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UNIVERSAL MUSIC • the Hives – Lex Hives • the Temper Trap
• The Hives – Lex Hives • The Temper Trap – The Temper Trap • Joe Walsh – Analog Man New Releases From Classics And Jazz Inside!! And more… UNI12-22 “Our assets on-line” UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 Artwork shown may not be final CHANGE OF DISTRIBUTION – Wax Records Dear Customer, Effective Tuesday May 1st, 2012, the Canadian distribution of the attached Wax Records product will change from Warner Music Canada to Universal Music Canada. In order to make this transition as easy as possible for all customers, the following steps have been agreed upon by Warner Music Canada and Universal Music Canada. ORDERS: Effective Monday April 30th, 2012, Warner Music Canada will cancel all back orders for the products on the attached list. Effective Tuesday May 1st, 2012, Universal Music Canada will solicit all orders and ship the attached products. RETURNS: Warner Music Canada will accept return requests for this product until Monday April 30, 2012. Universal Music Canada will begin accepting return requests for these products Tuesday May 1st, 2012. Credit will be issued per the Universal Music Canada Terms and Conditions of Sale. ADVERTISING: Warner Music Canada will not be responsible for any ad claims issued after Monday April 30th, 2012. We trust that these procedures will make the transition as smooth as possible and we thank you for your continued support. Please contact your local Universal Music Canada representative should you have any questions. Kind regards, Doug Raaflaub Adam Abbasakoor Vice President, Sales Vice President, Sales Warner Music Canada Universal Music Canada Please update your files accordingly. -
Marxman Mary Jane Girls Mary Mary Carolyne Mas
Key - $ = US Number One (1959-date), ✮ UK Million Seller, ➜ Still in Top 75 at this time. A line in red 12 Dec 98 Take Me There (Blackstreet & Mya featuring Mase & Blinky Blink) 7 9 indicates a Number 1, a line in blue indicate a Top 10 hit. 10 Jul 99 Get Ready 32 4 20 Nov 04 Welcome Back/Breathe Stretch Shake 29 2 MARXMAN Total Hits : 8 Total Weeks : 45 Anglo-Irish male rap/vocal/DJ group - Stephen Brown, Hollis Byrne, Oisin Lunny and DJ K One 06 Mar 93 All About Eve 28 4 MASH American male session vocal group - John Bahler, Tom Bahler, Ian Freebairn-Smith and Ron Hicklin 01 May 93 Ship Ahoy 64 1 10 May 80 Theme From M*A*S*H (Suicide Is Painless) 1 12 Total Hits : 2 Total Weeks : 5 Total Hits : 1 Total Weeks : 12 MARY JANE GIRLS American female vocal group, protégées of Rick James, made up of Cheryl Ann Bailey, Candice Ghant, MASH! Joanne McDuffie, Yvette Marine & Kimberley Wuletich although McDuffie was the only singer who Anglo-American male/female vocal group appeared on the records 21 May 94 U Don't Have To Say U Love Me 37 2 21 May 83 Candy Man 60 4 04 Feb 95 Let's Spend The Night Together 66 1 25 Jun 83 All Night Long 13 9 Total Hits : 2 Total Weeks : 3 08 Oct 83 Boys 74 1 18 Feb 95 All Night Long (Remix) 51 1 MASON Dutch male DJ/producer Iason Chronis, born 17/1/80 Total Hits : 4 Total Weeks : 15 27 Jan 07 Perfect (Exceeder) (Mason vs Princess Superstar) 3 16 MARY MARY Total Hits : 1 Total Weeks : 16 American female vocal duo - sisters Erica (born 29/4/72) & Trecina (born 1/5/74) Atkins-Campbell 10 Jun 00 Shackles (Praise You) -
Tracklist for Tomhall
I. TRACK VORSCHLÄGE für eine musikalische Runderneuerung im Barfüsser, Schwäbisch Hall 1 Vorwort Im folgenden eine Liste von vielen Tracks, die die letzten Monate und Jahre in den großen Clubs liefen, teils dort wieder „ausgelutscht“, teils brandaktuell. Da sie in SHA aber noch nicht angekommen waren, wirst du wohl alle davon Problemlos in das Programm aufnehmen können. Vorraussetzung und Bedingung für diese Liste ist: Wirf alle Tracks in den Mülleimer, die seit über einem halben Jahr laufen, teils sogar jeden Abend bis mehrmals am Abend. Und dazu gehört auch „The Drill“, auch wenn das dein Lieblingstrack ist. Du solltest hier genügend Musik haben, für das gesamte nächste Jahr… Und ich kann beliebig viele Traxx nachreichen, denn ich entsorge meine eigenen Tracks stets nach ca. 3-6 Monaten, weil sie dann langweilig werden bzw. sehr viele neue geniale Sachen nachrücken… Ich habe dir viele der Tracks bereits in eine Reihenfolge gesetzt, wie man sie in einem Set spielen könnte (allerdings nur mal so schnell sortiert)… Das heißt, Tracks mit ähnlichem Klangbild und Groove beieinander wobei diese Eigenschaften sich über das Set dann langsam verändern. In der Regel beginnen die Sets weicher und nehmen dann in (gefühlter) Geschwindigkeit und/oder Härte zu. Das heißt natürlich nicht, dass man die Sets unbedingt in dieser Reihenfolge so spielen muss (das sollte man nämlich genau nicht tun), sondern es ist ein Leitfaden für dich, wenn du sie zum ersten Mal durchprobierst… TRACK VORSCHLÄGE 0 Alan van Stormcastle Page 1 of 11 2 Electro House (3 Sets) In der Szene wird oftmals zwischen Electro House und Elektro unterschieden, wobei (ganz grob gesagt) ersterem der eher weiche Mainstream zugeordnet wird und letzteres durch hohe Kompressionsraten hart klingt. -
12/2008 Mechanical, Photocopying, Recording Without Prior Written Permission of Ukchartsplus
All rights reserved. No portion of this publication may be reproduced, stored in Issue 383 a retrieval system, posted on an Internet/Intranet web site, forwarded by email, or otherwise transmitted in any form or by any means, electronic, 27/12/2008 mechanical, photocopying, recording without prior written permission of UKChartsPlus Symbols: Platinum (600,000) Number 1 Gold (400,000) Silver (200,000) 12” Vinyl only 7” Vinyl only Download only Pre-Release For the week ending 27 December 2008 TW LW 2W Title - Artist Label (Cat. No.) High Wks 1 NEW HALLELUJAH - Alexandra Burke Syco (88697446252) 1 1 1 1 2 30 43 HALLELUJAH - Jeff Buckley Columbia/Legacy (88697098847) -- -- 2 26 3 1 1 RUN - Leona Lewis Syco ( GBHMU0800023) -- -- 12 3 4 9 6 IF I WERE A BOY - Beyoncé Columbia (88697401522) 16 -- 1 7 5 NEW ONCE UPON A CHRISTMAS SONG - Geraldine Polydor (1793980) 2 2 5 1 6 18 31 BROKEN STRINGS - James Morrison featuring Nelly Furtado Polydor (1792152) 29 -- 6 7 7 2 10 USE SOMEBODY - Kings Of Leon Hand Me Down (8869741218) 24 -- 2 13 8 60 53 LISTEN - Beyoncé Columbia (88697059602) -- -- 8 17 9 5 2 GREATEST DAY - Take That Polydor (1787445) 14 13 1 4 10 4 3 WOMANIZER - Britney Spears Jive (88697409422) 13 -- 3 7 11 7 5 HUMAN - The Killers Vertigo ( 1789799) 50 -- 3 6 12 13 19 FAIRYTALE OF NEW YORK - The Pogues featuring Kirsty MacColl Warner Bros (WEA400CD) 17 -- 3 42 13 3 -- LITTLE DRUMMER BOY / PEACE ON EARTH - BandAged : Sir Terry Wogan & Aled Jones Warner Bros (2564692006) 4 6 3 2 14 8 4 HOT N COLD - Katy Perry Virgin (VSCDT1980) 34 -- -
To Watch 30 Under 30
B Power Players A BILLBOARD SPECIAL REPORT Faces To Watch 30 Under 30: Top Young Acts DEEP DISH: BOOSTED BY CHRIS BARBOUR ASIF AHMED And Executives CHRIS BARBOUR Artist manager U.S. label manager Shmanagement Global Underground The music and entertainment business is driven by num- Los Angeles Newcastle Upon Tyne, United Kingdom Birthdate: March 20, 1976 bers chart positions, sales totals, royalty figures and more. Birthdate: Feb. 15, 1975 But the numbers are only a measure of the day -to -day Why we're watching: Asif Ahmed's management client TV on Why we're watching: Barbour, 29, works with several dance /elec- the Radio captured the 2004 Shortlist Music Prize with its work of individuals, from interns to chief executives, who tronic acts, including recent Grammy Award nominee Sasha, Grammy release "Desperate Youth, Blood Thirsty Babes" besting projects winner Deep Dish, Danny Howells and UNKLE. comprise this industry. from such competitors as Loretta Lynn, Dizzee Rascal, Franz A 1997 Columbia University graduate who majored in anthropol- Ferdinand and Wilco. Power Players is a new special feature in Billboard ogy, Barbour has linked cultures via successful strategic marketing Ahmed, 28, specializes in bands with commercial and critical partnerships with M- Audio, Armani Exchange, Bacardi and other that highlights the achievements of individuals who drive appeal. "Asif has great taste in music and a lot of integrity," Interscope brands. This proactive approach to promoting music helped Global Records VP of A &R Debbie Southwood -Smith says. "He isn't afraid to the fields of music and entertainment forward through Underground releases like Sasha's "Involver" (2004) and Deep Dish's support artists who are raising the bar, and he has figured out how "Toronto" (2003) at No. -
A Chat with the DJ – Alain M
www.melodicbeatspodcast.com [email protected] A Chat with the DJ – Alain M MB.. You Have very kindly agreed to do a mix for the podcast but I feel its always good for listeners to get to know you a little with a 5 step Q & A.. So we know that you play the deep, melodic and progressive style but when did you start to DJ and what made you take the step from punter to player ?? (as in the DJ kind) AM: Almost from the start. I discovered clubs very young (15-16 years old). Across the river from Ottawa (which is in Ontario) is Hull (now Gatineau), in the province Quebec, where drinking age is lower and opening hours are longer – so it was like having two sets of rules in the same city. The city is continuous across the river. My teenage years were first influenced by prog rock and metal, but the music played at these clubs intrigued me. I started buying vinyl records from specialty DJ stores at about age 17 and I taught myself how to beat mix. Almost nobody in my group of friends was interested or even remotely aware of this type of music and mixing. They just went to bars to pick up and to drink. Aside from that, I was also interested in how that music put people in a party mood and wanted to be doing that! MB.. If you can share one musical memory with us, as a DJ or punter, which has lodged itself in the memory bank, what is it?? AM: As a punter, I have fond memories of the early years of Ottawa’s after- hours scene and the joy it generated. -
Quantifying the Evolution of Success with Network and Data Science Tools
Quantifying the Evolution of Success with Network and Data Science Tools Mil´anJanosov Department of Network and Data Science Central European University Principal supervisor: Prof. Federico Battiston External supervisor: Prof. Roberta Sinatra Associate supervisor: Prof. Gerardo Iniguez˜ A Dissertation Submitted in fulfillment of the requirements for the Degree of Doctor of Philosophy in Network Science CEU eTD Collection 2020 Milan´ Janosov: Quantifying the Evolution of Success with Network and Data Science CEU eTD Collection Tools, c 2020 All rights reserved. I Milan´ Janosov certify that I am the author of the work Quantifying the Evo- lution of Success with Network and Data Science Tools. I certify that this is solely my original work, other than where I have clearly indicated, in this declaration and in the thesis, the contributions of others. The thesis contains no materials accepted for any other degree in any other institution. The copyright of this work rests with its author. Quotation from it is permitted, provided that full acknowledgment is made. This work may not be reproduced without my prior written consent. Statement of inclusion of joint work I confirm that Chapter 3 is based on a paper, titled ”Success and luck in creative careers”, accepted for publication by the time of my thesis defense in EPJ Data Science, which was written in collaboration with Federico Battiston and Roberta Sinatra. On the one hand, the idea of using her previously published impact decomposition method to quantify the effect was conceived by Roberta Sinatra, where I relied on the methods developed by her. On the other hand, I proposed the idea of relating the temporal network properties to the evolution. -
Ed971024issue 917.Qxd 04/11/98 21:47 Page 1 (1,1)
ED971024Issue 917.qxd 04/11/98 21:47 Page 1 (1,1) Issue 917 - Weekly Friday 24th October 1997 Student lobby groups clash over fees he split between student lobby of the anti-fees campaign as a whole. groups opposing the govern- Matt Pannell According to NUS President Douglas Tment’s proposed tuition fees Editor Trainer, “The NUS stance on fees has grew last week, as the ‘Campaign for not and will not change. We are utter- Free Education’ criticised the National Union of ly opposed to the levying of fees for any student and Students for ‘doing its best not to lead a real campaign’. will continue to oppose the Government’s latest plans.” The Conservative MP for Guildford, Nick St Aubyn, The splinter group, made up of hardline activists and last week entered the fray, attacking the plans in an open disgruntled NUS rebels, is being backed, according to letter to Surrey University students. “Higher student its own press release, by a number of public figures debt coupled with higher drop-out rates is a recepie for opposing the fees. MP’s Dennis Skinner and Jeremy failure,” he said. He went on to highlight several prob- Corbyn, Socialist European MEP Ken Coates, and lems with the plans, which had been “hoisted on the Guardian cartoonist Steve Bell, are all lending their back of the Dearing Report, without thinking support. Even the Liverpool Dockers are claimed to be through...key problems.” He was backed by fellow backing the campaign. The group claims to have organ- Tory Virginia Bottomley, who, in a seperate letter, ised ‘the only democratic campaign in the student added that “it is all the more deplorable in that the movement’, and claims that the NUS is ‘still refusing to An extract from the document sent out by the Campaign for Free Education last week to put up a real fight’ against fees. -
Generator Magazine, 4-8 One) to : Sven Vath Competition, Generator, Project for R&S, Due for Release in the Early Peartree Street, London, Ecl V 3SB
and culture of Plus Going Global - British Dance Labels Take On The World! ISSN 0969-5206 11 111 " 9 770969 ,,,o,, I! I OW HMV • KNOW Contents April 1995 Vol 2 Issue 3 Features 10 Moby 14 Move D 19 Riccardo Rocchi 20 Danny Tenaglia 24 Crew 2000 2 6 Carl Craig 32 DJ Pierre 37 Dimitri 38 A Bad Night Out? 40 Havana 44 On-U-Sound 52 Caroline Lavelle 54 Going Global! 70 DJ Rap 81 Millennium Records Live 65 Secret Knowledge 68 A Positive Life Regulars 5 Letters 8 From The Floor 50 Fashion 57 Album Reviews 61 Single Reviews 71 Listings 82 The World According To ... Generator 3 YOU IOlC good music, ri&11t? Sl\\\.tle, 12 KILLER MASTERCUTS FLOOR-FILLERS ~JIIA1fJ}J11JWJ}{@]1J11~&tjjiiliJ&kiMJj P u6-:M44kiL~ffi:t.t&8/W ~-i~11J#JaJJA/JliliID1il1- ~~11JID11ELJ.JfiZW-J!U11-»R dftlhiMillb~JfJJlkmt@U¾l E-.fiW!JJlJMiijifJ~)JJt).ilw,i1!J!in 11Y$#~1kl!I . ' . rJOJ,t'tJi;M)J4&,j~ letters.·• • Editor Dear Generator, Dear Generator, and wasting hours-worth of Tim Barr Que Pasa? Something seems to My friends and I are wondering conversationa l aimlessness in Assistant Editor (Advertising) have happened at Generator about a frequent visitor to your an attempt to discover exactly Barney York HQ. One minute, there I was letters page. It seems that the where it was you left those last thinking your magazine was military have moved up north three papers, or, indeed, your Art Direction & Design Paul Haggis & Derek Neeps well and t ruly firmed up with and installed someone with head. -
A Chat with the DJ MB.. You Have Very Kindly Agreed to Do a Mix For
www.melodicbeatspodcast.com [email protected] A Chat with the DJ MB.. You Have very kindly agreed to do a mix for the podcast but I feel it’s always good for listeners to get to know you a little with a 5 step Q & A.. So we know that you play the deep, melodic and progressive style but when did you start to DJ and what made you take the step from punter to player ?? (as in the DJ kind) DJ Joma: So how did I get here? Well, 25 years ago (1995) a friend put into my hands on a Sasha BBC Radio One Essential Mix-tape, and that’s when it all started to change. I started to take a real keen interest in what DJ’s like Sasha, Digweed and the Renaissance DJ’s were playing at this time; and started to buy records each week and it sort of progressed from there. Really the main reason was simply to play good tunes to friends; I used to make weekly mix-tapes for my mates and it became something I really enjoyed even though it was an expensive hobby for a student! I didn't want to be a DJ to avoid dancing in public, to attract girls and get free drinks, I just liked playing good tunes to friends. In the years since I've DJ'd out and about occasionally and had the best night ever each and every time, but I'm honest enough to know I'm not really a high talented DJ and I really have been lucky to see a few at work and I’m glad for that. -
Music-Week-1996-04-0
• ^ music we For Everyone in the Business of Music 6 APRIL1996 £3 THISWEEK PRS pays up as U2fight on by Martin Talbot The U2 camp refuses to settle until PRS bas agreed to ings with the European collection s. "We 1 seofthefctively TradingPRS finalises how it with will implementthe Office theOf Fairself- adverearies' long-standingtlement of one légal half battle. of the societies.The décision to accept the payment outstanding i administration aspects of the report. 4a^,...£400.QQÛ^offer_ was finaUy was made at a meeting of the band's ThompsonLawyer indicatesNigel Parker that the of factLee that & controlAlthough of theirU2 are live keen rights, to gaina model 100% of alleracceptèa it byH0â'onlaunched Friday,its légal two actionyears issuedadvisors a letteron Thursday of acceptance aflernoon. of the offer U2 PRS has paid U2 could open the way self-administration being proposed by against PRS. before the 21-day deadline arrived on "There " t the society. PRSThe Cureinvolvement. is expected The toCure retain manager some theBut battle the isIrish not overband yet. bas im vowed accoun- that meetingFriday and at theas PRSForte stagedCrest Hôtelan open in he says. "There are bound to be people Chris Parry says negotiations with tant Ossie Kilkenny, of OJ Kilkenny, central London to discuss the proposais )msidering guarantee similar they will claims, get anybut theimoi PRS are ïprogressing understood satisfactorily.to be keen to clear damagessays, "We offered bave agreedby PRS, to but accept we willthe oftheMMC report. itofPRS." the isi ne for worldwii HutchinsonPRS chief says theexecutive payment Johnwas theplanned tour arefor expected1997-98. -
35000 Booty of No Interest to Honest Finalist
Leeds Student January 29, 1999 www.leedsdotstudent.co.uk Volume 29: Issue No.13 IT'S THE SPICE 'WHAT YEAR PANTS AT OF LIFE PULLING? Tickle your tastebuds with AM I IN?' The who, what and' where' our guide to oriental cuisine Mercury Prize winners Gomez guide to mating in Leeds • Pages 15-17 live the high life in JUICE • Pages 12 and 13 £35,000 booty of no interest to honest finalist `THE CASH JUST KEPT COMING' By MATT WIEVER A GOBSMACKED finalist who went to withdraw the final COO from his bank account was amazed when cash machines spewed out over 05,000. Dan Knox was anempting to close the account he had opened during his year in Panama when he used his card in the Barclays Bank cash machine opposite the Parkinson Building. But the Leeds University Spanish finalist was astonished when the machine kept giving him more and more money. 1-k explained: wanted to close the account so I kept asking tier money until it would give me no more. First I asked for a hundred pounds each time. then two hundred pounds. and then five hundred pounds a time.- Eventually Dan bagged £10.0(X) from the Barclays machine before it ran out of money and he instantly nipped into the Blenheim Terrace bank to open an Instant Saver account to put it in. He then moved next door to the Midland Bank machine which proved to be equally generous. But after he had made his final deposit the bemused student decided it was time to telephone the head office of the Panamanian hank where he held the account to inform them of their error.