“When Swing Was King”
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Record Series 1121-105, W. W. Law Music Collection Album Artwork
Record Series 1121‐105, W. W. Law Music Collection Album Artwork Inventory Alphabetically by Title Title Genre Box # / Folder #Associated with Box # / Folder # A Lincoln Portrait Music for the stage 1121‐105‐0043/FF04 1121‐105‐0029/FF2 A Nation Is Born; A Historic Vote For A Jewish State Narrative recordings‐‐ Addresses (speeches) 1121‐105‐0035/FF01 1121‐105‐0031/FF1 A Porter's Love Song/Since I've Been With You Jazz 1121‐105‐0037/FF08 1121‐105‐0005/FF4 American Spirituals Sacred music‐‐ Spirituals (songs) 1121‐105‐0035/FF03 1121‐105‐0022/FF12 Baby Daddy/Joogie Boogie Jazz 1121‐105‐0036/FF07 1121‐105‐0002/FF8 Ballad For Americans Classical music‐‐ Cantatas 1121‐105‐0036/FF01 1121‐105‐0007/FF7 Blues by Basie Blues (music) 1121‐105‐0037/FF03 1121‐105‐0033/FF9 Brahms Concerto No. 2, in B Flat Major, Op. 83 Classical music‐‐ Concertos 1121‐105‐0039/FF05 1121‐105‐0019/FF2 Brahms Symphony No. 3 In F, Op. 90 Classical Music‐‐Symphonies 1121‐105‐0040/FF04 1121‐105‐0019/FF1 Classical Music‐‐Symphonies 1121‐105‐0041/FF06 1121‐105‐0018/FF1 Cantorial Jewels Saturday, April 02, 2016 Page 1 of 6 Title Genre Box # / Folder #Associated with Box # / Folder # Sacred music 1121‐105‐0043/FF01 1121‐105‐0024/FF1 Concerto in C; (In The Style of Vivaldi) Classical music‐‐ Concertos 1121‐105‐0040/FF03 1121‐105‐0021/FF3 Concerto in D Major for Violin and Orcestra, Op. 77 Classical music‐‐ Concertos 1121‐105‐0042/FF02 1121‐105‐0009/FF1 Concerto in D Major for Violin and Orchestra, Op. -
FOR SHORE the LPGA Tournament Now Known As the ANA Inspiration Has a Rich History Rooted in Celebrity, Major Golf Milestones, and One Special Leap
DRIVING AMBITION In the inaugural tournament bearing her name, Dinah Shore was reportedly more concerned about her “golfing look” than her golfing score. Opposite: In 1986, the City of Rancho Mirage honored the entertainer by naming a street after her. Dinah’s Place, FOR SHORE The LPGA tournament now known as the ANA Inspiration has a rich history rooted in celebrity, major golf milestones, and one special leap. by ROBERT KAUFMAN photography from the PALM SPRINGS LIFE ARCHIVES NE OF THE MOST SERENDIPITOUS Palmolive. Already a mastermind at selling toothpaste and soaps, Foster moments in the history of women’s professional recognized women’s golf as a platform ripe for promoting sponsors — but if golf stems from the day Frances Rose “Dinah” the calculating businessman were to roll the dice, the strategy must provide Shore entered the world. In a twist of fate just a handsome return on the investment. over a half century following leap day, Feb. 29, During this era, famous entertainers, including Bob Hope, Bing Crosby, 1916, the future singer, actress, and television Andy Williams, and Danny Thomas, to name a few, were already marquee personality would emerge as a major force names on PGA Tour events. Without any Hollywood influence on the LPGA behind the women’s sport, leaping into a Tour, Foster enlisted his A-list celebrity, Dinah Shore, whose daytime talk higher stratosphere with the birth of the Colgate-Dinah Shore Winner’s show “Dinah’s Place” was sponsored by Colgate-Palmolive, Circle Oin 1972. to be his hostess. The top-charting female vocalist While it may have taken 13 tenacious female golfers — the likes of Babe of the 1940s agreed. -
Big Band Arrangers of the Swing Era Selected List
Big Band Arrangers of the Swing Era Selected list Band leader Arrangers Tex Beneke Henry Mancini Jimmy Dorsey Tutti Camarata Sonny Burke Tommy Dorsey Paul Weston Sy Oliver Axel Stordahl Benny Goodman Eddie Sauter Buster Harding Fletcher Henderson Horace Heidt Frank DeVol Woody Herman Heil Hefti Ralph Burns Igor Stravinsky Harry James Leroy Holmes Dave Mathews Isham Jones Gordon Jenkins Hal Kemp John Scott Trotter Elliot Lawrence Gerry Mulligan Ray McKinley Eddie Sauter Red Norvo Eddie Sauter Artie Shaw Ray Conniff Johnny Mandel Buster Harding Charlie Spivak Nelson Riddle Claude Thornhill Gil Evans Leader/Arranger Arranger Count Basie Buster Smith Jimmy Mundy Andy Gibson Herschel Evans Cab Calloway Foots Thomas Harry White Duke Ellington Billy Strayhorn Earl Hines Jimmy Mundy Budd Johnson Stan Kenton Pete Rugolo Bill Holman Andy Kirk Mary Lou Williams Earl Thompson Glen Miller Bill Finegan Billy May Claude Thornhill Gil Evans Bill Borden Gerry Mulligan Chick Webb Edgar Sampson Charlie Dixon Andy Gibson Herschel Evans Leader/Arranger Les Brown Benny Carter Larry Clinton Will Hudson Elliot Lawrence Russ Morgan Ray Noble Boyd Raeburn Raymond Scott Musicians in Bands that were Important Arrangers Leader Arranger Instrument Bob Crosby Bob Haggart bass Matty Matlock saxophone Deane Kincaide saxophone Jimmy Dorsey Tutti Camarata trumpet Joe Lipman piano Woody Herman Heil Hefti trumpet Ralph Burns piano Hal Kemp John Scott Trotter piano Gene Krupa Gerry Mulligan saxophone Jimmy Lunceford Sy Oliver trumpet Glen Miller Henry Mancini piano Artie Shaw Ray Conniff trombone Johnny Mandel trombone Charlie Spivak Nelson Riddle trombone . -
Jazz and the Cultural Transformation of America in the 1920S
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive. -
Hits from the 1940S
Hits from the 1940s ¯ Boogie Woogie Bugle Boy – Andrews Sisters ¯ Chattanooga Choo Choo – Glenn Miller ¯ Cool Water – Sons of the Pioneers ¯ Don’t Fence Me In – Bing Crosby/Andrews Sisters ¯ Don’t Get Around Much Anymore – Ink Spots/Duke Ellington ¯ Don’t Sit Under the Apple Tree – Glenn Miller/Andrews Sisters ¯ I Love You (For Sentimental Reasons) – Nat King Cole/Dinah Shore ¯ I’ll Be Seeing You – Bing Crosby/Liberace ¯ I’m Looking Over a Four Leaf Clover – Art Mooney ¯ Jingle Jangle Jingle – Kay Kysor/Gene Autry ¯ Peg O’ My Heart – Harmonicats ¯ Sentimental Journey – Doris Day/Les Brown ¯ Star Dust – Artie Shaw ¯ Stormy Weather – Lena Horne ¯ Swinging on a Star – Bing Crosby ¯ Take the “A” Train – Duke Ellington ¯ The White Cliffs of Dover – Vera Lynn/Kay Kysor/Glenn Miller ¯ This Land is Your Land – Woody Guthrie ¯ When You Wish Upon a Star – Cliff Edwards/Glenn Miller/Guy Lombardo ¯ You Are My Sunshine – Gene Autry/Bing Crosby/Lawrence Welk You may find the original versions of many of these songs on You Tube. Many are also available to purchase through ITunes. Most artists referenced here had multiple hits. So once you start searching for the songs listed here you will no doubt find many others to enjoy. For lyrics try AZLyrics.com or songlyrics.com where you can copy and paste lyrics for your personal use only. www.SingingHeartToHeart.com Mary Sue Wilkinson . -
“In the Mood”—Glenn Miller (1939) Added to the National Recording Registry: 2004 Essay by Cary O’Dell
“In the Mood”—Glenn Miller (1939) Added to the National Recording Registry: 2004 Essay by Cary O’Dell Glenn Miller Original release label “Sun Valley Serenade” Though Glenn Miller and His Orchestra’s well-known, robust and swinging hit “In the Mood” was recorded in 1939 (and was written even earlier), it has since come to symbolize the 1940s, World War II, and the entire Big Band Era. Its resounding success—becoming a hit twice, once in 1940 and again in 1943—and its frequent reprisal by other artists has solidified it as a time- traversing classic. Covered innumerable times, “In the Mood” has endured in two versions, its original instrumental (the specific recording added to the Registry in 2004) and a version with lyrics. The music was written (or written down) by Joe Garland, a Tin Pan Alley tunesmith who also composed “Leap Frog” for Les Brown and his band. The lyrics are by Andy Razaf who would also contribute the words to “Ain’t Misbehavin’” and “Honeysuckle Rose.” For as much as it was an original work, “In the Mood” is also an amalgamation, a “mash-up” before the term was coined. It arrived at its creation via the mixture and integration of three or four different riffs from various earlier works. Its earliest elements can be found in “Clarinet Getaway,” from 1925, recorded by Jimmy O’Bryant, an Arkansas bandleader. For his Paramount label instrumental, O’Bryant was part of a four-person ensemble, featuring a clarinet (played by O’Bryant), a piano, coronet and washboard. Five years later, the jazz piece “Tar Paper Stomp” by Joseph “Wingy” Manone, from 1930, beget “In the Mood’s” signature musical phrase. -
Jimmy Dorsey Orchestratm Jimmy’S Musical Training Began When He Was a Young Boy in Pennsylvania
America’s Music On Parade Enjoy an evening of America’s Hits that inspired many of the greatest recordings ever made. A memory of these songs touched our deepest feelings in a way no other songs have or ever will. American’s Hits On Parade are legendary songs from the most thrilling era of music that captured our hearts during an amazing ten years of music and history. The America’s Hits On Parade was everywhere! Radio’s broadcasted from ballrooms like the Aragon, Palomar, Palladium and the “Make Believe” Ballroom. Juke Boxes whirled at home while a world away GI’s warmly welcomed the sounds of America’s Hits. We danced at night clubs, USO’s, ballrooms and truly had the greatest time of our lives. Sit back and enjoy America’s Hits On Parade with an evening of the songs we cherished the most and will never forget listening to - I’ll Never Smile Again - In The Mood - I’m Getting Sentimental Over You - Tangerine - There Are Such Things - Dream - Boogie Woogie - So Rare - Stardust………. and many more. Jimmy Dorsey OrchestraTM Jimmy’s musical training began when he was a young boy in Pennsylvania. Along with his brother Tommy, the talented young musicians joined Paul Whiteman’s Orchestra and at the same time they were recording many records under the billing “The Dorsey Brothers Orchestra”. Their band continued through the early thirties until a dispute over a tempo of a song separated the brothers for decades. Jimmy found himself an instant leader of the band that became the birth of the Jimmy Dorsey Orchestra. -
Tommy Dorsey 1 9
Glenn Miller Archives TOMMY DORSEY 1 9 3 7 Prepared by: DENNIS M. SPRAGG CHRONOLOGY Part 1 - Chapter 3 Updated February 10, 2021 TABLE OF CONTENTS January 1937 ................................................................................................................. 3 February 1937 .............................................................................................................. 22 March 1937 .................................................................................................................. 34 April 1937 ..................................................................................................................... 53 May 1937 ...................................................................................................................... 68 June 1937 ..................................................................................................................... 85 July 1937 ...................................................................................................................... 95 August 1937 ............................................................................................................... 111 September 1937 ......................................................................................................... 122 October 1937 ............................................................................................................. 138 November 1937 ......................................................................................................... -
CITY of RANCHO MIRAGE PUBLIC WORKS 69-825 Highway 111, Rancho Mirage, CA 92270 General: 760.770.3224 Current Speed Zones by Roadway Segment
CITY OF RANCHO MIRAGE PUBLIC WORKS 69-825 Highway 111, Rancho Mirage, CA 92270 General: 760.770.3224 Current Speed Zones by Roadway Segment Speed Limit Street Location (MPH) From Interstate 10 to Ramon Road 45 From Ramon Road to Dinah Shore Drive 55 From Dinah Shore Drive to Gerald Ford Drive 50 Bob Hope Drive From Gerald Ford Drive to Frank Sinatra Drive 55 From Frank Sinatra Drive to Country Club Drive 45 From Country Club Drive to Clancy Lane 45 From Clancy Lane to Highway 111 45 Cholla Lane From Verbenia Road to Country Club Drive 35 From Highway 111 to Morningside Drive 45 Country Club Drive From Morningside Drive to Bob Hope Drive 45 From Bob Hope Drive to Monterey Avenue 50 From Palm View Road to Los Alamos Drive 30 Cypress Lane From Los Alamos Drive to East End 30 From Century Park Drive to Ramon Road 45 From Ramon Road to Dinah Shore Drive 45 Da Vall Drive From Dinah Shore Drive to Gerald Ford Drive 50 From Gerald Ford Drive to Frank Sinatra Drive 45 From Plumley Road to Mission Hills Drive North 50 From Mission Hills Drive North to Bob Hope Drive 50 Dinah Shore Drive From Bob Hope Drive to George Montgomery Way 50 From George Montgomery Way to Monterey Avenue 45 30 Dunes View Road From Highway 111 to Gardess Road Current Speed Zones- Updated 2021 CITY OF RANCHO MIRAGE PUBLIC WORKS 69-825 Highway 111, Rancho Mirage, CA 92270 General: 760.770.3224 Current Speed Zones by Roadway Segment Speed Limit Street Location (MPH) From Highway 111 to Morningside Drive 50 From Morningside Drive to Bob Hope Drive 50 Frank Sinatra Drive From -
ITEM 6F.3 Report As at June 30, 2013
COACHELLA VALLEY ASSOCIATION OF GOVERNMENTS Regional Arterial Program - Contract Status Report ITEM 6F.3 Report as at June 30, 2013 WORK LEAD CVAG CVAG CVAG COMMITTED PROJECT DESCRIPTION ORDER NO. AGENCY AUTHORIZED EXPENDED FUNDS REMAINING ARTERIAL LINKS Jefferson Street and Varner Road (North of Interstate 10) 30142 INDIO 4,500,000 236,208 4,263,792 Varner Road (fr. Adams to Jefferson) 30145 INDIO 7,209,235 5,265,370 1,943,865 Fred Waring (Adams to Port Maria) 30168 LQ 525,000 525,000 0 Monroe (fr. Ave. 52 to I-10) 30193 INDIO 11,925,025 10,037,371 1,887,654 Madison Street (fr. Avenue 52 to Indio Blvd.) 30194 INDIO 18,677,500 5,181,365 13,496,135 Date Palm Drive Impr. (to and including Vista Chino Drive Intersection) 30209 CC 560,062 0 560,062 SR-111 (Indian Wells) 30410 IW 12,730,337 7,731,007 4,999,330 Portola Avenue (North of Gerald Ford Drive) PD 534,935 0 534,935 F Varner Road (Intersection Impr. at Ramon Rd.) COR 374,153 0 374,153 F Varner Road (fr. Ramon Rd. to Monterey Ave.) COR 1,496,605 0 1,496,605 F Airport Blvd. (fr. Harrison St. to Highway 111) COR 7,898,603 0 7,898,603 F Washington Street / Highway 111 Intersection Improvements LQ 582,483 0 582,483 SR-111 (between Rubidoux St. & 760' west of Madison St.) INDIO 5,550,000 0 5,550,000 Indian Avenue (between 20th Ave. and Dillon Road) DHS 8,547,562 0 8,547,562 Frank Sinatra Dr. -
“Just a Dream”: Community, Identity, and the Blues of Big Bill Broonzy. (2011) Directed by Dr
GREENE, KEVIN D., Ph.D. “Just a Dream”: Community, Identity, and the Blues of Big Bill Broonzy. (2011) Directed by Dr. Benjamin Filene. 332 pgs This dissertation investigates the development of African American identity and blues culture in the United States and Europe from the 1920s to the 1950s through an examination of the life of one of the blues’ greatest artists. Across his career, Big Bill Broonzy negotiated identities and formed communities through exchanges with and among his African American, white American, and European audiences. Each respective group held its own ideas about what the blues, its performers, and the communities they built meant to American and European culture. This study argues that Broonzy negotiated a successful and lengthy career by navigating each groups’ cultural expectations through a process that continually transformed his musical and professional identity. Chapter 1 traces Broonzy’s negotiation of black Chicago. It explores how he created his new identity and contributed to the flowering of Chicago’s blues community by navigating the emerging racial, social, and economic terrain of the city. Chapter 2 considers Broonzy’s music career from the early twentieth century to the early 1950s and argues that his evolution as a musician—his lifelong transition from country fiddler to solo male blues artist to black pop artist to American folk revivalist and European jazz hero—provides a fascinating lens through which to view how twentieth century African American artists faced opportunities—and pressures—to reshape their identities. Chapter 3 extends this examination of Broonzy’s career from 1951 until his death in 1957, a period in which he achieved newfound fame among folklorists in the United States and jazz and blues aficionados in Europe. -
Subseries 6.2: Dallas Times Herald Work, Circa 1961-1989 Extent: 30 Boxes (126 Film and 35 Mm) (Approximately 85,000 Negatives)
Subseries 6.2: Dallas Times Herald Work, circa 1961-1989 Extent: 30 Boxes (126 film and 35 mm) (approximately 85,000 negatives) Celebrities; stage, screen and TV stars; events, concerts, portraits and parties. Filed alphabetically by subject’s last name. Primarily black and white 35 mm roll film; some 126-roll film. Roll film is cut in strips and sleeved in polyethylene sheet protectors. Box 8 Last Name Beginning with “A” negatives (76 rolls, approximately 1,450 negatives) Rolls Able Will 1979 July 7 2 Adams Tom 1983 April 15 2 Adams Edie 1970 April 28 1 DSM June 1975 Alberghetti Anna Maria 1975 1 1975 June 4 Albert Eddie 2003 July 4 2 also 1977 Mar 22 Alda Robert 1971 Aug 11 1 Alda Alan 1981 April 3 7 USA Film Festival, SMU Alder Joe 1983 June 1 5 with James Drury Aleskovsky Ruth 2 Allen Marty 1971 Nov 1 3 @ the Fairmont, with Steve Rossi, @ Stoneleigh Allen Steve 1975 Nov 1 1 Fairmont Hotel Allred Libby Hunt 1 1988 Feb Alpert Hollis 1 @ SMU Alred Libby Hunt 1 Ameche Don 1972 Oct 10 1 With Jeb Stuart Ames Ed 1970 March 26 1 @ T Bar M, with Warren Jacques, Interview Ames Nancy 1 @ the Fairmont Chick 1964 May 28 1 With Mike Rogers at Stoneleigh Anderson Anderson Lynn 1979 March 21 7 and 1977; Venetian Room @ 1980 May 12 Fairmont Andrews Sisters 1 Ann-Margaret 1982 Aug 1 8 In “Tommy” Anspach Susan 1979 Nov 1 2 @ the Fairmont Applewhite Charlie 1961 Sept 14 1 Arden Eve 1982 July 2 1 With Donald O'Connor @DSM Ashley Elizabeth 1984 Feb 1 1 Manheim Asner Ed 1981 June 27 2 Golden Plate dinner awards Atkins Chet 1969 Jan 24 5 August Marie 1982