“When Swing Was King”

Total Page:16

File Type:pdf, Size:1020Kb

“When Swing Was King” Did You Know? “When Swing Was King” Female singers in the big band Summer Newsletter and jazz era were often called canaries, a nickname reminiscent of those small, lovely songbirds. Well, here are a few canaries who started with big bands before their careers really took off. A Big Band Quiz 1) Which record was Bing Crosby’s Dale Evans first million seller? (Anson Weeks Orchestra) 2) Which big band was billed as playing “the sweetest music this side of heaven.” Dorothy Lamour 3) What NBC radio program ran from (Herbie Kaye Orchestra) Sed porttitor imperdiet odio. Sed ut leo.1936 -1959 featuring bands and singers[Date] doing the popular songs of the week? Rosemary Clooney 4) This singer, composer, and lyricist was (Tony Pastor Orchestra) also a co-founder of Capitol Records. Who was he? Harriet Hilliard Nelson 5) Vito Rocco Farinola is the ( Ozzie Nelson Orchestra) real name of what singer? 6) What big band leader recorded the Doris Day theme song for Dick Clark’s (Bob Crosby and “American Bandstand”? Les Brown Orchestras) 7) What were the top 3 songs in the summer of 1945? Dorothy Dandridge 8) When the Hollywood Palladium (Jimmie Lunceford Orchestra) opened in 1940, the nation’s top band performed. What was it? Kay Starr 9) The 1947 Rock-Ola, the 1952 Seeburg (Glenn Miller, Charlie Barnet, M100C, and the 1946 Wurlitzer 1015 and Joe Venuti Orchestras) are not cars. So, what are they? 10) What great singer/actress started as a Dinah Shore chorus girl at New York’s Cotton Club? (Xavier Cugat Orchestra) The Tops On Campus Starting in 1938, Billboard began a “College Music Poll,” asking students across America who were A Note from Denny & Claire their favorite big Last July I celebrated my 65th birthday by bands and vocalists. hiking up Mt. Bierstadt, one of Colorado’s Here are the lists for the year 1945. famed 14er mountains – named so because they are above 14,000 feet in elevation. And * Favorite Bands: Number One even though I swore I would never do was a tie between Tommy Dorsey anything like that again because it was so and Harry James. The late Glenn difficult and exhausting, I find myself planning another climb this year too. Miller came in third and Benny Goodman took fourth. Will I make it to the summit again? Well, I’m certainly praying to that end. However, * Most Promising New Bands: the most important goal is simply doing 1) Stan Kenton 2) Hal McIntyre what I can. Indeed, that’s been a theme of 3) Les Brown my life ever since my conversion to Christianity, a decision made when I was 19 years old. You’ve probably heard it put it * Favorite Female Singers: this way – “God doesn’t ask for our success. 1) Dinah Shore 2) Jo Stafford He only asks our faithfulness.” 3) Ginny Simms That’s what Claire and I strive for in our * Favorite Male Singers: lives, our prayers, and our ministries. To be 1) Bing Crosby 2) Frank Sinatra faithful, grateful, and joyful in serving the 3) Dick Haymes Lord…and leaving the results up to Him. Oh yes, in climbing that mountain, I’ll be working hard to get to the summit. But the main thing is to do my best, enjoy the adventure, and keep my priorities in the right place. “I will lift up my eyes to the mountains from where shall my help come? My help comes from the Lord Who made heaven and earth.” (Psalm 121:1-2, NASB) 2 Spotlight on “Stardust” The story goes that Hoagy Carmichael wrote “Stardust” in 1927 on an old piano in The Book Nook, an alumni hangout on the Indiana University campus. The first recording of the song was by Hoagy himself on Gennett Records, a small company out of Nunc cursus magna quis Richmond, Indiana. But he certainly didn’t imagine the immense success the song would bring him. Indeed, “Stardust” has been recorded by more artists than any other song in history. And translated into more than 40 languages too. It was originally written as a fast-paced jazz instrumental but after Mitchell Parrish wrote lush, romantic lyrics to the song two years later, almost all versions of the song have been played slow and romantic. The best version of “Stardust”? If I can be so bold to state my own opinion, the best instrumental version would be Artie Shaw’s with the best vocal recordings being a tie between Bing Crosby and Nat King Cole. (Answers to Page 1 Quiz) They Said It… 1) Sweet Leilani (1937) “If I don’t practice for a day, I know it. 2) Guy Lombardo & his Royal If I don’t practice for two days, the Canadians critics know it. And if I don’t practice 3) Your Hit Parade for three days, the public knows it.” 4) Johnny Mercer (Louis Armstrong) 5) Vic Damone 6) Les Elgart “If you want to do something, go do it! 7) “I’ll Be Seeing You” (Bing And handle the obstacles as they come.” Crosby), “I’ll Get By” (Harry (Benny Goodman) James), and “Swingin’ on a Star” (Bing Crosby). “Gratitude is when memory is stored in 8) The Tommy Dorsey Orchestra the heart and not in the mind.” 9) Jukeboxes (Lionel Hampton) 10) Lena Horne 3 So Beautifully Phrased… “Summer's lease hath all too short a date.” (William Shakespeare, The Sonnets) “What good is the warmth of summer, without the cold of winter to give it sweetness.” (John Steinbeck) “You [O God] have established all the boundaries of the earth; You have made summer and winter.” (Psalm 74:17, NASB) “The crickets felt it was their duty to warn everybody that summertime cannot last for ever. Even on the most beautiful days in the whole year – the days when summer is changing into autumn – the crickets spread the rumor of sadness and change.” (E.B. White, Charlotte's Web) “Then all the people returned from all the places to which they had been driven away and came to the land of Judah…and gathered in wine and summer fruit in great abundance.” (Jeremiah 40:12, NASB) “To see the Summer Sky Is Poetry, though never in a Book it lie – True Poems flee” (Emily Dickinson) “In summer, the song sings itself.” (William Carlos Williams) “Then followed that beautiful season...Summer.... Filled was the air with a dreamy and magical light; and the landscape Lay as if new created in all the freshness of childhood.” (Henry Wadsworth Longfellow) “Summer afternoon -- summer afternoon; to me those have always been the two most beautiful words in the English language.” (Henry James) “Now learn the parable from the fig tree: when its branch has already become tender and puts forth its leaves, you know that summer is near.” (Matthew 24:32, NASB) .
Recommended publications
  • Record Series 1121-105, W. W. Law Music Collection Album Artwork
    Record Series 1121‐105, W. W. Law Music Collection Album Artwork Inventory Alphabetically by Title Title Genre Box # / Folder #Associated with Box # / Folder # A Lincoln Portrait Music for the stage 1121‐105‐0043/FF04 1121‐105‐0029/FF2 A Nation Is Born; A Historic Vote For A Jewish State Narrative recordings‐‐ Addresses (speeches) 1121‐105‐0035/FF01 1121‐105‐0031/FF1 A Porter's Love Song/Since I've Been With You Jazz 1121‐105‐0037/FF08 1121‐105‐0005/FF4 American Spirituals Sacred music‐‐ Spirituals (songs) 1121‐105‐0035/FF03 1121‐105‐0022/FF12 Baby Daddy/Joogie Boogie Jazz 1121‐105‐0036/FF07 1121‐105‐0002/FF8 Ballad For Americans Classical music‐‐ Cantatas 1121‐105‐0036/FF01 1121‐105‐0007/FF7 Blues by Basie Blues (music) 1121‐105‐0037/FF03 1121‐105‐0033/FF9 Brahms Concerto No. 2, in B Flat Major, Op. 83 Classical music‐‐ Concertos 1121‐105‐0039/FF05 1121‐105‐0019/FF2 Brahms Symphony No. 3 In F, Op. 90 Classical Music‐‐Symphonies 1121‐105‐0040/FF04 1121‐105‐0019/FF1 Classical Music‐‐Symphonies 1121‐105‐0041/FF06 1121‐105‐0018/FF1 Cantorial Jewels Saturday, April 02, 2016 Page 1 of 6 Title Genre Box # / Folder #Associated with Box # / Folder # Sacred music 1121‐105‐0043/FF01 1121‐105‐0024/FF1 Concerto in C; (In The Style of Vivaldi) Classical music‐‐ Concertos 1121‐105‐0040/FF03 1121‐105‐0021/FF3 Concerto in D Major for Violin and Orcestra, Op. 77 Classical music‐‐ Concertos 1121‐105‐0042/FF02 1121‐105‐0009/FF1 Concerto in D Major for Violin and Orchestra, Op.
    [Show full text]
  • FOR SHORE the LPGA Tournament Now Known As the ANA Inspiration Has a Rich History Rooted in Celebrity, Major Golf Milestones, and One Special Leap
    DRIVING AMBITION In the inaugural tournament bearing her name, Dinah Shore was reportedly more concerned about her “golfing look” than her golfing score. Opposite: In 1986, the City of Rancho Mirage honored the entertainer by naming a street after her. Dinah’s Place, FOR SHORE The LPGA tournament now known as the ANA Inspiration has a rich history rooted in celebrity, major golf milestones, and one special leap. by ROBERT KAUFMAN photography from the PALM SPRINGS LIFE ARCHIVES NE OF THE MOST SERENDIPITOUS Palmolive. Already a mastermind at selling toothpaste and soaps, Foster moments in the history of women’s professional recognized women’s golf as a platform ripe for promoting sponsors — but if golf stems from the day Frances Rose “Dinah” the calculating businessman were to roll the dice, the strategy must provide Shore entered the world. In a twist of fate just a handsome return on the investment. over a half century following leap day, Feb. 29, During this era, famous entertainers, including Bob Hope, Bing Crosby, 1916, the future singer, actress, and television Andy Williams, and Danny Thomas, to name a few, were already marquee personality would emerge as a major force names on PGA Tour events. Without any Hollywood influence on the LPGA behind the women’s sport, leaping into a Tour, Foster enlisted his A-list celebrity, Dinah Shore, whose daytime talk higher stratosphere with the birth of the Colgate-Dinah Shore Winner’s show “Dinah’s Place” was sponsored by Colgate-Palmolive, Circle Oin 1972. to be his hostess. The top-charting female vocalist While it may have taken 13 tenacious female golfers — the likes of Babe of the 1940s agreed.
    [Show full text]
  • Big Band Arrangers of the Swing Era Selected List
    Big Band Arrangers of the Swing Era Selected list Band leader Arrangers Tex Beneke Henry Mancini Jimmy Dorsey Tutti Camarata Sonny Burke Tommy Dorsey Paul Weston Sy Oliver Axel Stordahl Benny Goodman Eddie Sauter Buster Harding Fletcher Henderson Horace Heidt Frank DeVol Woody Herman Heil Hefti Ralph Burns Igor Stravinsky Harry James Leroy Holmes Dave Mathews Isham Jones Gordon Jenkins Hal Kemp John Scott Trotter Elliot Lawrence Gerry Mulligan Ray McKinley Eddie Sauter Red Norvo Eddie Sauter Artie Shaw Ray Conniff Johnny Mandel Buster Harding Charlie Spivak Nelson Riddle Claude Thornhill Gil Evans Leader/Arranger Arranger Count Basie Buster Smith Jimmy Mundy Andy Gibson Herschel Evans Cab Calloway Foots Thomas Harry White Duke Ellington Billy Strayhorn Earl Hines Jimmy Mundy Budd Johnson Stan Kenton Pete Rugolo Bill Holman Andy Kirk Mary Lou Williams Earl Thompson Glen Miller Bill Finegan Billy May Claude Thornhill Gil Evans Bill Borden Gerry Mulligan Chick Webb Edgar Sampson Charlie Dixon Andy Gibson Herschel Evans Leader/Arranger Les Brown Benny Carter Larry Clinton Will Hudson Elliot Lawrence Russ Morgan Ray Noble Boyd Raeburn Raymond Scott Musicians in Bands that were Important Arrangers Leader Arranger Instrument Bob Crosby Bob Haggart bass Matty Matlock saxophone Deane Kincaide saxophone Jimmy Dorsey Tutti Camarata trumpet Joe Lipman piano Woody Herman Heil Hefti trumpet Ralph Burns piano Hal Kemp John Scott Trotter piano Gene Krupa Gerry Mulligan saxophone Jimmy Lunceford Sy Oliver trumpet Glen Miller Henry Mancini piano Artie Shaw Ray Conniff trombone Johnny Mandel trombone Charlie Spivak Nelson Riddle trombone .
    [Show full text]
  • Jazz and the Cultural Transformation of America in the 1920S
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive.
    [Show full text]
  • Hits from the 1940S
    Hits from the 1940s ¯ Boogie Woogie Bugle Boy – Andrews Sisters ¯ Chattanooga Choo Choo – Glenn Miller ¯ Cool Water – Sons of the Pioneers ¯ Don’t Fence Me In – Bing Crosby/Andrews Sisters ¯ Don’t Get Around Much Anymore – Ink Spots/Duke Ellington ¯ Don’t Sit Under the Apple Tree – Glenn Miller/Andrews Sisters ¯ I Love You (For Sentimental Reasons) – Nat King Cole/Dinah Shore ¯ I’ll Be Seeing You – Bing Crosby/Liberace ¯ I’m Looking Over a Four Leaf Clover – Art Mooney ¯ Jingle Jangle Jingle – Kay Kysor/Gene Autry ¯ Peg O’ My Heart – Harmonicats ¯ Sentimental Journey – Doris Day/Les Brown ¯ Star Dust – Artie Shaw ¯ Stormy Weather – Lena Horne ¯ Swinging on a Star – Bing Crosby ¯ Take the “A” Train – Duke Ellington ¯ The White Cliffs of Dover – Vera Lynn/Kay Kysor/Glenn Miller ¯ This Land is Your Land – Woody Guthrie ¯ When You Wish Upon a Star – Cliff Edwards/Glenn Miller/Guy Lombardo ¯ You Are My Sunshine – Gene Autry/Bing Crosby/Lawrence Welk You may find the original versions of many of these songs on You Tube. Many are also available to purchase through ITunes. Most artists referenced here had multiple hits. So once you start searching for the songs listed here you will no doubt find many others to enjoy. For lyrics try AZLyrics.com or songlyrics.com where you can copy and paste lyrics for your personal use only. www.SingingHeartToHeart.com Mary Sue Wilkinson .
    [Show full text]
  • “In the Mood”—Glenn Miller (1939) Added to the National Recording Registry: 2004 Essay by Cary O’Dell
    “In the Mood”—Glenn Miller (1939) Added to the National Recording Registry: 2004 Essay by Cary O’Dell Glenn Miller Original release label “Sun Valley Serenade” Though Glenn Miller and His Orchestra’s well-known, robust and swinging hit “In the Mood” was recorded in 1939 (and was written even earlier), it has since come to symbolize the 1940s, World War II, and the entire Big Band Era. Its resounding success—becoming a hit twice, once in 1940 and again in 1943—and its frequent reprisal by other artists has solidified it as a time- traversing classic. Covered innumerable times, “In the Mood” has endured in two versions, its original instrumental (the specific recording added to the Registry in 2004) and a version with lyrics. The music was written (or written down) by Joe Garland, a Tin Pan Alley tunesmith who also composed “Leap Frog” for Les Brown and his band. The lyrics are by Andy Razaf who would also contribute the words to “Ain’t Misbehavin’” and “Honeysuckle Rose.” For as much as it was an original work, “In the Mood” is also an amalgamation, a “mash-up” before the term was coined. It arrived at its creation via the mixture and integration of three or four different riffs from various earlier works. Its earliest elements can be found in “Clarinet Getaway,” from 1925, recorded by Jimmy O’Bryant, an Arkansas bandleader. For his Paramount label instrumental, O’Bryant was part of a four-person ensemble, featuring a clarinet (played by O’Bryant), a piano, coronet and washboard. Five years later, the jazz piece “Tar Paper Stomp” by Joseph “Wingy” Manone, from 1930, beget “In the Mood’s” signature musical phrase.
    [Show full text]
  • Jimmy Dorsey Orchestratm Jimmy’S Musical Training Began When He Was a Young Boy in Pennsylvania
    America’s Music On Parade Enjoy an evening of America’s Hits that inspired many of the greatest recordings ever made. A memory of these songs touched our deepest feelings in a way no other songs have or ever will. American’s Hits On Parade are legendary songs from the most thrilling era of music that captured our hearts during an amazing ten years of music and history. The America’s Hits On Parade was everywhere! Radio’s broadcasted from ballrooms like the Aragon, Palomar, Palladium and the “Make Believe” Ballroom. Juke Boxes whirled at home while a world away GI’s warmly welcomed the sounds of America’s Hits. We danced at night clubs, USO’s, ballrooms and truly had the greatest time of our lives. Sit back and enjoy America’s Hits On Parade with an evening of the songs we cherished the most and will never forget listening to - I’ll Never Smile Again - In The Mood - I’m Getting Sentimental Over You - Tangerine - There Are Such Things - Dream - Boogie Woogie - So Rare - Stardust………. and many more. Jimmy Dorsey OrchestraTM Jimmy’s musical training began when he was a young boy in Pennsylvania. Along with his brother Tommy, the talented young musicians joined Paul Whiteman’s Orchestra and at the same time they were recording many records under the billing “The Dorsey Brothers Orchestra”. Their band continued through the early thirties until a dispute over a tempo of a song separated the brothers for decades. Jimmy found himself an instant leader of the band that became the birth of the Jimmy Dorsey Orchestra.
    [Show full text]
  • Tommy Dorsey 1 9
    Glenn Miller Archives TOMMY DORSEY 1 9 3 7 Prepared by: DENNIS M. SPRAGG CHRONOLOGY Part 1 - Chapter 3 Updated February 10, 2021 TABLE OF CONTENTS January 1937 ................................................................................................................. 3 February 1937 .............................................................................................................. 22 March 1937 .................................................................................................................. 34 April 1937 ..................................................................................................................... 53 May 1937 ...................................................................................................................... 68 June 1937 ..................................................................................................................... 85 July 1937 ...................................................................................................................... 95 August 1937 ............................................................................................................... 111 September 1937 ......................................................................................................... 122 October 1937 ............................................................................................................. 138 November 1937 .........................................................................................................
    [Show full text]
  • CITY of RANCHO MIRAGE PUBLIC WORKS 69-825 Highway 111, Rancho Mirage, CA 92270 General: 760.770.3224 Current Speed Zones by Roadway Segment
    CITY OF RANCHO MIRAGE PUBLIC WORKS 69-825 Highway 111, Rancho Mirage, CA 92270 General: 760.770.3224 Current Speed Zones by Roadway Segment Speed Limit Street Location (MPH) From Interstate 10 to Ramon Road 45 From Ramon Road to Dinah Shore Drive 55 From Dinah Shore Drive to Gerald Ford Drive 50 Bob Hope Drive From Gerald Ford Drive to Frank Sinatra Drive 55 From Frank Sinatra Drive to Country Club Drive 45 From Country Club Drive to Clancy Lane 45 From Clancy Lane to Highway 111 45 Cholla Lane From Verbenia Road to Country Club Drive 35 From Highway 111 to Morningside Drive 45 Country Club Drive From Morningside Drive to Bob Hope Drive 45 From Bob Hope Drive to Monterey Avenue 50 From Palm View Road to Los Alamos Drive 30 Cypress Lane From Los Alamos Drive to East End 30 From Century Park Drive to Ramon Road 45 From Ramon Road to Dinah Shore Drive 45 Da Vall Drive From Dinah Shore Drive to Gerald Ford Drive 50 From Gerald Ford Drive to Frank Sinatra Drive 45 From Plumley Road to Mission Hills Drive North 50 From Mission Hills Drive North to Bob Hope Drive 50 Dinah Shore Drive From Bob Hope Drive to George Montgomery Way 50 From George Montgomery Way to Monterey Avenue 45 30 Dunes View Road From Highway 111 to Gardess Road Current Speed Zones- Updated 2021 CITY OF RANCHO MIRAGE PUBLIC WORKS 69-825 Highway 111, Rancho Mirage, CA 92270 General: 760.770.3224 Current Speed Zones by Roadway Segment Speed Limit Street Location (MPH) From Highway 111 to Morningside Drive 50 From Morningside Drive to Bob Hope Drive 50 Frank Sinatra Drive From
    [Show full text]
  • ITEM 6F.3 Report As at June 30, 2013
    COACHELLA VALLEY ASSOCIATION OF GOVERNMENTS Regional Arterial Program - Contract Status Report ITEM 6F.3 Report as at June 30, 2013 WORK LEAD CVAG CVAG CVAG COMMITTED PROJECT DESCRIPTION ORDER NO. AGENCY AUTHORIZED EXPENDED FUNDS REMAINING ARTERIAL LINKS Jefferson Street and Varner Road (North of Interstate 10) 30142 INDIO 4,500,000 236,208 4,263,792 Varner Road (fr. Adams to Jefferson) 30145 INDIO 7,209,235 5,265,370 1,943,865 Fred Waring (Adams to Port Maria) 30168 LQ 525,000 525,000 0 Monroe (fr. Ave. 52 to I-10) 30193 INDIO 11,925,025 10,037,371 1,887,654 Madison Street (fr. Avenue 52 to Indio Blvd.) 30194 INDIO 18,677,500 5,181,365 13,496,135 Date Palm Drive Impr. (to and including Vista Chino Drive Intersection) 30209 CC 560,062 0 560,062 SR-111 (Indian Wells) 30410 IW 12,730,337 7,731,007 4,999,330 Portola Avenue (North of Gerald Ford Drive) PD 534,935 0 534,935 F Varner Road (Intersection Impr. at Ramon Rd.) COR 374,153 0 374,153 F Varner Road (fr. Ramon Rd. to Monterey Ave.) COR 1,496,605 0 1,496,605 F Airport Blvd. (fr. Harrison St. to Highway 111) COR 7,898,603 0 7,898,603 F Washington Street / Highway 111 Intersection Improvements LQ 582,483 0 582,483 SR-111 (between Rubidoux St. & 760' west of Madison St.) INDIO 5,550,000 0 5,550,000 Indian Avenue (between 20th Ave. and Dillon Road) DHS 8,547,562 0 8,547,562 Frank Sinatra Dr.
    [Show full text]
  • “Just a Dream”: Community, Identity, and the Blues of Big Bill Broonzy. (2011) Directed by Dr
    GREENE, KEVIN D., Ph.D. “Just a Dream”: Community, Identity, and the Blues of Big Bill Broonzy. (2011) Directed by Dr. Benjamin Filene. 332 pgs This dissertation investigates the development of African American identity and blues culture in the United States and Europe from the 1920s to the 1950s through an examination of the life of one of the blues’ greatest artists. Across his career, Big Bill Broonzy negotiated identities and formed communities through exchanges with and among his African American, white American, and European audiences. Each respective group held its own ideas about what the blues, its performers, and the communities they built meant to American and European culture. This study argues that Broonzy negotiated a successful and lengthy career by navigating each groups’ cultural expectations through a process that continually transformed his musical and professional identity. Chapter 1 traces Broonzy’s negotiation of black Chicago. It explores how he created his new identity and contributed to the flowering of Chicago’s blues community by navigating the emerging racial, social, and economic terrain of the city. Chapter 2 considers Broonzy’s music career from the early twentieth century to the early 1950s and argues that his evolution as a musician—his lifelong transition from country fiddler to solo male blues artist to black pop artist to American folk revivalist and European jazz hero—provides a fascinating lens through which to view how twentieth century African American artists faced opportunities—and pressures—to reshape their identities. Chapter 3 extends this examination of Broonzy’s career from 1951 until his death in 1957, a period in which he achieved newfound fame among folklorists in the United States and jazz and blues aficionados in Europe.
    [Show full text]
  • Subseries 6.2: Dallas Times Herald Work, Circa 1961-1989 Extent: 30 Boxes (126 Film and 35 Mm) (Approximately 85,000 Negatives)
    Subseries 6.2: Dallas Times Herald Work, circa 1961-1989 Extent: 30 Boxes (126 film and 35 mm) (approximately 85,000 negatives) Celebrities; stage, screen and TV stars; events, concerts, portraits and parties. Filed alphabetically by subject’s last name. Primarily black and white 35 mm roll film; some 126-roll film. Roll film is cut in strips and sleeved in polyethylene sheet protectors. Box 8 Last Name Beginning with “A” negatives (76 rolls, approximately 1,450 negatives) Rolls Able Will 1979 July 7 2 Adams Tom 1983 April 15 2 Adams Edie 1970 April 28 1 DSM June 1975 Alberghetti Anna Maria 1975 1 1975 June 4 Albert Eddie 2003 July 4 2 also 1977 Mar 22 Alda Robert 1971 Aug 11 1 Alda Alan 1981 April 3 7 USA Film Festival, SMU Alder Joe 1983 June 1 5 with James Drury Aleskovsky Ruth 2 Allen Marty 1971 Nov 1 3 @ the Fairmont, with Steve Rossi, @ Stoneleigh Allen Steve 1975 Nov 1 1 Fairmont Hotel Allred Libby Hunt 1 1988 Feb Alpert Hollis 1 @ SMU Alred Libby Hunt 1 Ameche Don 1972 Oct 10 1 With Jeb Stuart Ames Ed 1970 March 26 1 @ T Bar M, with Warren Jacques, Interview Ames Nancy 1 @ the Fairmont Chick 1964 May 28 1 With Mike Rogers at Stoneleigh Anderson Anderson Lynn 1979 March 21 7 and 1977; Venetian Room @ 1980 May 12 Fairmont Andrews Sisters 1 Ann-Margaret 1982 Aug 1 8 In “Tommy” Anspach Susan 1979 Nov 1 2 @ the Fairmont Applewhite Charlie 1961 Sept 14 1 Arden Eve 1982 July 2 1 With Donald O'Connor @DSM Ashley Elizabeth 1984 Feb 1 1 Manheim Asner Ed 1981 June 27 2 Golden Plate dinner awards Atkins Chet 1969 Jan 24 5 August Marie 1982
    [Show full text]