Aurora Initiative Public Report

Total Page:16

File Type:pdf, Size:1020Kb

Aurora Initiative Public Report Public Report August 2016 TABLE OF CONTENTS __________________ 1. Mission and Strategic Goals 3 2. Key Events and Achievements 2015-2016 7 3. Aurora Humanitarian Initiative in Numbers 19 4. Goals and Priorities for 2016-2017 20 5. Donors and Partners 21 AURORA HUMANITARIAN INITIATIVE AURORA HUMANITARIAN _ 2 Mission and STRATEGIC Goals The Aurora Humanitarian Initiative was launched The initiative offers a new way of looking at how on behalf of all survivors of the Armenian Genocide people deal with hardships, overcome problems and in gratitude to their saviors. and persevere. We have a dual purpose: to pay tribute to those Our project seeks to foster a new generation of who helped Armenians 100 years ago and to heroes who dedicate their lives to preserving continue their legacy by supporting courageous peace, protecting human rights and alleviating and selfless individuals and organizations in the suffering of humankind’s most vulnerable their present-day humanitarian efforts. members. AURORA HUMANITARIAN INITIATIVE AURORA HUMANITARIAN _ 3 On behalf of the survivors of the Armenian Genocide and in gratitude to their saviors 100 LIVES THE AURORA PRIZE • Saviors’ & Survivors’ Stories • Laureate Selection & Award Presentation • 100 LIVES Legacy • Award Ceremony and Armenia • Armenian Memory Act Weekend AURORA DIALOGUES AURORA HUMANITARIAN • Content Creation INDEX • Conference • International Survey GLOBAL SOCIAL GRATITUDE PROJECTS MOVEMENT • Humanitarian Grants • Saviors Communities Grants • Scholarships AURORA HUMANITARIAN INITIATIVE AURORA HUMANITARIAN _ SECOND CHANCE/SURVIVORS’ CITY 4 100 LIVES A global online portal designed to preserve memory of the victims and survivors of the Armenian Genocide, as well as of those who gave Armenians a helping hand. The platform will also present the extensive diaspora’s achievements and its connection to Armenian heritage, culture and values. THE AURORA PRIZE An international humanitarian award recognizing the courage, commitment and impact of those who put their lives at risk to help others. The prize honors modern-day heroes and seeks to raise public awareness of atrocities being committed around the world. GRATITUDE PROJECTS A number of international projects aimed at shaping a better future for generations to come with a special focus on education and social development. The projects are implemented in communities whose representatives helped Armenians survive a century ago or who subscribe to similar humanitarian values today. AURORA HUMANITARIAN INITIATIVE AURORA HUMANITARIAN _ 5 AURORA HUMANITARIAN INDEX An annual international survey that measures and analyzes the public’s perception of the most pressing humanitarian issues and explores their causes, consequences and the means used to address them. AURORA DIALOGUES An international forum for discussing the most pressing humanitarian crises meant to contribute to finding potential solutions consistent with the Aurora Humanitarian Initiative’s mission and values. The Conference brings together a range of luminaries from the humanitarian, academic, media and philanthropy fields and gives a voice to the younger generation of future leaders and activists. SOCIAL MOVEMENT An international project aimed at creating a new global social movement that embodies the core values of the Aurora Humanitarian Initiative. SECOND CHANCE CITY An international project that presents Mount Ararat and the biblical legend of Noah as a transcultural symbol of humanity’s second chance. The project’s goal is to create a new spiritual AURORA HUMANITARIAN INITIATIVE AURORA HUMANITARIAN center of modern-day pilgrimage. _ 6 KEY EVENTS and ACHIEVEMENTS of 2015-2016 AURORA HUMANITARIAN INITIATIVE AURORA HUMANITARIAN _ 7 Launch of the 100 LIVES INITIATIVE • The 100 LIVES Initiative was formally launched in New York on March 10, 2015. The launch event was live-streamed on the 100 LIVES website. The Aurora Humanitarian Initiative, of which the Aurora Prize is a part, was launched by the 100 LIVES Co-founders. • The launch event was attended by 150 guests, including Aurora Prize Selection Committee Co-сhair George Clooney and his wife Amal Clooney, political analyst Gwen Ifill and representatives of numerous global media outlets. The event generated 337 pieces of coverage, reaching an audience of over 36.5 million people across the globe. • The Initiative also achieved strong social media results. The 100 LIVES Facebook page accumulated over 12,000 followers in under 100 hours, which Facebook itself deemed “a record.” AURORA HUMANITARIAN INITIATIVE AURORA HUMANITARIAN _ 8 Whatever affects one minority actually has an effect on the majority. Whatever affects the present, affects the future. МЕЖДУНАРОДНАЯ ГУМАНИТАРНАЯ ИНИЦИАТИВА «АВРОРА» ИНИЦИАТИВА ГУМАНИТАРНАЯ МЕЖДУНАРОДНАЯ _ Elie Wiesel 93 1928-2016 AURORA PRIZE 2016 Nominations for the Aurora Prize 2016 opened on July 3, 2015. Over the course of three months, 186 nominations in six languages from 27 countries were received. Altogether, 113 unique candidates were nominated. In January 2016 the Selection Committee announced the names of the first four finalists of the Aurora Prize: Marguerite Barankitse Dr. Tom Catena Syeda Ghulam Fatima Bernard Kinvi On April 24, 2016 Marguerite Barankitse became the inaugural Aurora Prize laureate. AURORA HUMANITARIAN INITIATIVE AURORA HUMANITARIAN _ 10 “ MARGUERITE BARANKITSE Aurora Prize 2016 laureate ARGUERITE BARANKITSE from Maison Shalom and REMA hospital in МBurundi cared for orphans and refugees during civil in the country. Altogether, Marguerite rescued roughly 30,000 children and in 2008, she opened a hospital that has treated more than 80,000 patients to date. AURORA HUMANITARIAN INITIATIVE AURORA HUMANITARIAN _ 11 Aurora Prize FINALISTS SYEDA GHULAM FATIMA lives in Pakistan and fights to eradicate one of the remaining forms of modern-day slavery. Her organization, the Bonded Labour Liberation Front of Pakistan, has helped myriads of people who were forced to work for brick kiln owners in order to repay debts. DR. TOM CATENA, the only resident physician in the Nuba Mountains on the border with South Sudan, provides medical assistance to over 500,000 local residents. FATHER BERNARD KINVI became a priest at the age of 19. In 2012, a civil war broke out in the Central African Republic. Amid the violence, Father Kinvi provided shelter and medical assistance to people on AURORA HUMANITARIAN INITIATIVE AURORA HUMANITARIAN both sides of the conflict. _ 12 AURORA PRIZE 2016 722 guests attended the inaugural Aurora Prize Ceremony that took place on April 24, 2016 at the Karen Demirchyan Sports and Concert Complex in Yerevan. Among them were President of Republic of Armenia Serzh Sargsyan, Catholicos of all Armenians Karekin II, Aurora Prize Selection Committee Co-chair George Clooney, singer Charles Aznavour and representatives of 80 humanitarian organizations. МЕЖДУНАРОДНАЯ ГУМАНИТАРНАЯ ИНИЦИАТИВА «АВРОРА» ИНИЦИАТИВА ГУМАНИТАРНАЯ МЕЖДУНАРОДНАЯ _ 133 Aurora HUMANITARIAN INDEX The publicized results of the first annual Aurora Humanitarian Index, a global study of the most pressing humanitarian issues, revealed not only a disconnect between perception and reality on a number of fronts, but also an enormous void between what people say and feel and what they are actually prepared to do. Aurora DIALOGUES The Aurora Dialogues, a series of keynote speeches and panel discussions, provided a platform for leading humanitarians, academics, philanthropists, journalists and humanitarian aid workers to talk about today’s _ 14 most pressing challenges. Meeting with UWC DILIJAN STUDENTS UWC Dilijan College students delivered presentations on current humanitarian issues to the Aurora Prize Ceremony honorary guests. The students then had an opportunity to address their questions to actor and philanthropist George Clooney and human rights activist John Prendergast. Inaugural Aurora Prize Laureate Marguerite Barankitse and legendary French singer Charles Aznavour also visited UWC Dilijan. _ 15 Aurora Prize 2016 ACHIEVEMENTS Some 1,440 articles and stories covering the Aurora Prize weekend were published in media outlets around the world. Altogether, there were more than 500 mentions in media outlets of over 20 countries. Media coverage reached over 100 million people, including through special reports in the world’s leading global publications — New York Times (USA), TIME (USA), Guardian (Great Britain), BBC (Great Britain), Forbes (USA), Al Jazeera (Qatar), Le Figaro (France) and Kommersant (Russia). AURORA HUMANITARIAN INITIATIVE AURORA HUMANITARIAN _ 163 Aurora Prize 2016 ACHIEVEMENTS • An extensive public relations campaign preceded the inaugural Aurora Prize Ceremony, resulting in an audience of approximately 1 million television viewers. A social media promotional campaign with short videos starring Armenian celebrities communicated information about the prize and its nominees to an audience of over 1.5 million users. • A partnership with the TUMO Center for Creative Technologies provided access to a community of 10,000 students who partook in a competition to create their own visions of the Aurora Prize. • A call for volunteers resulted in 1,640 applications. AURORA HUMANITARIAN INITIATIVE AURORA HUMANITARIAN _ 17 Other ACHIEVEMENTS The following scholarship programs were launched: The Amal Clooney Scholarship - an annual scholarship for Lebanese girls, who demonstrate strong interest in Human Rights, to study at the UWC Dilijan international college in Armenia. 100 LIVES and Near East
Recommended publications
  • 1 CRONOLOGÍA LICEÍSTA Se Incluye Un Listado Con Las
    CRONOLOGÍA LICEÍSTA Se incluye un listado con las representaciones de Aida, de Giuseppe Verdi, en la historia del Gran Teatre del Liceu. Estreno absoluto: Ópera del Cairo, 24 de diciembre de 1871. Estreno en Barcelona: Teatro Principal, 16 abril 1876. Estreno en el Gran Teatre del Liceu: 25 febrero 1877 Última representación en el Gran Teatre del Liceu: 30 julio 2012 Número total de representaciones: 454 TEMPORADA 1876-1877 Número de representaciones: 21 Número histórico: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21. Fechas: 25 febrero / 3, 4, 7, 10, 15, 18, 19, 22, 25 marzo / 1, 2, 5, 10, 13, 18, 22, 27 abril / 2, 10, 15 mayo 1877. Il re: Pietro Milesi Amneris: Rosa Vercolini-Tay Aida: Carolina de Cepeda (febrero, marzo) Teresina Singer (abril, mayo) Radamès: Francesco Tamagno Ramfis: Francesc Uetam (febrero y 3, 4, 7, 10, 15 marzo) Agustí Rodas (a partir del 18 de marzo) Amonasro: Jules Roudil Un messaggiero: Argimiro Bertocchi Director: Eusebi Dalmau TEMPORADA 1877-1878 Número de representaciones: 15 Número histórico: 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36. Fechas: 29 diciembre 1877 / 1, 3, 6, 10, 13, 23, 25, 27, 31 enero / 2, 20, 24 febrero / 6, 25 marzo 1878. Il re: Raffaele D’Ottavi Amneris: Rosa Vercolini-Tay Aida: Adele Bianchi-Montaldo Radamès: Carlo Bulterini Ramfis: Antoine Vidal Amonasro: Jules Roudil Un messaggiero: Antoni Majjà Director: Eusebi Dalmau 1 7-IV-1878 Cancelación de ”Aida” por indisposición de Carlo Bulterini.
    [Show full text]
  • Comunicato Stampa
    COMUNICATO STAMPA Otello, omaggio a Giuseppe Verdi nel bicentenario della nascita, inaugura la Stagione lirica e di balletto 2013 Giovedì 2 maggio alle 20.30 si alza il sipario sulla Stagione lirica e di balletto 2013 del Teatro Lirico di Cagliari. Una stagione sempre molto attesa dal pubblico che, anche per quest’anno, segna la rinascita e la voglia di proseguire nella diffusione musicale del Teatro Lirico di Cagliari. Sei opere liriche ed un balletto, una produzione in più rispetto all’anno scorso, tutti titoli di grande interesse che, certamente, troveranno il gradimento del pubblico, sia per quelli noti che per quelli ricercati: Otello, Macbeth, L’amico Fritz, I Shardana, Così fan tutte, Pagliacci, Red Giselle. L’inaugurazione è affidata al doveroso omaggio, in occasione del bicentenario della nascita, a Giuseppe Verdi (Roncole di Busseto, Parma, 1813 - Milano, 1901), massimo operista italiano: Otello, dramma lirico in quattro atti, su libretto di Arrigo Boito, dalla tragedia omonima di William Shakespeare, e musica, appunto, di Verdi, va in scena per sei rappresentazioni, dal 2 al 10 maggio, per il XIII Festival di Sant’Efisio del Teatro Lirico di Cagliari. Lo spettacolo inaugurale, un stimolante allestimento dello scorso gennaio della Fondazione Lirico Sinfonica Petruzzelli e Teatri di Bari, conta dell’eccezionale regia di Eimuntas Nekrosius, geniale artista lituano, celebre in tutto il mondo dello spettacolo per aver curato importanti allestimenti teatrali e che ritorna a Cagliari dopo l’allestimento di La leggenda della città invisibile di Kitež e della fanciulla Fevronija di Nikolaj Rimskij-Korsakov che inaugurò la Stagione lirica e di balletto 2008, delle scene di Marius Nekrosius, dei costumi di Nadežda Gultiajeva e delle luci di Audrius Jankauskas che sfruttano tutte le potenzialità drammaturgiche dell’opera con pochi elementi scenici e colori assemblati con grande pulizia ed eleganza, oltre a movimenti essenziali, in un gioco di rimandi simbolici.
    [Show full text]
  • Michael Schade at a Special Release of His New Hyperion Recording “Of Ladies and Love...”
    th La Scena Musicale cene English Canada Special Edition September - October 2002 Issue 01 Classical Music & Jazz Season Previews & Calendar Southern Ontario & Western Canada MichaelPerpetual Schade Motion Canada Post Publications Mail Sales Agreement n˚. 40025257 FREE TMS 1-01/colorpages 9/3/02 4:16 PM Page 2 Meet Michael Schade At a Special Release of his new Hyperion recording “Of ladies and love...” Thursday Sept.26 At L’Atelier Grigorian Toronto 70 Yorkville Ave. 5:30 - 7:30 pm Saturday Sept. 28 At L’Atelier Grigorian Oakville 210 Lakeshore Rd.E. 1:00 - 3:00 pm The World’s Finest Classical & Jazz Music Emporium L’Atelier Grigorian g Yorkville Avenue, U of T Bookstore, & Oakville GLENN GOULD A State of Wonder- The Complete Goldberg Variations (S3K 87703) The Goldberg Variations are Glenn Gould’s signature work. He recorded two versions of Bach’s great composition—once in 1955 and again in 1981. It is a testament to Gould’s genius that he could record the same piece of music twice—so differently, yet each version brilliant in its own way. Glenn Gould— A State Of Wonder brings together both of Gould’s legendary performances of The Goldberg Variations for the first time in a deluxe, digitally remastered, 3-CD set. Sony Classical celebrates the 70th anniversary of Glenn Gould's birth with a collection of limited edition CDs. This beautifully packaged collection contains the cornerstones of Gould’s career that marked him as a genius of our time. A supreme intrepreter of Bach, these recordings are an essential addition to every music collection.
    [Show full text]
  • Naxcat2005 ABRIDGED VERSION
    CONTENTS Foreword by Klaus Heymann . 4 Alphabetical List of Works by Composer . 6 Collections . 88 Alphorn 88 Easy Listening 102 Operetta 114 American Classics 88 Flute 106 Orchestral 114 American Jewish Music 88 Funeral Music 106 Organ 117 Ballet 88 Glass Harmonica 106 Piano 118 Baroque 88 Guitar 106 Russian 120 Bassoon 90 Gypsy 109 Samplers 120 Best Of series 90 Harp 109 Saxophone 121 British Music 92 Harpsichord 109 Trombone 121 Cello 92 Horn 109 Tr umpet 121 Chamber Music 93 Light Classics 109 Viennese 122 Chill With 93 Lute 110 Violin 122 Christmas 94 Music for Meditation 110 Vocal and Choral 123 Cinema Classics 96 Oboe 111 Wedding 125 Clarinet 99 Ondes Martenot 111 White Box 125 Early Music 100 Operatic 111 Wind 126 Naxos Jazz . 126 Naxos World . 127 Naxos Educational . 127 Naxos Super Audio CD . 128 Naxos DVD Audio . 129 Naxos DVD . 129 List of Naxos Distributors . 130 Naxos Website: www.naxos.com NaxCat2005 ABRIDGED VERSION2 23/12/2004, 11:54am Symbols used in this catalogue # New release not listed in 2004 Catalogue $ Recording scheduled to be released before 31 March, 2005 † Please note that not all titles are available in all territories. Check with your local distributor for availability. 2 Also available on Mini-Disc (MD)(7.XXXXXX) Reviews and Ratings Over the years, Naxos recordings have received outstanding critical acclaim in virtually every specialized and general-interest publication around the world. In this catalogue we are only listing ratings which summarize a more detailed review in a single number or a single rating. Our recordings receive favourable reviews in many other publications which, however, do not use a simple, easy to understand rating system.
    [Show full text]
  • Progress in Karabagh Talks
    JUNE 18, 2011 MirTHE rARoMENr IAN -Spe ctator Volume LXXXI, NO. 49, Issue 4193 $ 2.00 NEWS IN BRIEF The First English Language Armenian Weekly in the United States Mirror-Spectator Progress in Karabagh Talks Annual Vacation WATERTOWN — The Armenian Mirror-Spectator will close for a two-week break in July, as part of its YEREVAN (RFE/RL) — Foreign Minister traditional summer holiday. Eduard Nalbandian on Tuesday confirmed The last issue before the break will be that of July that Armenia and Azerbaijan could soon 2; the first issue back will be that of July 23. reach a framework agreement on Nagorno- Press releases on events between July 2 and 23 Karabagh but cautioned that it would have should be submitted as early as possible for inclu - to be approved by the disputed territory’s sion in issues prior to the break. ethnic Armenian leadership. The office will reopen on July 18. Nalbandian stood by statements made by official Yerevan and Baku on his weekend Aivazovsky Seascape talks in Moscow with his Azerbaijani coun - terpart, Elmar Mammadyarov. Returned to Armenia Russia’s Foreign Minister Sergei Lavrov hosted the talks in preparation for the next MOSCOW (Moscow Times) — A painting by the Armenian-Azerbaijani summit due to be held 19th-century Russian-Armenian painter Ivan in the Russian city of Kazan later this month. Aivazovsky is back in Armenia, 21 years after being “You know that the [Armenian] Foreign stolen. It is now part of the collection of the Ministry circulated a statement on the tri - National Gallery in Yerevan. lateral ministerial meeting in Moscow say - A Russian senator of Armenian descent, Oganes ing that the parties managed to bring their Oganian, withdrew it from a Moscow auction and positions closer to each other on a number sent it to Yerevan after being informed it was of pivotal issues,” Nalbandian told journal - stolen.
    [Show full text]
  • Armenian Orchestral Music Tigran Arakelyan a Dissertation Submitted
    Armenian Orchestral Music Tigran Arakelyan A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2016 Reading Committee: David Alexander Rahbee, Chair JoAnn Taricani Timothy Salzman Program Authorized to Offer Degree: School of Music ©Copyright 2016 Tigran Arakelyan University of Washington Abstract Armenian Orchestral Music Tigran Arakelyan Chair of the Supervisory Committee: Dr. David Alexander Rahbee School of Music The goal of this dissertation is to make available all relevant information about orchestral music by Armenian composers—including composers of Armenian descent—as well as the history pertaining to these composers and their works. This dissertation will serve as a unifying element in bringing the Armenians in the diaspora and in the homeland together through the power of music. The information collected for each piece includes instrumentation, duration, publisher information, and other details. This research will be beneficial for music students, conductors, orchestra managers, festival organizers, cultural event planning and those studying the influences of Armenian folk music in orchestral writing. It is especially intended to be useful in searching for music by Armenian composers for thematic and cultural programing, as it should aid in the acquisition of parts from publishers. In the early part of the 20th century, Armenian people were oppressed by the Ottoman government and a mass genocide against Armenians occurred. Many Armenians fled
    [Show full text]
  • Affirming Genocide Knowledge Through Rituals
    6 Affirming Genocide Knowledge through Rituals Parts I and II of this book examined the emergence of repertoires of knowledge regarding the Armenian genocide through social interaction, objectified thought processes, bearing witness, and the involvement of knowledge entrepreneurs. We saw how knowledge generated through these processes took radically different shapes as it became sedimented within each of two distinct carrier groups, Arme- nians and Turks. Oppositional worldviews and associated knowledge reper toires are not unique to this case, of course. We find them, for example, when those who recognize the role of human action in global warming encounter others who see a Chinese conspiracy at work, aimed at harming the U.S. economy. Or again, when those who know that liberal or social democracy will secure a prosperous and secure future disagree with followers of populist authoritarian leaders and parties. The question arises of how each collectivity deals with the challenges posed by the other side. Now, in part III, we encounter two strategies commonly deployed in struggles over knowledge. While chapters 7 and 8 address conflictual engagement with the opposing side in the realms of politics and law, and chapter 9 explores counterpro- ductive effects of denial in an age of human rights hegemony, the present chapter examines the use of elaborate public rituals toward the reaffirmation of genocide knowledge within each of the contending collectivities. We owe early social-scientific insights into the role of rituals in social life to Émile Durkheim. In his book The Elementary Forms of Religious Life, Durkheim ([1912] 2001) tells us about the ability of rituals to sanctify objects and charge sym- bols that represent them with a special energy.
    [Show full text]
  • Atti Parlamentari
    Camera dei Deputati - 785 - Senato della Repubblica XVII LEGISLATURA — DISEGNI DI LEGGE E RELAZIONI — DOCUMENTI — DOC. XV N. 182 VOL. III BILANCIO CONSUNTIVO 2011 Francesca da Rimini: Hasmik Papian/Patrizia Ordarii. Samaritana: Louise CaUinan. Ostasio: Giovanni Guagliardo. Giovanni lo sciancato, detto lo Gianciotto: Giorgio Surian/Yasuo Horiuchi. Paolo il Bello: Carlo Barricelli/Marcello Giordani. Malatestino dall'Occhio: Gianluca Sorrentino/Pablo Karaman. Biancofiore: Carla Di Interpreti principali Censo. Garsenda: Erika Pagan. Altichiara: Annika Kaschenz. Adonella: Milena Josipovic. Smaragdi: Elena Traversi/Francesca Franci. SerToldo Berardengo: Mario Bolognesi. Il giullare: Manrico Signorini. Il balestriere: Alessandro De Angelis. Il torrigiano: Andrea Vincenzo Bonsignore. Un prigioniero: Francesco Cortese/Roberto Miani. O rchestra della Fondazione Coro della Fondazione Titolo LUCIA DI LAMMERMOOR Dramma tragico in due parti e tre atti di Salvatore Cammarano, dal romano The Bride of Lammermoor di Walter Scott. Nuovo allestirnento della Fondazione Teatro Lirico Giuseppe Verdi di Trieste. Numero esecuzioni 8 Borderò intestato alla Fondazione Presenze paganti 7.009 Incasso netto 223.898,08 Date/luoghi di esecuzione 10-11-12-14-15-16-17-18/06/2011 presso il Teatro Lirico Giuseppe Verdi T rieste Numero esecuzioni 1 Borderò intestato alla Fondazione Presenze paganti 330 Incasso netto 1.501,50 Date/luoghi di esecuzione 05/11 /2011 presso il Teatro Comunale Giuseppe Verdi - Pordenone Numero esecuzioni 1 Borderò intestato a terzi Presenze paganti
    [Show full text]
  • Rossini En La Bastilla
    Mundoclasico.com viernes, 28 de marzo de 2003 FRANCIA Rossini en La Bastilla JORGE BINAGHI Ambiguo título. Adrede. Cuando las cosas van mal, --- encontrarse de pronto en el sitio que ocupó la Bastilla París, domingo, convertido en teatro de ópera, ballet y concierto hace 23 de marzo de confiar en que pese a los retrocesos que nos toque padecer 2003. Opéra de el mundo irá a más, no a menos. Que después del silencio Paris, Bastille. Guillaume Tell comenzado en 1932, justo ahora se estrene una nueva (París, sala Le producción de la última ópera de Rossini, esa tan “rara”, Peletier, 3 de agosto de 1829), libreto de V-E. de Jouy y tan “distinta”, tan “monumental”, tan “terrible”, tan llena H.Bis, música de G. Rossini. Escenografía: de futuro sin dejar de echar una mirada para nada Peter Davisont. Vestuario: M-J. Lecca. despectiva al pasado, parece confirmar la hipótesis. Pese a Coreografía: Blanca Li. Puesta en escena: Francesca Zambello. Intérpretes: Thomas las pocas ocasiones (siempre serán pocas), he tenido la Hampson (Tell), Marcello Giordani suerte de ver con relativa frecuencia el Tell, y en alguna (Arnold), Hasmik Papian (Mathilde), Wojtek Smilek (Walter), Alain Vernhes ocasión hasta mejor -en conjunto- que aquí. Pero así como (Melcthal), Toby Spence (el pescador), Nabucco en la Scala o Don Giovanni en Praga, aunque no Gaëlle Le Roi (Jemmy), Nora Gubisch hayan sido para nada los mejores, me hicieron participar (Hedwige), Jeffrey Walker (Gesler), Janez Lotric (Rodolphe) y otros. Orquesta y coro de una atmósfera que no se da en ninguna otra parte (en el de la Opera de Paris (maestro de coro: caso de la ópera de Verdi es electrizante de conmovedor), Peter Burian).Dirección de orquesta: Bruno me sorprendí a mí mismo emocionándome de un modo Campanella.
    [Show full text]
  • Giampaolo Bisanti
    Giampaolo Bisanti - Nato a Milano, compie i suoi studi musicali al Conservatorio di Musica “Giuseppe Verdi” della sua città, diplomandosi con il massimo dei voti nel 1997. Nel 1998 è vincitore dello stage per direttori d’orchestra tenuto da Donato Renzetti presso i Pomeriggi Musicali di Milano. Ha debuttato 32 titoli operistici e diretto più di 300 concerti sinfonici, tra cui anche numerose partiture d’avanguardia. Risulta vincitore di numerosi concorsi internazionali, tra cui spicca il prestigioso Concorso Internazionale “Dimitri Mitropoulos” di Atene. Dopo numerose esperienze in realtà minori e sempre suscitando grande interesse per la sua sensibilità artistica, dalla stagione 2006-2007 comincia la sua grande carriera internazionale. Nella stagione 2005-2006 arrivano ampi consensi con diversi debutti: partecipa alla versione integrale di Il Trittico di Puccini all’Auditorium di Milano; con l’Orchestra ed il Coro “Giuseppe Verdi” di Milano dirige, in prima esecuzione assoluta, L’Aumento di Luciano Chailly, trasmessa in diretta da Radio-Rai; La Bohème a Tel Aviv alla guida della Israel Philharmonic Orchestra che, al termine dell’esecuzione, gli ha tributato un caloroso riconoscimento. Successivamente è avvenuto il suo debutto americano a San Francisco, accompagnato da critiche positive, alla guida della Monterey Symphony Orchestra. Il suo 2007 è proseguito con numerosi successi in tutti i principali teatri italiani: Otello di Verdi all’Alighieri di Ravenna, al Goldoni di Livorno, al Sociale di Trento ed all’Opera Giocosa di Savona; Don Giovanni a Bassano del Grappa ed al Verdi di Padova; Rigoletto al Verdi di Salerno. Numerosi i debutti nella stagione 2008: grande successo ha riscosso Orpheè et Eurydice di Gluck al Teatro Comunale di Bologna con la partecipazione dei fratelli Alagna che ne hanno curato revisione, regia, costumi e scene per la realizzazione di un dvd con la Bel Air Classiques; è seguito il successo di pubblico e critica per Macbeth di Verdi nei teatri di Trento, Rovigo e Pisa con Alberto Gazale e Dimitra Theodossiou.
    [Show full text]
  • VINCENZO BELLINI Dyrektor Naczelny Tomasz Bęben Dyrektor Artystyczny Paweł Przytocki Chórmistrz, Szef Chóru Dawid Ber
    NORMA VINCENZO BELLINI dyrektor naczelny Tomasz Bęben dyrektor artystyczny Paweł Przytocki chórmistrz, szef chóru Dawid Ber dyrektor generalny Peter Gelb honorowy dyrektor muzyczny James Levine dyrektor muzyczny Yannick Nézet-Séguin główny dyrygent Fabio Luisi 2. Sondra Radvanovsky jako Norma. Fot. Ken Howard/Metropolitan Opera Prapremiera w Teatro alla Scala w Mediolanie – 26 grudnia 1831 roku Premiera niniejszej inscenizacji w The Metropolitan Opera w Nowym Jorku – 25 września 2017 roku Transmisja z The Metropolitan Opera w Nowym Jorku – 7 października 2017 roku Przedstawienie w języku włoskim z napisami w języku polskim Vincenzo Bellini Norma 3. NORMA OPERA SERIA W DWÓCH AKTACH LIBRETTO: FELICE ROMANI WG ALEKSANDRA SOUNETA OSOBY kapłanka Norma sopran Adalgiza mezzosopran rzymski wódz Pollione tenor kapłan Orowist bas REALIZATORZY reżyseria Sir David McVicar scenografia Robert Jones kostiumy Moritz Junge światło Paule Constable OBSADA Sondra Radvanovsky Norma Joyce DiDonato Adalgiza Joseph Calleja Pollione Matthew Rose Orowist soliści, chór, orkiestra The Metropolitan Opera dyrygent Carlo Rizzi AKCJA ROZGRYWA SIĘ W GALII W 50 R. P.N.E. 4. CARLO RIZZI DYRYGENT Urodzony w 1960 r. w Mediolanie. Dyrygentu- w Hong Kongu i in. W latach 1992-2001 oraz rę studiował u Vladimira Delmana w Bolonii 2004-2008 był dyrektorem Narodowej Opery oraz u Franca Ferrary w Sienie. Zadebiutował Walijskiej. Wśród wielu nagrań Rizziego znajdują w 1982 r. operą G. Donizettiego Opiekun w opa- się Káťa Kabanová L. Janáčka oraz La Traviata łach. Trzy lata później zwyciężył w Konkursie G. Verdiego, zarejestrowana na żywo w czasie Kompozytorskim im. A. Toscaniniego w Parmie. festiwalu w Salzburgu. W The Metropolitan Jego brytyjski debiut miał miejsce w 1988 r.
    [Show full text]
  • Other Minds 20 Festival of New Music March 6, 7And 8, 2015 SFJAZZ Center 201 Franklin Street (At Fell) San Francisco, CA 94102
    For Immediate Release October 2014 Further Info: Blaine Todd Director of Communications (415) 934-8134 ext. 301 office (760) 712-8041 mobile Other Minds 20 Festival of New Music March 6, 7and 8, 2015 SFJAZZ Center 201 Franklin Street (at Fell) San Francisco, CA 94102 Other Minds to Celebrate 20th Anniversary Festival with Unprecedented Retrospective Cast U.S. Premiere of Michael Nyman Symphony No. 2 World Premiere of Pauline Oliveros’ Twins Peeking at Koto Tributes to Australian Composer Peter Sculthorpe and American Maverick Lou Harrison Centennial Commemoration of Armenian Genocide Other Minds (OM) in San Francisco announces its 20th anniversary festival of avant- garde music, taking place in San Francisco on Friday March 6th, 7th and 8th, 2015 at the historically distinguished SFJAZZ Center. This annual event is presented in cooperation with the Djerassi Resident Artists Program. For 20 years Other Minds has searched the world over for the most unconventional and inspiring composers of our time. This March, the Other Minds Festival celebrates its 20th edition, and to mark this occasion, for the first time in its history, will present a retrospective cast from festivals past. Among the many highlights this year are the U.S. premiere of Michael Nyman's Symphony No. 2, featuring the San Francisco School of the Arts Youth Orchestra (SOTA) and accompanied by historical clips from Mexican cinema of the 20th Century; the world-premiere performance of Pauline Oliveros' Twins Peeking at Koto, featuring Oliveros and Norwegian accordion virtuoso Frode Haltli and recent Doris Duke Award recipient Miya Masaoka on koto; Masaoka presents her own world premiere, String Quartet No.
    [Show full text]