Hot Charts – 1945
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Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
Drums • Bobby Bradford - Trumpet • James Newton - Flute • David Murray - Tenor Sax • Roberto Miranda - Bass
1975 May 17 - Stanley Crouch Black Music Infinity Outdoors, afternoon, color snapshots. • Stanley Crouch - drums • Bobby Bradford - trumpet • James Newton - flute • David Murray - tenor sax • Roberto Miranda - bass June or July - John Carter Ensemble at Rudolph's Fine Arts Center (owner Rudolph Porter)Rudolph's Fine Art Center, 3320 West 50th Street (50th at Crenshaw) • John Carter — soprano sax & clarinet • Stanley Carter — bass • William Jeffrey — drums 1976 June 1 - John Fahey at The Lighthouse December 15 - WARNE MARSH PHOTO Shoot in his studio (a detached garage converted to a music studio) 1490 N. Mar Vista, Pasadena CA afternoon December 23 - Dexter Gordon at The Lighthouse 1976 June 21 – John Carter Ensemble at the Speakeasy, Santa Monica Blvd (just west of LaCienega) (first jazz photos with my new Fujica ST701 SLR camera) • John Carter — clarinet & soprano sax • Roberto Miranda — bass • Stanley Carter — bass • William Jeffrey — drums • Melba Joyce — vocals (Bobby Bradford's first wife) June 26 - Art Ensemble of Chicago Studio Z, on Slauson in South Central L.A. (in those days we called the area Watts) 2nd-floor artists studio. AEC + John Carter, clarinet sat in (I recorded this on cassette) Rassul Siddik, trumpet June 24 - AEC played 3 nights June 24-26 artist David Hammond's Studio Z shots of visitors (didn't play) Bobby Bradford, Tylon Barea (drummer, graphic artist), Rudolph Porter July 2 - Frank Lowe Quartet Century City Playhouse. • Frank Lowe — tenor sax • Butch Morris - drums; bass? • James Newton — cornet, violin; • Tylon Barea -- flute, sitting in (guest) July 7 - John Lee Hooker Calif State University Fullerton • w/Ron Thompson, guitar August 7 - James Newton Quartet w/guest John Carter Century City Playhouse September 5 - opening show at The Little Big Horn, 34 N. -
Perry Como Dreamer's Holiday Mp3, Flac, Wma
Perry Como Dreamer's Holiday mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop Album: Dreamer's Holiday Country: UK Released: 1961 Style: Ballad MP3 version RAR size: 1593 mb FLAC version RAR size: 1247 mb WMA version RAR size: 1509 mb Rating: 4.7 Votes: 342 Other Formats: AHX ADX MMF APE FLAC VOC ASF Tracklist Hide Credits My Love And Devotion A1 Featuring – Mitchell Ayres And His Orchestra To Know You Is To Love You A2 Featuring – Betty Hutton The Rose Tattoo A3 Featuring – Mitchell Ayres And His Orchestra Kewpie Doll A4 Featuring – The Ray Charles Singers The Things I Didn't Do A5 Featuring – The Ray Charles Singers Tumbling Tumbleweeds B1 Featuring – The Sons Of The Pioneers Just Born (To Be Your Baby) B2 Featuring – Mitchell Ayres And His Orchestra, The Ray Charles Singers Ivy Rose B3 Featuring – Mitchell Ayres And His Orchestra, The Ray Charles Singers Watchin' The Trains Go By B4 Featuring – Mitchell Ayres And His Orchestra & Chorus Rollin' Stone B5 Featuring – Mitchell Ayres And His Orchestra, The Fontane Sisters Notes 1961 The Decca Record Company Limited Other versions Category Artist Title (Format) Label Category Country Year Dreamer's Holiday (LP, CAL 582 Perry Como RCA Camden CAL 582 US 1961 Album, Mono) Dreamer's Holiday (LP, CAL 582 Perry Como RCA Camden CAL 582 Canada 1960 Mono) Dreamer's Holiday (2xLP, CDN 149 Perry Como RCA Camden CDN 149 UK Unknown S/Sided) Dreamers' Holiday (LP, CAL 582 Perry Como RCA Camden CAL 582 US Unknown Comp) Related Music albums to Dreamer's Holiday by Perry Como Perry Como With Mitchell Ayres And His Orchestra And The Ray Charles Singers - More Perry Como With Mitchell Ayres And His Orchestra and Chorus - Eli, Eli Perry Como With Mitchell Ayres Orchestra And The Ray Charles Singers - Magic Moments / Catch A Falling Star Perry Como - Somebody Up There Likes Me Perry Como With Mitchell Ayres Orch. -
The Sam Eskin Collection, 1939-1969, AFC 1999/004
The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia. -
LACMA Public Programs September 2014
Music, Film, and Education ^ LACMA Public Programs September 2014 Talk: The Art of Wine: Wine in Music: An Afternoon with the Ahn Outdoor Session: Photography Family Dynamic: Ingrid Calame the Age of Expressionism Sook Sun Ensemble at LACMA and Shelby Roberts with Willa TALKS & COURSES Symposium: Locating Expressionism Saturday, September 6 | 10 am –4 pm Sunday, September 7 | 10 am –4 pm Free and open to the public Noted art historians and scholars convene in this two-day symposium on the occasion of the exhibition Expressionism in Germany and France: From Van Gogh to Kandinsky to shed new light on the extraordinary response of artists in Germany and France to key developments in modern art in the early 20th century. For the first time in a major museum exhibition, LACMA presents Expressionism not as a distinctly German style, but as an international movement in which artists responded with various aesthetic approaches to the work of modern masters. The German side of the story has been less well known in the United States until just recently, and LACMA's groundbreaking exhibition provides visitors and scholars alike an opportunity to explore the nuances of the interrelationship between a group of artists that includes not just Van Gogh and Kandinsky, but Henri Matisse, Georges Braque, Andre Derain, Erich Heckel, Ernst Ludwig Kirchner, and many others. Sponsored by the museum and the Historians of German and Central European Art, topics presented explore in depth the relationship between French art and Germany artists, Cubism's impact, and the impact of non-Western art on European art from this era. -
ARTIST INDEX(Continued)
ChartARTIST Codes: CJ (Contemporary Jazz) INDEXINT (Internet) RBC (R&B/Hip-Hop Catalog) –SINGLES– DC (Dance Club Songs) LR (Latin Rhythm) RP (Rap Airplay) –ALBUMS– CL (Traditional Classical) JZ (Traditional Jazz) RBL (R&B Albums) A40 (Adult Top 40) DES (Dance/Electronic Songs) MO (Alternative) RS (Rap Songs) B200 (The Billboard 200) CX (Classical Crossover) LA (Latin Albums) RE (Reggae) AC (Adult Contemporary) H100 (Hot 100) ODS (On-Demand Songs) STS (Streaming Songs) BG (Bluegrass) EA (Dance/Electronic) LPA (Latin Pop Albums) RLP (Rap Albums) ARB (Adult R&B) HA (Hot 100 Airplay) RB (R&B Songs) TSS (Tropical Songs) BL (Blues) GA (Gospel) LRS (Latin Rhythm Albums) RMA (Regional Mexican Albums) CA (Christian AC) HD (Hot Digital Songs) RBH (R&B Hip-Hop) XAS (Holiday Airplay) DEC CA (Country) HOL (Holiday) NA (New Age) TSA (Tropical Albums) CS (Country) HSS (Hot 100 Singles Sales) RKA (Rock Airplay) XMS (Holiday Songs) CC (Christian) HS (Heatseekers) PCA (Catalog) WM (World) CST (Christian Songs) LPS (Latin Pop Songs) RMS (Regional Mexican Songs) 5 CCA (Country Catalog) IND (Independent) RBA (R&B/Hip-Hop) DA (Dance/Mix Show Airplay) LT (Hot Latin Songs) RO (Hot Rock Songs) 2020 $NOT HS 17, 19 JUSTIN BIEBER B200 176, 183; HOL 23; RBL MARSHMELLO EA 4; AK 4; DA 30; DES 7, 16; -E- BOBBY HELMS B200 134; CA 18; PCA 43; THE KID LAROI B200 15; RBA 6; RLP 6; H100 21; A40 7, 17, 24; AC 27, 28; DA 36; H100 6, 8, H100 60; MO 15; RKA 19; RO 4; STM 44 H100 31; HA 41; HD 36; ODS 14; STM 18; 100 21 SAVAGE B200 32; RBA 14; RLP 12; H100 65; EAGLES B200 182; -
Th E MITCHELL AYRES and ORCHESTRA
Th e ___________ ___ _ ~~~~~~~~~~Established 1878 Vol. LXIV No. ~9 ~ PHILLIPS ACADEMY, ANDOVER, MASS., WEDNESDAY, MAY 29, 1940 Ten Cents P.A. CINDERMEN PLACE 'Notice JUNIOR PROM COMMITTEE SIGNS SECOND TO EXONIANS There will be a special op- INPRESCHOO MEETtional review class for Upper MITCHELL IN SCHOL-MEETPRE -1-lidlers taig AYRES the _______________________________________ AND course in ORCHESTRA 'Music Appreciation, in, the Coch- Three Andover Men Take Firsts; ra Chplo ensa v'MIRROR CONTRIBUTIONS--- "FSIN NM SC Ran HamersTack Mien ning, May 29th, at 6:45. FINALLY SCRAPED UP FoElaAATPomRHONHENU 2 OnTchNew FieldThe annual competition for -___ ______ ETRDHR U E1 prizes for piano, organ, and or- Stephenson, Curley, HammondVestl EXETER IS Twve-PceBn VICTOR chestral instruments will take AmnVe uhr eardl Swem-ee Over Blue Scores In Every Event plaeni-Cochran ate7on0 In Issue C. B. S. Network - Except Low Hurdles Mna vnn~in ,a :0 Compositions for the prize in After much coaxing and search- TWO VOCALIST¶S INCLUDED Wallo~vngin he mudof the musical composition should be ing the Mirror oard has finally ~~'~ newfildTch i CambidgeSat- handed in to Dr. Pfatteicher not been able to scrape up enough ma- 28,00 iros oDeort late than Monday even-ing. June terial with urday, twelve which t produce the - - 28,0 MirsToDcat local schools fought 3 eria su ftisya.Tog h Borden Gymnasium it out for top honors in the first fnliseo hsya.Tog New England preparatory school h Te competition for the prize pickings this term were extremely Micel-yehi FshosI meet.Exetewonwith 1* ponts, for ienti fying recordings will meagre, there were a few very Music" and his orchestra and the P. -
HMV VSG-Serien
HMV VSG - Serien Udsendt i Danmark En Illustreret Diskografi Samlet af © René Aagaard 2018 Serien indeholder stort set kun amerikanske udgivelser med forholdsvis kendte musikere og sangere. Der blev bl.a. udgivet en lang række fine jazzoptagelser. Desværre er den ikke komplet. Tak til Druedahl/Lorentzen - samlingen for lån af plader. hilsen René Aagaard Allerød Påsken 2018 År Matrice Titel mv. Plademærke VSG 1 1952 Doodlet own fifers VSG 2 William Finegan - Edward Sauter Sauter - Finegan Orchestra 1952 Rain VSG 2 Eugene Ford Sauter - Finegan Orchestra 1952 E2 - VB - 6140 Espanharlem VSG 3 William - J. Reddick Ralph Flanagan And his Orchestra Trommer: Jimmy Ca mpbell 1952 E2 - VB - 6141 The Balboa VSG 3 Nancy Reed - Moose Charlap Ralph Flanagan And his Orchestra 1952 E2 - VB - 6369 Strange Sensation VSG 4 Kay Twomey - Fred Wise - Ben Weisman June Valli with Orchestra 1952 E2 - VB - 6370 So Ma dly in Love VSG 4 Kim Gannon - Mabel Wayne June Valli with Orchestra 1952 E2 - VB - 6610 To K now Y ou (i s to L ove Y ou ) VSG 5 Allan Roberts - Robert Allen Perry Como & The Fontane Sisters with Mitchell Ayres and his Orchestra 1952 E2 - VB - 7280 My lady loves to dance VSG 5 Sammy Gallop - Milton DeLugg Perry Como with Mitchell Ayres and his Orchestra 1952 E2 - XB - 6092 Gypsy S amba VSG 6 Garoto Fafa Lamos his violin and his Orchestra 1952 E2 - XB - 6093 Granfin o - Baiao VSG 6 Fafa Lamos Fafa Lamos his violin and his Orchestra 1952 E2 - VB - 6958 Secret Kisses VSG 7 Robert Hawkins - Nat Stan Frankie Carle and His Orchestra Vocal refrain by The Skylarks 1952 E2 - VB - 6959 Strolling in Lovers’ Lane VSG 7 B en Raleigh – Guy Wood – Vincent Scotto Frankie Carle and His Orchestra Vocal refrain by The Skylarks 1952 E2 - VB - 7369 Blue Violins VSG 8 Ray Martin Hugo Winterhalter and his Orchestra 1952 E2 - VB 7370 Fandango VSG 8 Johnny Bradford – Frank Perskins Hugo Winterhalter and his Orchestra 1945.04.05. -
Lionel Hampton & His Big Band Live at the John
Lionel Hampton & His Big Band Live At The John Anson Ford Ampitheatre mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Live At The John Anson Ford Ampitheatre Country: US Released: 2001 Style: Bop, Big Band, Swing MP3 version RAR size: 1795 mb FLAC version RAR size: 1811 mb WMA version RAR size: 1310 mb Rating: 4.5 Votes: 158 Other Formats: VQF TTA VQF AHX AIFF VOC MOD Tracklist Gerald Wiggins Trio 1-1 Lover Man 6:10 1-2 Land Of Dreams 4:26 Harry Sweets Edison With Gerald Wiggins Trio 1-3 S' Wonderful 3:38 1-4 I Wish I Knew 5:50 1-5 There Will Never Be Another You 4:11 Ernie Andrews With Gerald Wiggins Trio Featuring Teddy Edwards 1-6 It Must Have Been Something I Dreamed Last Night 6:34 1-7 Everybody's Somebody's Fool 5:42 1-8 Fire & Rain 6:37 1-9 Don't Touch Me 5:55 Lionel Hampton And His Big Band 2-1 Halleluiah Again 7:55 2-2 Brand New Baby 6:36 2-3 Soul Serenade 6:38 2-4 Frankies Flat 6:51 2-5 Where Or When 5:22 2-6 When I Fall In Love 5:52 2-7 Hamp's Boogie Woogie 7:51 2-8 Night In Tunisia 7:57 2-9 Flying Home 7:25 2-10 What A Wonderful World 4:41 Companies, etc. Mastered At – Theta Sounds Studio, Burbank, California Credits Alto Saxophone, Clarinet – Marshall McDonald (tracks: 2-1 to 2-10) Alto Saxophone, Flute – Cleve Guyten (tracks: 2-1 to 2-10) Bass – Andy Simpkins* (tracks: 1-1 to 1-9), John Heard (tracks: 2-1 to 2-10) Design, Graphics – John C. -
Earshot Jazz October 2001 (Festival Issue)
Welcome to the 13th ANNUAL Earshot Jazz Festival This year we come to our celebration of jazz, the remarkable A aron Parks, a sure sign tha t the fu land. typically regarded as a uniquely American manifes ture o f jazz is in good hands, at Tula’s. Seattle’s excit The production of the Earshot Jazz festival is tation of the creative spirit, with a tenacious grief ing Living Daylights headlines at the Rainbow that the collective effort o f many hard working staff, vol over the atrocities o f September 11th and a dark, un n igh t. unteers, and audience members. We are grateful to settled sense o f ou r future. T h e fu ll im pa ct o f these The big news in our festival this year concerns the many community members who provide input still-evolving events seems limitless — so large that two landmark concerts in two o f Seattle’s finest halls. and w o rk on the Earshot Jazz festival, and the in they appear to be ushering in an entire new “age.” We are honored to present Keith Jarrett with Gary creasing numbers of audience members who look A n age tha t no one seems qu ite ready to name. Peacock and Jack DeJohnette at Benaroya H all, and forward to each year’s offerings. Like jazz itself, our grief and uncertainty seem, the legendary Dave Brubeck Quartet at the Para This year we bring more artists to the region for at first glance, to be about America. -
1959 Jazz: a Historical Study and Analysis of Jazz and Its Artists and Recordings in 1959
GELB, GREGG, DMA. 1959 Jazz: A Historical Study and Analysis of Jazz and Its Artists and Recordings in 1959. (2008) Directed by Dr. John Salmon. 69 pp. Towards the end of the 1950s, about halfway through its nearly 100-year history, jazz evolution and innovation increased at a faster pace than ever before. By 1959, it was evident that two major innovative styles and many sub-styles of the major previous styles had recently emerged. Additionally, all earlier practices were in use, making a total of at least ten actively played styles in 1959. It would no longer be possible to denote a jazz era by saying one style dominated, such as it had during the 1930s’ Swing Era. This convergence of styles is fascinating, but, considering that many of the recordings of that year represent some of the best work of many of the most famous jazz artists of all time, it makes 1959 even more significant. There has been a marked decrease in the jazz industry and in stylistic evolution since 1959, which emphasizes 1959’s importance in jazz history. Many jazz listeners, including myself up until recently, have always thought the modal style, from the famous 1959 Miles Davis recording, Kind of Blue, dominated the late 1950s. However, a few of the other great and stylistically diverse recordings from 1959 were John Coltrane’s Giant Steps, Ornette Coleman’s The Shape of Jazz To Come, and Dave Brubeck’s Time Out, which included the very well- known jazz standard Take Five. My research has found many more 1959 recordings of equally unique artistic achievement. -
Wilson I\Amed Coed Colonel
H A LA SO U r AS COACH D II K Last Issue— This Term 0 Sides and Angles of Drexel News Vol. XVIII Z-042 PA., FRIDAY, FEBRUARY 27, 1942 No. 16 Fir9»huffH- Tau Beta Pi Close Loiiniie Extends Bids -Misuse of the Men’s Lounge l)y the student body caused the closing To Seven M en of the room this week. On three separate occasions in the eaily part of the week fires have One Senior and Six started because of the careless meth od of disposing of matches and Juniors to Be Initiated lighted cigarettes. These fires have jeopardized the furniture in the Over Next Weekend lounge and were potential dangers Seven of Drexel's outstanding en to the entire Kandall Hall. gineering students have been bid liV alteP IlSlljljii 'fx' ■'fideHnrs during one of last fa irs Dean Stratton in taking such to membership in the lociilZeta chap lindiron ronlesls. 'this pasi season, his tif- action said that the lounge Avcmld ter of Tau liet'i Pi, national hon leentli here.., innds up his coaching' career at Tech. be reojpened on Monday in the ho])e orary society for engineers. The that students would coo))erate in jire- selections were made on the basis venting a repetition of such con of scholastic rating, character and flagration. participation in school activities. Me Mains, Repscha Also One man from the senior class, Morton lierman, is to be initiated Dropped in Grid Shakeuj); 'vitli the following men from the junior class: Willijini Rice, Clifford liurdick, Allan Cowell, Charles An- Heffner Diamond Mentor D rexel O pens drrman, Josejih Vill, and Basil Ster- giopoulos.