuttering suffered by Bill Denbrough by looking at the film and one of the quotations from novel that can support and explain causes Bill stuttering. -
A New Chapter
FINAL-1 Sat, Nov 30, 2019 4:06:52 PM tvupdateYour Weekly Guide to TV Entertainment For the week of December 8 - 14, 2019 A new chapter Jacqueline Toboni stars in “The L Word: Generation Q” INSIDE •Sports highlights Page 2 •TV Word Search Page 2 •Family Favorites Page 4 •Hollywood Q&A Page14 Showtime is rebooting one of its most beloved shows with “The L Word: Generation Q,” premiering Sunday, Dec. 8. The series features the return of original “The L Word” stars Jennifer Beals (“Flashdance,” 1983), Leisha Hailey (“Dead Ant,” 2017) and Katherine Moennig (“Ray Donovan”), as well as a few new faces, including Jacqueline Toboni (“Grimm”), Arienne Mandi (“The Vault”) and Leo Sheng (“Adam,” 2019). To advertise here WANTED MOTORCYCLES, SNOWMOBILES, OR ATVS GOLD/DIAMONDS please call ✦ 40 years in business; A+ rating with the BBB. ✦ For the record, there is only one authentic CASH FOR GOLD, Bay 4 (978) 946-2375 Group Page Shell PARTS & ACCESSORIES We Need: SALESMotorsports & SERVICE 5 x 3” Gold • Silver • Coins • Diamonds MASS. MOTORCYCLEWANTED1 x 3” We are the ORIGINAL and only AUTHENTIC SELLBUYTRADEINSPECTIONS CASH FOR GOLD on the Methuen line, above Enterprise Rent-A-Car at 527 So. Broadway, Rte. 28, Salem, NH • 603-898-2580 1615 SHAWSHEEN ST., TEWKSBURY, MA Open 7 Days A Week ~ www.cashforgoldinc.com 978-851-3777 WWW.BAY4MS.COM FINAL-1 Sat, Nov 30, 2019 4:06:53 PM COMCAST ADELPHIA 2 Sports Highlights Kingston CHANNEL Atkinson ESPN NESN Sunday 8:00 p.m. TNT Basketball NBA Football NCAA Division I Hockey NCAA Dartmouth at Salem Londonderry 9:00 a.m. -
Views Is Seen As an Apostate, a Heretic, Or a Traitor, and Moderates in the Middle Are Annihilated
GRAY AREA “For there is nothing either good or bad, but thinking makes it so.” — Hamlet “Let us be diverted by none of those sophistical contrivances wherewith we are so industriously plied and belabored – contrivances such as groping for some middle ground between the right and the wrong, vain as the search for a man who should be neither a living man nor a dead man.” — Abraham Lincoln “Freedom would be not to choose between black and white but to abjure such prescribed choices. ” — Theodor Adorno “It is impossible, or not easy, to alter by argument what has long been absorbed by habit.” — Aristotle “People almost invariably arrive at their beliefs not on the basis of proof but on the basis of what they find attractive.” — Blaise Pascal, De l'art de persuader “The earth is round and flat at the same time. This is obvious. That it is round appears indisputable; that it is flat is our common experience, also indisputable. The globe does not supersede the map; the map does not distort the globe.” — Jeanette Winterson, Sexing the Cherry “If you turn the other cheek, you can be enslaved for 1,000 years.” — Malcolm X “When you're the victim of the behavior, it's black and white; when you're the perpetrator, there are a million shades of gray.” — Laura Schlessinger “In times of extremes, extremists win. Their ideology becomes a religion, anyone who doesn't puppet their views is seen as an apostate, a heretic, or a traitor, and moderates in the middle are annihilated. Fiction writers are particularly suspect because they write about human beings, and people are morally ambiguous. -
Stephen King, Écrivain, Cinéaste Et Démiurge Patrick Schupp
Document généré le 28 sept. 2021 05:57 Séquences La revue de cinéma Stephen King, Écrivain, cinéaste et démiurge Patrick Schupp Numéro 191, juillet–août 1997 URI : https://id.erudit.org/iderudit/49316ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer cet article Schupp, P. (1997). Stephen King, Écrivain, cinéaste et démiurge. Séquences, (191), 18–39. Tous droits réservés © La revue Séquences Inc., 1997 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ k m tifmiii, tin; # nnSSIFIP-STFgHFhl KIN fi uoi qu'il en soit, Stephen découvre dans les cartons paternels les Werewolf (Gene Fowler Jr., 1957) ou I Was a Teenage Frank auteurs qui, plus tard, auront une influence déterminante sur son enstein (Herbert L Strock, 1957) et qui reçoit les honneurs d'une Qstyle comme sur son œuvre: Abraham Merritt, H.R Lovecrafc sur première publication dans Comic Review, un petit journal du collège tout, et F.B. Long. Peu de temps après, Stephen, qui va au cinéma du secondaire où Stephen est étudiant. -
IT, the IT Had a CHILD and IT's Me BOOK 3 After Pennywise's Death, Everything Was Perfect
by Caedmon Myers IT, THE IT HAd A CHILD AND IT'S Me BOOK 3 After Pennywise's death, everything was perfect. There were no more unusual disappearances or deaths, and everyone lived a happy life. For 15 years they were happy and nothing went wrong: they had children, had a family, and had the most amazing lives except every day they had these weird recurring dreams. They heard laughing and a horn honking, but most of all they heard screaming. Every night they had this dream, so they hid their children from the world in fear of someone luring them in and killing them or doing something horrible and wretched. But their children wanted to go play with their friends, so the parents agreed that every halloween they would be able to go outside and get candy in cool costumes and have a blast. For 15 years the survivors of the horrid encounter (Richie Tozier, Beverly Marsh, etc...) had these nightmares. The nightmares started when their children were born. Their children are Peter, Sasha, Mark, Helen, and Alex. Peter is the leader of the group, Sasha is the smartest, Mark is the strongest, Helen is the bravest, and Alex is the kindest and most compassionate. Not all of the survivors got married or had kids because they had not let go of what happened that fateful night; they were still traumatized from everything. They were lucky to survive the incident but it left a huge scar in their mind, one that would never leave ... The kids were 15 at the time and nothing bad had happened; they only went outside on halloween. -
Pennywise Dreadful the Journal of Stephen King Studies
1 Pennywise Dreadful The Journal of Stephen King Studies ————————————————————————————————— Issue 1/1 November 2017 2 Editors Alan Gregory Dawn Stobbart Digital Production Editor Rachel Fox Advisory Board Xavier Aldana Reyes Linda Badley Brian Baker Simon Brown Steven Bruhm Regina Hansen Gary Hoppenstand Tony Magistrale Simon Marsden Patrick McAleer Bernice M. Murphy Philip L. Simpson Website: https://pennywisedreadful.wordpress.com/ Twitter: @pennywisedread Facebook: https://www.facebook.com/pennywisedread/ 3 Contents Foreword …………………………………………………………………………………………………… p. 2 “Stephen King and the Illusion of Childhood,” Lauren Christie …………………………………………………………………………………………………… p. 3 “‘Go then, there are other worlds than these’: A Text-World-Theory Exploration of Intertextuality in Stephen King’s Dark Tower Series,” Lizzie Stewart-Shaw …………………………………………………………………………………………………… p. 16 “Claustrophobic Hotel Rooms and Intermedial Horror in 1408,” Michail Markodimitrakis …………………………………………………………………………………………………… p. 31 “Adapting Stephen King: Text, Context and the Case of Cell (2016),” Simon Brown …………………………………………………………………………………………………… p. 42 Review: “Laura Mee. Devil’s Advocates: The Shining. Leighton Buzzard: Auteur, 2017,” Jill Goad …………………………………………………………………………………………………… p. 58 Review: “Maura Grady & Tony Magistrale. The Shawshank Experience: Tracking the History of the World's Favourite Movie. New York, NY: Palgrave Macmillan, 2016,” Dawn Stobbart …………………………………………………………………………………………………… p. 59 Review: “The Dark Tower, Dir. Nikolaj Arcel. Columbia Pictures, -
The Suburban Uncanny in Late 20Th Century American Horror Sarah N
Terror in the Cul-de-sac: The Suburban Uncanny in Late 20th Century American Horror Sarah N. Michelson Submitted in Partial Fulfillment of the Prerequisite for Honors in English April 2018 © 2018 Sarah N. Michelson Table of Contents Introduction page 3 Literature page 19 Film page 52 Further Applications page 72 References page 82 1 Dedicated to Toby and David Michelson for always encouraging me to learn, and to Cameron Michelson, for always watching horror movies with me. 2 Introduction To experience fear is a fundamental part of the human condition, to seek safety, every bit as much. This thesis will be exploring how a manufactured image of American safety and identity in the mid-twentieth century (the 50s and 60s in particular) translated into a new subgenre of horror by the century's end: an unexpected horror of the mundane. By 1990, fear could be found in a suburban kitchen as it could have previously been found in a remote haunted castle. Authors like Stephen King and directors like David Lynch were just a few of the creative forces who made the cul-de-sac a terrifying place to be. This thesis defines this sort of fear as, "the suburban uncanny," a phenomenon wherein creators of horror media exploited suburbia's familiar qualities in order to create a distinctive brand of fear and terror that subverted suburban lifestyles. The suburban uncanny appears quite often in media from the late 20th century— that is, media made by creatives who were born and raised in the newly suburbanized America. This thesis will examine the books IT, Needful Things, and The Stepford Wives; as well as the films Blue Velvet and Poltergeist, in order to explore how and why this phenomenon becomes so manifest in the latter part of the 20th century. -
Movies That Make Money Fund Movies That Make Money Fund
MOVIES THAT MAKE MONEY FUND MOVIES THAT MAKE MONEY FUND WE PROVIDE DEVELOPMENT FINANCING, KNOWN AS FIRST MONEY IN FOR: TOP HOLLYWOOD MOVIE STUDIOS, A-LIST ACTORS & DIRECTORS. WE FINANCE & DEVELOP INTELLECTUAL PROPERTIES & CONVERT THEM INTO POLISHED SCREENPLAYS THAT CAN BE PACKAGED WITH A-LIST ACTORS & DIRECTORS READY TO BE GREEN LIT BY TOP HOLLYWOOD STUDIOS. ACTION ADVENTURE HORROR SCI-FI COMEDY ROMANTIC COMEDY DRAMA CRITICALLY ACCLAIMED AWARD WINNING MAFIA/GANGSTER MILITARY PERIOD PIECES PSYCHOLOGICAL THRILLERS YOUNG ADULT NOVELS COMIC BOOKS FAITH BASED TRUE STORIES SEC wants to let small investors into big IPOs By Thornton McEnery December 25, 2019 | 9:52pm Wall Street’s top watchdog wants mom-and-pop investors to grab a slice oF the next Facebook beFore it goes public… Jay Clayton, chairman oF the Securities and Exchange Commission, unveiled a proposal last week to water down requirements For becoming an “accredited investor” who can pour cash into hot startups alongside hedge funds. Under rules that date back to the Great Depression, such investors must have at least $1 million in assets outside their homes or earn at least $200,000 a year. The new rule, approved last week in a 3-2 vote along party lines, would allow some small investors — including certain licensed Financial advisers, private equity employees and spouses oF accredited investors — to sidestep those requirements. The old “barrier” to becoming accredited “was intended to protect investors From downside risk,” but has “shut out all but the wealthiest From upside gains that private companies have made over the last several decades,” SEC Commissioner Elad Roisman said. -
Female Characters in Psychological Horror
SLEZSKÁ UNIVERZITA V OPAVĚ Filozoficko-přírodověděcká fakulta v Opavě Veronika Hušková obor: Angličtina Female Characters in Psychological Horror Diplomová práce Vedoucí diplomové práce: Opava 2020 PhDr. Diana Adamová, Ph.D. Abstract This thesis deals with female characters in selected horror novels and their film adaptations from 1970 to 2019. Each chapter recounts the development of the horror genre in each decade and then highlights the selected novels in the decade’s context. The analytical part introduces the selected texts’ authors briefly and proceeds to analyze the female characters and their roles in the text, and how the filmmakers managed to translate the essence of these characters onto the big screen. The aim of this thesis is to provide a concise overview of the genre, categorize each female character and determine if and how did the portrayal of female characters change with time. Key words: horror, modern cinematography, American literature, British literature, Stephen King, Thomas Harris, Clive Barker, Jeff VanderMeer, female characters, Carrie, The Shining, Hellraiser, Misery, Silence of the Lambs, The Mist, It, Annihilation Abstrakt Tato práce se zabývá ženskými postavami ve vybraných hororových knihách a jejich filmových adaptacích od roku 1970 do roku 2019. Každá z kapitol nejdříve pojednává o vývoji hororového žánru v jednotlivých desetiletích a poté zasazuje vybraná díla do jejich kontextu. Analytická část nejprve krátce představuje autora knihy, dále se zaměřuje na analýzu ženských postav a jejich rolí v daném textu a jak se filmovým tvůrcům podařilo převést podstatu těchto postav na velké plátno. Cílem práce je poskytnutí stručného přehledu žánru, kategorizace jednotlivých ženských postav a určení toho, zda a jak se vyobrazení ženských postav vyvíjelo. -
Catalogue 2012 Main Index 2012
CATALOGUE 2012 MAIN INDEX 2012 Welcome 3 Fiction 5 Feature Films 6 Short Films 98 TV Movies 160 Series 174 New Platforms 185 Documentary 189 Feature Films 190 Short Films 226 Television Documentaries 251 Animation 301 Feature Films 302 Short Films 310 Series 318 New Platforms 345 Videogames 353 Others 369 Sales & Production Companies 373 Title Index 395 Catalan Language Production c Steadfast in our commitment to supporting the Catalan audiovisual industry and in keeping with our annual date, we are delighted to present you with the latest edition of the Catalan Films & TV catalogue, a publication that is now time-honoured (it’s been 26 years!!!!) and recognised as an international benchmark, featuring the collection of titles of both this season and the forthcoming one. This year’s catalogue includes more than 400 works produced either entirely by Catalan producers or co-produced with other regions in Spain and abroad, covering themes and styles that range from comedy to drama, along with the genre films that have given us an excellent position in international markets in recent years. Not to be forgotten, of course, are the documentary and TV animation, both of which continue to boast a prominent niche of their own in the industry. This catalogue is one of the key tools that enable Catalan Films & TV to take part in the leading international audiovisual markets and festivals on the 2012 agenda, which has been approved by participating CF&TV members. Indeed, despite the circumstances of the world economy, the Catalan audiovisual industry is in excellent health. Pa Negre / Black Bread, for example, was the Spanish Film Academy’s proposed candidate in the race to the 2012 Oscars. -
ENGL 4384: Senior Seminar Student Anthology
ENGL 4384: Senior Seminar Student Anthology Fall 2016 Dr. Leah Haught, Professor Department of English & Philosophy Printed on campus by UWG Publications and Printing. Introduction 7 By Dr. Leah Haught 11 Kanye West: Hell of a Life 13 By Randy Anderson “You’re Still Good to Me, if You’re a Bad Kid, Baby” 30 By Paisley Burklow 45 There’s a Monster in My Pocket: The Allure and Fear of 47 Categorizing Others as “Monsters” By William Brown “Come See What’s Underneath”: Monstrous Interiority in 60 The Babadook By Kaleigh Ingram That’s Not Funny 73 By Morgan Luellen 89 The Danger of the Zombie in Carrie Ryan’s The Forest of 91 Hands and Teeth Trilogy through Gendered Groups and Social Performance By Courtney Arndt The War on Young Adult Literature: Monsters Fighting 105 Censorship By Erin Fugagli Strong Bones: Taking Back Her Narrative in Alice Sebold’s 119 The Lovely Bones By Leah Mirabella “The past is never dead”: Enduring Monstrosity in “A 132 Rose for Emily” By Abbie Smith Quit Clowning Around: An Analysis of The Killer Clown 146 Phenomenon By Taylor Smith Cyborgs and Consumerist Monstrosity in M.T. Anderson’s 161 Feed By Marla Williams 175 Humanity has a long history of defining itself through what it is not. The impulse to define “me” or “us” against an “other” has been dis- cussed by writers and thinkers as diverse as Aristotle, Plato, Jacques Lacan, Frantz Fanon, Julia Kristeva, Stephen King, and Octavia But- ler, among others. Moreover, the impulse seems to predate the human tradition of writing our thoughts down for posterity.