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1998-05 Oglebay Institute Spring FDC Syllabus.Pdf

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1998-05 Oglebay Institute Spring FDC Syllabus.Pdf Oglebay Institute's Folk Dance Camps ~~~'@'@'@ • Wheeling, West Virginia Spring Camp, May 22-25, 1998 '@~@~~~ Instructors: Don Annstrong & Roo Lester SPRING FOLK DANCE CAMP Roster Camp Russel Wheeling, West Virginia Oglebay Park May 22 - 25, 1998 INSTRUCTORS Don Armstrong, P.O. Box 99, Macks Creek, MO 65786 7 '3 Roo Lester, 342 Sheridan Drive #2A, Willowbrook, IL 60514- Harry J. Khamis, 535 Greene Tree Place, Fairborn, OH 45324~ OGLEBA Y INSTITUTE FOLK DANCE COMMITTEE A. Lloyd & Shirley Carnahan Laura & Melissa Carnahan R.D. #2, Box 29, Stone Church Road, Wheeling, WV 26003 Fred Wade, Co-Chairman, R.D. #1, Box 416, Wellsburg, WV 26070 Vince Baker, 386 Clearview Avenue, Wheeling, WV 26003 Helen Cindrich, P. 0. Box 118, Neffs, OH 43940 Audrey Ciripompa, 71 Brentwood Avenue, Wheeling, WV 26003 James Denham, 66479 Kirkwood Heights Road, Bellaire, OH 43906 Hazel Ellison, R.D. #2, Box 77, Triadelphia, WV 26059 Ann & Paul Forshey, 1810 National Road #B2-207, Wheeling, WV 26003 Beverly Fox, 55991 W. Second Street, Bridgeport, OH 43912 Janet & Charles Kalo, 4411 Wetzel Street, Wheeling, WV 26003 Ethyl Kloss, 116 Commodore Lane Apt. 9, Barnesville, OH 43713 Nicki Melissinas, 1902 Center Street, Moundsville, WV 26041 Betty Parker, 794 Mozart Road, Wheeling, WV 26003 Diane Rock, 136 Meadow Lane, Wheeling, WV 26003 Patty Sampson, 1810 National Road #B1-104, Wheeling, WV 26003 Jane Sneddon, 47 Alice Avenue, Wheeling, WV 26003 Ingrid Timmin, 137 South Park Street, Wheeling, WV 26003 Mary Tocash, 327 Main Street, Tiltonsville, OH 43963 Bob & Kathy Tomlinson, 71628 Treadway Road, Martins Ferry, OH 43935 Tess Vaglienti, 64602 Patterson Hill Road, Bellaire, OH 43906 Dolores Williams, 1810 National Road #B1-103, Wheeling, WV Janice Whipkey, 2520 Cadillac Avenue, Wheeling, WV 26003 OGLEBA Y INSTITUTE STAFF Stifel Fine Arts Center, 1330 National Road, Wheeling, WV 26003 Phone (304) 242-7700 Kate Crosbie, Director Phil Maxwell, Craft Specialist VIDEOTAPING Videotaping is permitted during the review sessions only at the discretion of the instructor. Anyone choosing to tape one of the review sessions must make arrangements with the instructor. The instructor has the right to govern individual use of these tapes. OGLEBA Y INSTITUTE FOLK DANCE MEMORIAL SCHOLARSHIP FUND Contributions for the maintenance of this scholarship fund are greatly appreciated and are all tax deductible. Donations to the Fund should be made payable to Oglebay Institute. Oglebay Institute Spring Folk Dance Camp Instructors: Roo Lester, Wheeling, West Virginia, May 22-25, 1998 Don Armstrong CAMPERS Allen, John 1530 Green Valley Drive, Ashland, KY 41102 Bailey, Mary Lea 2859 West SR 37, Delaware, OH 43015 Brazelton, Linda 4567 Wildwood Loop, Clarkson, MI 48348 * Caruso, Hank & Dorothy, 7245 Grant Blvd., Middleburg Heights, OH 44130-5350 ~ffey, Don & Sylvia * Davidson, Geraldine 658 E. 13th Street, Erie, PA 16503 Fassnacht, Pollyann 885 Florida Ave., Akron, OH 44314* Fehr, Gina 3576 Leona Ave., Shadyside, OH 43947 Fluke, Mary 243 Second Ave., SW Carrollton, OH 44615 Foster, Robert 3432 Audubon Avenue, Detroit, MI 48224* Garlow, Coretta & Ry Rt. 1, Box 146A, Maidsville, WV 26541 Graham, Robert 5082 Cheltenham Blvd., Lyndhurst, OH 44124 Khamis, Harry 535 Greentree Place, Fairborn, OH 45324 Morgan, John 53650 Belmont Ridge, Beallsville, OH 43716 Peterson, Beth 4163 Klein Ave., Stow, OH 44224 Ranhart, Kathy & David 70064 Colerain Pike, Martins Ferry, OH 43935 Rybeck, Blanche Rt. 1, Box 146A, Maidsville, WV 26541 Sallee, Deborah 3701 Circle Bkvd., lt?-dianapolis, IN 46220 ·- tf'- s­ . Schockey, Juanita 14533 Maidstone Rd., Orlando, FL 32826 ~Spears, Karen 10180 Halsey Road, Grand Blanc, MI 48439 * Tanabe, T.Y.. & Betty 101 Oakmont Rd., State College, PA 16801 Troll, Bill 50190 S. Rustic Dr. #71B, St. Clairsville, OH 43950 * Vidmar, Cecilia 4075 Monticello #201A, Cleveland Hts., OH 44121 Webb, Donald 17606 Archdale Ave., Lakewood, OH 44107 * Attending on scholarship. 1 Campers list complete as of May 12, 1998. Oglebay Institute Spring Folk Dance Camp Instructors: Roo Lester, Wheeling, West Virginia, May 22-25, 1998 Don Armstrong TABLE OF CONTENTS Dances presented by Roo Lester Dances presented by Don Armstrong Scandinavian The Super Corsair -------. Polksa fran Arnot ~oodFriday (f[;~t~.7 ~~Attetur :_La Ask~~ Boxwood Billy ~~~~ / Barnere1nlender ~ecket 0' Blood Boston Waltz VGtcties Revenge 7 ·Gammalkilspolska -spitfire Swing Rambo fran Tyringe --Elizabeth (Waltz) Rambo Fred's Folly Kumletro /Don Tremaine's Reel ...-Mona's Festvals El Paso Pols fra Fosen 1/Kittyhawk Hornpipe Reinlender fra Fosen vBalance in the Barn ,.,Reinlender Mixer· ~ay for Heather Roros Ringlender - Melody and Motion Rundslangarn 11../tJ n wind the Clock Sex Change Schottis Heart of the Rockies Telegangar Bitter Creek Vi Skal Danse vThe Heathfield Rag -­ v~sser£!1 Mountain Ranger A Girl's Best Friend Harga Legend Hurricane Hornpipe Newbury Park International Jennifer's Dance "'1/Baztan Dantza Oakley's Pizza Delight Kolo Najstarje The Travel Air Triple La Demiere Danse /A Waltz for Terry Oglebay Institute Spring Folk Dance Camp Instructors: Roo Lester, Wheeling, West Virginia, May 22-25, 1998 Don Armstrong May 1998 Dear Participants at Oglebay Institute Folk Dance Camp: Many people think of Scandinavian turning dances as the best thing this side of heaven. Some find the music to be lyrical and flowing. Others find it full of drive and passion. Now you will have the chance to decide for yourselves. Included in this syllabus is a collection of dance "descriptions". Most likely there are more dances listed than we will have the time to dance. Hopefully the variety of dances to be presented suggests the extraordinary richness of the dance in Scandinavia. All of the dances incorporate turning of some sort Key themes of our classes will include developing balance both alone and as part of a dancing couple, and learning techniques for leading and following. We will expand our capacity for turning while learning skills for turning while dancing. The skills used for these dances are fun and often thought of as quite different from those used for other dances. The challenge of learning and dancing couple turning dances is, in my opinion, well worth the effort. I assume that everyone knows that the dance descriptions are intended as reminders of the dance experiences we have in class and on the dance floor. Please add notes to the descriptions that will help you to remember the dances. If you have any questions, please do not hesitate to ask. I will do my best to answer or help you. One may order Scandinavian recordings and music books from: Norsk Ltd., c/o Jofrid Sodal, 770 Linden Avenue, Boulder, Colorado_80304, (303) 442-6452, /~~---~~-- [email protected] ( http:/I ares.csd.net/,...,sodaling "', '---~ I look forward to meeting you all, and if possible, dancing With each every one of you. Please help me with this! I am thrilled to have the opportunity to share with you some of my favorite dances. I do hope that you will enjoy them and have many more opportunities to dance Scandinavian dances. Beste~·en, I ~ , · Roo ster 1998 Oglebay Institute Spring Folk Dance Camp Instructors: Roo Lester, Wheeling, West Virginia, May 22-25, 1998 Don Armstrong Polskvariant fran Arnot Gastrikland, Sweden Music: 3/4, 16th note polska Bengt Jonsson tapes (Jonssonlinjen) RC 206 (pink) RC 216 (green) music after Rimsen and Jarnberg Formation: Couples dance CCW = LOD around the room. Dance holds: 1. Waltz position.( open and closed). Open waltz position is ballroom position with the palms clasped and the couple facing the dance direction. 2. Woman's R hand in man's L hand. 3. Polska hold: Man's R hand on the Woman's L side of the. upper back. Man's L arm is bent at the elbow to make a right angle and holds the Woman's upper R arm. Woman's L hand rests on the Man's R shoulder. Woman's R arm is bent at the elbow to make a right angle and her hand comes from below and up to hold on the Man's upper L arm, keeping her elbow in contact with the man's fore arm. Steps: For both forsteg/introductory or resting step and polska/one measure CW turning one steps only on counts 1 and 3. In the forsteg dance forward in LOD. For the polska, make one full CW turn in each measure stepping on counts 1 and 3 only, turning on the soles/balls of your feet to make the tum smoothly. Man: 1. L, 2. continue transferring weight, 3. R. Woman: 1. R, 2. continue transferring weight, 3. L. Dance sequence: 1. Dance forward with forsteg, use open waltz position. 2. Man turns the woman one full CW tum in each measure under his raised L arm while holding the woman's R hand. 3. Polska: Couple makes one full CW tum in each measure dancing face to face in closed position, use either closed waltz position or polska hold. Notes: 1. Man may emphasize the start of turn under, (sequence 2) and polska tum (sequence 3) by marking or emphasizing L step, on count 1 of the measure. 2. Note that the signal for the woman to begin either sequence 2 or 3 comes from a lead through the arms from the man to the woman before the emphasized step mentioned above. 3. The tum in the polska is accomplished by pivoting on the soles/balls of the feet between the steps. 4. There is no set number of measures for any part of the dance. However, one should use the phrasing of the music for changes. Character: Smooth, gliding, or flowing throughout the dance. Roo Lester Polska fran Arnot May 1998 Oglebay Institute Spring Folk Dance Camp Instructors: Roo Lester, Wheeling, West Virginia, May 22-25, 1998 Don Armstrong Attetur fra Asker Norway Attetur fra Asker is a figure dance in waltz rhythm.
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