DOCSLIB.ORG

Damian Taylor Selected Producer, Mixer & Remixer Credits

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Damian Taylor Selected Producer, Mixer & Remixer Credits DAMIAN TAYLOR SELECTED PRODUCER, MIXER & REMIXER CREDITS: Louise Burns Young Mopes (Light Organ) P M Odette Forthcoming Album (EMI Australia) P M Evanescence Synthesis (BMG) M Ad-Prog Kirin J. Callinan S.A.D. (Universal Australia) M TRUST Bicep (Perfect Bloom) Co-P E M Ad-Prog Petra Glynt "This Trip" Stone Lions Dub (Vibe Over Method) M Prog The Range Potential (Domino) Ad-P M Arcade Fire (Ft. Mavis Staples) " I Give You Power" single (Arcade Fire) Ad-Prog Braids Companion (Arbutus) M Zack Lopez Bloodlines (Bright Antenna) M The Temper Trap Thick As Thieves (Liberation/Glassnote) P M Prog Mark Stoermer "Are Your Stars Out" from Dark Arts (St. August) M Björk Biophilia (One Little Indian) E M Prog Co-W *Grammy nominated Best Alternative Album 2012 Björk Volta* (Atlantic) Co-P E Prog *Grammy nominated Best Alternative Album 2008 Björk Volta Live 18 Month World Tour 2007-2008 MD Björk Vespertine* (Elektra) E Prog *Grammy nominated Best Alternative Album 2001 The Killers Battle Born (Island Def Jam) P, Co-P M Prog Arcade Fire "Sprawl II" & "Ready To Start" Remixes (Merge) P Rmx Arcade Fire Reflektor (Arcade Fire Music) Voc-P E *Grammy nominated Best Alternative Album 2015 Braids Deep in the Iris (Arbutus) M *Juno award winner for Alternative Album of the Year 2015* Braids Companion EP (Arbutus) M Kimbra "Two Way Street" Remix from Vows Remixes (Warner Bros.) P M Kimbra "With My Hands" from Frankenweenie Film (Warner Bros.) P E M Prog Co-W Gems Kill the One You Love (Carpark) M Foxtrott "A Taller Us" (One Little Indan) M Foxtrott Shields EP (One Little Indian) M Mas Ysa Seraph (Downtown) Ad-P M The Prodigy Invaders Must Die (Cooking Vinyl) Ad-P The Prodigy Always Outnumbered, Never Outgunned* (XL) Prog *Grammy nominated Best Dance Album 2004 P-Producer E-Engineer M-Mixer Rmx-Remix MD-Musical Director Prog-Programming DAMIAN TAYLOR SELECTED PRODUCER, MIXER & REMIXER CREDITS: TR/ST Trust (Arts & Crafts) M *Juno award nominee for Electronic Album of the Year 2012* TR/ST Joyland (Arts & Crafts) E TR/ST "Sulk" single (Arts & Crafts) M Lenka "Blue Skies", "Go Deeper" from The Bright Side (Skipalong/Hickory) P M Spank Rock The Upside EP (Bad Blood) Co-P M Diamond Rings Free Dimensional (Capitol) P E M Lenka "Blue Skies", "Go Deeper" from The Bright Side (Skipalong/Hickory) P M Austra Feel It Break (Domino) E M Architecture In Helsinki "Dream A Little Crazy" from Now + 4eva M The Range Potential - 3 songs (Domino) Ad-P M Love Thy Brother Love Me Better (Bright Antenna) P M Prog Co-W feat. Ariel Beesley Tegan and Sara "Closer" Remix (Warner Bros.) P Rmx Sarah Vaughan "Fever" Adam Freeland Remix* (Verve) Co-P E M Prog *Grammy nominated Best Remix 2005 UNKLE Never, Never Land (Mo' Wax) Selected Tracks Co-P E Co-M Co-W Reuben Hollebon Faces (Damian Taylor Remix) (Bright Antenna) P Rmx Prog Middle Class Rut "Pick Up Your Head" Remix (Bright Antenna) Rmx Loquat "We Could Be Arsonists" Remix (Tommy Boy Ent.) Rmx Zack Lopez Bloodlines - 3 songs (Bright Antenna) M Björk "The Comet Song" from Moomins Film (One Little Indian) Ad-P E M Björk "Scatterheart" from Dancer In The Dark Film (Elektra) Prog Björk "The Boho Dance" from A Tribute to Joni Mitchell (Nonesuch) M Freeland “Now and Them” (Marine Parade) Co-P E M Prog Co-W UNKLE Do Androids Dream of Electric Beats (UNKLEsounds) Ad-P Co-M Prog Kasabian "Processed Beats", "L.S.F.", "Butcher Blues" from Kasabian (BMG) Prog Frou Frou Details (Island) E Co-M Prog Young Love Too Young To Fight It (Island Def Jam) Prog Sexy Beast (film) Film Score and Album (Beyond Music) Co-P E Prog Robyn "Blow My Mind" Remix (BMG Sweden) Rmx Depeche Mode "Precious" from Playing The Angel (Sire) M UNKLE ft. Ian Brown "Be There" single (Mo' Wax/Island) Ad-P E DJ Shadow "GDMFSOB" UNKLE Remix ft. Roots Manuva (Mo' Wax) Ad-P E M Prog Ian Brown "F.E.A.R." UNKLE Remix (Polydor) Co-P M Prog The Doors "Hello I Love You" Adam Freeland Remix (Rhino) Co-P E M Prog Björk "All is Full of Love" Guy Sigsworth Remix (Elektra) M Prog Stina Nordenstam "People Are Strange" UNKLE Mix (EastWest) Ad-P Prog P-Producer E-Engineer M-Mixer Rmx-Remix MD-Musical Director Prog-Programming DAMIAN TAYLOR SELECTED PRODUCER, MIXER & REMIXER CREDITS: Blur "Battle" UNKLE Remix (Food/EMI) Ad-P Prog Kylie Minogue "Slow" Radioslave Remix from Slow (Remixes) (Parlophone) Ad-P Prog Metallica "Frantic" UNKLE Remix (Elektra) Ad-P E Prog Placebo ft. David Bowie "Without You I'm Nothing" UNKLE Remix (Virgin) Ad-P Prog Metallica "Frantic" UNKLE Remix (Elektra) Ad-P E Prog Placebo ft. David Bowie "Without You I'm Nothing" UNKLE Remix (Virgin) Ad-P Prog Freeland "Heel 'n' Toe" Adam Freeland Remix from Bassbin Twins Co-P E M Prog Autolux "Blanket" Adam Freeland Remix (Marine Parade) Co-P E M Prog Breakbeat Era "Bullitproof" UNKLE Remix (XL) Ad-P Prog David Sylvian "Godman" Heavy Rotation Remix (Venture) E M Prog Lo-Star "Falling Short" Stone Lions Remix from Wake Up (Lo-Star) P M Prog Talvin Singh "OK" Heavy Rotation Mix (Island) Prog Talvin Singh "Vikram the Vampire" from OK (Expanded Edition) (Island) Prog Furslide "Over My Head" UNKLE Remix (Virgin) Ad-P Prog Garbage "The World Is Not Enough" UNKLE Remix from Ad-P Prog Absolute Garbage (Special Edition) (Almo Sounds/Geffen) Howie B "Hey Jack" UNKLE Remix from Folk. (Polydor) Prog Pressure Drop "You're Mine" Adam Freeland Remix (One Eye) Ad-P M Prog James Lavelle Global Underground "Barcelona" (Global Underground) Prog Contact: Jerimaya Grabher GPS | Global Positioning Services [email protected] www.globalpositioningservices.net | Tel 310.656.1350 P-Producer E-Engineer M-Mixer Rmx-Remix MD-Musical Director Prog-Programming.
Load more

Recommended publications
  • BRAIDS Deep in the Iris
    BRAIDS Deep In The Iris TRACKLISTING 1 Letting Go 2 Taste 3 Blondie 4 Happy When 5 Miniskirt 6 Getting Tired 7 Sore Eyes 8 Bunny Rose 9 Warm Like Summer "It’s heady music about the body and its imperatives. And it’s every bit as mesmerizing and vertiginous as desire can be." – New York Times “The quartet [...] is almost Inception-like in its warping of reality, equally tactile and dissolute, cerebral and surreal and ultimately haunting for its refusal to answer questions the same way twice.” – Pitchfork CATALOGUE NUMBER: ABT045 ARTIST: Braids TITLE: Deep In The Iris GENRE: Pop, Experimental, Electronic Braids are a three-piece experimental pop band from Montreal. RELEASE DATE: April 28th, 2015 To record their third album, Deep In The Iris, Braids decamped to a series of retreats in AVAILABLE FORMATS: CD, LP the mountains of Arizona, Vermont, and upstate New York. Surrounded by nature in all its warm vitality, the longtime bandmates strove to shed the fabric of their day to TERRITORY: Worldwide ex. Canada / Japan day relationships, being bare and vulnerable before one another. What resulted is Deep In The Iris, their strongest record to date – powerful, yet fragile; immaculately BOX LOT: CD – 30, LP – 30 sculpted, but deeply human. RIYL: Radiohead, Bjork, Cocteau Twins, Caribou Raphaelle Standell has always had a formidable voice but rarely has it sounded as ASSOCIATED RELEASES: vital, focused, and powerful as it does here. True to the process that birthed it, the - ABT035 Braids Flourish // Perish record explores a number of heavy subjects, including pornography, abuse, and - ABT034 Braids In Kind // Amends slutshaming.
    [Show full text]
  • Issue 199.Pmd
    email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 199 February Oxford’s Music Magazine 2012 Asher Oxford’sDust maverick MC on his incredible lifetime of music making plus all your local music news, reviews and upcoming gigs. photo: Zahra Tehrani NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net TRUCK FESTIVAL is set to return this summer after founders Robin and Joe Bennett handed the event over to new management. Truck, which had been the centrepiece of Oxford’s live music calendar since 1998, surviving both floods and foot and mouth crises, succumbed to financial woes last year, going into administration in September. However, the event has been taken over by the organisers of Y-Not Festival in Derbyshire, which won Best Grassroots Festival 2011 at the UK Festival Awards. The new organisers hope to take Truck back to its roots as a local community festival. In a statement on the Truck website, Joe and Robin announced, ““We have always felt a great responsibility for the integrity and sustainability of Truck Festival, which grew so quickly and with such enthusiasm from very humble beginnings in 1998. Via Truck’s unique catering arrangements with the Rotary Club, tens of thousands of pounds have been raised for charities and good causes every year, including last year, and many great bands have taken their first steps to international prominence. BONNIE ‘PRINCE’ BILLY makes visits Oxford in May when he “However, after a notoriously difficult summer of trading for Truck teams up with alt.folk band Trembling Bells.
    [Show full text]
  • DJ Skills the Rise of the Hip-Hop DJ 3
    The Rise of the Hip-Hop DJ 1 74 The Rise of The Hip-hop DJ DJs were Hip-hop’s original architects, and remain crucial to its contin- ued development. Hip-hop is more than a style of music; it’s a culture. As with any culture, there are various artistic expressions of Hip-hop, the four principal expressions being: • visual art (graffiti) • dance (breaking, rocking, locking, and popping, collectively known in the media as “break dancing”) • literature (rap lyrics and slam poetry) • music (DJing and turntablism) Unlike the European Renaissance or the Ming Dynasty, Hip-hop is a culture that is very much alive and still evolving. Some argue that Hip-hop is the most influential cultural movement in history, point- ing to the globalization of Hip-hop music, fashion, and other forms of expression. Style has always been at the forefront of Hip-hop. Improvisation is called free styling, whether in rap, turntablism, breaking, or graf- fiti writing. Since everyone is using the essentially same tools (spray paint for graffiti writers, microphones for rappers and beat boxers, their bodies for dancers, and two turntables with a mixer for DJs), it’s the artists’ personal styles that set them apart. It’s no coincidence that two of the most authentic movies about the genesis of the move- ment are titled Wild Style and Style Wars. There are also many styles of writing the word “Hip-hop.” The mainstream media most often oscillates between “hip-hop” and “hip hop.” The Hiphop Archive at Harvard writes “Hiphop” as one word, 2 DJ Skills The Rise of the Hip-Hop DJ 3 with a capital H, embracing KRS-ONE’s line of reasoning that “Hiphop Kool DJ Herc is a culture with its own foundation narrative, history, natives, and 7 In 1955 in Jamaica, a young woman from the parish of Saint Mary mission.” After a great deal of input from many people in the Hip-hop community, I’ve decided to capitalize the word but keep the hyphen, gave birth to a son who would become the father of Hip-hop.
    [Show full text]
  • Exploring Lesbian and Gay Musical Preferences and 'LGB Music' in Flanders
    Observatorio (OBS*) Journal, vol.9 - nº2 (2015), 207-223 1646-5954/ERC123483/2015 207 Into the Groove - Exploring lesbian and gay musical preferences and 'LGB music' in Flanders Alexander Dhoest*, Robbe Herreman**, Marion Wasserbauer*** * PhD, Associate professor, 'Media, Policy & Culture', University of Antwerp, Sint-Jacobsstraat 2, 2000 Antwerp ([email protected]) ** PhD student, 'Media, Policy & Culture', University of Antwerp, Sint-Jacobsstraat 2, 2000 Antwerp ([email protected]) *** PhD student, 'Media, Policy & Culture', University of Antwerp, Sint-Jacobsstraat 2, 2000 Antwerp ([email protected]) Abstract The importance of music and music tastes in lesbian and gay cultures is widely documented, but empirical research on individual lesbian and gay musical preferences is rare and even fully absent in Flanders (Belgium). To explore this field, we used an online quantitative survey (N= 761) followed up by 60 in-depth interviews, asking questions about musical preferences. Both the survey and the interviews disclose strongly gender-specific patterns of musical preference, the women preferring rock and alternative genres while the men tend to prefer pop and more commercial genres. While the sexual orientation of the musician is not very relevant to most participants, they do identify certain kinds of music that are strongly associated with lesbian and/or gay culture, often based on the play with codes of masculinity and femininity. Our findings confirm the popularity of certain types of music among Flemish lesbians and gay men, for whom it constitutes a shared source of identification, as it does across many Western countries. The qualitative data, in particular, allow us to better understand how such music plays a role in constituting and supporting lesbian and gay cultures and communities.
    [Show full text]
  • MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
    MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division
    [Show full text]
  • Objection To, Or Fault Found with Applicant’S Services Marketed Under
    Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA728619 Filing date: 02/22/2016 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Notice of Opposition Notice is hereby given that the following party opposes registration of the indicated application. Opposer Information Name KDB Pty Ltd. Granted to Date 02/21/2016 of previous ex- tension Address 108-110 Church Street Hawthorn VIC, 3122 AUSTRALIA Attorney informa- Rebeccah Gan tion WENDEROTH LLP 1030 15th Street, NW, Suite 400 East Washington, DC 20005 UNITED STATES [email protected], [email protected] Phone:202-721-8227 Applicant Information Application No 86584742 Publication date 08/25/2015 Opposition Filing 02/22/2016 Opposition Peri- 02/21/2016 Date od Ends Applicant Kylie Jenner, Inc. c/o Boulevard Management, Inc. Woodland Hills, CA 91364 UNITED STATES Goods/Services Affected by Opposition Class 035. First Use: 0 First Use In Commerce: 0 All goods and services in the class are opposed, namely: Advertising services, namely, promotingthe brands, goods and services of others; endorsement services, namely, promoting the goods and ser- vices of others Grounds for Opposition Priority and likelihood of confusion Trademark Act section 2(d) Dilution by blurring Trademark Act section 43(c) Dilution by tarnishment Trademark Act section 43(c) Marks Cited by Opposer as Basis for Opposition U.S. Application 86683460 Application Date 07/06/2015 No. Registration Date NONE Foreign Priority NONE Date Word Mark KYLIE MINOGUE DARLING Design Mark Description of NONE Mark Goods/Services Class 003.
    [Show full text]
  • Glastonburyminiguide.Pdf
    GLASTONBURY 2003 MAP Produced by Guardian Development Cover illustrations: John & Wendy Map data: Simmons Aerofilms MAP MARKET AREA INTRODUCTION GETA LOAD OF THIS... Welcome to Glastonbury 2003 and to the official Glastonbury Festival Mini-Guide. This special edition of the Guardian’s weekly TV and entertainments listings magazine contains all the information you need for a successful and stress-free festival. The Mini-Guide contains comprehensive listings for all the main stages, plus the pick of the acts at Green Fields, Lost and Cabaret Stages, and advice on where to find the best of the weird and wonderful happenings throughout the festival. There are also tips on the bands you shouldn’t miss, a rundown of the many bars dotted around the site, fold-out maps to help you get to grips with the 600 acres of space, and practical advice on everything from lost property to keeping healthy. Additional free copies of this Mini-Guide can be picked up from the Guardian newsstand in the market, the festival information points or the Workers Beer Co bars. To help you keep in touch with all the news from Glastonbury and beyond, the Guardian and Observer are being sold by vendors and from the newsstands at a specially discounted price during the festival . Whatever you want from Glastonbury, we hope this Mini-Guide will help you make the most of it. Have a great festival. Watt Andy Illustration: ESSENTIAL INFORMATION INFORMATION POINTS hygiene. Make sure you wash MONEY give a description. If you lose There are five information your hands after going to the loo The NatWest bank is near the your children, ask for advice points where you can get local, and before eating.
    [Show full text]
  • Download a Volunteer Application Form at Spenceneighbourhood
    /24 13 2011 / 11 volume 66 Welcome to Winnipeg The challenges and joys of being an international student speCIaL FeaTURe page 10 Is there enough diversity on city council? News page 3  2 the Uniter November 24, 2011 www.Uniter.ca News 03 www.Uniter.ca November 24, 2011 the Uniter News Manitoba municipalities seek women candidates city council doesn't reflect demographics about how municipal government affects Anne ThomAs everyday life. Beat reporTer Lynne Bereza, AMM communications co- ordinator, said meet and greet sessions will be held in Winnipeg, Brandon, and eastern More must be done to educate and spark and western Manitoba, starting in February. political interest and participation among Women currently in elected office will facili- Canada’s visible minorities, a new report out tate the sessions as role models and mentors. of Ryerson University recommends. Shaneen Robinson, who ran in the last Released earlier this month, report author civic election, doesn't think a shortage of Myer Siemiatycki noted that in Toronto, candidates is the real problem. where visible minorities make up 40 per cent “Anyone who wants to run can make it of the population, only seven per cent are happen, but is our society ready to elect a represented on city council. person like me?” she asked. In Winnipeg, city council has better sta- Robinson believes someone needs to get tistics for non-aboriginal visible minorities - elected to speak for the more than 200 miss- making up 16.8 per cent of Winnipeg's pop- ing or murdered members of her own demo- ulation, and 13 per cent of city council (two graphic - young aboriginal women.
    [Show full text]
  • Portland State University Commencement 2020 Program
    2020 Portland State University Commencement Sunday, June 14, 2020 Share the excitement of Commencement #2020PDXGRAD GET THE APP Download the PSU Mobile app to get instant access to commencement social feeds. my.pdx.edu TAKE A SELFIE We’re proud of you—fearless innovators, artists, leaders, thinkers and change makers. Share your fearless selfie—you did it! #PortlandState LINK UP Stay in touch with fellow grads. linkedin.com/company/portland-state-university RELIVE THE DAY Go to the PSU homepage after the ceremony for photos and video. pdx.edu 2 CONGRATULATIONS TO THE PSU CLASS OF 2020 Dear Members of the PSU Class of 2020, Commencement is the result of your hard work and dedication and the contributions of the family members, friends, mentors, and educators who supported you on your journey. Please take a moment to thank them. Members of the Class of 2020, you join a network of nearly 179,000 proud PSU alumni. I encourage you to take everything you have learned at PSU to improve the lives of others. I look forward to the day that your success stories will inspire future graduating classes. As you celebrate, please know how proud we are of you, your academic achievements, and your commitment to contributing to others. We hope you will stay in touch as members of our PSU family. Go Viks! Stephen Percy Interim President TABLE OF CONTENTS Portland State University .....................................................................2 School of Social Work ........................................................................ 78 History ...............................................................................................2
    [Show full text]
  • DJ Shadow's 'Endtroducinghellip;' (33 1/3 Series) Online
    6UrLv (Read ebook) DJ Shadow's 'Endtroducinghellip;' (33 1/3 Series) Online [6UrLv.ebook] DJ Shadow's 'Endtroducinghellip;' (33 1/3 Series) Pdf Free Eliot Wilder *Download PDF | ePub | DOC | audiobook | ebooks Download Now Free Download Here Download eBook #122725 in Audible 2012-07-26Format: UnabridgedOriginal language:EnglishRunning time: 158 minutes | File size: 78.Mb Eliot Wilder : DJ Shadow's 'Endtroducinghellip;' (33 1/3 Series) before purchasing it in order to gage whether or not it would be worth my time, and all praised DJ Shadow's 'Endtroducinghellip;' (33 1/3 Series): 3 of 3 people found the following review helpful. Great album. Good book.By Dawn-MarieUnlike Entroducing the album, which is essentially flawless, Eliot Wilder's book has its pros and cons. I'm going to throw out four items I think any prospective buyer of the book should know, and then briefly comment on what I found to be the pros and cons of each item.1. The author is an old white guy. Pro: This was certainly a unique perspective. I mean, I guess I'm an "old white guy" too, now, but I grew up in the 80s and 90s, and Eliot Wilder grew up in the 1960s. In fact, he spends the first 22 pages of the book talking about how he grew up listening to the Four Tops, the Kinks, and Buffalo Springfield on AM radio. Con: Since the book is basically a long interview with Shadow, I feel like better questions would have been asked by someone more familiar with hip-hop.
    [Show full text]
  • The Beatles, Instrumentals En Fora Mei 2009
    L.M. van der Schoot The Beatles, Instrumentals en fora mei 2009 The Beatles, Instrumentals en Fora L.M. van der Schoot Studentnummer: 0456659. Begeleiding: Joke Dame Cursusnaam: MA Thesis Muziekwetenschap. Cursuscode: 200501202. Universiteit Utrecht; Faculteit Geesteswetenschappen; opleiding Muziekwetenschap. Datum: mei 2009. 1 Lotte van der Schoot The Beatles, Instrumentals en Google Maart 2009 “Anyone tackling the oft-told tale of John, Paul, George and Ringo had better come up with a new angle, or new facts, or new interviews, or new something - or risk suffering the wrath of zillions of Beatles nuts.” Kirkus Reviews 2007, Academic Search Elite 2 L.M. van der Schoot The Beatles, Instrumentals en fora mei 2009 Woord vooraf Aan het begin van collegejaar 2008/2009 heb ik een cursus popmuziek gevolgd. Deze cursus had als onderwerp 'the popular instrumental'. Uit onderzoek voor deze paper kwam naar voren dat de bekendste popgroep aller tijden - The Beatles - ook instrumentale songs hebben geschreven. Mijn interesse was gewekt, te meer omdat ik de Beatles voornamelijk kende van nummers zoals 'Hey Jude', 'Yesterday' en 'Strawberry Fields Forever'. Deze fameuze popgroep heeft dus eveneens andersoortige nummers geschreven. In deze thesis wil ik geen 'herziene' versie maken van informatie die al tot in den treuren is uitgeplozen. Dit is echter niet eenvoudig, maar 'instrumentale nummers' is één van de onderwerpen die als onderwerp op zichzelf, nooit onderzocht is. In de hoogtij dagen van The Beatles – de jaren 1960 – zijn er maar op 3 albums instrumentals terug te vinden. De bekendste is waarschijnlijk 'Revolution 9' van de White Album (1968). Verder staat op het album Magical Mystery Tour (1967) het nummer 'Flying'.
    [Show full text]
  • Curt Stadtmagazin München #59 // März-Mai 2009
    MÄRZ-MAI 2009 MÄRZ-MAI curt stadtmagazin münchen #59 // MÄRZ-MAI 2009 die endzeit-ausgabe curt stadtmagazin münchen #59 // // #59 münchen stadtmagazin curt aus die maus // ende gelände // schicht im schacht curt stadtmagazin münchen #59 // MÄRZ-MAI 2009 Vorwort Normalerweise ist der Frühling die Zeit des Erblühens und Erwachens. Man schüttelt sich die Schwere des wie immer zu langen Winters aus den Gliedern und erwartet die ersten warmen Tage so freudig wie den Besuch von alten Freunden. Normalerweise. Aber jetzt ist Krise. Und deswegen dauert der gefühlte Winter noch eine Weile. Ich will nicht schwarzsehen, aber mindestens bis 2010. Wenn wir Glück haben. Und bis dahin sieht es verdammt mies aus. Banken versinken schneller, als ihre Topmanager beim Sprung aus der Chefetage vom 25sten Stock bis auf den Asphalt brauchen, Finanzmärkte brechen zusammen, die Wirtschaft liegt am Boden. Weltweit. Die Autobranche benötigt Ver- kaufshilfen von der Regierung, die Textilbranche schrumpft und der gesamte Mittel- stand hat Zukunftsangst. Verlage machen pleite, Zeitschriften werden eingestampft, Fernsehsendern wird der Stecker gezogen, die Werbung kämpft um die kargen Mittel ihrer Kunden, man hat den Eindruck, die gesamte Medienwelt liege im Sterben. Man kann es nicht schönreden, es herrscht – mit einem Wort – Endzeitstimmung. Bei curt war es bisher eigentlich eher unüblich, wie in normalen Magazinen an dieser Stelle über den Inhalt zu sprechen. Aber ich will diesmal eine Ausnahme machen. Aus gutem Grund, denn die aktuelle Ausgabe ist keine gewöhnliche. Dieses curt ist ein Abschiedsheft. Ihr werdet in ihm Geschichten und Bilder finden über Kälte, über Tod und über Trauer. Geschichten übers Dichtmachen und vielleicht auch über Hoffnung.
    [Show full text]