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Camp Sitting at Chennai, Tamil Nadu Full Commission V
NATIONAL HUMAN RIGHTS COMMISSION (LAW DIVISION – FULL COMMISSION BRANCH) CAMP SITTING AT CHENNAI, TAMIL NADU FULL COMMISSION CAUSE LIST CORAM: Mr. Justice H.L. Dattu - Chairperson Mr. Justice P.C. Pant - Member Mrs. Jyotika Kalra - Member Dr. D.M. Mulay - Member Friday, 13th September, 2019 at 10.00 A.M. Venue: Anna Centenary Library, Gandhi Mandapam Road, Surya Nagar, Kotturpuram, Chennai, Tamil Nadu S. Case No. Complainant/In Name of authority No timation received from 1. 512/22/0/2019 Suo-motu Principal Secretary, Suo-motu cognizance of a news item Labour and published in “Business Line” dated Employment (M2) 21.02.2019 highling the plight of thousands Deptt., Govt of Tamil of garmet factory workers in Tamil Nadu. Nadu 2. 896/22/37/2010 Shri Devika Chief Secretary Illegal arrest of five members of Fact Finding Prasad Director General of Team by Veeravanallur Police, Tiruneveli, Shri Henri Police Tamil Nadu Tiphagne 3. 590/22/42/2019 Shri A.P. Disitrict Collector, Complaint regarding families living without Gowdhamasidha Villupuram, Tamil Nadu shelter in Villupuram District, Tamil Nadu rthan 4. 554/22/12/2017 Shri T.D. Commissioner, Avadi Inaction by District Administration in regard Ramalingam Municipality to the complaint of stagnation of drainage District Collector and rain water in area in Awadi Municipality Tiruvallur 5. 807/22/13/2019 Shri Radhakanta The District Magistrate Complaint regarding gang-rape of a 11 year Tripathy Chennai old deaf girl in Chennai on 17.07.2018 for The Commissioner of which seventeen men were charged. Police,Chennai 6. 308/22/39/2019 Suo-motu Additional Chief Suo-motu cognizance of a news report carried Secretary Home out by “News 18” regarding sexual abuse of 15 (Pol.XII) Department, minor girls who were rescused from a Home in Tamil Nadu Tiruvannamalai, Tamil Nadu. -
South Asia Multidisciplinary Academic Journal , Free-Standing Articles Madurai Formula Films: Caste Pride and Politics in Tamil Cinema 2
Edinburgh Research Explorer Madurai Formula Films Citation for published version: Damodaran, K & Gorringe, H 2017, 'Madurai Formula Films', South Asia Multidisciplinary Academic Journal (SAMAJ), pp. 1-30. <https://samaj.revues.org/4359> Link: Link to publication record in Edinburgh Research Explorer Document Version: Publisher's PDF, also known as Version of record Published In: South Asia Multidisciplinary Academic Journal (SAMAJ) General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 28. Sep. 2021 South Asia Multidisciplinary Academic Journal Free-Standing Articles Madurai Formula Films: Caste Pride and Politics in Tamil Cinema Karthikeyan Damodaran and Hugo Gorringe Publisher Association pour la recherche sur l'Asie du Sud (ARAS) Electronic version URL: http://samaj.revues.org/4359 ISSN: 1960-6060 Electronic reference Karthikeyan Damodaran and Hugo Gorringe, « Madurai Formula Films: Caste Pride and Politics in Tamil Cinema », South Asia Multidisciplinary Academic Journal [Online], Free-Standing Articles, Online since 22 June 2017, connection on 22 June 2017. URL : http://samaj.revues.org/4359 This text was automatically generated on 22 June 2017. -
Spectacle Spaces: Production of Caste in Recent Tamil Films
South Asian Popular Culture ISSN: 1474-6689 (Print) 1474-6697 (Online) Journal homepage: http://www.tandfonline.com/loi/rsap20 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard To cite this article: Dickens Leonard (2015) Spectacle spaces: Production of caste in recent Tamil films, South Asian Popular Culture, 13:2, 155-173, DOI: 10.1080/14746689.2015.1088499 To link to this article: http://dx.doi.org/10.1080/14746689.2015.1088499 Published online: 23 Oct 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsap20 Download by: [University of Hyderabad] Date: 25 October 2015, At: 01:16 South Asian Popular Culture, 2015 Vol. 13, No. 2, 155–173, http://dx.doi.org/10.1080/14746689.2015.1088499 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard* Centre for Comparative Literature, University of Hyderabad, Hyderabad, India This paper analyses contemporary, popular Tamil films set in Madurai with respect to space and caste. These films actualize region as a cinematic imaginary through its authenticity markers – caste/ist practices explicitly, which earlier films constructed as a ‘trope’. The paper uses the concept of Heterotopias to analyse the recurrence of spectacle spaces in the construction of Madurai, and the production of caste in contemporary films. In this pursuit, it interrogates the implications of such spatial discourses. Spectacle spaces: Production of caste in recent Tamil films To foreground the study of caste in Tamil films and to link it with the rise of ‘caste- gestapo’ networks that execute honour killings and murders as a reaction to ‘inter-caste love dramas’ in Tamil Nadu,1 let me narrate a political incident that occurred in Tamil Nadu – that of the formation of a socio-political movement against Dalit assertion in December 2012. -
ANNUAL REPORT June 2016 – May 2017
MOTHER TERESA WOMEN’S UNIVERSITY KODAIKANAL ANNUAL REPORT June 2016 – May 2017 Edited by : Dr.A.Muthu Meena Losini Assistant Professor Department of English Mother Teresa Women‘s University Kodaikanal Technical Assistance by : Mrs.T.Amutha Technical Assistant Department of Physics Mother Teresa Women‘s University Kodaikanal MOTHER TERESA WOMEN‟S UNIVERSITY (Accredited with „B‟ Grade by NACC) KODAIKANAL – 624 101 This is the Annual Report for the period June 2016 – May 2017 of the Mother Teresa Women‘s University, Kodaikanal. The report gives all Academic, Administrative and other relevant details pertaining to the period June 2016 – May 2017. I take this occasion to thank all the members of the Executive Council, Academic Committee and Finance Committee for all their participation and contribution to the growth and development of the University and look forward to their continued advice and guidance. Dr. G. Valli VICE-CHANCELLOR INTRODUCTION The Executive Council has great pleasure in presenting to the Academic Committee, the Annual report for the period June 2016- May 2017 as per the requirement of the section 26 of Chapter IV of Mother Teresa Women‘s University Act 1984. The report outlines the various activities which have paved for the growth and development of the University through the period June 2016 –May 2017 in the areas of Teaching, Research and Extension; it provides a detailed account of various Academic Achievements, Introduction of new Innovative Courses, Conduct of Seminar/ Workshop/ Conferences at Regional, National and International levels and its extension activities. OFFICERS AND AUTHORITIES OF THE UNIVERSITY CHANCELLOR - HIS EXCELLENCY HON‘BLE Banwarilal Purohit Governor of Tamil Nadu PRO – CHANCELLOR - HONOURABLE Thiru. -
FORM 11 List of Applications for Objecting to Particulars in Entries In
ANNEXURE 5.10 (CHAPTER V , PARA 25) FORM 11 List of Applications for objecting to particulars in entries in electoral roll received in Form 8 Designated location identity (where Constituency (Assembly/£Parliamentary): Attur Revision identity applications have been received) 1. List number@ 2. Period of applications (covered in this list) From date To date 16/11/2020 16/11/2020 3. Place of hearing* Serial number Date of Name (in full) of elector Particulars of entry Nature of Date of Time of $ of receipt objecting objected at objection hearing* hearing* application Part number Serial number 1 16/11/2020 Boopathi 173 821 2 16/11/2020 Aravinthkumar 265 666 £ In case of Union territories having no Legislative Assembly and the State of Jammu and Kashmir @ For this revision for this designated location Date of exhibition at designated Date of exhibition at Electoral * Place, time and date of hearings as fixed by electoral registration officer location under rule 15(b) Registration Officer¶s Office $ Running serial number is to be maintained for each revision for each under rule 16(b) designated location 23/11/2020 ANNEXURE 5.10 (CHAPTER V , PARA 25) FORM 11 List of Applications for objecting to particulars in entries in electoral roll received in Form 8 Designated location identity (where Constituency (Assembly/£Parliamentary): Attur Revision identity applications have been received) 1. List number@ 2. Period of applications (covered in this list) From date To date 17/11/2020 17/11/2020 3. Place of hearing* Serial number Date of Name (in full) -
Analysis on Director Ram's Films
IMPACT: International Journal of Research in Humanities, Arts and Literature (IMPACT: IJRHAL) ISSN (P): 2347-4564; ISSN (E): 2321-8878 Vol. 6, Issue 12, Dec 2018, 155-166 © Impact Journals ANALYSIS ON DIRECTOR RAM’S FILMS Arivuselvan. S & Aasita Bali Research Scholar, Department of Media and Communication Studies, Christ (Deemed to be University), Bengaluru, Karnataka, India Received: 15 Nov 2018 Accepted: 12 Dec 2018 Published: 18 Dec 2018 ABSTRACT This case study aims to explore the expertise of a budding, yet prolific director–Director Ram. The paper goes through the work of Director Ram in the Tamil film Industry (Kattradhu Tamizh, ThangaMeengal, Taramani) and aims to focus on the content of the films directed by him. The researcher, in his paper analyzes the types and kind of movies that the director has been a part of and the different types of techniques that he adopted and executed in his films. The researcher also analyses in detail, the type of character and highlighted the multifaceted role of women as portrayed in his films. KEYWORDS: Direction, Cinematography, Protagonist, Women, Characters, Film Industry, Globalization INTRODUCTION Indian cinema has been a standout amongst the most continually developing film ventures everywhere throughout the world. The wide variety and the number of dialects that are used in the nation, make the Indian film industry standout as the leading film producing unit. Indian film is a plethora of numerous dialects, classifications, and social orders. In any case, in a multilingual nation like our own, the significant focal point of the movies is on Bollywood. It is not valid if critiques and reviewers point out that the industry is notwithstanding the pressure or competition from Hollywood. -
Conference Program July 26-29, 2021 | Pacific Daylight Time 2021 Asee Virtual Conference President’S Welcome
CONFERENCE PROGRAM JULY 26-29, 2021 | PACIFIC DAYLIGHT TIME 2021 ASEE VIRTUAL CONFERENCE PRESIDENT’S WELCOME SMALL SCREEN, SAME BOLD IDEAS It is my honor, as ASEE President, to welcome you to the 128th ASEE Annual Conference. This will be our second and, almost certainly, final virtual conference. While we know there are limits to a virtual platform, by now we’ve learned to navigate online events to make the most of our experience. Last year’s ASEE Annual Conference was a success by almost any measure, and all of us—ASEE staff, leaders, volunteers, and you, our attendees—contributed to a great meeting. We are confident that this year’s event will be even better. Whether attending in person or on a computer, one thing remains the same, and that’s the tremendous amount of great content that ASEE’s Annual Conference unfailingly delivers. From our fantastic plenary speakers, paper presentations, and technical sessions to our inspiring lineup of Distinguished Lectures and panel discussions, you will have many learning opportunities and take-aways. I hope you enjoy this week’s events and please feel free to “find” me and reach out with any questions or comments! Sincerely, SHERYL SORBY ASEE President 2020-2021 2 Schedule subject to change. Please go to https://2021asee.pathable.co/ for up-to-date information. 2021 ASEE VIRTUAL CONFERENCE TABLE OF CONTENTS 2021 ASEE VIRTUAL CONFERENCE AND EXPOSITION PROGRAM ASEE BOARD OF DIRECTORS ................................................................................4 CONFERENCE-AT-A-GLANCE ................................................................................6 -
Big Honour For
SUNDAY 8 20 JANUARY 2019 newstodaynet.com newstodaydaily ntchennai CHENNAI | NT Bureau | irector Shankar’s 2.0 was huge hit in DTamil cinema. The 3D fi lm starring Ra- jinikanth and Akshay Kumar won apprecia- tion for its technical expertise. The big news is that the movie has been VIJAY63 GOES nominated for Sound Design at Golden Reel Awards. It has been chosen for the Golden Reel Award in the Sound Editing - Foreing Lan- guage Feature category. Golden Reel Awards is considered to be one of the highest recognition award event in the fi eld of sound design. Resul Pookutty, Oscar award winning sound designer, who worked on 2.0, tweeted, ON FLOORS ‘Absolutely delighted to announce #2Point0 is nominated for the highest recognition in Sound Design , Golden Reel Award at @ | NT Bureau | Actor Vijay, mpseorg in USA, I’m elated...Indian Cinema irector Atlee will be seen col- fi lmmaker Atlee march forward...thank you so much #Team- laborating with actor Vijay among others at the Canaries @shankarshanmugh @arrahman @ D for the third time after deliv- pooja of Vijay63 rajinikanth.’ ering two hits in Theri and Mersal. in Chennai To be produced by AGS Entertain- ments, the movie went on fl oors with a grand muhurrat. Sources say that the movie is a sports based fl ick. Nayanthara plays Vijay’s ladylove in BIG it. Music is by AR Rahman. The cast also includes Kathir of Pariyerum Perumal, Yogi Babu, Nandhraj among others. Buzz is that talks are on with HONOUR Keerthy suresh to play a meaty role in the fi lm. -
South Asia Multidisciplinary Academic Journal , Free-Standing Articles Madurai Formula Films: Caste Pride and Politics in Tamil Cinema 2
Edinburgh Research Explorer Madurai Formula Films Citation for published version: Damodaran, K & Gorringe, H 2017, 'Madurai Formula Films', South Asia Multidisciplinary Academic Journal (SAMAJ), pp. 1-30. <https://samaj.revues.org/4359> Link: Link to publication record in Edinburgh Research Explorer Document Version: Publisher's PDF, also known as Version of record Published In: South Asia Multidisciplinary Academic Journal (SAMAJ) General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 30. Sep. 2021 South Asia Multidisciplinary Academic Journal Free-Standing Articles Madurai Formula Films: Caste Pride and Politics in Tamil Cinema Karthikeyan Damodaran and Hugo Gorringe Publisher Association pour la recherche sur l'Asie du Sud (ARAS) Electronic version URL: http://samaj.revues.org/4359 ISSN: 1960-6060 Electronic reference Karthikeyan Damodaran and Hugo Gorringe, « Madurai Formula Films: Caste Pride and Politics in Tamil Cinema », South Asia Multidisciplinary Academic Journal [Online], Free-Standing Articles, Online since 22 June 2017, connection on 22 June 2017. URL : http://samaj.revues.org/4359 This text was automatically generated on 22 June 2017. -
(Mathematics) 2019-2020
CENTRAL UNIVERSITY OF TAMIL NADU, THIRUVARUR PROVISIONAL RANK LIST FOR Integrated M.Sc. (Mathematics) 2019-2020 Sl. Total No. RegNo RollNo Candidate's Name Father's Name Gender Cateogry Marks 1 UI10021597 11240150 ASWIN KUMAR P C PADMAPRABU MALE GENERAL 77.75 2 UI10019885 11600159 SHIRIN NILOAFER MOHAMED BASHEER FEMALE OBC 76.25 3 UI10004029 11590009 KARTHIKA M MADHU P B FEMALE GENERAL 73.75 4 UI10017309 11740028 AKSHATHA JACOB JOY JACOB FEMALE GENERAL 73.5 5 UI10009372 11560029 SOORAJ M MANOJKUMAR E MALE GENERAL 72.5 6 UI10033867 12090063 SREYA KAMESWARI GADEPALLY G SATYA SAI KUMAR FEMALE GENERAL 72.5 7 UI10005015 11560016 ATHIRA BABU M B BABU M S FEMALE OBC 72.25 8 UI10016670 11990041 V E KRISHNAPRASAD V E EASWARAN NAMPOOTHIRI MALE GENERAL 72.25 9 UI10008739 11600079 K T SHALIK SAMSUDDIN K T MALE OBC 71.75 10 UI10015367 11490256 UDAYBHAN RATHORE DILIP SINGH RATHORE MALE GENERAL 71 11 UI10033982 11070019 SOMSUVRA DAS SWADHIN KUMAR DAS MALE GENERAL 70.75 12 UI10040993 11600261 ASWATHI K K V KRISHNANKUTTY FEMALE EWS 70.25 13 UI10008003 11740122 NIVYA S V SUBRAMANIAN C FEMALE OBC 70.25 14 UI10007972 11990022 NEERAJ S SUDHEER BHANU J MALE GENERAL 69.75 15 UI10040188 11560273 NIRANJAN NEELAKANTAN DILEEP N MALE GENERAL 69.5 16 UI10043825 11601344 ABDUL NAZER E AMEER ALI E MALE OBC 69 17 UI10018938 11530092 VEZZU LEKAJ SRIHARSHITH V B N S VENKATESHWARA RAO MALE GENERAL 68.75 18 UI10055429 11090061 NIDHARSSAN S SELVAKUMAR R MALE GENERAL 68.25 19 UI10008779 12030178 M MIDHUN GOUTHAM MURALI T S MALE OBC 68.25 20 UI10020008 11240140 PUGAZHENTHI -
List of Officers Who Attended Courses at NCRB
List of officers who attened courses at NCRB Sr.No State/Organisation Name Rank YEAR 2000 SQL & RDBMS (INGRES) From 03/04/2000 to 20/04/2000 1 Andhra Pradesh Shri P. GOPALAKRISHNAMURTHY SI 2 Andhra Pradesh Shri P. MURALI KRISHNA INSPECTOR 3 Assam Shri AMULYA KUMAR DEKA SI 4 Delhi Shri SANDEEP KUMAR ASI 5 Gujarat Shri KALPESH DHIRAJLAL BHATT PWSI 6 Gujarat Shri SHRIDHAR NATVARRAO THAKARE PWSI 7 Jammu & Kashmir Shri TAHIR AHMED SI 8 Jammu & Kashmir Shri VIJAY KUMAR SI 9 Maharashtra Shri ABHIMAN SARKAR HEAD CONSTABLE 10 Maharashtra Shri MODAK YASHWANT MOHANIRAJ INSPECTOR 11 Mizoram Shri C. LALCHHUANKIMA ASI 12 Mizoram Shri F. RAMNGHAKLIANA ASI 13 Mizoram Shri MS. LALNUNTHARI HMAR ASI 14 Mizoram Shri R. ROTLUANGA ASI 15 Punjab Shri GURDEV SINGH INSPECTOR 16 Punjab Shri SUKHCHAIN SINGH SI 17 Tamil Nadu Shri JERALD ALEXANDER SI 18 Tamil Nadu Shri S. CHARLES SI 19 Tamil Nadu Shri SMT. C. KALAVATHEY INSPECTOR 20 Uttar Pradesh Shri INDU BHUSHAN NAUTIYAL SI 21 Uttar Pradesh Shri OM PRAKASH ARYA INSPECTOR 22 West Bengal Shri PARTHA PRATIM GUHA ASI 23 West Bengal Shri PURNA CHANDRA DUTTA ASI PC OPERATION & OFFICE AUTOMATION From 01/05/2000 to 12/05/2000 1 Andhra Pradesh Shri LALSAHEB BANDANAPUDI DY.SP 2 Andhra Pradesh Shri V. RUDRA KUMAR DY.SP 3 Border Security Force Shri ASHOK ARJUN PATIL DY.COMDT. 4 Border Security Force Shri DANIEL ADHIKARI DY.COMDT. 5 Border Security Force Shri DR. VINAYA BHARATI CMO 6 CISF Shri JISHNU PRASANNA MUKHERJEE ASST.COMDT. 7 CISF Shri K.K. SHARMA ASST.COMDT. -
Spoofs and the Politics of the Film Image's Ontology in Tamil Cinema
Spoofs and the Politics of the Film Image’s Ontology in Tamil Cinema * Constantine V. Nakassis All Film Spoofs, No Spoof Films Commercial Tamil cinema has long been a travesty of itself, its textuality woven from so many citational allusions, homages, and self-parodies; and yet, until recently there was no such recognized genre of the spoof film, only “comedy tracks” trailing in the shadows of the grandiose hero and his more serious narrative, parodying his potent image here and there, most often through scenes of comically inverted or failed heroism (Nakassis 2010:209–221). In 2010, this was seen to have changed, with the release of a surfeit of spoof films—Venkat Prabhu’s Goa, Simbudevan’s Irumbu Kottai Mirattu Singam, and, most importantly for this paper, C. S. Amudhan’s aptly titled Thamizh Padam, or ‘Tamil Movie.’1 And then of course, there was that unwitting spoof hero, the self-proclaimed “Power Star,” Dr. S. Srinivasan, who entered the scene in 2011 with his unbel- ievably absurd, yet ambiguously self-serious, film (Lathika) and public persona (figure 1).2 Industry insiders and film enthusiasts often explain this seeming par- adox that Tamil cinema is all spoof with no spoofs by pointing to the self- seriousness of the industry—that is, that it can’t take a joke; or alter- natively by pointing to its cultural and historical particularity—that is, that “spoofs” are a foreign genre. But what is so notable is that the ind- ustry has long made jokes at its own expense. Think, for example, of Nagesh’s memorable comedy track from Sridhar’s classic 1964 romantic comedy Kadhalikka Neeramillai (‘No Time for Love’), which turns on Nagesh’s nascent film production: a parody of the film producer, Nagesh * Constantine V.