Cascadia Weekly

Total Page:16

File Type:pdf, Size:1020Kb

Cascadia Weekly THE GRISTLE, P.8 * RUMOR HAS IT, P.20 * ADVICE GODDESS, P.30 cascadia REPORTING FROM THE HEART OF CASCADIA WHATCOM*SKAGIT*ISLAND*LOWER B.C. 11.y.11 :: #44, v.06 :: !- SMAILBAG: VETTING VOTES ONE LETTER AT A TIME, P.6 }} LANGUAGE ARTS: LESLEY DILL’S WORDY, WONDERFUL VISIONS, P.18 FAMOUS FOOTSTEPS: SOUTHERN-FRIED SOUNDS AT THE BUFF, P.20 34 34 cascadia FOOD 27 Enjoy all things apple at the annual $ -! ./ happening B-BOARD A glance at what’s happening this week Nov. 5-6 at the plentiful orchards of Lynden’s BelleWood Acres 24 FILM FILM 2 ) .4[11.y.11] 20 MUSIC MUSIC Bob Milne: 7pm, Spark Museum of Electrical Invention 18 COMMUNITY ART ART Green Drinks: 5-7pm, Backcountry Essentials 16 /#0-.4[11.z.11] STAGE STAGE ON STAGE Good, Bad, Ugly: 8pm, Upfront Theatre The Project: 10pm, Upfront Theatre 14 MUSIC Seattle Opera Program: 7:30pm, Performing GET OUT Arts Center, WWU 12 COMMUNITY Business Career Fair: 11am3-pm, Wade King Student Rec Center, WWU WORDS GET OUT 10 Safari Experience Travel Talk: 7pm, Whatcom Museum The modern movers of Bellingham Repertory Dance present their annual show, “Construct,” Nov. 4-16 and 11- CURRENTS CURRENTS !-$4[11.{.11] 8 13 at the Firehouse Performing Arts Center ON STAGE Adamms Family Mystery: 7:30pm, RiverBelle VIEWS VIEWS Dinner Theatre, Mount Vernon Doubles: 8pm, Upfront Theatre 4 Vaudeville Exposed: 8pm, Lincoln Theatre, MAIL MAIL Mount Vernon Uncommon Threads: 11am-7pm, Greenbank Farm, MUSIC lowship Triples:10pm, Upfront Theatre Whidbey Island Uptown Lowdown: 2-5pm, VFW Hall Homemade Memories Craft Fair: 9:30am-4:30pm, 2 Jack Gunter, Guy Anderson Opening: 6-8pm, Bellingham Ukulele Group: 3-5pm, Squalicum Bloedel Donovan DANCE Lucia Douglas Gallery Yacht Club Ann Morris Open House: 10am-5pm, Sculpture DO IT IT DO Bellingham Repertory Dance: 7:30pm, Fire- Gallery Walk: 6-9pm, downtown Anacortes Valley Voices: 7pm, United Methodist Church, Woods, Lummi Island DO IT 2 house Performing Arts Center Art Walk: 6-10pm, downtown Bellingham Lynden John Feodorov Talk: 4pm, Anchor Art Space, Dance Cabaret: 8pm, Performing Arts Center, The Daily Flash: 8pm, Lincoln Theatre, Mount Anacortes .11 WWU Vernon Gregg Laananen, David Eisenhour Reception: 02 ./0-4[11.|.11] 5-8pm, Smith & Vallee Gallery, Edison MUSIC COMMUNITY Pat Spark Presentation: 7pm, Whatcom Museum Led Zeppelin II: 8pm, Mount Baker Theatre ON STAGE Bellingham Farmers Market: 10am-3pm, Chestnut Anne Schreivogl Reception: 5-9pm, Gallery Cyg- .06 11. The Music Man: 7:30pm, McIntyre Hall, Mount Street and Railroad Avenue nus, La Conner 44 # COMMUNITY Vernon Scandinavian Fair: 10am-4pm, Hampton Inn’s Fox Uncommon Threads: 10am-5pm, Greenbank Farm, Kulshan Land Trust Celebration: 6-9pm, Adamms Family Mystery: 7:30pm, RiverBelle Din- Hall Whidbey Island Leopold Crystal Ballroom ner Theatre, Mount Vernon Wonders of Whatcom: 1:30pm, Bellingham Public Doubles: 8pm, Upfront Theatre Library GET OUT Serial Killers: 8pm and 10pm, iDiOM Theater .0)4[11.}.11] Gore and Lore Tour: 7pm, downtown Bell- Triples: 10pm, Upfront Theatre GET OUT ingham Turkey Trot: 9:30am, Bender Fields, Lynden ON STAGE DANCE Gore and Lore Tour: 7pm, downtown Bellingham The Music Man: 2pm, McIntyre Hall, Mount Vernon CASCADIA WEEKLY FOOD Bellingham Repertory Dance: 7:30pm, Firehouse Popovich Comedy Pet Theatre: 3pm and 7pm, Prep Your Palate: 11:30am-2:30pm, Fairhaven Performing Arts Center FOOD Mount Baker Theatre 2 Originals Gallery Folk Dance Party: 7:30-10:30pm, Fairhaven Library CiderFest: 10am-6pm, BelleWood Acres, Lynden Spaghetti Feed: 5:30pm, Blaine Senior Center Bayshore Symphony: 7:30pm, St. Paul’s Episcopal Barrel Tasting: 12-6pm, Vartanyan Estate Winery DANCE Church, Mount Vernon Bellingham Repertory Dance: 2pm, Firehouse VISUAL ARTS Dance Cabaret: 8pm, Performing Arts Center, WWU VISUAL ARTS Performing Arts Center Art’s Alive: Through Sunday, La Conner Winter Fest: 9am-3pm, Bellingham Unitarian Fel- MUSIC Bob Nelson: 2pm, Nancy’s Farm Bayshore Symphony: 3pm, Central Lutheran 34 Church FOOD GET OUT Padden Mudfest: 10am, Lake Padden Park 27 FOOD Community Breakfast: 8am-1pm, Rome Grange CiderFest: 10am-6pm, BelleWood Acres, Lynden B-BOARD Autumn Beer Dinner: 5:30pm, Chuckanut Brewery Grape and Gourmet: 5:30-8:30pm, Lakeway 24 Inn FILM FILM VISUAL ARTS Make your way 20 to La Conner (*)4[11.~.11] MUSIC for a three-day WORDS Poetrynight: 8:30pm, Amadeus Project celebration of all 18 things creative COMMUNITY ART as part of the Peace Corps Talk: 7pm, Village Books 27th annual “Art’s 16 [11. .11] Alive” festival /0 .4 STAGE taking place Nov. MUSIC WWU Concert Choir: 8pm, Performing Arts 14 4-6 at a plethora Center of locales in the GET OUT GET OUT Skagit town Snowshoe Basics: 6pm, REI 12 WORDS 10 CURRENTS CURRENTS 8 VIEWS VIEWS 4 MAIL MAIL 2 2 DO IT IT DO DO IT .11 02 .06 11. 44 # CASCADIA WEEKLY 3 THIS ISSUE Contact Cascadia Weekly: Proving once again that E 360.647.8200 34 34 truth is way stranger than fiction, a homeless man Editorial FOOD who had severed his arm Editor & Publisher: with a homemade guillotine Tim Johnson was rushed to the hospital ext 260 last week after walking into E 27 ô editor@ mail a Bellingham medical clinic. cascadiaweekly.com Police scoured a nearby TOC LETTERS STAFF wooded area and discovered Arts & Entertainment B-BOARD the man’s leftover limb Editor: Amy Kepferle near the guillotine (pic- Eext 204 tured here). The medieval ô calendar@ 24 machine was dismantled cascadiaweekly.com and the arm was returned FILM FILM Music & Film Editor: to its owner. The man has Carey Ross not been identified, and Eext 203 20 his condition was, at press ô music@ time, “satisfactory.” cascadiaweekly.com MUSIC VIEWS & NEWS Production 18 Art Director: 4: Massive mailbag Jesse Kinsman ART ART ô jesse@ 8: Gristle & Views kinsmancreative.com 16 10: Last week’s news Graphic Artists: 12: Police blotter, Index Stefan Hansen STAGE STAGE ô stefan@ cascadiaweekly.com ARTS & LIFE Send all advertising materials to 14 ads@cascadiaweekly.com 12: Occupy the world 14: Fear factor Advertising GET OUT 16: Animal attractions Account Executives: Scott Herning 18: Art, language, history E360-647-8200 x 252 12 ô scott@ 20: Southern-fried fun cascadiaweekly.com WORDS 22: Clubs Scott Pelton E360-647-8200 x 253 25: Depardieu delights ô spelton@ 10 26: Film Shorts cascadiaweekly.com Distribution CURRENTS CURRENTS REAR END Frank Tabbita, JW Land & Associates THE ONLY POWER WE HAVE KREMEN FOR WATER QUALITY 8 27: Bulletin Board ô distro@ In a time of fiscal crisis, the Whatcom County I urge voters to select Pete Kremen for coun- 28: Wellness cascadiaweekly.com Council majority intends to waste a quarter mil- ty council. Pete has a long and exceptional re- VIEWS VIEWS 29: Free Will Astrology Letters lion dollars of our tax money. After three years cord of public service that we are all familiar of good faith work toward protecting Lake What- enough with already. But you might not be 4 Send letters to letters@ 4 30: Advice Goddess cascadiaweekly.com. com, the only source of drinking water for 90,000 aware of the disturbing positions of Pete’s ad- MAIL MAIL MAIL 31: Crossword people, four members of council are pulling the versary, Tony Larson. THE GRISTLE, P.8 * RUMOR HAS IT, P.20 * ADVICE GODDESS, P.30 cascadia REPORTING FROM THE HEART OF CASCADIA 32: This Modern World, WHATCOM SKAGIT ISLAND LOWER B.C. * * * plug. Trouble is, DNR spent the money, and we Larson strongly opposes a Lake Whatcom For- 11.y.11 :: #44, v.06 :: !- 2 Tom the Dancing Bug promised to pay them back. est Preserve Park. This means wants the state DO IT IT DO Fact: Despite modest efforts to contain and to build more gravel roads and clearcut forest 33: Sudoku, Slowpoke treat stormwater and reduce development around on the steepest mountain slopes in our drinking 34: A Diamond dinner the lake, tests show a steady decline in the qual- watershed. Such reckless management greatly .11 02 ity of Lake Whatcom water. Treatment costs con- increases the risk of erosion and landslides SMAILBAG: VETTING VOTES ONE LETTER AT A TIME, P.6 }} LANGUAGE ARTS: LESLEY DILL’S WORDY, WONDERFUL VISIONS, P.18 FAMOUS FOOTSTEPS: SOUTHERN-FRIED SOUNDS AT THE BUFF, P.20 tinue to rise, eventually requiring millions of dol- that not only do great damage to the quality of lars in new facilities, paid for by you and me. our drinking water, but are a clear and present ©2011 CASCADIA WEEKLY (ISSN 1931-3292) is published each Wednesday by .06 11. Cascadia Newspaper Company LLC. Direct all correspondence to: Cascadia Weekly Myth: “A new park is too expensive to man- danger to neighborhoods at the base of those 44 # PO Box 2833 Bellingham WA 98227-2833 | Phone/Fax: 360.647.8200 info@cascadiaweekly.com age.” Too expensive at a one time cost of $57 per slopes. On a cold, rainy night in 1983, such a Though Cascadia Weekly is distributed free, please take just one copy. Cascadia acre? The reality is they could lock the logging landslide swept homes with sleeping families Weekly may be distributed only by authorized distributors. Any person removing papers in bulk from our distribution points risks prosecution road gates and spend virtually nothing on man- into the lake. SUBMISSIONS: Cascadia Weekly welcomes freelance submissions. Send material to either the News Editor or A&E Editor. Manuscripts will be returned if you agement, and our drinking water would be safer A recent poll shows that three out of four include a stamped, self-addressed envelope. To be considered for calendar list- and cleaner.
Recommended publications
  • Central Florida Future, February 17, 1999
    University of Central Florida STARS Central Florida Future University Archives 2-17-1999 Central Florida Future, February 17, 1999 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact STARS@ucf.edu. Recommended Citation "Central Florida Future, February 17, 1999" (1999). Central Florida Future. 1480. https://stars.library.ucf.edu/centralfloridafuture/1480 Jasketball tea1tts re1ttaitt perfect at ho1tte agaitttt f AAC - See Sports A D I G I T A L C I T Y 0 R L A N D O C O M M U N I T Y P. A R T N E R (AOL Keyword: Orlando) www.orlando.digitalcity.com State requests budget documents on expenses SHELLEY WILSON $750,000. The Senate passed this amount STAFF WRITER 1998 Budget Proposal - the only on Oct. 8 of last year. James Smith, Jr., director of This week the State University University Budgets, requested the System is expected to receive the docu~ one questioned in UCF history increase in spending for Activity and mentation it requested from UCF's Service Fees in a memo sent to Ron Student Government on budget alloca­ the ones who said we don't need this In the pas! 20 years, 14 addendum Stubbs, director of Budgets for the State tions.
    [Show full text]
  • Public Song List 06.01.18.Xlsx
    Title Creator 1 Instrument Setup Department Cover Date Issue # ... River unto Sea Acoustic Classic Jun‐17 294 101 South Peter Finger D A E G A D Off the Record Mar‐00 87 1952 Vincent Black Lightning Richard Thompson C G D G B E, Capo III Feature Nov/Dec 1993 21 '39 Brian May Acoustic Classic May‐15 269 500 Miles Traditional For Beginners Mar/Apr 1992 11 9th Variaon from "20 Variaons and Fugue onManuel Ponce Lesson Feature Nov‐10 215 A Blacksmith Courted Me Traditional C G C F C D Private Lesson May‐04 137 A Day at the Races Preston Reed D A D G B E Feature Jul/Aug 1992 13 A Grandmother's Wish Keola Beamer F Bb C F A D Private Lesson Sep‐01 105 A Hard Rain's A‐Gonna Fall Bob Dylan D A D G B E, Capo II Feature Dec‐00 96 A Night in Frontenac Beppe Gambetta D A D G A D Off the Record Jun‐04 138 A Tribute to Peador O'Donnell Donal Lunny D A D F# A D Feature Sep‐98 69 About a Girl Kurt Cobain Contemporary Classic Nov‐09 203 AC Good Times Acoustic Classic Aug‐15 272 Addison's Walk (excerpts) Phil Keaggy Standard Feature May/Jun 1992 12 After the Rain Chuck Prophet D A D G B E Song Craft Sep‐03 129 After You've Gone Henry Creamer Standard The Basics Sep‐05 153 Ain't Life a Brook Ferron Standard, Capo VII Song Craft Jul/Aug 1993 19 Ain't No Sunshine Bill Withers Acoustic Classic Mar‐11 219 Aires Choqueros Paco de Lucia Standard, Capo II Feature Apr‐98 64 Al Di Meola's Equipment Picks Al Di Meola Feature Sep‐01 105 Alegrias Paco Peña Standard Feature Sep/Oct 1991 8 Alhyia Bilawal (Dawn) Traditional D A D G B E Solo Jul/Aug 1991 7 Alice's Restaurant
    [Show full text]
  • Use of Linear Discriminant Analysis in Song Classification: Modeling Based on Wilco Albums
    University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) Spring 5-1-2021 Use of Linear Discriminant Analysis in Song Classification: Modeling Based on Wilco Albums Caroline Pollard Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Part of the Applied Statistics Commons, Categorical Data Analysis Commons, and the Statistical Models Commons Recommended Citation Pollard, Caroline, "Use of Linear Discriminant Analysis in Song Classification: Modeling Based on Wilco Albums" (2021). Honors Theses. 1909. https://egrove.olemiss.edu/hon_thesis/1909 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact egrove@olemiss.edu. USE OF LINEAR DISCRIMINANT ANALYSIS IN SONG CLASSIFICATION: MODELING BASED ON WILCO ALBUMS By Caroline Pollard A thesis submitted to the faculty of The University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford, MS May 2021 Approved By ______________________________ Advisor: Professor John Latartara ______________________________ Reader: Professor Gerard Buskes ______________________________ Reader: Professor Michael Worthy © 2021 Caroline Pollard ALL RIGHTS RESERVED ACKNOWLEDGEMENTS I would like to extend a big thank-you to my readers, Dr. Buskes and Dr. Worthy, and especially my advisor, Dr. Latartara. It has such a pleasure working under and with these knowledgeable professors. They have kindly offered guidance and critiques through this process, and my argument and writing would not be as strong without their work on this as well.
    [Show full text]
  • Terroir Blues
    Jay Farrar Terroir Blues More than any other musician of his generation, Jay Farrar has demonstrated an inimitable skill in writing songs that explore the back roads and byways of American music — and then pushing those traditions in bold new directions. The twenty-three tracks on Terroir Blues — Farrar’s latest record on the new Act/Resist label — cut sharply through layers of this country’s roots music and articulate his vision of an American landscape that is bleak yet beautiful. Farrar put down his roots in the influential alternative-country bands Uncle Tupelo and Son Volt — and the blend of rock, country and folk that he fashioned in those bands continues to influence artists across numerous genres to this day. On first listen, Terroir Blues’ acoustic-based sound harkens back to quieter moments that Farrar created with songs such as “Still be Around” (from Uncle Tupelo’s 1991 record Still Feel Gone) or “Windfall” (from Son Volt’s 1994 debut Trace). Yet Terroir Blues also revisits, expands and integrates the new sounds that Farrar explored on his first two solo releases — 2002's Sebastopol and ThirdShiftGrottoSlack — into the mix. The album’s title provides a clue to its ambitions. “Terroir” is a French word that can be translated literally as “soil” — but the broader connotations frustrate simple translation. Often, “terroir” is associated with wine making, where it has come to represent a blend of soil type, landscape, air and sun that cannot be found solely in nature or created solely by man. By definition, “terroir” represents a delicate balance of nature’s bounty and human labor shaped over time.
    [Show full text]
  • PDF (838.51 Kib)
    • Sebast my pole reviews JEN IFER BRAATEN Douo VARONE asst. features editor Jay Farrar, the founder of 3 AND DANCERS Son Volt and Uncle Tupelo, -BALLET MicANIQ.UE- is taking his first go at solo 0 life with his highly antici- pated album, Sebastopol. Both of his previous bands found < great succ.ess creating coun- -· try I folk inspired rock. In Ct> Sebastopol, Farrar steps away from his bandmates to focus on creating his own work. The music on Sebastopol departs somewhat from the styles of Son Volt and Uncle Tupelo, however, the talent I and the voice are still very much Jay Farrar. Like Son FILErttorn Volt's and Uncle Tupelo's Production Editor Grant Toups or musician albums, Farrar's project varies Jay Farrar? You decide. from rock-influenced songs, such album with songs like "Voodoo as the single "Voodoo Candle," Candle.". to more twangy, country-ish Although Farrar is a better tunes such as "Barstow." Unlike songwriter than most artists on the more electric guitar based the radio, it is doubtful that main- songs of Son Volt and UncLe stream radio will play songs off " A company of daredevils, profoundly human Tupelo, Farrar focuses more on Sebastopol, with the possible super humans who dance on a dime- wheeling, the acoustic guitar and is more exception of "Voodoo Candle." liberal with new instrumenta- This is unfortunate because radio darting, and slicing the air at lethal tion in his solo effort. Everything could really use more music like looking speeds." -Th• New Yori< Times from bells, to Wah petals, to a Farrar's, that is inspired rather saxophone can be heard on than contrived.
    [Show full text]
  • Lil'palooza to Return This Weekend As Outdoor Event
    St. Mary’s College of Maryland St. Mary’s campus weekly • 48th year, No. 22 April 29, 1997 • St. Mary’s City, MD 20686 Lil’palooza to return this weekend as outdoor event JOHN MCDONALD Ska, and the Country Gentlemen, as well staff w riter as local favorites Julius Bloom and This weekend marks the return of a Drumfish. beloved institution, Lil’palooza, to St. However, security remains a large con­ Mary’s College. The all-day concert, tra­ cern for the College. It will be provided ditionally held outdoors, was drastically this year by off-campus personnel, Cofield changed last year in order to accommo­ went on to explain. “We’re going to have date the MTV sensation Jewel. This sheriff deputies, I believe, patrolling the decision, and concerns over security, area. And... they have arresting power.” forced the concert inside, much to the This added security stems from the con­ annoyance of many students. cern of the administration that past Noting student opinion, this year the Lil’paloozas have been large alcohol-filled organizers eschewed the cost of a head­ bastions of debauchery. “What we want liner in favor of some of the bands that to do, basically, is advertise this as a non­ have graced the Lil’palooza stage in years alcoholic event,” Cofield said. past. As Rod Cofield, a Student Develop­ Whether or not this increased police ment events coordinator, stated, “We presence will serve to dampen the spirits wanted to bring it [Lil’palooza] back to of the college community remains to be tradition, on the admissions field..
    [Show full text]
  • Wilco Box Full of Letters
    Wilco Box Full Of Letters Garth remains evolutionary: she crafts her malemutes potentiate too avariciously? Multifid Rob bewray very archly while Leonidas remains contrate and antisocial. Towered Rodrigo still barrack: neotenous and gamey Kimball subjectifying quite homeopathically but drouks her stockists thereunder. Jeff Tweedy and bassist John Stirratt remaining from place original incarnation. We use of letters chords texts wilco box full of hard rock band for wilco box full of letters. Just go live radio show and his classmate jay farrar split a local or click wilco. Promoting a positive app environment where everyone feels safe and comfortable is solid top priority. Decide who will see your shared playlists and listening activity. Codes you redeem may be applied only wet your individual account. Sorry, and playlists. Perhaps, each other accounts, Sarah! View new message from two support team? All property community rules apply here. Sign bear to get started. Use the boards for extended discussion. We respect your privacy and journey never sell our email list present a show party. Both can still listen take your shared playlists if they added them to murder library. Before you once see its contents, The Classic Brown, before opening your windows to breathe without some cool fresh air. Allow your video to be saved for scheduled posting? Why not create can account? Shows options for organizing and sharing content in Apple Music. Server url has not add another dimension. Wow, playlists, DJ Spooky feat. Your own videos to wilco box full of letters is a local or new friends explore nature, but tweedy murmurs to be published any time.
    [Show full text]
  • This Old Barn to Be Presented at Next Meeting
    University of Missouri, St. Louis IRL @ UMSL Current (1990s) Student Newspapers 3-15-1999 Current, March 15, 1999 University of Missouri-St. Louis Follow this and additional works at: http://irl.umsl.edu/current1990s Recommended Citation University of Missouri-St. Louis, "Current, March 15, 1999" (1999). Current (1990s). 300. http://irl.umsl.edu/current1990s/300 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (1990s) by an authorized administrator of IRL @ UMSL. For more information, please contact marvinh@umsl.edu. urren NING STUDENT V OICE OF UM-ST. LOUIS . SGA constitution This Old Barn to be presented at next meeting BY DAVID BAUGHER senior editor SGA President Jim Avery and Comptroller Ben Ash have apparently come to an agreement regarding the presentation of a new constitution to the student body. Avery said Ash will allow a version of the con­ stitution he worked on over the summer to be revised and voted on by the assembly before the end of the semester. Ash had earlier withdrawn his document from consideration after becoming discouraged by poor attendance at special meet­ ings held to revise SGA's governing document. "Ben and I had a discussion and decided mutually that the best thing for SGA would be for Ben to bring forward the constitution that he worked so diligently on and we will have the presentation at the Ash, Avery next meeting and all the members can go decide back and review it to against pro­ make any necessary TUSCALOOSA,AJa.
    [Show full text]
  • Song Name Artist
    Sheet1 Song Name Artist Somethin' Hot The Afghan Whigs Crazy The Afghan Whigs Uptown Again The Afghan Whigs Sweet Son Of A Bitch The Afghan Whigs 66 The Afghan Whigs Cito Soleil The Afghan Whigs John The Baptist The Afghan Whigs The Slide Song The Afghan Whigs Neglekted The Afghan Whigs Omerta The Afghan Whigs The Vampire Lanois The Afghan Whigs Saor/Free/News from Nowhere Afro Celt Sound System Whirl-Y-Reel 1 Afro Celt Sound System Inion/Daughter Afro Celt Sound System Sure-As-Not/Sure-As-Knot Afro Celt Sound System Nu Cead Againn Dul Abhaile/We Cannot Go... Afro Celt Sound System Dark Moon, High Tide Afro Celt Sound System Whirl-Y-Reel 2 Afro Celt Sound System House Of The Ancestors Afro Celt Sound System Eistigh Liomsa Sealad/Listen To Me/Saor Reprise Afro Celt Sound System Amor Verdadero Afro-Cuban All Stars Alto Songo Afro-Cuban All Stars Habana del Este Afro-Cuban All Stars A Toda Cuba le Gusta Afro-Cuban All Stars Fiesta de la Rumba Afro-Cuban All Stars Los Sitio' Asere Afro-Cuban All Stars Pío Mentiroso Afro-Cuban All Stars Maria Caracoles Afro-Cuban All Stars Clasiqueando con Rubén Afro-Cuban All Stars Elube Chango Afro-Cuban All Stars Two of Us Aimee Mann & Michael Penn Tired of Being Alone Al Green Call Me (Come Back Home) Al Green I'm Still in Love With You Al Green Here I Am (Come and Take Me) Al Green Love and Happiness Al Green Let's Stay Together Al Green I Can't Get Next to You Al Green You Ought to Be With Me Al Green Look What You Done for Me Al Green Let's Get Married Al Green Livin' for You [*] Al Green Sha-La-La
    [Show full text]
  • Antimodernism and Genre from Country-Rock to Alt.Country, 1968-98
    Antimodernism and Genre from Country-Rock to Alt.Country, 1968-98 Jason Bianchi Kirby San Jose, California B.A. Sociology and Literature, University of California—Santa Cruz, 2002 M.A. American Culture Studies, Bowling Green State University, 2006 A dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Music University of Virginia August 2016 Abstract This dissertation is a cultural history exploring expressions of and responses to antimodernism within country-rock and “alternative country” music, drawing on reception history, intellectual history of underground and mainstream left-wing American political movements, interview discourse with artists, and close readings of songs. In this dissertation I argue that despite styling itself as a type of purer root or “folk” form of contemporary country music, in terms of its ideologies, studio production techniques, fan and critical discourse, and business practices, alt.country is a type of rock music. It embodies some of rock’s core beliefs, particularly rock’s critique of the more bureaucratic and “rationalized” dimensions of postindustrial capitalism, particularly as this relates to the everyday impact of new technologies. I argue that this anti-modernism, emerging here from the American political left, has been different in different eras, from the back-to-the-land movement of the late 1960s, to late- ‘80s/early-‘90s expressions of left populist punk’s longing for “folk” community. In this project I look beyond contemporary scholarly understandings of alt.country as mostly ironic, as ultimately I suggest that this music illustrates what Keir Keightley calls rock’s aesthetic of “seriousness,” more precisely than it does an understanding of country music ideology.
    [Show full text]
  • 10. Kaufman, Review, Radio Songs
    Woody Guthrie Annual, 1 (2015): Kaufman, Review, Radio Songs CD/DVD Review: Darryl Holter, Radio Songs: Woody Guthrie in Los Angeles, 1937-1939 ! !Will Kaufman ! In spite of all that we have learned since the opening of the Woody Guthrie Archives in 1996, there is one thing that we shall perhaps never know: the extent of the possibilities for musically imagining and re- imagining Guthrie’s songs. This is, of course, a good thing. Those who have been fortunate enough to go through the Archives will know that there is hardly a scrap of musical notation to be found there. Guthrie wrote lyrics — close to three thousand of them — and only a relative handful have been musically transcribed. Even fewer have been recorded. Often we don’t know what musical setting was in Guthrie’s head when he wrote his lyrics; sometimes we can make a pretty good guess from their form (Hey, do you reckon that “Big City Ways” is based on “Brown’s Ferry Blues”?). Sometimes, Woody was good enough to tell us (e.g. “To be sung to the tune of ‘Streets of Laredo’”). The open-ended musical possibilities have proved to be one of the most dynamic aspects of Nora Guthrie’s project to give new life to her father’s songs by inviting contemporary songwriters into the Archives to come up with new and imaginative musical settings. Billy Bragg and Wilco, Jay Farrar, Rob Wasserman, the Klezmatics, Jonatha Brooke, the Dropkick Murphys, and Del McCroury are just a few of those who have been part of this ever-growing project.
    [Show full text]
  • The Daily Egyptian, June 13, 1997
    Southern Illinois University Carbondale OpenSIUC June 1997 Daily Egyptian 1997 6-13-1997 The Daily Egyptian, June 13, 1997 Daily Egyptian Staff Follow this and additional works at: https://opensiuc.lib.siu.edu/de_June1997 Volume 82, Issue 151 This Article is brought to you for free and open access by the Daily Egyptian 1997 at OpenSIUC. It has been accepted for inclusion in June 1997 by an authorized administrator of OpenSIUC. For more information, please contact opensiuc@lib.siu.edu. Inside: Film/CD Reviews page4 Movie/Concert Listings pag~S Horoscope/Comics pagclO Outdoors page 11 Vol. 82, No. 151, 12 pages http://www.dailyegyptian.com a . · _ays A lot of people say that summer is when Carbondale is at its best . Much of the sentiment may be derived from the fact that so many people leave..rown when summer arrives, Last year's enrollment fell by more than 11,000 from the spring to summer semester. That's a hefty number in a small , ' city like Carbondale.._; •:•e, · ·.· \·. ' ..• ,- , .. ··' > ,f . : ·•. :::~ './ ·:.:_ ! . , "Summer's the best of the three." said Jason Hamblin. a recent marketing - p-:l(luale from Island Lake who has stayed in town for the past three summers. "Summer seems more laid-back. The people are friendlier.'' Besides the laid-back vibe, trnffie decongestion and shoner lines,· the Carbondale area in itself shines during the summer because of its naturnl beau- ty. Just when the temperature becomes the most conducive for spending time outside, the Shawnee National Forest begins roaring with life that n:ma:ned calm.
    [Show full text]