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TEXAS MUSIC SUPERSTORE Buy 5 Cds for $10 Each!
THOMAS FRASER I #79/168 AUGUST 2003 REVIEWS rQr> rÿ p rQ n œ œ œ œ (or not) Nancy Apple Big AI Downing Wayne Hancock Howard Kalish The 100 Greatest Songs Of REAL Country Music JOHN THE REVEALATOR FREEFORM AMERICAN ROOTS #48 ROOTS BIRTHS & DEATHS s_________________________________________________________ / TMRU BESTSELLER!!! SCRAPPY JUD NEWCOMB'S "TURBINADO ri TEXAS ROUND-UP YOUR INDEPENDENT TEXAS MUSIC SUPERSTORE Buy 5 CDs for $10 each! #1 TMRU BESTSELLERS!!! ■ 1 hr F .ilia C s TUP81NA0Q First solo release by the acclaimed Austin guitarist and member of ’90s. roots favorites Loose Diamonds. Scrappy Jud has performed and/or recorded with artists like the ' Resentments [w/Stephen Bruton and Jon Dee Graham), Ian McLagah, Dan Stuart, Toni Price, Bob • Schneider and Beaver Nelson. • "Wall delivers one of the best start-to-finish collections of outlaw country since Wayton Jennings' H o n k y T o n k H e r o e s " -Texas Music Magazine ■‘Super Heroes m akes Nelson's" d e b u t, T h e Last Hurrah’àhd .foltowr-up, üflfe'8ra!ftèr>'critieat "Chris Wall is Dyian in a cowboy hat and muddy successes both - tookjike.^ O boots, except that he sings better." -Twangzirtc ;w o tk s o f a m e re m o rta l.’ ^ - -Austin Chronlch : LEGENDS o»tw SUPER HEROES wvyw.chriswatlmusic.com THE NEW ALBUM FROM AUSTIN'S PREMIER COUNTRY BAND an neu mu - w™.mm GARY CLAXTON • acoustic fhytftm , »orals KEVIN SMITH - acoustic bass, vocals TON LEWIS - drums and cymbals sud Spedai td truth of Oerrifi Stout s debut CD is ContinentaUVE i! so much. -
Montana Kaimin, March 19, 2008 Students of the Niu Versity of Montana, Missoula
University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 3-19-2008 Montana Kaimin, March 19, 2008 Students of The niU versity of Montana, Missoula Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Students of The nivU ersity of Montana, Missoula, "Montana Kaimin, March 19, 2008" (2008). Montana Kaimin, 1898-present. 5105. https://scholarworks.umt.edu/studentnewspaper/5105 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. UMʼs Independent Campus Newspaper Since 1898 Wednesday MVolume CX, Issueontana 81 Kaimin March 19, 2008 Inside the Kaimin Arts p 7 On Campus Today Forecast Sports p 5 Finals week will start with • 9-11 a.m. President’s Open Offi ce Hours, University Hall 109 High 45F UM billiards player headed • 6 p.m. ASUM Senate meeting, UC 330-331 Low 29F Wilco, get worse from there • 7 p.m. “Lunafest,” short fi lms by, for and about women, UC Theater to nationals – Courtesy of UM Events Calendar UM possible stop on Obama’s Montana trip Elizabeth Harrison Montana’s June 3 primary draws for the Obama campaign. When Democratic But Tinsley said his subsequent MONTANA KAIMIN near, the candidate might campaign he found out the senator was to party, he phone calls to the campaign in other areas of the state as well. -
For Immediate Release May 2021 Alt-Country Pioneers
FOR IMMEDIATE RELEASE MAY 2021 ALT-COUNTRY PIONEERS SON VOLT CONTINUE TO INSPIRE AND CHALLENGE ON ELECTRO MELODIER OUT JULY 30TH LISTEN TO FIRST TRACK “REVERIE” HERE SELECT SUMMER/FALL TOUR DATES “Jay Farrar… is one of the best to find his way into the great Americana songbook today.” - American Songwriter Nashville, TN – Son Volt, one of the most influential bands of their generation, has announced the July 30th release of their tenth studio album, Electro Melodier (Transmit Sound/Thirty Tigers). The title, taken from the names of two vintage amplifiers from the late ‘40s and early ‘50s, also describes the album’s unique blend of folk, country, blues, soul and rock. Listen to rocking first track “Reverie” and pre-order Electro Melodier HERE. The follow-up to 2019’s acclaimed release Union, Electro Melodier finds band founder Jay Farrar’s unparalleled songwriting as poignant and intelligent as ever. Electro Melodier touches on the thought-provoking issues that impact us all, including the pandemic, love, and the inevitable passing of time. The current political divide makes its appearance on the album as well. “I wanted to concentrate on the melodies which got me into music in the first place,” says Farrar. “I wanted politics to take a back seat this time, but it always seems to find a way back in there.” “Livin’ in the USA” echoes protest songs of old, highlighting both the breakdown of our culture and planet. “Share a little truth with your neighbor down the block, We’ve all got fossil fuel lungs while we run out the clock,” Farrar sings. -
Wilco-Songs Minimalistisch
Folkdays … Wilco-Songs minimalistisch Musik | Jeff Tweedy: Together At Last Jeff Tweedy, das ist einerseits ein Singer-Songwriter, andererseits ist er der Macher von Wilco in Zusammenarbeit mit John Stirratt, Glenn Kotche, Mikael Jorgensen, Nels Cline und Pat Sansone. Er war auch einmal mit dem Band-Projekt Golden Smog zu hören und es gibt neue Bands von ihm genannt Loose Fur und Tweedy. Das zuerst kurz als Fakten. Von TINA KAROLINA STAUNER Das neue Album von Jeff Tweedy ›Together At Last‹ ist wie ein Überbleibsel aus einer Zeit, in der die Freude Americana, Alternative Country und Neofolk zu hören manchmal fast ungetrübt war. Kein Mainstream laberte irgendeinen Klimbim dazwischen und neben Befindlichkeits- und Beziehungstexten war Sozial- und Gesellschaftskritik in Lyrics ein Zeichen für Anspruch und Niveau. Die Chicagoer Independent-Band Wilco hatte sich mit den ersten Alben in den 1990er Jahren mit Leib und Seele in den Spirit einer ganzen Independent-Generation gespielt. Entstanden aus Uncle Tupelo war Wilco immer wichtig im Diskurs. Bezogen auf traditionelles Wissen über Country und Folk hatte die Band einen ureigenen Sound und integrierte manchmal auch neue und elektronische Klänge in den Kontext. Mittlerweile scheint Jeff Tweedy teils zynisch bis zum geht-nicht-mehr und nach ›Star Wars‹ und ›Schmilco‹ mit Cover-Artwork wie ein Cartoon kam ein ›Together At Last‹. Vergangenheit ist das Woody Guthrie Project, das er mit Nora Guthrie und Billy Bragg vor Jahren veröffentlichte. Vergangenheit sind die frühen Independent-Jahre, wenn es überhaupt noch Leute gibt, die sich daran erinnern. Vergangenheit ist die Band-Dokumentation ›Man in the Sand‹. Vergangenheit sind Songs wie ›In A Future Age‹. -
The Daily Gamecock, TUESDAY, JANUARY 20, 2009
University of South Carolina Scholar Commons January 2009 1-20-2009 The aiD ly Gamecock, TUESDAY, JANUARY 20, 2009 University of South Carolina, Office oftude S nt Media Follow this and additional works at: https://scholarcommons.sc.edu/gamecock_2009_jan Recommended Citation University of South Carolina, Office of Student Media, "The aiD ly Gamecock, TUESDAY, JANUARY 20, 2009" (2009). January. 10. https://scholarcommons.sc.edu/gamecock_2009_jan/10 This Newspaper is brought to you by the 2009 at Scholar Commons. It has been accepted for inclusion in January by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. IInaugurationnauguration DDayay dailygamecock.com UNIVERSITY OF SOUTH CAROLINA TUESDAY, JANUARY 20, 2009 VOL. 102, NO. 78 ● SINCE 1908 Weather TODAY HIGH 36° TONIGHT LOW 24° TOMORROW HIGH 45° Inside SPORTS Keri Goff / THE DAILY GAMECOCK President-elect Barack Obama and his wife Michelle wave to the crowd in front of the Lincoln Memorial before his speech Sunday at the kickoff concert. Millions gather for inauguration Performers, speeches draw morning. “three simple words: We Are One.” same steps that Dr. Martin Luther “Being from Texas, we wanted A star-studded cast of performers King, Jr. made his famous speech crowds to Washington, D.C. to be somewhere that the people and speakers, including Bruce more than 40 years ago, took an for historic occasion around us shared the excitement Springsteen , U2, Tiger Woods and optimistic look towards the future. The men’s basketball we had,” she said. “This is once in a Morgan Freeman, took turns on “As I stand here tonight, what lifetime.” stage. -
Richard King Creates Harmony Through Musical Relationships
Richard King creates harmony through musical relationships By Jeremy Essig n 1982, Richard King booked a little-known band with a randomly chosen acronym to play at The Blue Note. Both the nightclub and the band, which had just recorded its first album, were 2 years old at the time. Following an appearance in support of their album Chronic Town, Michael Stipe and the other members of R.E.M. were about to leave The Blue Note, though known for building up on him. “I said, ‘No, it was Columbia when King’s partner Phil Costello noticed they were about bands, also holds a notorious place in alternative definitely (Costello).’” to loose a tire on their van, recalled Kevin Walsh – a longtime friend music history as the spot where an influential band Although The Blue Note of both King and Costello. self-destructed. might have missed out on Crow, When it came time to pay them, Costello provided extra money to Minnesota’s Husker Du, touring in support of King played an integral role in the purchase a new tire for the band, which would go on to become one 1987’s Warehouse: Songs and Stories, played their development of another regional of the most famous in rock and roll history. final show at The Blue Note. Drummer Grant Hart band — Uncle Tupelo from Belleville, Ill. “I can’t see myself at 30,” Stipe sang on “Little America,” the performed after missing the sound check and then Uncle Tupelo, whose members would band’s commentary on touring. On July 30, The Blue Note will do disappeared. -
Central Florida Future, February 17, 1999
University of Central Florida STARS Central Florida Future University Archives 2-17-1999 Central Florida Future, February 17, 1999 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, February 17, 1999" (1999). Central Florida Future. 1480. https://stars.library.ucf.edu/centralfloridafuture/1480 Jasketball tea1tts re1ttaitt perfect at ho1tte agaitttt f AAC - See Sports A D I G I T A L C I T Y 0 R L A N D O C O M M U N I T Y P. A R T N E R (AOL Keyword: Orlando) www.orlando.digitalcity.com State requests budget documents on expenses SHELLEY WILSON $750,000. The Senate passed this amount STAFF WRITER 1998 Budget Proposal - the only on Oct. 8 of last year. James Smith, Jr., director of This week the State University University Budgets, requested the System is expected to receive the docu~ one questioned in UCF history increase in spending for Activity and mentation it requested from UCF's Service Fees in a memo sent to Ron Student Government on budget alloca the ones who said we don't need this In the pas! 20 years, 14 addendum Stubbs, director of Budgets for the State tions. -
Public Song List 06.01.18.Xlsx
Title Creator 1 Instrument Setup Department Cover Date Issue # ... River unto Sea Acoustic Classic Jun‐17 294 101 South Peter Finger D A E G A D Off the Record Mar‐00 87 1952 Vincent Black Lightning Richard Thompson C G D G B E, Capo III Feature Nov/Dec 1993 21 '39 Brian May Acoustic Classic May‐15 269 500 Miles Traditional For Beginners Mar/Apr 1992 11 9th Variaon from "20 Variaons and Fugue onManuel Ponce Lesson Feature Nov‐10 215 A Blacksmith Courted Me Traditional C G C F C D Private Lesson May‐04 137 A Day at the Races Preston Reed D A D G B E Feature Jul/Aug 1992 13 A Grandmother's Wish Keola Beamer F Bb C F A D Private Lesson Sep‐01 105 A Hard Rain's A‐Gonna Fall Bob Dylan D A D G B E, Capo II Feature Dec‐00 96 A Night in Frontenac Beppe Gambetta D A D G A D Off the Record Jun‐04 138 A Tribute to Peador O'Donnell Donal Lunny D A D F# A D Feature Sep‐98 69 About a Girl Kurt Cobain Contemporary Classic Nov‐09 203 AC Good Times Acoustic Classic Aug‐15 272 Addison's Walk (excerpts) Phil Keaggy Standard Feature May/Jun 1992 12 After the Rain Chuck Prophet D A D G B E Song Craft Sep‐03 129 After You've Gone Henry Creamer Standard The Basics Sep‐05 153 Ain't Life a Brook Ferron Standard, Capo VII Song Craft Jul/Aug 1993 19 Ain't No Sunshine Bill Withers Acoustic Classic Mar‐11 219 Aires Choqueros Paco de Lucia Standard, Capo II Feature Apr‐98 64 Al Di Meola's Equipment Picks Al Di Meola Feature Sep‐01 105 Alegrias Paco Peña Standard Feature Sep/Oct 1991 8 Alhyia Bilawal (Dawn) Traditional D A D G B E Solo Jul/Aug 1991 7 Alice's Restaurant -
Icon Magazine
MARK KERESMAN keresman on disc ★; =SKIP IT ★★=MEDIOCRE; ★★★=GOOD; ★★★★=EXCELLENT; ★★★★★=CLASSIC Swing Out Sister ★★★★ ist—has this ring-a-ding world on a string, letting loose with some giddy, Sinatra-like aban- Private View don. The two together wing it with the aplomb of masters, striking sparks as they go. lega- Shanachie cyrecordings.com Tony Bennett/Dave Brubeck ★★★★1/2 Son Volt ★★★★★ The White House Sessions, Live 1962 Honky Tonk Columbia/Legacy Rounder In the UK and Europe, there’s a bit less of a “division” between pop and jazz styles—per- Wayne Hancock ★★★★ formers from the “pop” side of the fence are a little more eager to mix-up the two than Ride here. Witness the cross-pollinations of Amy Winehouse, Sade, and, of course, Swing Out Sis- Bloodshot ter. The UK combo, essentially singer Corrine Drewery and Andy Connell (the two remain- Call it Americana or roots music, or whatever, but there are performers putting their own spin on classic American sounds based upon/inclusive of country, folk, rock & roll, blues, etc. Son Volt, birthed by the dissolution of proto-roots-punk outfit Uncle Tupelo, is far Swing Out Sister. ing original members), has made their first studio set since 2008 and like jazz performers of yore, they’ve decided to interpret their back catalog. Private View finds SOS revising their Son Volt. songs in a subdued, predominantly acoustic setting, at times evoking an un-plugged Steely Dan, albeit with more R&B flavor (and less sarcasm). Breezy, classy, and urbane (sans any more “country” than most Nashville products, but that’s not saying much. -
Use of Linear Discriminant Analysis in Song Classification: Modeling Based on Wilco Albums
University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) Spring 5-1-2021 Use of Linear Discriminant Analysis in Song Classification: Modeling Based on Wilco Albums Caroline Pollard Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Part of the Applied Statistics Commons, Categorical Data Analysis Commons, and the Statistical Models Commons Recommended Citation Pollard, Caroline, "Use of Linear Discriminant Analysis in Song Classification: Modeling Based on Wilco Albums" (2021). Honors Theses. 1909. https://egrove.olemiss.edu/hon_thesis/1909 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact [email protected]. USE OF LINEAR DISCRIMINANT ANALYSIS IN SONG CLASSIFICATION: MODELING BASED ON WILCO ALBUMS By Caroline Pollard A thesis submitted to the faculty of The University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford, MS May 2021 Approved By ______________________________ Advisor: Professor John Latartara ______________________________ Reader: Professor Gerard Buskes ______________________________ Reader: Professor Michael Worthy © 2021 Caroline Pollard ALL RIGHTS RESERVED ACKNOWLEDGEMENTS I would like to extend a big thank-you to my readers, Dr. Buskes and Dr. Worthy, and especially my advisor, Dr. Latartara. It has such a pleasure working under and with these knowledgeable professors. They have kindly offered guidance and critiques through this process, and my argument and writing would not be as strong without their work on this as well. -
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• Sebast my pole reviews JEN IFER BRAATEN Douo VARONE asst. features editor Jay Farrar, the founder of 3 AND DANCERS Son Volt and Uncle Tupelo, -BALLET MicANIQ.UE- is taking his first go at solo 0 life with his highly antici- pated album, Sebastopol. Both of his previous bands found < great succ.ess creating coun- -· try I folk inspired rock. In Ct> Sebastopol, Farrar steps away from his bandmates to focus on creating his own work. The music on Sebastopol departs somewhat from the styles of Son Volt and Uncle Tupelo, however, the talent I and the voice are still very much Jay Farrar. Like Son FILErttorn Volt's and Uncle Tupelo's Production Editor Grant Toups or musician albums, Farrar's project varies Jay Farrar? You decide. from rock-influenced songs, such album with songs like "Voodoo as the single "Voodoo Candle," Candle.". to more twangy, country-ish Although Farrar is a better tunes such as "Barstow." Unlike songwriter than most artists on the more electric guitar based the radio, it is doubtful that main- songs of Son Volt and UncLe stream radio will play songs off " A company of daredevils, profoundly human Tupelo, Farrar focuses more on Sebastopol, with the possible super humans who dance on a dime- wheeling, the acoustic guitar and is more exception of "Voodoo Candle." liberal with new instrumenta- This is unfortunate because radio darting, and slicing the air at lethal tion in his solo effort. Everything could really use more music like looking speeds." -Th• New Yori< Times from bells, to Wah petals, to a Farrar's, that is inspired rather saxophone can be heard on than contrived. -
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The e-journal of analog and digital sound. no.23 2009 Ladies and gentlemen, the Beatles. Bob Gendron Reviews the Beatles Remasters TONE A 1 NO.23 2 0 0 9 PUBLISHER Jeff Dorgay EDITOR Bob Golfen ART DIRECTOR Jean Dorgay r MUSIC EDITOR Ben Fong-Torres ASSISTANT Bob Gendron MUSIC EDITOR M USIC VISIONARY Terry Currier STYLE EDITOR Scott Tetzlaff C O N T R I B U T I N G Tom Caselli WRITERS Kurt Doslu Anne Farnsworth Joe Golfen Jesse Hamlin Rich Kent Ken Kessler Hood McTiernan Rick Moore Jerold O’Brien Michele Rundgren Todd Sageser Richard Simmons Jaan Uhelszki Randy Wells UBER CARTOONIST Liza Donnelly ADVERTISING Jeff Dorgay WEBSITE bloodymonster.com tonepublications.com Editor Questions and Comments: [email protected] 800.432.4569 © 2009 Tone MAGAZIne, LLC All rights reserved. TONE A 2 NO.23 2 0 0 9 features Old School: Love Those LED’s 10 The SAE 2200 By Jerold O’Brien Please Please Me: 21 The Beatles Remasters Reviewed By Bob Gendron 104 Simon Drake Talks About 40 Naim’s Music Label: Embracing Past and Future Technologies By Jeff Dorgay Dealers That Mean Business: 21 85 We visit Nuts About HiFi (on the cover) By Jeff Dorgay Budget Gear: 90 Rotel RA-1520 Integrated Amplifier and RDC-1520 CD Player By Mark Marcantonio A Visit to Rega: 104 Roy Gandy’s Model of Efficiency By Jeff Dorgay 7. NEW CONTRIBUTORS 8. PUBLISHER’S LETTER 9. TONE TOON By Liza Donnelly TONE A 3 NO.23 2 0 0 9 tone style An Afternoon With the Focal 67 Grande Utopia EM By Jeff Dorgay The B&W Panorama 71 The Fantastic Soundbar By Jeff Dorgay The Olympus E-P1 74 DSLR Performance, Compact Size By Jeff Dorgay TomTom for the iPhone 78 Let Your iPhone be Your Guide By Jeff Dorgay 67 The Sound of the Future 79 of Radio: WiFi Is Here By Ben Fong-Torres RedEye’s Remote System 81 Grab This All In One By Jeff Dorgay Little City Coffee: 82 Austin’s Best Roast.