Horn—Frankie Avalon Start
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
Issues of Gender in Muscle Beach Party (1964) Joan Ormrod, Manchester Metropolitan University, UK
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by E-space: Manchester Metropolitan University's Research Repository Issues of Gender in Muscle Beach Party (1964) Joan Ormrod, Manchester Metropolitan University, UK Muscle Beach Party (1964) is the second in a series of seven films made by American International Pictures (AIP) based around a similar set of characters and set (by and large) on the beach. The Beach Party series, as it came to be known, rode on a wave of surfing fever amongst teenagers in the early 1960s. The films depicted the carefree and affluent lifestyle of a group of middle class, white Californian teenagers on vacation and are described by Granat as, "…California's beautiful people in a setting that attracted moviegoers. The films did not 'hold a mirror up to nature', yet they mirrored the glorification of California taking place in American culture." (Granat, 1999:191) The films were critically condemned. The New York Times critic, for instance, noted, "…almost the entire cast emerges as the dullest bunch of meatballs ever, with the old folks even sillier than the kids..." (McGee, 1984: 150) Despite their dismissal as mere froth, the Beach Party series may enable an identification of issues of concern in the wider American society of the early sixties. The Beach Party films are sequential, beginning with Beach Party (1963) advertised as a "musical comedy of summer, surfing and romance" (Beach Party Press Pack). Beach Party was so successful that AIP wasted no time in producing six further films; Muscle Beach Party (1964), Pajama Party (1964) Bikini Beach (1964), Beach Blanket Bingo (1965) How to Stuff a Wild Bikini (1965) and The Ghost in the Invisible Bikini (1966). -
Drums • Bobby Bradford - Trumpet • James Newton - Flute • David Murray - Tenor Sax • Roberto Miranda - Bass
1975 May 17 - Stanley Crouch Black Music Infinity Outdoors, afternoon, color snapshots. • Stanley Crouch - drums • Bobby Bradford - trumpet • James Newton - flute • David Murray - tenor sax • Roberto Miranda - bass June or July - John Carter Ensemble at Rudolph's Fine Arts Center (owner Rudolph Porter)Rudolph's Fine Art Center, 3320 West 50th Street (50th at Crenshaw) • John Carter — soprano sax & clarinet • Stanley Carter — bass • William Jeffrey — drums 1976 June 1 - John Fahey at The Lighthouse December 15 - WARNE MARSH PHOTO Shoot in his studio (a detached garage converted to a music studio) 1490 N. Mar Vista, Pasadena CA afternoon December 23 - Dexter Gordon at The Lighthouse 1976 June 21 – John Carter Ensemble at the Speakeasy, Santa Monica Blvd (just west of LaCienega) (first jazz photos with my new Fujica ST701 SLR camera) • John Carter — clarinet & soprano sax • Roberto Miranda — bass • Stanley Carter — bass • William Jeffrey — drums • Melba Joyce — vocals (Bobby Bradford's first wife) June 26 - Art Ensemble of Chicago Studio Z, on Slauson in South Central L.A. (in those days we called the area Watts) 2nd-floor artists studio. AEC + John Carter, clarinet sat in (I recorded this on cassette) Rassul Siddik, trumpet June 24 - AEC played 3 nights June 24-26 artist David Hammond's Studio Z shots of visitors (didn't play) Bobby Bradford, Tylon Barea (drummer, graphic artist), Rudolph Porter July 2 - Frank Lowe Quartet Century City Playhouse. • Frank Lowe — tenor sax • Butch Morris - drums; bass? • James Newton — cornet, violin; • Tylon Barea -- flute, sitting in (guest) July 7 - John Lee Hooker Calif State University Fullerton • w/Ron Thompson, guitar August 7 - James Newton Quartet w/guest John Carter Century City Playhouse September 5 - opening show at The Little Big Horn, 34 N. -
Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph. -
LACMA Public Programs September 2014
Music, Film, and Education ^ LACMA Public Programs September 2014 Talk: The Art of Wine: Wine in Music: An Afternoon with the Ahn Outdoor Session: Photography Family Dynamic: Ingrid Calame the Age of Expressionism Sook Sun Ensemble at LACMA and Shelby Roberts with Willa TALKS & COURSES Symposium: Locating Expressionism Saturday, September 6 | 10 am –4 pm Sunday, September 7 | 10 am –4 pm Free and open to the public Noted art historians and scholars convene in this two-day symposium on the occasion of the exhibition Expressionism in Germany and France: From Van Gogh to Kandinsky to shed new light on the extraordinary response of artists in Germany and France to key developments in modern art in the early 20th century. For the first time in a major museum exhibition, LACMA presents Expressionism not as a distinctly German style, but as an international movement in which artists responded with various aesthetic approaches to the work of modern masters. The German side of the story has been less well known in the United States until just recently, and LACMA's groundbreaking exhibition provides visitors and scholars alike an opportunity to explore the nuances of the interrelationship between a group of artists that includes not just Van Gogh and Kandinsky, but Henri Matisse, Georges Braque, Andre Derain, Erich Heckel, Ernst Ludwig Kirchner, and many others. Sponsored by the museum and the Historians of German and Central European Art, topics presented explore in depth the relationship between French art and Germany artists, Cubism's impact, and the impact of non-Western art on European art from this era. -
Web.Roster.Pdf
2022-2023 Touring Roster Our 47th Year! Artrageous Artrageous, multi-talented live performance artists, world class singers & recording artists, highly trained dancers, audience motivators & veteran musicians hailing from the high desert of New Mexico. Their high energy performance is a combination of all arts on one stage combined with humor and interaction in a frenzy of movement and color. Artrageous’ passion for all things art and community brings their message of the arts being an integral and valuable part of human existence to the stage. Audiences of all ages sing, dance & clap along. Artrageous performs for theatre goers and celebrities alike. Their artworks are in private and public galleries around the world. “Go See This Show” – CBS TV, “Artrageous makes a HUGE impact” – Cobb Energy Center, “transform your community, bring Artrageous! It was magical!” – Farmington Civic Center, “this is the complete package! book the show and have a great time!” – Jay Wildstein PAC Peacherine Ragtime Society Orchestra A crowd favorite while performing at venues from The Kennedy Center, The Library of Congress, The American Film Institute, historic theaters, major performing arts centers, universities and more across the USA…PRSO is also a favorite on radio stations everywhere! Their programs highlight the music of the late 1800s and early 1900s, with selections by composers such as Irving Berlin, George Gershwin, W.C. Handy, Victor Herbert, George M. Cohan, and of course, the King of Ragtime, Scott Joplin. “Peacherine is the premiere American Ragtime Ensemble” –Washington Post “We need more!” –Baltimore Sun The Stage & Screen Spectacular This show sets PRSO apart from any other show you have ever presented. -
Beach Party Ci Nd Erella Study Guide
BEACH PARTY CI ND ERELLA STUDY GUIDE NASHVILLE OPERA CINDERELLA by Gioachino Rossini JUNE 12, 2021 The Ann & Frank Bumstead Production Special 90-minute Adaptation Ascend Amphitheater Directed by John Hoomes Conducted by Dean Williamson Featuring the Nashville Opera Orchestra CAST & CHARACTERS Cinderella (Angelina) Emily Fons* The Prince Matthew Grills* Dandini Jonathan Beyer* Don Magnifico Stefano de Peppo* Alidoro Christopher Curcuruto*† Tisbe Emilyl Cottam*† Clorinda Bryn Holdsworth* Brian Russell Jonas Grumby * Nashville Opera debut † 2021 Mary Ragland Emerging Artist TICKETS & INFORMATION Contact Nashville Opera at 615.832.5242 or visit nashvilleopera.org/cinderella SPONSORED BY ANN MARIE AND MARTIN M cNAMARA III NASHVILLE WITH SUPPORT FROM THE JUDY & NOAH SUE & EARL OPERA LIFF FOUNDATION SWENSSON THE STORY Rossini composed his version of the CINDERELLA folk tale in a staggering three weeks during 1817. He was only twenty-four years old at the time. Based on Charles Perrault’s CENDRILLON of 1697, La Cenerentola follows a common girl who dreams of a happier life and a prince who seeks to marry the most beautiful girl he can find. Rossini’s plot diverges from the fairy-tale tradition and takes a more realistic approach, with an endearing and sensible central character. Director John Hoomes brings some of the magic spirit back by setting the farcical tale by the sea in his BEACH BLANKET BINGO -inspired staging. THIS SYNOPSIS HAS BEEN UPDATED TO REFLECT JOHN HOOMES’S BEACH-PARTY STAGING It’s morning in the broken-down surf shop owned by Don and tells him to search for the young woman wearing the Magnifico. -
Lionel Hampton & His Big Band Live at the John
Lionel Hampton & His Big Band Live At The John Anson Ford Ampitheatre mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Live At The John Anson Ford Ampitheatre Country: US Released: 2001 Style: Bop, Big Band, Swing MP3 version RAR size: 1795 mb FLAC version RAR size: 1811 mb WMA version RAR size: 1310 mb Rating: 4.5 Votes: 158 Other Formats: VQF TTA VQF AHX AIFF VOC MOD Tracklist Gerald Wiggins Trio 1-1 Lover Man 6:10 1-2 Land Of Dreams 4:26 Harry Sweets Edison With Gerald Wiggins Trio 1-3 S' Wonderful 3:38 1-4 I Wish I Knew 5:50 1-5 There Will Never Be Another You 4:11 Ernie Andrews With Gerald Wiggins Trio Featuring Teddy Edwards 1-6 It Must Have Been Something I Dreamed Last Night 6:34 1-7 Everybody's Somebody's Fool 5:42 1-8 Fire & Rain 6:37 1-9 Don't Touch Me 5:55 Lionel Hampton And His Big Band 2-1 Halleluiah Again 7:55 2-2 Brand New Baby 6:36 2-3 Soul Serenade 6:38 2-4 Frankies Flat 6:51 2-5 Where Or When 5:22 2-6 When I Fall In Love 5:52 2-7 Hamp's Boogie Woogie 7:51 2-8 Night In Tunisia 7:57 2-9 Flying Home 7:25 2-10 What A Wonderful World 4:41 Companies, etc. Mastered At – Theta Sounds Studio, Burbank, California Credits Alto Saxophone, Clarinet – Marshall McDonald (tracks: 2-1 to 2-10) Alto Saxophone, Flute – Cleve Guyten (tracks: 2-1 to 2-10) Bass – Andy Simpkins* (tracks: 1-1 to 1-9), John Heard (tracks: 2-1 to 2-10) Design, Graphics – John C. -
Celebrating 41 Years of Family, Food, Great Entertainment, Fireworks And
STANDARD PRESORT THE US POSTAGE PAID MILWAUKEE, WI Permit No. 5716 PubIlishedT11 times aAnnually byLthe IAN TIMES Italian Community Center 631 E. Chicago St., Milwaukee, WI 53202 Become a member of the Italian www.ICCMilwaukee.com Community Center and you will receive JULY/AUGUST 2018 • VOL. 40, NO. 2 home delivery of this publication. SECTION A Your address label will be placed here. – CHANGE SERVICE REQUESTED – Celebrating 41 years of family, food, great entertainment, fireworks and tradition, Festa Italiana is ready to roll July 20-22 on Summerfest grounds Times photos by Paul Inzeo and John Ferraro Welcome to the 41st Cosa c’è dentro? What’s inside? Have that Festa feeling yet? Fast-paced futsal asks ICC President/ tournament page 35A Festa Chair Festa Italiana! Eat to your heart’s It is with great pleasure that we kee’s beautiful lakefront. Dean Cannestra page 3A delight at Festa page 36A publish the July/August 2018 Festa The staff of The Italian Times is Festa’s Grand Parade Italiana edition of The Italian looking forward to covering the fes - marches on page 4A Learn to play Times. We have attempted to pro - tival. Our reports on Festa Italiana bocce page 37A vide our readers with information will appear in the September 2018 Festa admission on nearly all aspects of the 41st an - issue. That issue will be published deals page 6A 41st Bocce Tournament nual Festa, produced by the volun - in late August. set for July 22 page 37A teer members of the Italian I wish to thank Barbara Col - Italian flag-throwers ready to thrill pages 8A-9A Fr. -
Earshot Jazz October 2001 (Festival Issue)
Welcome to the 13th ANNUAL Earshot Jazz Festival This year we come to our celebration of jazz, the remarkable A aron Parks, a sure sign tha t the fu land. typically regarded as a uniquely American manifes ture o f jazz is in good hands, at Tula’s. Seattle’s excit The production of the Earshot Jazz festival is tation of the creative spirit, with a tenacious grief ing Living Daylights headlines at the Rainbow that the collective effort o f many hard working staff, vol over the atrocities o f September 11th and a dark, un n igh t. unteers, and audience members. We are grateful to settled sense o f ou r future. T h e fu ll im pa ct o f these The big news in our festival this year concerns the many community members who provide input still-evolving events seems limitless — so large that two landmark concerts in two o f Seattle’s finest halls. and w o rk on the Earshot Jazz festival, and the in they appear to be ushering in an entire new “age.” We are honored to present Keith Jarrett with Gary creasing numbers of audience members who look A n age tha t no one seems qu ite ready to name. Peacock and Jack DeJohnette at Benaroya H all, and forward to each year’s offerings. Like jazz itself, our grief and uncertainty seem, the legendary Dave Brubeck Quartet at the Para This year we bring more artists to the region for at first glance, to be about America. -
1959 Jazz: a Historical Study and Analysis of Jazz and Its Artists and Recordings in 1959
GELB, GREGG, DMA. 1959 Jazz: A Historical Study and Analysis of Jazz and Its Artists and Recordings in 1959. (2008) Directed by Dr. John Salmon. 69 pp. Towards the end of the 1950s, about halfway through its nearly 100-year history, jazz evolution and innovation increased at a faster pace than ever before. By 1959, it was evident that two major innovative styles and many sub-styles of the major previous styles had recently emerged. Additionally, all earlier practices were in use, making a total of at least ten actively played styles in 1959. It would no longer be possible to denote a jazz era by saying one style dominated, such as it had during the 1930s’ Swing Era. This convergence of styles is fascinating, but, considering that many of the recordings of that year represent some of the best work of many of the most famous jazz artists of all time, it makes 1959 even more significant. There has been a marked decrease in the jazz industry and in stylistic evolution since 1959, which emphasizes 1959’s importance in jazz history. Many jazz listeners, including myself up until recently, have always thought the modal style, from the famous 1959 Miles Davis recording, Kind of Blue, dominated the late 1950s. However, a few of the other great and stylistically diverse recordings from 1959 were John Coltrane’s Giant Steps, Ornette Coleman’s The Shape of Jazz To Come, and Dave Brubeck’s Time Out, which included the very well- known jazz standard Take Five. My research has found many more 1959 recordings of equally unique artistic achievement. -
Wetf Id 0:01:4
TIME ARTIST TITLE ALBUM 0:01:34 -------------- Hour Marker -------------- 0000 (12am 4/25/2018) 0:01:36 ~[000000] WETF ID 0:01:40 PROMO Front Row Seat 0:02:10 Jon Hendricks Stardust Freddie Freeloader 0:05:52 Béla Fleck; Edgar Meyer; Zakir Hussain In Conclusion, for banjo, tabla & double bass Melody of Rhythm: Triple Concerto & Music for Trio 0:12:12 Pérez Prado Guantanamera Hall of Fame: Historia Musical, Vol. 2 Disc 2 0:15:27 Jazz Funk Soul D.C. Jazz Funk Soul 0:19:22 Fred Knapp Trio Surry Hills How Deep Is The Ocean 0:23:48 Ray Charles Unchain My Heart Anthology 0:26:31 Billie Holiday; Teddy Wilson Miss Brown to You Lady Day: The Master Takes and Singles Disc 1 0:29:28 Sergio Mendes Viramundo Celebration: A Musical Journey Disc 1 0:32:22 Dave Samuels Mambo de Luna (Para Cachao) Mosaic 0:39:11 Glenn Miller I Close My Eyes 0:41:39 Gus Arnheim And His Orchestra Feelin' Good Gus Arnheim: From Films And Records 0:44:53 Loading playlist for 01:00 0:44:59 Joe Probst Tune for the Toes Kickin' Back 0:47:30 Rabo de Lagartixa Que Graca! Quebra-Queixo: Jawbreaker 0:51:57 Joe Henderson Blues on the Corner The Blue Note Years (Disc 4) 0:57:51 Bobby Morganstein Besame Mucho Party Request Series, Vol. 2: Latin & Ballroom 1:00:52 Skipped Track: "Choc Quib Town; Santana; Ziggy Marley"Iron Lion Zion 1:00:52 -------------- Hour Marker -------------- 0100 (1am 4/25/2018) 1:00:54 ~[010000] WETF ID 1:00:58 Cities 1:01:36 Renato Anesi A Ginga do Mané Dez Anos Depois 1:04:29 Benny Green Kaleidoscope Kaleidoscope 1:13:12 Martin Hesselbach, Corman, And Roberto