DOCSLIB.ORG

Early Testimonies of Jewish Survivors of World War II

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Tragedy and Triumph Early Testimonies of Jewish Survivors of World War II Compiled and Translated by Freda Hodge ABOUT THIS BOOK In this collection Freda Hodge retrieves early voices of Holocaust survivors. Men, women and children relate experiences of deportation and ghetto­ isation, forced labour camps and death camps, death marches and liber­ ation. Such eye­witness accounts collected in the immediate post­war period constitute, as the historian Feliks Tych points out, the most important body of Jewish documents pertaining to the history of the Holocaust. The fresh­ ness of memory makes these early voices profoundly different from, and historically more significant than, later recollections gathered in oral history programs. Carefully selected and painstakingly translated, these survivor accounts were first published between 1946 and 1948 in the Yiddish journal Fun Letzten Khurben (‘From the Last Destruction’) in postwar Germany, by refugees waiting in ‘Displaced Persons’ camps, in the American zone of occupation, for the arrival of travel documents and visas. These accounts have not previously been available in English. ABOUT THE AUTHOR Freda Hodge holds degrees in English, Linguistics and Jewish Studies, and has taught at universities and colleges in South Africa and Australia. Fluent in Hebrew as well as Yiddish, she works at the Holocaust Centre in Melbourne conducting interviews with survivors and families. Copyright Information Tragedy and Triumph: Early Testimonies of Jewish Survivors of World War II Compiled and translated by Freda Hodge © Copyright 2018 All rights reserved. Apart from any uses permitted by Australia’s Copyright Act 1968, no part of this book may be reproduced by any process without prior written permission from the copyright owners. Inquiries should be directed to the publisher. Monash University Publishing Matheson Library and Information Services Building 40 Exhibition Walk Monash University Clayton, Victoria 3800, Australia www.publishing.monash.edu Monash University Publishing brings to the world publications which advance the best traditions of humane and enlightened thought. Monash University Publishing titles pass through a rigorous process of independent peer review. Second printing ISBN: 9781925523676 (paperback) ISBN: 9781925523881 (Knowledge Unlatched pdf ) www.publishing.monash.edu/books/tt-9781925523676.html Series: History Design: Les Thomas Cover image: Joseph Schleifstein, a four-year-old survivor of Buchenwald, sits on the running board of an UNRRA truck soon after the liberation of the camp. 1945. United States Holocaust Memorial Museum, Photograph 90250. Further information about Joseph Schleifstein can be found in the Addendum. A catalogue record for this book is available from the National Library of Australia. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access for the public good. More information about the iniative and links to the Open Access version can be found at www.knowledgeunlatched.org. This work is licensed under the Creative Commons Attribution-NonCommercial- NoDerivs 4.0 International (CC BY-NC-ND 4.0) which means that the text may be used for non-commercial purposes, provided credit is given to the author(s) and that no alterations are made. For details go to https://creativecommons.org/licenses/by-nc-nd/4.0/. CONTENTS About this Book ............................................ iii About the Author ........................................... iii Acknowledgements ...........................................ix Foreword ...................................................xi Introduction: The Early Testimonies of She’erit Hapletah in the Aftermath of World War II ...........................1 Freda Hodge Why Do We Need Historical Commissions? ......................16 By M.Y. Feigenbaum PART ONE ......................................19 1 Mielice Labour Camp ....................................21 Josef Kas 2 Life and Death of the Jews in Dubno ........................30 Moishe Weisberg 3 The Transport from the Death Camp Balkenheim ..............41 Maurice Kraus 4 The Last Road for Twelve Hundred Bialystok Children. .44 H. Shprung-Levkowitz 5 In Radun ..............................................50 Leib Levine 6 A Chapter about Siedlice ..................................58 Getzl Weisberg 7 The Slaughter at the Edge of the Sea .........................63 Miriam Zweig TRAGEDY AND TRIUMPH 8 In the Braslav Region ....................................67 Moshe Treister 9 Sobibor ................................................76 Yekheskel (Chaskiel) Menche 10 Through Ghettos and Concentration Camps: Nemencine, Ozmiana, Czeczmer, Kovno, Ponevezh and Eastern Prussia ......81 Leah Rudovshevski 11 Treblinka ..............................................88 H. Shperling 12 In the White Russian Forests .............................100 Moshe Meyerson 13 In Camp Kaldycheva ....................................111 Yudel Samsonovitz 14 The Last Resistance Fighters in Bialystok Ghetto ..............116 Rabbi A. Burstin 15 Experiences of a Jewish Aryan ............................119 Anna Holtzman 16 The Large Factories in Kovno Ghetto .......................124 Moshe Segalson 17 Volozhin ..............................................132 Yosef Schwartzberg 18 Myadel and Surroundings ................................137 Henia Menkin 19 In a Hungarian Work Battalion ...........................143 Moshe Dov Taub 20 Death of a Runner ......................................148 Cessia Shilling 21 In Auschwitz with Two Small Children .....................151 Esther Weiss vi Contents 22 Memories of the Ghetto of Stanislavov. .166 Lusia Gerber 23 The Fortress of Death (in the Ninth Fort of Kovno). .170 Michal Gelbtrunk 24 Resistance Movement in the Ghetto of Kovno ................ 174 Rochie Ben Eliezer PART TWO .....................................183 The Children’s Narratives in Fun Letzten Khurben ................185 1 My Experiences during the War ...........................189 Josef Shuster 2 My Experiences during the War ...........................193 Ella Griliches 3 My Experiences during the War ...........................195 Fania Olitzki 4 My Experiences during the War ...........................199 Arieh Milch 5 My Experiences during the War ...........................202 Yaakov Levin 6 My Experiences during the War ...........................209 Genia Shurtz Addendum ...............................................216 Select Information Pertaining to the Testimonies .................216 Bibliography ..............................................220 vii Jews perished in extermination camps, execution sites, ghettos, slave labour camps, and on the death marches. The testimony of those who survived constitutes the main record of what was done to Jews during those years. The murderers also kept records, often copious ones. But the victims, the six million who were done to death, could leave no record. A few fragments of diaries, letters and scribbled messages do survive. But in the main, others must bear witness to what was done to the millions who could never tell their own story. Martin Gilbert, Preface, The Holocaust: The Jewish Tragedy, (London: HarperCollins Publishers, 1986, p. 18) ACKNOWLEDGEMENTS I am deeply grateful to the Jewish Holocaust Centre, Melbourne, for affording me the opportunity to have my book published. In particular, my heartfelt thanks go to the Director of the Centre, Warren Fineberg, and to Dr Michael Cohen for the encouragement and unwavering support which they offered to me, during the whole period from my initial proposal to the actual publication of the book. Special thanks are due to Dr Michael Cohen for his meticulous proofreading of Tragedy and Triumph. My sincere thanks go to the Kadimah Jewish Cultural Centre and National Library in Melbourne for giving me access to the 10 volumes of the journal Fun Letzten Khurben whenever I had need of them. To my husband Norman who was always willing to discuss my ideas and to make suggestions, I wish to express my great appreciation. I thank those who gave of their time when I turned to them for help with an obscure word or phrase in the translations from Yiddish to English, thus ensuring the accuracy of the translated material. FOREWORD It took half a century to challenge the myth of the postwar silence of Holocaust survivors. Since then numerous publications and projects have retrieved the early voices. Freda Hodge’s collection of testimonies under­ lines this trend. Carefully selected and painstakingly translated, she has edited compelling survivor accounts, published between 1946 and 1948 in the Yiddish journal Fun Letzten Khurben (‘From the Last Destruction’) in postwar Germany. It is the first edition of its kind. The survivors were Yiddish­speaking refugees from Eastern Europe, classified as ‘Displaced Persons’ (DPs). They were waiting in DP camps in the American Zone of occupation for the arrival of travel documents and visas in order to con­ tinue their long journey to freedom. The title of the edition points to the dual nature of modern Jewish experience. ‘Tragedy’ refers to Khurben, the Yiddish term common at the time for the destruction of European Jewry. Others spoke of the Jewish Catastrophe, a term used since the beginning of the mass murder. The term Holocaust entered the discourse in the 1950s, in the English­speaking world, followed by the terms
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate

    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate

    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
  • Theresienstadt Concentration Camp from Wikipedia, the Free Encyclopedia Coordinates: 50°30′48″N 14°10′1″E

    Theresienstadt Concentration Camp from Wikipedia, the Free Encyclopedia Coordinates: 50°30′48″N 14°10′1″E

    Create account Log in Article Talk Read Edit View history Theresienstadt concentration camp From Wikipedia, the free encyclopedia Coordinates: 50°30′48″N 14°10′1″E "Theresienstadt" redirects here. For the town, see Terezín. Navigation Theresienstadt concentration camp, also referred to as Theresienstadt Ghetto,[1][2] Main page [3] was established by the SS during World War II in the fortress and garrison city of Contents Terezín (German name Theresienstadt), located in what is now the Czech Republic. Featured content During World War II it served as a Nazi concentration camp staffed by German Nazi Current events guards. Random article Tens of thousands of people died there, some killed outright and others dying from Donate to Wikipedia malnutrition and disease. More than 150,000 other persons (including tens of thousands of children) were held there for months or years, before being sent by rail Interaction transports to their deaths at Treblinka and Auschwitz extermination camps in occupied [4] Help Poland, as well as to smaller camps elsewhere. About Wikipedia Contents Community portal Recent changes 1 History The Small Fortress (2005) Contact Wikipedia 2 Main fortress 3 Command and control authority 4 Internal organization Toolbox 5 Industrial labor What links here 6 Western European Jews arrive at camp Related changes 7 Improvements made by inmates Upload file 8 Unequal treatment of prisoners Special pages 9 Final months at the camp in 1945 Permanent link 10 Postwar Location of the concentration camp in 11 Cultural activities and
  • Jews on Route to Palestine 1934-1944. Sketches from the History of Aliyah

    Jews on Route to Palestine 1934-1944. Sketches from the History of Aliyah

    JEWS ON ROUTE TO PALESTINE 1934−1944 JAGIELLONIAN STUDIES IN HISTORY Editor in chief Jan Jacek Bruski Vol. 1 Artur Patek JEWS ON ROUTE TO PALESTINE 1934−1944 Sketches from the History of Aliyah Bet – Clandestine Jewish Immigration Jagiellonian University Press Th e publication of this volume was fi nanced by the Jagiellonian University in Krakow – Faculty of History REVIEWER Prof. Tomasz Gąsowski SERIES COVER LAYOUT Jan Jacek Bruski COVER DESIGN Agnieszka Winciorek Cover photography: Departure of Jews from Warsaw to Palestine, Railway Station, Warsaw 1937 [Courtesy of National Digital Archives (Narodowe Archiwum Cyfrowe) in Warsaw] Th is volume is an English version of a book originally published in Polish by the Avalon, publishing house in Krakow (Żydzi w drodze do Palestyny 1934–1944. Szkice z dziejów alji bet, nielegalnej imigracji żydowskiej, Krakow 2009) Translated from the Polish by Guy Russel Torr and Timothy Williams © Copyright by Artur Patek & Jagiellonian University Press First edition, Krakow 2012 All rights reserved No part of this book may be reprinted or reproduced or utilized in any form or by any eletronic, mechanical, or other means, now know or hereaft er invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers ISBN 978-83-233-3390-6 ISSN 2299-758X www.wuj.pl Jagiellonian University Press Editorial Offi ces: Michałowskiego St. 9/2, 31-126 Krakow Phone: +48 12 631 18 81, +48 12 631 18 82, Fax: +48 12 631 18 83 Distribution: Phone: +48 12 631 01 97, Fax: +48 12 631 01 98 Cell Phone: + 48 506 006 674, e-mail: [email protected] Bank: PEKAO SA, IBAN PL80 1240 4722 1111 0000 4856 3325 Contents Th e most important abbreviations and acronyms ........................................
  • A Resource Guide to Literature, Poetry, Art, Music & Videos by Holocaust

    A Resource Guide to Literature, Poetry, Art, Music & Videos by Holocaust

    Bearing Witness BEARING WITNESS A Resource Guide to Literature, Poetry, Art, Music, and Videos by Holocaust Victims and Survivors PHILIP ROSEN and NINA APFELBAUM Greenwood Press Westport, Connecticut ● London Library of Congress Cataloging-in-Publication Data Rosen, Philip. Bearing witness : a resource guide to literature, poetry, art, music, and videos by Holocaust victims and survivors / Philip Rosen and Nina Apfelbaum. p. cm. Includes bibliographical references (p.) and index. ISBN 0–313–31076–9 (alk. paper) 1. Holocaust, Jewish (1939–1945)—Personal narratives—Bio-bibliography. 2. Holocaust, Jewish (1939–1945), in literature—Bio-bibliography. 3. Holocaust, Jewish (1939–1945), in art—Catalogs. 4. Holocaust, Jewish (1939–1945)—Songs and music—Bibliography—Catalogs. 5. Holocaust,Jewish (1939–1945)—Video catalogs. I. Apfelbaum, Nina. II. Title. Z6374.H6 R67 2002 [D804.3] 016.94053’18—dc21 00–069153 British Library Cataloguing in Publication Data is available. Copyright ᭧ 2002 by Philip Rosen and Nina Apfelbaum All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 00–069153 ISBN: 0–313–31076–9 First published in 2002 Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.greenwood.com Printed in the United States of America TM The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10987654321 Contents Preface vii Historical Background of the Holocaust xi 1 Memoirs, Diaries, and Fiction of the Holocaust 1 2 Poetry of the Holocaust 105 3 Art of the Holocaust 121 4 Music of the Holocaust 165 5 Videos of the Holocaust Experience 183 Index 197 Preface The writers, artists, and musicians whose works are profiled in this re- source guide were selected on the basis of a number of criteria.
  • Jiddistik Heute

    Jiddistik Heute

    לקט ייִ דישע שטודיעס הנט Jiddistik heute Yiddish Studies Today לקט Der vorliegende Sammelband eröffnet eine neue Reihe wissenschaftli- cher Studien zur Jiddistik sowie philolo- gischer Editionen und Studienausgaben jiddischer Literatur. Jiddisch, Englisch und Deutsch stehen als Publikationsspra- chen gleichberechtigt nebeneinander. Leket erscheint anlässlich des xv. Sym posiums für Jiddische Studien in Deutschland, ein im Jahre 1998 von Erika Timm und Marion Aptroot als für das in Deutschland noch junge Fach Jiddistik und dessen interdisziplinären אָ רשונג אויסגאַבעס און ייִדיש אויסגאַבעס און אָ רשונג Umfeld ins Leben gerufenes Forum. Die im Band versammelten 32 Essays zur jiddischen Literatur-, Sprach- und Kul- turwissenschaft von Autoren aus Europa, den usa, Kanada und Israel vermitteln ein Bild von der Lebendigkeit und Viel- falt jiddistischer Forschung heute. Yiddish & Research Editions ISBN 978-3-943460-09-4 Jiddistik Jiddistik & Forschung Edition 9 783943 460094 ִיידיש ַאויסגאבעס און ָ ארשונג Jiddistik Edition & Forschung Yiddish Editions & Research Herausgegeben von Marion Aptroot, Efrat Gal-Ed, Roland Gruschka und Simon Neuberg Band 1 לקט ִיידישע שטודיעס ַהנט Jiddistik heute Yiddish Studies Today Herausgegeben von Marion Aptroot, Efrat Gal-Ed, Roland Gruschka und Simon Neuberg Yidish : oysgabes un forshung Jiddistik : Edition & Forschung Yiddish : Editions & Research Herausgegeben von Marion Aptroot, Efrat Gal-Ed, Roland Gruschka und Simon Neuberg Band 1 Leket : yidishe shtudyes haynt Leket : Jiddistik heute Leket : Yiddish Studies Today Bibliografijische Information Der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deut- schen Nationalbibliografijie ; detaillierte bibliografijische Daten sind im Internet über http://dnb.d-nb.de abrufbar. © düsseldorf university press, Düsseldorf 2012 Alle Rechte vorbehalten. Das Werk einschließlich aller seiner Teile ist urhe- berrechtlich geschützt.
  • Abba Kovner - Yitzchak Zuckerman - Two Approaches to the Jewish Exodus from Europe Shalom Cholawski

    Abba Kovner - Yitzchak Zuckerman - Two Approaches to the Jewish Exodus from Europe Shalom Cholawski

    Abba Kovner - Yitzchak Zuckerman - Two Approaches to the Jewish Exodus from Europe Shalom Cholawski In December 1944, partisans from Vilna and Kovno met in Lublin. Those who arrived from the Soviet Union immediately began organizing the Bericha in motion. On January 20, 1945, a few days after the liberation of Warsaw, Yitzchak Zuckerman and Zivia Lubetkin, two of the commanders of the Warsaw Ghetto Revolt, arrived in Lublin and met with Kovner and his colleagues from the partisans. Kovner later recalled his meeting with Zuckerman: “His face, like mine, was drawn, haggard in the flame of a small candle, and the candle, standing on the low stool between us, flickered as though at the foot of a dead man. Only our shadows on the naked walls were long and mute.” Zuckerman and Kovner concurred that no Jewish community could be established in the graveyard that was now Poland. The only course was to press for Aliyah through every possible means. However, they disagreed as to the modus operandi. Yitzchak Zuckerman argued that the group of pioneer leaders must not abandon the remnant of Polish Jewry. It was the duty of the leadership to organize and bring them to Eretz Israel. The veteran leadership was no longer in existence, and it devolved on the younger people who had survived, the ghetto fighters and partisans, to create the organizational framework needed to remove the Jews from Poland. Zuckerman said the departure of the activists would be tantamount to desertion and therefore intolerable. Kovner said they must leave the detested soil of Europe at once, and in the course of leaving take their revenge on Nazis who were still walking about __________________________________________________________________________ מרכז המידע אודות השואה, יד ושם ביה"ס המרכזי להוראת השואה 1 freely.
  • Network Map of Knowledge And

    Network Map of Knowledge And

    Humphry Davy George Grosz Patrick Galvin August Wilhelm von Hofmann Mervyn Gotsman Peter Blake Willa Cather Norman Vincent Peale Hans Holbein the Elder David Bomberg Hans Lewy Mark Ryden Juan Gris Ian Stevenson Charles Coleman (English painter) Mauritz de Haas David Drake Donald E. Westlake John Morton Blum Yehuda Amichai Stephen Smale Bernd and Hilla Becher Vitsentzos Kornaros Maxfield Parrish L. Sprague de Camp Derek Jarman Baron Carl von Rokitansky John LaFarge Richard Francis Burton Jamie Hewlett George Sterling Sergei Winogradsky Federico Halbherr Jean-Léon Gérôme William M. Bass Roy Lichtenstein Jacob Isaakszoon van Ruisdael Tony Cliff Julia Margaret Cameron Arnold Sommerfeld Adrian Willaert Olga Arsenievna Oleinik LeMoine Fitzgerald Christian Krohg Wilfred Thesiger Jean-Joseph Benjamin-Constant Eva Hesse `Abd Allah ibn `Abbas Him Mark Lai Clark Ashton Smith Clint Eastwood Therkel Mathiassen Bettie Page Frank DuMond Peter Whittle Salvador Espriu Gaetano Fichera William Cubley Jean Tinguely Amado Nervo Sarat Chandra Chattopadhyay Ferdinand Hodler Françoise Sagan Dave Meltzer Anton Julius Carlson Bela Cikoš Sesija John Cleese Kan Nyunt Charlotte Lamb Benjamin Silliman Howard Hendricks Jim Russell (cartoonist) Kate Chopin Gary Becker Harvey Kurtzman Michel Tapié John C. Maxwell Stan Pitt Henry Lawson Gustave Boulanger Wayne Shorter Irshad Kamil Joseph Greenberg Dungeons & Dragons Serbian epic poetry Adrian Ludwig Richter Eliseu Visconti Albert Maignan Syed Nazeer Husain Hakushu Kitahara Lim Cheng Hoe David Brin Bernard Ogilvie Dodge Star Wars Karel Capek Hudson River School Alfred Hitchcock Vladimir Colin Robert Kroetsch Shah Abdul Latif Bhittai Stephen Sondheim Robert Ludlum Frank Frazetta Walter Tevis Sax Rohmer Rafael Sabatini Ralph Nader Manon Gropius Aristide Maillol Ed Roth Jonathan Dordick Abdur Razzaq (Professor) John W.
  • Descent V 1999

    Descent V 1999

    w< >l F=Fli >w , ^ >< c Q. (5 (/) >< Q Q 3 ifl 1 u -i — — n 3 "0 3 ^ ?r S (11 • ii ir-ji I- ^ .*> a - i J The ajna Offensive is pro 1 ^ I <4 ( present a series of aui interpretations of visual / Recently the realization set in with me about my current surroundings and lack of inspirational environs, and the difference between those and newly rediscovered potentials. the self-limitations one imposes. since leaving europe it has been this way it seems, in general, the fountain of vision/creativity has been tapped a bit by a _ and shallow production outlook... it became clearer recently what was ULTRA fistic and characteristic expression and what wasn't. unfortunately, over the "ABANDONED"/ THIS LACK OF CREATIVE INFLUXLUX HAS SPILLED OVER TO MY WORK WITH THIS MAGAZINE, IT .AND FORGOTTEN' T SEVERAL NOT SO IMPORTANT (UPONON REFLECTION) IDEAS AND ATTITUDESATTITU CLOUDED OVER 7" OF MY WORK HERE, LUCKILY TYLER HAS KEPT•'-'•- THE- '- FIRE BURNING - HEART OF HANK YOU SO VERY MUCH MR. DAVIS. SO, THE DEATH ISSUE DO LLY HAVE IMPRESSIONS FROM HANS BELMER, MUCH TO DO WITH THE MAGAZINE ITSELF BUT IT'S RATHER A DOCUMENT OF PERSONAL LIMITED TO 300 COPIES ISSUES. AS I EMBARK AWAY FROM THE WEST COAST AGAIN FOR AN'T REALLY + 26 LETTERED AND SIGNED EDITIONS ENVISION WHAT IS NEXT FOR THIS PUBLICATION... OR OTHERWISE.... HER THAN ANNOUNCE OR $8 US/$10 OVERSEAS PREDICT THE NEXT MOVE AS WE HAVE IN THE PAST ;W NATURALLY THIS TIME, THE WAY IT SHOULD BE. IT'S ALWAYS A SLOW, PA IEND DESCRIBED IT) BUT MAYBE IT ALWAYS WAS SO BECAUSE VIOUS EXPECTATIONS.
  • Executive Chef Michael Brown

    Executive Chef Michael Brown

    EXECUTIVE CHEF M ICHAEL BROWN SOMETHING SEASONAL THE BEST OF THE STATE’S SEASONAL PRODUCE THIS WEEK WE HAVE FO CUSED ON SOUTH AUSTRALIA ’ S FANTASTIC SEAFOOD AND SEASONAL CATCHES . 15 SEARED SCAL LOPS (COFFI N BAY ) SCALLOP ROE EMULSION – SUCCULENTS – FRIED SALT BUSH 28 SMOKE D TOMMY-RUFF RIS OTTO (SPENCER G ULF) BLACK RICE – HOUSE SMOKED TOMMY R U FFS – SCALLOP PUREE – FORAGED MUSHROOMS 34 KING FISH – (ARNO BAY) GINGER PICKLED COLES LAW – FENNEL AND RADISH SH A VINGS – BURNT ORANGE VINAIGRETTE – BEETROOT PUREE SOMETHING SMALL SMALL PLATES TO START – WHEN ONE ISN’T ENOUGH 8 HOUSE MADE LOAF (V ) CHARCOAL SALT – Q UINOA – PE PITAS 18 SEARED SCALLOPS (GF) CORAL EMULSION -CHORIZO CRUMB 15 SMOKED TO MMY RUFF (GF) BLACK RICE RISOTTO - WILD MUSHROOMS 16 PORK BELLY BRIK PASTRY BARK - PICKLED PEAR . 15 GO ATS CHEESE TART (V ) BEETROOT MERINGUE - SUCCULENT SALSA COFFIN B AY OYSTERS (GF) SERVED NATURAL OR GR ILLED - SHALLOT MERLOT 4 EACH 22 ½ DOZEN 42 DOZEN SOMETHING TO SHARE SHARE THE BEST OF THE STATES PRODUCE – TO FEED A HUNGRY COUPLE OR TRIO PORK L OIN – KANGARO O ISLAND (1.2KG) (GF) 75 A WHOLE ROASTED LOIN OF PORK WITH ALL THE TRIMMINGS APPLE & PEAR STUFFING – PARIS M A SH – ROAST BEETROOT – JUS – CRACKLING – CHARGRILLED VEG ETABLES LEG OF LAMB – HAY VALL EY FARMS (1.2KG) (GF) 80 SLOW ROASTED LEG OF LAMB WITH A SELECTIO N OF OUR BEST SIDES SALTBUSH – SMOKED CARROTS – PEA P UREE – DUCK FAT POTATOES SOUTH AUSTR ALI AN SEAFOOD S AMPLER (GF) THE BEST SEAFOOD FRO M AROUND THE STATE 85 COFFIN BAY OYSTERS – KIN G FISH – OCTOPUS – KIPPER S – SCALLOPS
  • Yudkin on Porat, 'The Fall of a Sparrow: the Life and Times of Abba Kovner'

    Yudkin on Porat, 'The Fall of a Sparrow: the Life and Times of Abba Kovner'

    H-Judaic Yudkin on Porat, 'The Fall of a Sparrow: The Life and Times of Abba Kovner' Review published on Monday, May 3, 2010 Dina Porat. The Fall of a Sparrow: The Life and Times of Abba Kovner. Translated and edited by Elizabeth Yuval. Stanford Studies in Jewish History and Culture Series. Stanford: Stanford University Press, 2010. xxiv + 411 pp. $65.00 (cloth), ISBN 978-0-8047-6248-9. Reviewed by Leon Yudkin (University College London)Published on H-Judaic (May, 2010) Commissioned by Jason Kalman A Leader Poet for the Nation We have here the first full account of the noted partisan and Hebrew poet Abba Kovner (1918-87) in an English version, translated from Hebrew by Elizabeth Yuval. Born in Sevastopol and raised in Vilna, Kovner became a leader of the partisan movement in the resistance to the Nazi invasion and conquest. The author, Dina Porat, who had only met her subject once briefly, shows some signs of hero worship. Her background account borders on hagiography, though sometimes she casts doubt on positions that Kovner adopted. Already in the preface, she praises him for the magnificence of his locks, for his beautiful Hebrew, for his sense of humor, and for the admiration that he managed to draw from all who came into contact with him. Porat opens with a description of Kovner's primary vision, namely, to provide a home for his homeless people following the devastation wrought by the Holocaust. That vision, for her, was matched by his natural gifts, leadership qualities, and intelligence. For the sake of convenience, she divides his life into four parts.
  • Television Academy Awards

    Television Academy Awards

    2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D.
  • Pardes : Zeitschrift Der Vereinigung Für Jüdische Studien Ev [19 (2013)]

    Pardes : Zeitschrift Der Vereinigung Für Jüdische Studien Ev [19 (2013)]

    PaRDeS ZEITSCHRIFT DER VEREINIGUNG FÜR JÜDISCHE STUDIEN E.V. GALUT SEPHARAD IN ASCHKENAS: SEPHARDEN IM DEUTSCHSPRACHIGEN KULTURRAUM (2013) HEFT 19 UNIVERSITÄTSVERLAG POTSDAM PaRDeS ZEITSCHRIFT DER VEREINIGUNG FÜR JÜDISCHE STUDIEN E.V. GALUT SEPHARAD IN ASCHKENAS: SEPHARDEN IM DEUTSCHSPRACHIGEN KULTURRAUM (2013) Heft 19 UNIVERSITÄTSVERLAG POTSDAM PaRDeS ZEITSCHRIFT DER VEREINIGUNG FÜR JÜDISCHE STUDIEN E.V. HERAUSGEGEBEN VON AMOR AYALA, REBEKKA DENZ, DOROTHEA M. SALZER UND STEPHANIE VON SCHMÄDEL IM AUFTRAG DER VEREINIGUNG FÜR JÜDISCHE STUDIEN E.V. IN VERBINDUNG MIT DEM INSTITUT FÜR JÜDISCHE STUDIEN DER UNIVERSITÄT POTSDAM Galut Sepharad in Aschkenas: Sepharden im deutschsprachigen Kulturraum (2013) Heft 19 UNIVERSITÄTSVERLAG POTSDAM ISSN (print) 1614 –6492 ISSN (online) 1862–7684 ISBN 978-3-86956-253-7 Bibliografische Information der Deutschen Nationalbibliothek: Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbiblio- grafie; detaillierte bibliografische Daten sind im Internet über http://dnb.de abrufbar. Universitätsverlag Potsdam 2013 Am Neuen Palais 10, 14469 Potsdam | http://verlag.ub.uni-potsdam.de/ Tel.: +49 (0)331 977 2533 | Fax: -2292 | [email protected] Redaktion: Rebekka Denz (Artikel, [email protected]) Dr. Dorothea M. Salzer (Rezensionen und Liste ausgewählter Neuerscheinungen, salzer@uni- potsdam.de) Redaktionsschluss: Heft 20 (2014): 13.01.2014 Es wird um Einsendung von Beiträgen gebeten. Die Redaktion behält sich das Recht vor, Beiträge abzulehnen, in geteilter Form zu drucken oder nach Rücksprache zu kürzen. Die veröffentlichten Texte spiegeln Meinungen und Kenntnisstand der AutorInnen. Sie geben nicht unbedingt die Meinung der Herausgeberinnen bzw. der Gesamtredaktion wieder. Alle in PaRDeS veröffentlich- ten Artikel sind in „Rambi. Index of Articles on Jewish Studies“ nachgewiesen. Umschlagabbildung: Die Umschlagabbildung zeigt die Innenansicht der Sephardischen Synagoge zu Berlin in der Lützowstraße 111.