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Come to the 90th Annual Florida Strawberry Festival- listed as one of American Bus Associations Top 100 Best Events in North America for the past 30 consecutive years! This Festival is "more than just shortcake"— there are agricultural exhibits, one of the largest arts & crafts exhibits in the southeast, tons of musical entertainment daily, demonstrations, contests, the pig races, a thrilling midway, the Fair Food...and Top Named Entertainers! Dick Fox’s Golden Boys: Frankie Avalon, Fabian & Bobby Rydell Plus an additional concert: “Ricky Nelson Remembered” Starring The Nelson Brothers Thursday, Mar. 5, 2020 These "Golden Boys" were three of the most popular Teen Idols of the late 50s and 60s. Countless television appearances, a special performance for the President of the United States and a Golden Boys PBS special have brought on a vast audience of fans. The Golden Boys spotlights each of the performers and their All Time greatest hits, "Turn Me Loose", "Tiger", "I'm A Man" (Fabian); "Venus", "De De Dinah", "Bobby Sox to Stockings" (Avalon); "Volare", "Wild One", "Kissin' Time" (Rydell). The three stars combine their talents on several songs and perform a tribute to the material of Elvis Presley, Bobby Darin, Rick Nelson & Bill Hailey. A 2nd Concert, late singer/songwriter Ricky Nelson will be remembered by those who knew him best, his twin sons Matthew and Gunnar. The Nelson brothers will sing some of Ricky's hit songs and also present family video footage and interviews with other artists who he influenced. Hear some of Ricky’s greatest hit songs “Hello Mary Lou,” “Travelin’ Man” and “Garden Party” “It’s Up To You” “Be Bop Baby.” TOUR PRICE: $91 PAYMENT: Check, Visa or Master Card required upon reservation INCLUDES: Strawberry Festival Admission Ticket, Live 3:30pm Concert with Reserved Seats, A Dish of “Make- Your-Own Dish” Strawberry Shortcake, Motor Coach with Restroom, Free Wi-Fi & Group Tour Director. Cancellation Policy: No Refunds once purchased. If we resell your seat, a future tour credit will be given, Tickets Are Transferable. TOUR PACE: ★★★ = Moderate Pace, Walking to Sightsee. DRESS: CASUAL, COMFORTABLE SHOES, HAT & SUNSCREEN aRoyal Coach Tours & CruisesA Ph. 386-788-0208 – www.royalcoachtours.com 1648 Taylor Rd. #505, Port Orange, FL 32128 FL Seller of Travel # 24522 .

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Issues of Gender in Muscle Beach Party (1964) Joan Ormrod, Manchester Metropolitan University, UK
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by E-space: Manchester Metropolitan University's Research Repository Issues of Gender in Muscle Beach Party (1964) Joan Ormrod, Manchester Metropolitan University, UK Muscle Beach Party (1964) is the second in a series of seven films made by American International Pictures (AIP) based around a similar set of characters and set (by and large) on the beach. The Beach Party series, as it came to be known, rode on a wave of surfing fever amongst teenagers in the early 1960s. The films depicted the carefree and affluent lifestyle of a group of middle class, white Californian teenagers on vacation and are described by Granat as, "…California's beautiful people in a setting that attracted moviegoers. The films did not 'hold a mirror up to nature', yet they mirrored the glorification of California taking place in American culture." (Granat, 1999:191) The films were critically condemned. The New York Times critic, for instance, noted, "…almost the entire cast emerges as the dullest bunch of meatballs ever, with the old folks even sillier than the kids..." (McGee, 1984: 150) Despite their dismissal as mere froth, the Beach Party series may enable an identification of issues of concern in the wider American society of the early sixties. The Beach Party films are sequential, beginning with Beach Party (1963) advertised as a "musical comedy of summer, surfing and romance" (Beach Party Press Pack). Beach Party was so successful that AIP wasted no time in producing six further films; Muscle Beach Party (1964), Pajama Party (1964) Bikini Beach (1964), Beach Blanket Bingo (1965) How to Stuff a Wild Bikini (1965) and The Ghost in the Invisible Bikini (1966).
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Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph.
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Web.Roster.Pdf
2022-2023 Touring Roster Our 47th Year! Artrageous Artrageous, multi-talented live performance artists, world class singers & recording artists, highly trained dancers, audience motivators & veteran musicians hailing from the high desert of New Mexico. Their high energy performance is a combination of all arts on one stage combined with humor and interaction in a frenzy of movement and color. Artrageous’ passion for all things art and community brings their message of the arts being an integral and valuable part of human existence to the stage. Audiences of all ages sing, dance & clap along. Artrageous performs for theatre goers and celebrities alike. Their artworks are in private and public galleries around the world. “Go See This Show” – CBS TV, “Artrageous makes a HUGE impact” – Cobb Energy Center, “transform your community, bring Artrageous! It was magical!” – Farmington Civic Center, “this is the complete package! book the show and have a great time!” – Jay Wildstein PAC Peacherine Ragtime Society Orchestra A crowd favorite while performing at venues from The Kennedy Center, The Library of Congress, The American Film Institute, historic theaters, major performing arts centers, universities and more across the USA…PRSO is also a favorite on radio stations everywhere! Their programs highlight the music of the late 1800s and early 1900s, with selections by composers such as Irving Berlin, George Gershwin, W.C. Handy, Victor Herbert, George M. Cohan, and of course, the King of Ragtime, Scott Joplin. “Peacherine is the premiere American Ragtime Ensemble” –Washington Post “We need more!” –Baltimore Sun The Stage & Screen Spectacular This show sets PRSO apart from any other show you have ever presented.
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Beach Party Ci Nd Erella Study Guide
BEACH PARTY CI ND ERELLA STUDY GUIDE NASHVILLE OPERA CINDERELLA by Gioachino Rossini JUNE 12, 2021 The Ann & Frank Bumstead Production Special 90-minute Adaptation Ascend Amphitheater Directed by John Hoomes Conducted by Dean Williamson Featuring the Nashville Opera Orchestra CAST & CHARACTERS Cinderella (Angelina) Emily Fons* The Prince Matthew Grills* Dandini Jonathan Beyer* Don Magnifico Stefano de Peppo* Alidoro Christopher Curcuruto*† Tisbe Emilyl Cottam*† Clorinda Bryn Holdsworth* Brian Russell Jonas Grumby * Nashville Opera debut † 2021 Mary Ragland Emerging Artist TICKETS & INFORMATION Contact Nashville Opera at 615.832.5242 or visit nashvilleopera.org/cinderella SPONSORED BY ANN MARIE AND MARTIN M cNAMARA III NASHVILLE WITH SUPPORT FROM THE JUDY & NOAH SUE & EARL OPERA LIFF FOUNDATION SWENSSON THE STORY Rossini composed his version of the CINDERELLA folk tale in a staggering three weeks during 1817. He was only twenty-four years old at the time. Based on Charles Perrault’s CENDRILLON of 1697, La Cenerentola follows a common girl who dreams of a happier life and a prince who seeks to marry the most beautiful girl he can find. Rossini’s plot diverges from the fairy-tale tradition and takes a more realistic approach, with an endearing and sensible central character. Director John Hoomes brings some of the magic spirit back by setting the farcical tale by the sea in his BEACH BLANKET BINGO -inspired staging. THIS SYNOPSIS HAS BEEN UPDATED TO REFLECT JOHN HOOMES’S BEACH-PARTY STAGING It’s morning in the broken-down surf shop owned by Don and tells him to search for the young woman wearing the Magnifico.
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Celebrating 41 Years of Family, Food, Great Entertainment, Fireworks And
STANDARD PRESORT THE US POSTAGE PAID MILWAUKEE, WI Permit No. 5716 PubIlishedT11 times aAnnually byLthe IAN TIMES Italian Community Center 631 E. Chicago St., Milwaukee, WI 53202 Become a member of the Italian www.ICCMilwaukee.com Community Center and you will receive JULY/AUGUST 2018 • VOL. 40, NO. 2 home delivery of this publication. SECTION A Your address label will be placed here. – CHANGE SERVICE REQUESTED – Celebrating 41 years of family, food, great entertainment, fireworks and tradition, Festa Italiana is ready to roll July 20-22 on Summerfest grounds Times photos by Paul Inzeo and John Ferraro Welcome to the 41st Cosa c’è dentro? What’s inside? Have that Festa feeling yet? Fast-paced futsal asks ICC President/ tournament page 35A Festa Chair Festa Italiana! Eat to your heart’s It is with great pleasure that we kee’s beautiful lakefront. Dean Cannestra page 3A delight at Festa page 36A publish the July/August 2018 Festa The staff of The Italian Times is Festa’s Grand Parade Italiana edition of The Italian looking forward to covering the fes - marches on page 4A Learn to play Times. We have attempted to pro - tival. Our reports on Festa Italiana bocce page 37A vide our readers with information will appear in the September 2018 Festa admission on nearly all aspects of the 41st an - issue. That issue will be published deals page 6A 41st Bocce Tournament nual Festa, produced by the volun - in late August. set for July 22 page 37A teer members of the Italian I wish to thank Barbara Col - Italian flag-throwers ready to thrill pages 8A-9A Fr.
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SHSU Video Archive Basic Inventory List Department of Library Science
SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films.
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Cinema-Booklet-Web.Pdf
1 AN ORIGINAL EXHIBITION BY THE MUSEO ITALO AMERICANO MADE POSSIBLE BY A GRANT FROM THE WRITTEN BY Joseph McBride CO-CURATED BY Joseph McBride & Mary Serventi Steiner ASSISTANT CURATORS Bianca Friundi & Mark Schiavenza GRAPHIC DESIGN Julie Giles SPECIAL THANKS TO American Zoetrope Courtney Garcia Anahid Nazarian Fox Carney Michael Gortz Guy Perego Anne Coco Matt Itelson San Francisco State University Katherine Colridge-Rodriguez Tamara Khalaf Faye Thompson Roy Conli The Margaret Herrick Library Silvia Turchin Roman Coppola of the Academy of Motion Walt Disney Animation Joe Dante Picture Arts and Sciences Research Library Lily Dierkes Irene Mecchi Mary Walsh Susan Filippo James Mockoski SEPTEMBER 18, 2015 MARCH 17, 2016 THROUGH THROUGH MARCH 6, 2016 SEPTEMBER 18, 2016 Fort Mason Center 442 Flint Street Rudolph Valentino and Hungarian 2 Marina Blvd., Bldg. C Reno, NV 89501 actress Vilma Banky in The Son San Francisco, CA 94123 775.333.0313 of the Sheik (1926). Courtesy of United Artists/Photofest. 415.673.2200 www.arteitaliausa.com OPPOSITE: Exhibit author and www.sfmuseo.org Thursdays through co-curator Joseph McBride (left) Tuesdays through Sundays 12 – 4 pm Sundays 12 – 5 pm with Frank Capra, 1985. Courtesy of Columbia Pictures. 2 3 CONTENTS INTRODUCTION Italian American Cinema: From Capra to the Coppolas 6 FOUNDATIONS: THE PIONEERS The Long Early Journey 9 A Landmark Film: The Italian 10 “Capraesque” 11 The Latin Lover of the Roaring Twenties 12 Capra’s Contemporaries 13 Banking on the Movies 13 Little Rico & Big Tony 14 From Ellis Island to the Suburbs 15 FROM THE STUDIOS TO THE STREETS: 1940s–1960s Crooning, Acting, and Rat-Packing 17 The Musical Man 18 Funnymen 19 One of a Kind 20 Whaddya Wanna Do Tonight, Marty? 21 Imported from Italy 22 The Western All’italiana 23 A Woman of Many Parts 24 Into the Mainstream 25 ANIMATED PEOPLE The Golden Age – The Modern Era 26 THE MODERN ERA: 1970 TO TODAY Everybody Is Italian 29 Wiseguys, Palookas, & Buffoons 30 A Valentino for the Seventies 32 Director Frank Capra (seated), 1927.
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Frankie Valli
Singers and Band Robby Robinson - Music Director - Keyboards Arranged for: Liza Minnelli, Frankie Valli, The Beach Boys, Connie Francis, Buddy Greco, Dorothy Hammill & Ice Capades, Jim Stafford, Phil Driscoll, Ronnie Spector, Martha Reeves, Darlene Love, Denny Correll, Lisa Mordente, The Ventures, The Atlanta Symphony, The Dallas Symphony, The Illinois Symphony, New Jersey Symphony, Rochester Philharmonic, Simi Valley Orchestra, Pacific Symphony, Don Menza, Greg Guidry Musical Conductor for: Frankie Valli, Buddy Greco, Del Shannon, The Drifters, The Coasters, Tommy Leonetti, Steve March, Darlene Love, The Ventures, The Atl\anta Symphony, The Dallas Symphony, The Illinois Symphony, New Jersey Symphony, Rochester Philharmonic, Simi Valley Orchestra, Hershey Symphony, Pacific Symphony, Connie Stevens, Tom Dreesen, Nick Noble Played Keyboards for: Tom Jones, Liza Minnelli, The Commodores, Cheryl Ladd, Sha Na Na, Steven Stills, Charles Calello, Bob Gaudio, Johnny Harris, Harvey Fuqua, Jack Daugherty, Bob Crewe, Jacksonville Symphony Orchestra, Richie Cole, Eddie Harris, Alex Acuna, Bennie Maupin, Gavin Christopher, John B.Williams, Phil Driscoll, Richie Fagan, Frankie Avalon, Gary Lewis & the Playboys, Willie Bobo, Alphonse Mouzon, Morris Albert, The Mills Brothers, Brian Hyland, The Platters, Emmett Chapman, Mamie Van Doran, The Four Tops, Paul Revere & the Raiders, Lou Christy, David Foster, Mike Pinera, Del Shannon, The Ink Spots, Peaches & Herb, Joe Houston, Albert King, Eddie Jefferson, Ernie Watts, Miroslav Vitous, Deniece Williams, Delfonics,
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Hollywood Don't Surf!
HOLLYWOOD DON’T SURF! A MacGillivray Freeman Film Production Notes Photos available at: http://www.hollywooddontsurf.com/sample.html Rating: Not yet rated Run time: 81 mins. Publicity Contacts: DDA PR – CANNES PRESS OFFICE Salon Royan 1 First floor, Majestic Hotel Tel: +49 04 97 06 85 85 Contacts: Mariangela Hall Paul Saunter Dana Archer E: [email protected] E : [email protected] E : [email protected] +49 06 66 67 53 66 mobile +49 06 66 67 61 33 mobile +49 06 66 67 53 65 mobile (310) 205-4896 Los Angeles + 44 207 932 9800 London (310) 205-4896 Los Angeles FOR IMMEDIATE RELEASE: Greg MacGillivray’s Feature Documentary “Hollywood Don’t Surf!” To Premiere At The 2010 Cannes Film Festival Outrageous, cinematic retrospective explores fifty years of Hollywood surfing movies featuring Quentin Tarantino, John Milius, Steven Spielberg, Stacy Peralta, Gary Busey, Jan-Michael Vincent, Greg MacGillivray, Lee Purcell, Nia Peeples, Pamela Anderson, big wave legends Laird Hamilton, Greg Noll with Frankie Avalon and real-life ‘Gidget’ Kathy Kohner LAGUNA BEACH, Ca. (April 28, 2010)—A unique combination of filmmaking glamour, sexy beach action, big wave legends, Hollywood myths and iconic California pop culture kitsch, MacGillivray Freeman’s new feature documentary Hollywood Don’t Surf! has been officially selected to premiere as a sneak preview at the 2010 Cannes Film Festival. A comedic romp examining fifty years of Hollywood surfing films—with a tight focus on the overly ambitious production and near-disastrous release of John Milius’ 1978 Big Wednesday—Hollywood Don’t Surf! celebrates the culturally significant, remarkably enduring and always hilarious relationship between Hollywood and surfing.
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Chapter 3 - the Demise of Rock and Roll and the Promise of Soul
Chapter 3 - The Demise of Rock and Roll and the Promise of Soul 1. Splitting up the Market 1. Brill Building 1. 2. 3. 1. 2. 2. Teen idols – 1. Cast as potential boyfriends – 2. Frankie Avalon 3. Bobby Rydell 4. Freddy Cannon 5. Bobby Vee 6. Bobby Vinton 7. Paul Anka 8. Bobby Darin 9. Neil Sedaka 10. Fabian Forte – 3. American Bandstand 1. 2. 3. 4. 5. 4. Folk music 1. College-age listeners 2. Seemed more "real" than commercial pop- 3. Popular through 1940s – 1. Pete Seeger 2. Woody Guthrie 3. Advocacy for social change 4. Populist character – 1. Untutored quality of folksingers – 2. Break with the norms of middle-class life 3. Almost anyone could play folk music 5. Kingston Trio 6. Importance of album sales 7. Two sides of the folk revival 1. Those who explored rich literature of documented folk music 1. Bob Dylan 2. Joan Baez 2. Commercial, pop-based acts 1. Kingston Trio 2. Highwaymen 3. Rooftop Singers 4. New Christy Minstrels 5. Peter, Paul, and Mary 3. Constructed image of authenticity and sincerity 8. Similarities to Brill Building pop. 2. The Rise of the Producer 1. What is a producer? – 1. Developed from A&R, matching artists and repertoire 2. Shaped sound of record – 1. Details of arrangement 2. Recording process 3. Spurred ambitious attitudes toward pop 1. Musical sophistication 2. Trademark "sound" 3. Record is more than a recorded live performance 2. Leiber and Stoller – 1. Music for Elvis 1. 2. 3. 2. Spark Records 1. Had vision of sound for each song 3.
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Horn—Frankie Avalon Start
1«. 1954 DOWN Very Young Man With NEW YORK ON STAGE—Ed Wynn may do a musical next season. He has three Horn—Frankie Avalon affers, one from J. J. Shubert. He hasn’t been on the local stage since 1942 . .. Another great comedian is due back next season. Jimmy Savo New York—When he was 9,^ will star in a musical based on hia short novel, Little World Hello. Age with the oldest about 15. They recording of Tho Hook and Trum Frankl« Avalon saw Harry Jimmy hasn’t been on Broadway since 1943 . Burl Ives is currently rehearse for kicks, but all the fledg pet Sorrento (written by Anthony). nt City Center as Captain Andy ia Showboat . Stage shows resumed Eames in the movie, Young ling musicians, Frankie affirms, As Ray himself pointed out in a Lm with a Horn. He stayed for at the Loews State April 17 for the first time since December, 1947. recent conversation, “It’s Frankie’s Heading the first bill were Julius LaRosa, Ell a Fitzgerald, und Archie thr second tiiuw and went back There’s a good possibility that tone that moot impressed me at Bleyer , , . Nat Cole will be on Toast of the Town May 16 . Tony Kror more times. Frankie had de- Frankie soon may have a steady first. It has a depth, warmth, and bded to learn the trumpet and lead «ngarement at a new teen-age quality that "nak>-< him sound uke Bennett is nt the Boulevard in Queens. A few yean ago, ns Joe Bari, Eland.
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The A.I.P. Beach Movies - Cult Films Depicting Subcultural Activities Andrew Caine, University of Sunderland, UK
The A.I.P. Beach Movies - Cult Films Depicting Subcultural Activities Andrew Caine, University of Sunderland, UK The legendary Annette Funicello sings six songs from the AIP cult movie [Beach Party], along with six other sand-dusted ditties of equal inconsequence. Marvellous junk and, if nothing else, an artefact of the era when the leather-clad Eric Von Zipper ruled Southern California's beaches as no-one else has, before or since. (Dellar, 1997: 122) Describing "Annette's Beach Party" by Annette Funicello, the companion soundtrack album to Beach Party (1963), rock critic Fred Dellar associated this product of 1960s surfing culture with cult fandom. Significantly, the extract originates from the "nuggets", i.e. collectors page of the music magazine Mojo, itself a publication aimed primarily at dedicated enthusiasts of "classic rock". An original HMV mono copy of the album costs an estimated £40; an expensive sum for a star who never achieved a hit in Britain. The extract's actual wording also locates the film and Funicello within discourses on cult fandom, placing the movie and album within a specific historical context. Her music and films represent a bygone era, eminently of potential interest for the collectors and readers of Mojo. Moreover, Dellar's review contains a contradictory, love-hate tone. Funicello might be "legendary", but her music and films are effectively treated as entertaining kitsch of minimal artistic merit: surely it is paradoxical to write about "marvellous junk"? Other writers also assume that the A.I.P. (American International Pictures) beach movies belong within the broad generic category of cult movies.
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