Introduction the Best Medicine
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Semitic Component in Yiddish and Its Ideological Role in Yiddish Philology
philological encounters � (�0�7) 368-387 brill.com/phen The Semitic Component in Yiddish and its Ideological Role in Yiddish Philology Tal Hever-Chybowski Paris Yiddish Center—Medem Library [email protected] Abstract The article discusses the ideological role played by the Semitic component in Yiddish in four major texts of Yiddish philology from the first half of the 20th century: Ysroel Haim Taviov’s “The Hebrew Elements of the Jargon” (1904); Ber Borochov’s “The Tasks of Yiddish Philology” (1913); Nokhem Shtif’s “The Social Differentiation of Yiddish: Hebrew Elements in the Language” (1929); and Max Weinreich’s “What Would Yiddish Have Been without Hebrew?” (1931). The article explores the ways in which these texts attribute various religious, national, psychological and class values to the Semitic com- ponent in Yiddish, while debating its ontological status and making prescriptive sug- gestions regarding its future. It argues that all four philologists set the Semitic component of Yiddish in service of their own ideological visions of Jewish linguistic, national and ethnic identity (Yiddishism, Hebraism, Soviet Socialism, etc.), thus blur- ring the boundaries between descriptive linguistics and ideologically engaged philology. Keywords Yiddish – loshn-koydesh – semitic philology – Hebraism – Yiddishism – dehebraization Yiddish, although written in the Hebrew alphabet, is predominantly Germanic in its linguistic structure and vocabulary.* It also possesses substantial Slavic * The comments of Yitskhok Niborski, Natalia Krynicka and of the anonymous reviewer have greatly improved this article, and I am deeply indebted to them for their help. © koninklijke brill nv, leiden, ���7 | doi �0.��63/�45�9�97-��Downloaded34003� from Brill.com09/23/2021 11:50:14AM via free access The Semitic Component In Yiddish 369 and Semitic elements, and shows some traces of the Romance languages. -
2020-05-25 Prohibited Words List
Clouthub Prohibited Word List Our prohibited words include derogatory racial terms and graphic sexual terms. Rev. 05/25/2020 Words Code 2g1c 1 4r5e 1 1 Not Allowed a2m 1 a54 1 a55 1 acrotomophilia 1 anal 1 analprobe 1 anilingus 1 ass-fucker 1 ass-hat 1 ass-jabber 1 ass-pirate 1 assbag 1 assbandit 1 assbang 1 assbanged 1 assbanger 1 assbangs 1 assbite 1 asscock 1 asscracker 1 assface 1 assfaces 1 assfuck 1 assfucker 1 assfukka 1 assgoblin 1 asshat 1 asshead 1 asshopper 1 assjacker 1 asslick 1 asslicker 1 assmaster 1 assmonkey 1 assmucus 1 assmunch 1 assmuncher 1 assnigger 1 asspirate 1 assshit 1 asssucker 1 asswad 1 asswipe 1 asswipes 1 autoerotic 1 axwound 1 b17ch 1 b1tch 1 babeland 1 1 Clouthub Prohibited Word List Our prohibited words include derogatory racial terms and graphic sexual terms. Rev. 05/25/2020 ballbag 1 ballsack 1 bampot 1 bangbros 1 bawdy 1 bbw 1 bdsm 1 beaner 1 beaners 1 beardedclam 1 bellend 1 beotch 1 bescumber 1 birdlock 1 blowjob 1 blowjobs 1 blumpkin 1 boiolas 1 bollock 1 bollocks 1 bollok 1 bollox 1 boner 1 boners 1 boong 1 booobs 1 boooobs 1 booooobs 1 booooooobs 1 brotherfucker 1 buceta 1 bugger 1 bukkake 1 bulldyke 1 bumblefuck 1 buncombe 1 butt-pirate 1 buttfuck 1 buttfucka 1 buttfucker 1 butthole 1 buttmuch 1 buttmunch 1 buttplug 1 c-0-c-k 1 c-o-c-k 1 c-u-n-t 1 c.0.c.k 1 c.o.c.k. -
Anti-Semite And
This Page Intentionally No Longer Blank Anti‐Semite and Jew JeanPaul Sartre [1944] Translated by George J. Becker Schocken Books ∙ New York Copyright © 1948 by Schocken Books Inc. Copyright renewed 1976 by Schocken Books Inc. All rights reserved under international and Pan‐American Copyright conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House Inc., New York. Originally published in France as Réflexions sur la Question Juive by Éditions‐Morihien. Copyright 1946 by Paul Morihien. Paris. Library of Congress Cataloging‐in‐Publication Data Sartre, Jean‐Paul. 1905— [Réflexions sur la Question Juive. English] Anti‐Semite and Jew / Jean‐Paul Sartre : Translated by George J. Becker : with a new preface my Michael Walzer. p. em. Previously published: New York, Schocken Books, 1948. ISBN 0‐8052‐1047‐4 I. Antisemitism. I. Title. DSI45.S2713 1995 305.8924—de20 95‐1929 CIP Manufactured in the United States of America First Schocken paperback edition published 1965. [‘95] 9 8 7 PREFACE Sometime in the second half of 1944, as the war in Europe drew to a close, Jean-Paul Sartre noticed that in discussions about postwar France, the imminent return of French Jews deported by the Nazis was never men tioned. Some of the speakers, he guessed, were not pleased by the prospect; others, friends of the Jews, thought it best to he silent. (Neither they nor Sartre knew how many of the deported Jews would never return.) Thinking about these discussions, Sartre decided to write a critique of anti-Semitism. Both the occasion and the subject of the critique were French. -
Lelov: Cultural Memory and a Jewish Town in Poland. Investigating the Identity and History of an Ultra - Orthodox Society
Lelov: cultural memory and a Jewish town in Poland. Investigating the identity and history of an ultra - orthodox society. Item Type Thesis Authors Morawska, Lucja Rights <a rel="license" href="http://creativecommons.org/licenses/ by-nc-nd/3.0/"><img alt="Creative Commons License" style="border-width:0" src="http://i.creativecommons.org/l/by- nc-nd/3.0/88x31.png" /></a><br />The University of Bradford theses are licenced under a <a rel="license" href="http:// creativecommons.org/licenses/by-nc-nd/3.0/">Creative Commons Licence</a>. Download date 03/10/2021 19:09:39 Link to Item http://hdl.handle.net/10454/7827 University of Bradford eThesis This thesis is hosted in Bradford Scholars – The University of Bradford Open Access repository. Visit the repository for full metadata or to contact the repository team © University of Bradford. This work is licenced for reuse under a Creative Commons Licence. Lelov: cultural memory and a Jewish town in Poland. Investigating the identity and history of an ultra - orthodox society. Lucja MORAWSKA Submitted in accordance with the requirements for the degree of Doctor of Philosophy School of Social and International Studies University of Bradford 2012 i Lucja Morawska Lelov: cultural memory and a Jewish town in Poland. Investigating the identity and history of an ultra - orthodox society. Key words: Chasidism, Jewish History in Eastern Europe, Biederman family, Chasidic pilgrimage, Poland, Lelov Abstract. Lelov, an otherwise quiet village about fifty miles south of Cracow (Poland), is where Rebbe Dovid (David) Biederman founder of the Lelov ultra-orthodox (Chasidic) Jewish group, - is buried. -
Hartford Jewish Film Festival Film Festival
Mandell JCC | VIRTUAL Mandell JCC HARTFORD JEWISH HARTFORD JEWISH FILM FESTIVAL FILM FESTIVAL Mandell JCC | VIRTUAL Mandell JCC HARTFORD JEWISH HARTFORD JEWISH FILM FESTIVAL FILM FESTIVAL FEBRUARY 28-APRIL 2, 2021 | WWW.HJFF.ORG Zachs Campus | 335 Bloomfield Ave. | West Hartford, CT 06117 | www.mandelljcc.org FILM SCHEDULE All films are available to view starting at 7:00pm. Viewing of films on the last day can begin up until 7:00pm. All Film Tickets - $12 per household DATE FILM PAGE TICKETS Feb 28-March 3 Holy Silence 11 Buy Now March 2-5 Asia 13 Buy Now March 3-6 Golden Voices 15 Buy Now March 5-8 Advocate 17 Buy Now March 6-9 When Hitler Stole Pink Rabbit 19 Buy Now March 8-11 Here We Are 21 Buy Now March 9-12 ‘Til Kingdom Come 23 Buy Now March 11-14 Sublet 25 Buy Now March 13-16 My Name is Sara 27 Buy Now March 15-18 City of Joel 29 Buy Now March 16-19 Shared Legacies 30 Buy Now March 18-21 Incitement 33 Buy Now March 20-23 Thou Shalt Not Hate 35 Buy Now March 21-24 Viral 37 Buy Now March 23-26 Those Who Remained 39 Buy Now March 25-28 Latter Day Jew 41 Buy Now March 25-26 & 28-30 Mossad 43 Buy Now March 29-April 1 Shiva Baby 45 Buy Now March 30-April 2 The Crossing 47 Buy Now Mandell JCC Ticket Assistance: 860-231-6315 | [email protected] 2 | www.hjff.org SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY 28 1 2 3 4 5 6 HOLY SILENCE GOLDEN VOICES ASIA WHEN.. -
Jewish Humor and Commercial Entertainment in Twentieth-Century America and Central Europe
Jewish Humor and Commercial Entertainment in Twentieth-Century America and Central Europe Spring 2019 Mary Gluck Jewish Studies Program Central European University General Introduction: Jewish humor is universally celebrated for its wit and creativity. It is just as frequently criticized for its negative stereotypes of Jews. The seminar attempts to explain this contradiction by focusing on the complex historical function of Jewish humor in early twentieth-century America and Central Europe. It argues that Jewish humor in the modern period was both transgressive and integrative, challenging existing taboos and institutions, but also envisioning new social possibilities and cultural identities. These dual impulses found expression in a variety of forms, ranging from joke books, musical recordings, satirical magazines, jargon theaters, all the way to institutions of mass entertainment such as Vaudeville, music hall, Broadway and Hollywood. The course will explore these different manifestations of Jewish humor and ask how they created a new form of minority discourse that fostered inclusion even while emphasizing difference. The seminar will conclude with a look at contemporary iterations of Jewish humor in the work of Jerry Seinfeld, Larry David, Sarah Silverman, Sacha Baron Cohen and others. Requirements: Students are expected to come to class prepared to discuss the assigned readings. In addition, all students are required to make a presentation on a reading recommended for one of the weekly topics. Finally, students are asked to write a research paper of roughly 4,000 words on a topic of their choice, which is due at the end of the semester. The final paper should be linked to the themes discussed during the term. -
The Role of Religion in American Jewish Satire
Syracuse University SURFACE Dissertations - ALL SURFACE 1-1-2015 All Joking Aside: The Role of Religion in American Jewish Satire Jennifer Ann Caplan Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Arts and Humanities Commons Recommended Citation Caplan, Jennifer Ann, "All Joking Aside: The Role of Religion in American Jewish Satire" (2015). Dissertations - ALL. 322. https://surface.syr.edu/etd/322 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. ABSTRACT Jewish humor is a well-known, if ill-defined genre. The prevalence and success of Jewish comedians has been a point of pride for American Jews throughout the twentieth and twenty-first centuries. What I undertake in this dissertation is to isolate one particular form of humor—namely satire—and use it as a way to analyze the changing relationship of American Jews to traditional religious forms. I look at the trends over three generations, the third generation (who came of age in the 40s and 50s), the Baby Boom generation (who came of age in the 60s and 70s) and the contemporary generation (who came of age in the 80s and 90s). When the satire produced by each generation is analyzed with the depiction of Judaism and Jewish practices in mind a certain pattern emerges. By then reading that pattern through Bill Brown’s Thing Theory it becomes possible to talk about the motivations for and effects of the change over time in a new way. -
Jewish Giants of Music
AMERICAN JEWISH HISTORICAL SOCIETY Fall 2004/Winter 2005 Jewish Giants of Music Also: George Washington and the Jews Yiddish “Haven to Home” at the Theatre Library of Congress Posters Milken Archive of American Jewish Music th Anniversary of Jewish 350 Settlement in America AMERICAN JEWISH HISTORICAL SOCIETY Fall 2004/Winter 2005 ~ OFFICERS ~ CONTENTS SIDNEY LAPIDUS President KENNETH J. BIALKIN 3 Message from Sidney Lapidus, 18 Allan Sherman Chairman President AJHS IRA A. LIPMAN LESLIE POLLACK JUSTIN L. WYNER Vice Presidents 8 From the Archives SHELDON S. COHEN Secretary and Counsel LOUISE P. ROSENFELD 12 Assistant Treasurer The History of PROF. DEBORAH DASH MOORE American Jewish Music Chair, Academic Council MARSHA LOTSTEIN Chair, Council of Jewish 19 The First American Historical Organizations Glamour Girl GEORGE BLUMENTHAL LESLIE POLLACK Co-Chairs, Sports Archive DAVID P. SOLOMON, Treasurer and Acting Executive Director BERNARD WAX Director Emeritus MICHAEL FELDBERG, PH.D. Director of Research LYN SLOME Director of Library and Archives CATHY KRUGMAN Director of Development 20 HERBERT KLEIN Library of Congress Director of Marketing 22 Thanksgiving and the Jews ~ BOARD OF TRUSTEES ~ of Pennsylvania, 1868 M. BERNARD AIDINOFF KENNETH J. BIALKIN GEORGE BLUMENTHAL SHELDON S. COHEN RONALD CURHAN ALAN M. EDELSTEIN 23 George Washington RUTH FEIN writes to the Savannah DAVID M. GORDIS DAVID S. GOTTESMAN 15 Leonard Bernstein’s Community – 1789 ROBERT D. GRIES DAVID HERSHBERG Musical Embrace MICHAEL JESSELSON DANIEL KAPLAN HARVEY M. KRUEGER SAMUEL KARETSKY 25 Jews and Baseball SIDNEY LAPIDUS PHILIP LAX in the Limelight IRA A. LIPMAN NORMAN LISS MARSHA LOTSTEIN KENNETH D. MALAMED DEBORAH DASH MOORE EDGAR J. -
Jewish Humor
Jewish Humor Jewish Humor: An Outcome of Historical Experience, Survival and Wisdom By Arie Sover Jewish Humor: An Outcome of Historical Experience, Survival and Wisdom By Arie Sover This book first published 2021 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2021 by Arie Sover All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-6447-9 ISBN (13): 978-1-5275-6447-3 With love to my parents, Clara (Zipkis) and Aurel Sober, and my grandmother, Fanny Zipkis: Holocaust survivors who bequeathed their offspring with a passion for life and lots of humor. TABLE OF CONTENTS Acknowledgements .................................................................................. xii Preface ..................................................................................................... xiii Introduction ................................................................................................ 1 Literacy and critical Jewish thought ........................................................... 2 The sources of Jewish humor ..................................................................... 6 The Bible .............................................................................................. -
Buddhism and Medicine in Tibet: Origins, Ethics, and Tradition
Buddhism and Medicine in Tibet: Origins, Ethics, and Tradition William A. McGrath Herndon, Virginia B.Sc., University of Virginia, 2007 M.A., University of Virginia, 2015 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Religious Studies University of Virginia May, 2017 Abstract This dissertation claims that the turn of the fourteenth century marks a previously unrecognized period of intellectual unification and standardization in the Tibetan medical tradition. Prior to this time, approaches to healing in Tibet were fragmented, variegated, and incommensurable—an intellectual environment in which lineages of tantric diviners and scholarly literati came to both influence and compete with the schools of clinical physicians. Careful engagement with recently published manuscripts reveals that centuries of translation, assimilation, and intellectual development culminated in the unification of these lineages in the seminal work of the Tibetan tradition, the Four Tantras, by the end of the thirteenth century. The Drangti family of physicians—having adopted the Four Tantras and its corpus of supplementary literature from the Yutok school—established a curriculum for their dissemination at Sakya monastery, redacting the Four Tantras as a scripture distinct from the Eighteen Partial Branches addenda. Primarily focusing on the literary contributions made by the Drangti family at the Sakya Medical House, the present dissertation demonstrates the process -
Doherty, Thomas, Cold War, Cool Medium: Television, Mccarthyism
doherty_FM 8/21/03 3:20 PM Page i COLD WAR, COOL MEDIUM TELEVISION, McCARTHYISM, AND AMERICAN CULTURE doherty_FM 8/21/03 3:20 PM Page ii Film and Culture A series of Columbia University Press Edited by John Belton What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic Henry Jenkins Showstoppers: Busby Berkeley and the Tradition of Spectacle Martin Rubin Projections of War: Hollywood, American Culture, and World War II Thomas Doherty Laughing Screaming: Modern Hollywood Horror and Comedy William Paul Laughing Hysterically: American Screen Comedy of the 1950s Ed Sikov Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema Rey Chow The Cinema of Max Ophuls: Magisterial Vision and the Figure of Woman Susan M. White Black Women as Cultural Readers Jacqueline Bobo Picturing Japaneseness: Monumental Style, National Identity, Japanese Film Darrell William Davis Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema Rhona J. Berenstein This Mad Masquerade: Stardom and Masculinity in the Jazz Age Gaylyn Studlar Sexual Politics and Narrative Film: Hollywood and Beyond Robin Wood The Sounds of Commerce: Marketing Popular Film Music Jeff Smith Orson Welles, Shakespeare, and Popular Culture Michael Anderegg Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, ‒ Thomas Doherty Sound Technology and the American Cinema: Perception, Representation, Modernity James Lastra Melodrama and Modernity: Early Sensational Cinema and Its Contexts Ben Singer -
Essays on Humor and Identity in American Jewish Fiction
UNLV Retrospective Theses & Dissertations 1-1-2004 Joke-making Jews /jokes making Jews: Essays on humor and identity in American Jewish fiction Jason Paul Steed University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Steed, Jason Paul, "Joke-making Jews /jokes making Jews: Essays on humor and identity in American Jewish fiction" (2004). UNLV Retrospective Theses & Dissertations. 2577. http://dx.doi.org/10.25669/501a-0s8y This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. E56AYS(3NPnJNK%tAfü3E&ENTTrf n^/UÆEKKLANTEM%SHI%CTK%% by Jason Paul Steed Bachelor of Arts Brigham Young University 1995 Master of Fine Arts University of Idaho 1999 A dissertation submitted in partial fulfillment of the requirements for the Doctor of Philosophy in English Department of English College of Liberal Arts Graduate College University of Nevada, Las Vegas May 2004 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 3143390 Copyright 2004 by Steed, Jason Paul All rights reserved.