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Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity
Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity 2 Copyright © Sarah Thornton 1995 The right of Sarah Thornton to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. First published in 1995 by Polity Press in association with Blackwell Publishers Ltd. Reprinted 1996, 1997, 2001 Transferred to digital print 2003 Editorial office: Polity Press 65 Bridge Street Cambridge CB2 1UR, UK Marketing and production: Blackwell Publishers Ltd 108 Cowley Road Oxford OX4 1JF, UK All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any 3 form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. ISBN: 978-0-7456-6880-2 (Multi-user ebook) A CIP catalogue record for this book is available from the British Library. Typeset in 10.5 on 12.5 pt Palatino by Best-set Typesetter Ltd, Hong Kong Printed and bound in Great Britain by Marston Lindsay Ross International -
UNIVERSAL MUSIC • the Hives – Lex Hives • the Temper Trap
• The Hives – Lex Hives • The Temper Trap – The Temper Trap • Joe Walsh – Analog Man New Releases From Classics And Jazz Inside!! And more… UNI12-22 “Our assets on-line” UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 Artwork shown may not be final CHANGE OF DISTRIBUTION – Wax Records Dear Customer, Effective Tuesday May 1st, 2012, the Canadian distribution of the attached Wax Records product will change from Warner Music Canada to Universal Music Canada. In order to make this transition as easy as possible for all customers, the following steps have been agreed upon by Warner Music Canada and Universal Music Canada. ORDERS: Effective Monday April 30th, 2012, Warner Music Canada will cancel all back orders for the products on the attached list. Effective Tuesday May 1st, 2012, Universal Music Canada will solicit all orders and ship the attached products. RETURNS: Warner Music Canada will accept return requests for this product until Monday April 30, 2012. Universal Music Canada will begin accepting return requests for these products Tuesday May 1st, 2012. Credit will be issued per the Universal Music Canada Terms and Conditions of Sale. ADVERTISING: Warner Music Canada will not be responsible for any ad claims issued after Monday April 30th, 2012. We trust that these procedures will make the transition as smooth as possible and we thank you for your continued support. Please contact your local Universal Music Canada representative should you have any questions. Kind regards, Doug Raaflaub Adam Abbasakoor Vice President, Sales Vice President, Sales Warner Music Canada Universal Music Canada Please update your files accordingly. -
Reconciling Cultural Diversity and Free Trade in the Digital Age: a Cultural Analysis of the International Trade in Content Items Claire Wright
The University of Akron IdeaExchange@UAkron Akron Law Review Akron Law Journals July 2015 Reconciling Cultural Diversity and Free Trade in the Digital Age: A Cultural Analysis of the International Trade in Content Items Claire Wright Please take a moment to share how this work helps you through this survey. Your feedback will be important as we plan further development of our repository. Follow this and additional works at: http://ideaexchange.uakron.edu/akronlawreview Part of the International Law Commons, and the International Trade Law Commons Recommended Citation Wright, Claire (2008) "Reconciling Cultural Diversity and Free Trade in the Digital Age: A Cultural Analysis of the International Trade in Content Items," Akron Law Review: Vol. 41 : Iss. 2 , Article 3. Available at: http://ideaexchange.uakron.edu/akronlawreview/vol41/iss2/3 This Article is brought to you for free and open access by Akron Law Journals at IdeaExchange@UAkron, the institutional repository of The nivU ersity of Akron in Akron, Ohio, USA. It has been accepted for inclusion in Akron Law Review by an authorized administrator of IdeaExchange@UAkron. For more information, please contact [email protected], [email protected]. Wright: Reconciling Cultural Diversity and Free Trade WRIGHT_FINAL 3/23/2009 2:40 PM RECONCILING CULTURAL DIVERSITY AND FREE TRADE IN THE DIGITAL AGE: A CULTURAL ANALYSIS OF THE INTERNATIONAL TRADE IN CONTENT ITEMS Claire Wright* I. Introduction ....................................................................... 401 II. Background Information.................................................... 415 A. Cultural Diversity on the Global Level ....................... 415 B. International Media Conglomerates ............................ 420 C. Global Content Markets .............................................. 428 D. Digital Technology ..................................................... 432 III. Cultural Studies ................................................................. 439 A. Cultural Studies as a Discipline ................................. -
Marxman Mary Jane Girls Mary Mary Carolyne Mas
Key - $ = US Number One (1959-date), ✮ UK Million Seller, ➜ Still in Top 75 at this time. A line in red 12 Dec 98 Take Me There (Blackstreet & Mya featuring Mase & Blinky Blink) 7 9 indicates a Number 1, a line in blue indicate a Top 10 hit. 10 Jul 99 Get Ready 32 4 20 Nov 04 Welcome Back/Breathe Stretch Shake 29 2 MARXMAN Total Hits : 8 Total Weeks : 45 Anglo-Irish male rap/vocal/DJ group - Stephen Brown, Hollis Byrne, Oisin Lunny and DJ K One 06 Mar 93 All About Eve 28 4 MASH American male session vocal group - John Bahler, Tom Bahler, Ian Freebairn-Smith and Ron Hicklin 01 May 93 Ship Ahoy 64 1 10 May 80 Theme From M*A*S*H (Suicide Is Painless) 1 12 Total Hits : 2 Total Weeks : 5 Total Hits : 1 Total Weeks : 12 MARY JANE GIRLS American female vocal group, protégées of Rick James, made up of Cheryl Ann Bailey, Candice Ghant, MASH! Joanne McDuffie, Yvette Marine & Kimberley Wuletich although McDuffie was the only singer who Anglo-American male/female vocal group appeared on the records 21 May 94 U Don't Have To Say U Love Me 37 2 21 May 83 Candy Man 60 4 04 Feb 95 Let's Spend The Night Together 66 1 25 Jun 83 All Night Long 13 9 Total Hits : 2 Total Weeks : 3 08 Oct 83 Boys 74 1 18 Feb 95 All Night Long (Remix) 51 1 MASON Dutch male DJ/producer Iason Chronis, born 17/1/80 Total Hits : 4 Total Weeks : 15 27 Jan 07 Perfect (Exceeder) (Mason vs Princess Superstar) 3 16 MARY MARY Total Hits : 1 Total Weeks : 16 American female vocal duo - sisters Erica (born 29/4/72) & Trecina (born 1/5/74) Atkins-Campbell 10 Jun 00 Shackles (Praise You) -
Tracklist for Tomhall
I. TRACK VORSCHLÄGE für eine musikalische Runderneuerung im Barfüsser, Schwäbisch Hall 1 Vorwort Im folgenden eine Liste von vielen Tracks, die die letzten Monate und Jahre in den großen Clubs liefen, teils dort wieder „ausgelutscht“, teils brandaktuell. Da sie in SHA aber noch nicht angekommen waren, wirst du wohl alle davon Problemlos in das Programm aufnehmen können. Vorraussetzung und Bedingung für diese Liste ist: Wirf alle Tracks in den Mülleimer, die seit über einem halben Jahr laufen, teils sogar jeden Abend bis mehrmals am Abend. Und dazu gehört auch „The Drill“, auch wenn das dein Lieblingstrack ist. Du solltest hier genügend Musik haben, für das gesamte nächste Jahr… Und ich kann beliebig viele Traxx nachreichen, denn ich entsorge meine eigenen Tracks stets nach ca. 3-6 Monaten, weil sie dann langweilig werden bzw. sehr viele neue geniale Sachen nachrücken… Ich habe dir viele der Tracks bereits in eine Reihenfolge gesetzt, wie man sie in einem Set spielen könnte (allerdings nur mal so schnell sortiert)… Das heißt, Tracks mit ähnlichem Klangbild und Groove beieinander wobei diese Eigenschaften sich über das Set dann langsam verändern. In der Regel beginnen die Sets weicher und nehmen dann in (gefühlter) Geschwindigkeit und/oder Härte zu. Das heißt natürlich nicht, dass man die Sets unbedingt in dieser Reihenfolge so spielen muss (das sollte man nämlich genau nicht tun), sondern es ist ein Leitfaden für dich, wenn du sie zum ersten Mal durchprobierst… TRACK VORSCHLÄGE 0 Alan van Stormcastle Page 1 of 11 2 Electro House (3 Sets) In der Szene wird oftmals zwischen Electro House und Elektro unterschieden, wobei (ganz grob gesagt) ersterem der eher weiche Mainstream zugeordnet wird und letzteres durch hohe Kompressionsraten hart klingt. -
AL3..,Vs "C U When U Get There." a Sampling EIDITEED by PAUL VERNA of the State of the Art in Hip -Hop
Review previews Despite tired gangsta posturing and rap twosome Sandy Carriello and Luis S P O T L I G H T S P O T L I G H T cliché peddling on several tracks, Deschamps runs through a good -time including single "Not Tonight" (by Lil' set of bravura -laced anecdotes high- Kim et al.), the album has some lighted by "La Fiesta" and "El inspired moments, especially Coolio's Alacrán." AL3..,vs "C U When U Get There." A sampling EIDITEED BY PAUL VERNA of the state of the art in hip -hop. WORLD MUSIC * SALLY NYOLO P O P JAll Tribu * DREW WEAVER BARBARA DENNERLEIN PRODUCERS: Sally Nyolo & Xavier Desandre- Navarre Unfaithful Kind Junkanoo Tinder 42846792 PRODUCER: Michael Kramer PRODUCER. Barbara Dennerlein Former Zap Mama member Sally Nyolo Black Saddle 414 Verve 537 122 has made one of the brightest, most con- Delaware resident Drew Weaver has a Second label release from German jazz sistently enjoyable world music debuts keener eye for a good lyric and a finer ear organist/composer Barbara Dennerlein of the year. Nyolo- raised in Cameroon for a good tune than most songwriters is defined by the swings, stings, and but based in Paris -knows her American with bigger names and fatter bank surges of her classic Hammond B3. pop styles well and can elegantly blend voice with African forms, as on the dra- accounts. Weaver's potent, bluesy MATT MOLLOY Backed by an impressive crew that them -solid featuring MANSUN matically metronomic "Tamtam." Even a hovers over rock grooves Shadows On Stone includes David Murray, Randy Brecker, reverb -soaked, vibrato-accented guitars Attack Of The Grey Lantern Frank Lacy, Howard traditional theme like the call-and- Draper PRODUCER: Matt Molloy David Sanchez, (courtesy of his band, the Alvarados) and PRODUCER: Paul Thomas Chapin, Mitch response "Ndongo" is adorned with Epic 67935 Caroline 1168 Johnson, - delightfully pop -tuneful choruses. -
AUSTRALIAN OFFICIAL JOURNAL of TRADE MARKS 17 September 2009
Vol: 23 , No. 36 17 September 2009 AUSTRALIAN OFFICIAL JOURNAL OF TRADE MARKS Did you know a searchable version of this journal is now available online? It's FREE and EASY to SEARCH. Find it at http://pericles.ipaustralia.gov.au/ols/epublish/content/olsEpublications.jsp or using the "Online Journals" link on the IP Australia home page. The Australian Official Journal of Designs is part of the Official Journal issued by the Commissioner of Patents for the purposes of the Patents Act 1990, the Trade Marks Act 1995 and Designs Act 2003. This Page Left Intentionally Blank (ISSN 0819-1808) AUSTRALIAN OFFICIAL JOURNAL OF TRADE MARKS 17 September 2009 Contents General Information & Notices IR means "International Registration" Amendments and Changes Application/IRs Amended and Changes ...................... 11752 Registrations/Protected IRs Amended and Changed ................ 11753 Registrations Linked ............................... 11750 Applications for Extension of Time ...................... 11752 Applications for Amendment .......................... 11752 Applications/IRs Accepted for Registration/Protection .......... 11412 Applications/IRs Filed Nos 1316563 to 1317837 ............................. 11395 Applications/IRs Lapsed, Withdrawn and Refused Lapsed ...................................... 11755 Withdrawn..................................... 11756 Refused ...................................... 11756 Assignments,TransmittalsandTransfers.................. 11756 Cancellations of Entries in Register ...................... 11759 Notices....................................... -
Australian Official Journal Of
Vol: 23 , No. 20 28 May 2009 AUSTRALIAN OFFICIAL JOURNAL OF TRADE MARKS Did you know a searchable version of this journal is now available online? It's FREE and EASY to SEARCH. Find it at http://pericles.ipaustralia.gov.au/ols/epublish/content/olsEpublications.jsp or using the "Online Journals" link on the IP Australia home page. The Australian Official Journal of Designs is part of the Official Journal issued by the Commissioner of Patents for the purposes of the Patents Act 1990, the Trade Marks Act 1995 and Designs Act 2003. This Page Left Intentionally Blank (ISSN 0819-1808) AUSTRALIAN OFFICIAL JOURNAL OF TRADE MARKS 28 May 2009 Contents General Information & Notices IR means "International Registration" Amendments and Changes Application/IRs Amended and Changes ...................... 6943 Registrations/Protected IRs Amended and Changed ................ 6944 Registrations Linked ............................... 6939 Applications for Extension of Time ...................... 6942 Applications for Amendment .......................... 6942 Applications/IRs Accepted for Registration/Protection .......... 6565 Applications/IRs Filed Nos 1297149 to 1298512 ............................. 6547 Applications/IRs Lapsed, Withdrawn and Refused Lapsed ...................................... 6945 Withdrawn..................................... 6946 Refused ...................................... 6946 Australian Competition and Consumer Commission Matters Decision Given by the ACCC ........................... 6949 Assignments,TransmittalsandTransfers................. -
Quantifying the Evolution of Success with Network and Data Science Tools
Quantifying the Evolution of Success with Network and Data Science Tools Mil´anJanosov Department of Network and Data Science Central European University Principal supervisor: Prof. Federico Battiston External supervisor: Prof. Roberta Sinatra Associate supervisor: Prof. Gerardo Iniguez˜ A Dissertation Submitted in fulfillment of the requirements for the Degree of Doctor of Philosophy in Network Science CEU eTD Collection 2020 Milan´ Janosov: Quantifying the Evolution of Success with Network and Data Science CEU eTD Collection Tools, c 2020 All rights reserved. I Milan´ Janosov certify that I am the author of the work Quantifying the Evo- lution of Success with Network and Data Science Tools. I certify that this is solely my original work, other than where I have clearly indicated, in this declaration and in the thesis, the contributions of others. The thesis contains no materials accepted for any other degree in any other institution. The copyright of this work rests with its author. Quotation from it is permitted, provided that full acknowledgment is made. This work may not be reproduced without my prior written consent. Statement of inclusion of joint work I confirm that Chapter 3 is based on a paper, titled ”Success and luck in creative careers”, accepted for publication by the time of my thesis defense in EPJ Data Science, which was written in collaboration with Federico Battiston and Roberta Sinatra. On the one hand, the idea of using her previously published impact decomposition method to quantify the effect was conceived by Roberta Sinatra, where I relied on the methods developed by her. On the other hand, I proposed the idea of relating the temporal network properties to the evolution. -
Views from the Trade © Board of Trade of the City of Chicago 1978
© Board of Trade of the City of Chicago 1978. Readi Futur Views from the Trade © Board of Trade of the City of Chicago 1978. © Board of Trade of the City of Chicago 1978. Book III Future^Malkets VSeWS ffOITI the Trade Editor Anne E. Peck Assistant Professor, Food Research Institute Stanford University with Lloyd Besant Director, Education and Publication Services Chicago Board of Trade © Board of Trade of the City of Chicago 1978. Education and Editorial Publications managing editor Lloyd Besant Services editors Dana Kellerman, Anthony Godine Design and Production production design Richard Prey typesetting Paula DeSmet, David Sural art production Sigrid Rutstein 50001 eBoard of Trade of the City of Chicago 1978. All rights reserved. Printed in USA. © Board of Trade of the City of Chicago 1978. Contents Section 1 Introduction to Hedger Uses of Futures Markets 1 1 Introduction to Hedging Virgil A. Wiese 3 2 Case History of Hedging Virgil A. Wiese 13 3 Merchandising and Inventory Management of Commodities: Carrying Charges and Basis Raleigh B. Wilson 27 4 Grain Transportation Carl J. Lessing 35 5 Basis Patterns T.A. Hieronymus 45 6 Futures as a Corporate Tool H. R. Diercks 57 2 Farmer and Country Elevator Hedging 67 1 Farmer Use of the Market T.A. Hieronymus 69 2 Country Elevator Use of the Market E.B. Evans 79 3 Use of Commodity Exchanges by Local Grain Marketing Organizations Virgil A. Wiese 85 4 Country Merchandising and Country Bids Kenneth W. Stotler 91 3 Terminal Elevator Use of Futures 97 1 Terminal Elevator Operations Orrin S. -
Generator Magazine, 4-8 One) to : Sven Vath Competition, Generator, Project for R&S, Due for Release in the Early Peartree Street, London, Ecl V 3SB
and culture of Plus Going Global - British Dance Labels Take On The World! ISSN 0969-5206 11 111 " 9 770969 ,,,o,, I! I OW HMV • KNOW Contents April 1995 Vol 2 Issue 3 Features 10 Moby 14 Move D 19 Riccardo Rocchi 20 Danny Tenaglia 24 Crew 2000 2 6 Carl Craig 32 DJ Pierre 37 Dimitri 38 A Bad Night Out? 40 Havana 44 On-U-Sound 52 Caroline Lavelle 54 Going Global! 70 DJ Rap 81 Millennium Records Live 65 Secret Knowledge 68 A Positive Life Regulars 5 Letters 8 From The Floor 50 Fashion 57 Album Reviews 61 Single Reviews 71 Listings 82 The World According To ... Generator 3 YOU IOlC good music, ri&11t? Sl\\\.tle, 12 KILLER MASTERCUTS FLOOR-FILLERS ~JIIA1fJ}J11JWJ}{@]1J11~&tjjiiliJ&kiMJj P u6-:M44kiL~ffi:t.t&8/W ~-i~11J#JaJJA/JliliID1il1- ~~11JID11ELJ.JfiZW-J!U11-»R dftlhiMillb~JfJJlkmt@U¾l E-.fiW!JJlJMiijifJ~)JJt).ilw,i1!J!in 11Y$#~1kl!I . ' . rJOJ,t'tJi;M)J4&,j~ letters.·• • Editor Dear Generator, Dear Generator, and wasting hours-worth of Tim Barr Que Pasa? Something seems to My friends and I are wondering conversationa l aimlessness in Assistant Editor (Advertising) have happened at Generator about a frequent visitor to your an attempt to discover exactly Barney York HQ. One minute, there I was letters page. It seems that the where it was you left those last thinking your magazine was military have moved up north three papers, or, indeed, your Art Direction & Design Paul Haggis & Derek Neeps well and t ruly firmed up with and installed someone with head. -
From the Church of Disco to Waterfront Ruins: an Analysis of Gay Space
Bard College Bard Digital Commons Senior Projects Spring 2019 Bard Undergraduate Senior Projects Spring 2019 From the Church of Disco to Waterfront Ruins: An Analysis of Gay Space Liam Nolan Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2019 Part of the Architectural History and Criticism Commons, Historic Preservation and Conservation Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Other American Studies Commons, Other Architecture Commons, Other History of Art, Architecture, and Archaeology Commons, and the Urban, Community and Regional Planning Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Nolan, Liam, "From the Church of Disco to Waterfront Ruins: An Analysis of Gay Space" (2019). Senior Projects Spring 2019. 1. https://digitalcommons.bard.edu/senproj_s2019/1 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. From the Church of Disco to Waterfront Ruins: An Analysis of Gay Space Senior Project Submitted to The Division of the Arts of Bard College by Liam Nolan Annandale-on-Hudson, New York May 2019 Acknowledgments Laurie, I couldn't do this without you.