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Ephemera Journal Vol 18 Issue 2
THE EPHEMERA JOURNAL VOLUME 18, NUMBER 2 JANUARY 2016 Bicycle Trade Catalogs BY TALIA S. COUTIN Before the ‘Bicycle Boom’ the bicycle was a luxury item with limited reach but, by 1896, America was home to an estimated four million “wheelmen” and “wheelwomen.” How and why did bicycles take the country by storm? The ‘Golden Age of the Bicycle’ coincided with the ‘Golden Age of Advertising Art.’ Austin Charles Bates, a pioneering adman of the time, estimated that bicycle firms spent more than one billion dollars in 1897. “And yet it paid,” he wrote. “Everyone was bicycle crazy...” Images of wheelmen and wheelwomen appeared everywhere in print, including on products that had nothing to do with bicycling. They graced posters and postcards, magazine covers and cigarette labels, sheet music and card decks – advertising bicycling, if not a particular bicycle brand. Through trade catalogs, companies tried to distinguish their brands with clever copy and alluring graphic designs. Companies spoke directly to consumers, offering them commercial art they could keep. Examining the material, visual, and textual aspects of catalogs from two of America’s leading bicycle manufacturers, the Overman Wheel Company and the Pope Manufacturing Company, reveals how advertising strategies developed between 1881 and 1899 to whet the consumer appetite for bicycles. A beautiful nymph with spaghetti hair gazes behind a screen in a wildly verdant setting that has nothing to do with bicycles. The competing linear and the curvilinear elements define the unique Art Nouveau style of graphic artist Will H. Bradley, who also designed posters for the Overman Wheel Co. -
Ephemera-Journal-Vol16-Issue-2
THE EPHEMERA JOURNAL VOLUME 16, NUMBER 2 JANUARY 2014 Artistry in Letterpress and Engraving BY DAVID JURY The ambition of any craftsman was to become a ‘master’ of his trade. However, the idea that craftsmanship might, at its best, result in something that others instinctively call ‘art’ has always remained the unspoken goal. The 18th century jobbing letterpress printer There is no denying that as an employer, the 18th century jobbing letterpress printer had an ‘image problem.’ He was something of a maverick; he resented and resisted the printers’ guild and, later, the print unions interfering in the Poster for a book. Two-color letterpress with engraving, Two-color wood type specimens, Antique Shaded, Bonnewell & Company, London, London, 1692. Prior to the 19th century, books were ca1865. The carefully-judged ‘miss-aligned’ printing of the red gives the word ad- often sold without board-covers, giving the title page a ditional urgency by the suggestion of ‘haste’ in its production. It is inconceivable that temporary function as the cover. It is also known that the Bonnewell Company would have allowed a ‘mistake’ of this magnitude in their own additional prints of title pages were made specifically catalogue – a suitable example of the tail (the jobbing printer) wagging the dog (the to be used as posters. This poster appears to be an foundry)! Courtesy of David Wakefield. example of this practice, being a trimmed version of the book’s title page. Courtesy of the Printing Collection, Department of Typography, University of Reading. Continued on Page 4 1 In This Issue: Civil War Valentine Artistry • Page 10 ~ Adoption Research, Ephemera, and Art • Page 15 ~ “Excelsior!” • Page 20 ~ Box 15 at the Fenyes • Page 23 The Ephemera Journal Dear Members and Friends: Best wishes to everyone for a bountiful New Year filled with health, happiness, and of course, ephemera! Your ESA looks forward to many exciting events, and sincerely hopes you will join in our upcoming activities. -
April | May | June™ 2021 Vol 44 | Ed 2
April | May | June™ 2021 Vol 44 | Ed 2 Antiques, Collectibles, History and Nostalgia for the Pacific Northwest whO’S inSidE Shops, Services & Products By Rusty Rae Howard Road in Auburn. no major damage to structures, her, partly due to road construc- Old Stuff Associate Editor Notes of the demise of the Purple but she notes, “We had a number tion in the area, partly due to the OrEgOn washingtOn of trees that had various limbs pandemic, and partly due to a Vintage, antique and collectable Pelican in Florence are prema- come down in the storm in Febru- lack of energy on her part. “”I’m 78 ALOHA MCMINNVILLE ABERDEEN shops of Old Stuff nation survived ture. Though the previous owner ary. We’ve been working hard and I never know when I’m feel- Susantiques & Collectibles. .......................................9 Homeward Bound Pets and Humane Society ......9 Past & Present Mercantile ....................................... 16 both the COVID-19 closure and a was set to shutter the shop and to get the place back in shape.” . ing up to opening the store,” she Miller’s Antiques ..........................................................8 devastating mid-February winter had sold the cases and shelv- AURORA EDMONDS ing, the building owner, Russ Basl noted she hasn’t been doing said. She said the signs are out, storm that left many sans power Aurora Antiques ...........................................................4 NEWBERG Aurora Antique Pavillion ......................................... 18 Luker, decided to try his hand a great deal of shopping for new so if you’re in the Aloha-Hills- for up to a week. With the winter Aurora Lampworks & Antiques ................................4 Wine Country Antique Mall ......................................9 at the business and it remains product during the first quarter boro-Beaverton area, stop by and weather behind us and COVID- Aurora Mills Architectural ........................................4 LAKEWOOD open. -
Collecting in the Digital Age International Collectors Survey by AXA ART
COLLECTING IN THE DIGITAL AGE International Collectors Survey by AXA ART Results of a worldwide empirical study www.axa-art.de AXA ART Insurance / 2014 INTRODUCTION For more than fifty years, AXA ART has been insuring works of art and other objects of value. Over the decades, we have accompanied collectors from around the world. We have learnt about their attitudes towards collecting, and we strive to be aware of their interests and concerns. All in all, we felt at home within the collectors’ community – until the Internet started to change their habits. We became curious and conducted several dozen long, face-to-face interviews with collectors. The issues which emerged from these dialogues – whilst still hypothetical – were used as the basis for a worldwide online survey. In terms of participation and results, the responses are remarkable; they have been compiled in this publication. Due to the chosen online approach, there is a certain bias in the results, as all communication took place via the Internet. It became evident that the worldwide community of collectors is changing, and that such change is partly driven by the Internet. We hope you find the results as interesting as we did and that you can also benefit from understanding these changing behaviours. Dr. Ulrich Guntram Silke Kastien CEO AXA ART Group Head of Group Marketing Cologne, March 2014 AXA ART AXA ART CONTENTS 4 Art collectors: who collects what, how, why and where? 12 A typology of collectors 14 Type I: art aficionados – collecting out of passion 17 Type II: traditionalists – collecting over generations 20 Type III: investors – collecting for the portfolio 23 Methodology of the Collectors Survey by AXA ART 2 AXA ART AXA ART 3 ART COLLECTORS: WHO COLLECTS WHAT, HOW, WHY AND WHERE? Age groups 30 − 39 40 − 49 up to 29 13% 3% 25% 70 and older 9% 23% 25% 60 − 69 50 − 59 Employment status and gender 1. -
Productivity Orientation and the Consumption of Collectable Experiences
Productivity Orientation and the Consumption of Collectable Experiences ANAT KEINAN RAN KIVETZ This research examines why consumers desire unusual and novel consumption experiences and voluntarily choose leisure activities, vacations, and celebrations that are predicted to be less pleasurable. For example, consumers sometimes choose to stay at freezing ice hotels and to eat at restaurants serving peculiar foods, such as bacon ice cream. We propose that such choices are driven by consumers’ continual striving to use time productively, make progress, and reach accomplishments (i.e., a productivity orientation). We argue that choices of col- lectable (unusual, novel, extreme) experiences lead consumers to feel productive even when they are engaging in leisure activities as they “check off” items on an “experiential check list” and build their “experiential CV.” A series of laboratory and field studies shows that the consumption of collectable experiences is driven and intensified by a (chronic or situational) productivity orientation. Man is so made that he can only find relaxation We propose that consumers are attracted to these activities from one kind of labor by taking up another. and products because they view them as opportunities to col- (Anatole France) lect new experiences and build their “experiential CV.” We explain this phenomenon by the continual striving of many Finally, a to-do list you’ll really want to do. (Advertisment for Mohegan Sun Hotel, Casino, consumers to use time efficiently and productively. This desire and Spa) to accomplish more in less time is so powerful that it not only affects consumers’ performances in vocational (or “pro- ecent marketing trends suggest that many consumers are duction”) settings but can influence their leisure preferences R attracted to unusual and novel consumption experiences and consumption choices as well. -
First Round Judging - Accepted Entries Posted 06/12/2017 (Adult Home Crafts-Hobbies, Adult Collections Page 1 of 57 and Adult Fiberarts)
First Round Judging - Accepted Entries Posted 06/12/2017 (Adult Home Crafts-Hobbies, Adult Collections Page 1 of 57 and Adult FiberArts) If your name does not appear on this list, we understand your disappointment and encourage you to try again next year. New judges are empanelled each year. First Round Judging does NOT guarantee acceptance for exhibition. Additional judging will follow. Delivery entry tag will be sent to the email address you used during registration. Please check your email inbox and spam folder. You may also generate your own delivery entry tag by entering the same account information you used during registration. http://www.fairjudge.com/fairentrytag.cfm?fairId=ocfair Print your delivery entry tag and bring with you on Saturday, June 24. Review and adhere to the Competition Guide guidelines. http://ocfair.com/howtoenter/crafts-hobbies/ Deliver your accepted entry on Saturday, June 24, 8 am - 6 pm. for Hand Crafts & Hobbies, Fiber Arts, Jewelry Arts - OC Promenade (East entrance) for Collections - Silo Building at Centennial Farm You may designate another person to deliver your accepted entry. We are unable to accept late delivery of entries. One free OC Fair admission ticket per exhibitor; not one per entry. If you have an "entry accepted" for delivery, you will receive your admission ticket at time of entry delivery. You will NOT be eligible to receive another ticket for any non-accepted entries. If "none" of your entries were accepted for exhibition, one admission ticket will be available for pickup at the Guest Services booth at the Main Gate during normal Fair hours. -
Representations of Hiv/Aids in Popular American Comic Books, 1981- 1996
REPRESENTATIONS OF HIV/AIDS IN POPULAR AMERICAN COMIC BOOKS, 1981- 1996 William Richard Avila A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2021 Committee: Jeffrey Brown, Advisor Michael Decker Graduate Faculty Representative William Albertini Timothy Messer-Kruse © 2021 William Richard Avila All Rights Reserved iii ABSTRACT Jeffery Brown, Advisor From 1981-1996, the United States experienced an epidemic of human immunodeficiency virus/acquired immunodeficiency syndrome (HIV/AIDS) that held profound implications for issues ranging from civil rights, public education, and sexual mores, to government accountability, public health, and expressions of heterosexism. Popular comic books that broached the subject of HIV/AIDS during the U.S. epidemic elucidate how America’s discourse on the disease evolved in an era when elected officials, religious leaders, legal professionals, medical specialists, and average citizens all struggled to negotiate their way through a period of national crisis. The manner whereby comic book authors, illustrators, and publishers engaged the topic of HIV/AIDS changed over time but, because comic books are an item of popular culture primarily produced for a heterosexual male audience, such changes habitually mirrored the evolution of the nation’s mainstream, heteronormative debates regarding the epidemic and its sociocultural and political implications. Through studying depictions of the HIV/AIDS epidemic in popular comic books, alterations in the heterocentric, national discourse emerge revealing how homophobic dismissals of the “gay plague” in the early 1980s gave way to heterosexual panic in the mid-1980s, followed by the epidemic’s reinterpretation as a national tragedy in the late-1980s. -
Jan | Feb | Mar 2021 Vol 44 | Ed 1
Jan | Feb | Mar 2021 Vol 44 | Ed 1 Antiques, Collectibles, History and Nostalgia for the Pacific Northwest News Brief WHO’S INSIDE reopened, customers saw a fresh new store.” season. “We’ve been very blessed to have solid Shops, Services & Products THE PULSE We’ve heard through the grapevine Fife support from our customer base with what’s OREGON WASHINGTON Antiques has moved to Auburn after losing their been going on. lease. They’ve re-located on Main Street in the “We clean the store down every day and are very ALOHA MT ANGEL ABERDEEN FROM AROUND former JOANN Fabrics site. particular about store cleanliness and letting Susantiques & Collectibles. .......................................9 Blackbird Granary ........................................................8 Past & Present.............................................................. 16 Many shops, with less traffic, have reduced our customers know our regimen. Of course AURORA NEWBERG EDMONDS we expect customers to mask up and practice OLD STUFF hours or moved to more of a weekend schedule, Aurora Antiques ...........................................................4 Wine Country Antique Mall ......................................9 Aurora Antique Pavillion ......................................... 18 appropriate social distancing when they’re with many also utilizing an open by appoint- Aurora Lampworks & Antiques ................................4 Newberg Antiques Exclusives .................................7 shopping, “ she said. ment only schedule. Aurora Mills Architectural ........................................4 -
A Review of Food Marketing to Children and Adolescents
FEDERAL TRADE COMMISSION A Review of Food Marketing to Children and Adolescents Follow-Up Report Federal Trade Commission December 2012 A Review of Food Marketing to Children and Adolescents Follow-Up Report December 2012 Federal Trade Commission Jon Leibowitz, Chairman J. Thomas Rosch, Commissioner Edith Ramirez, Commissioner Julie Brill, Commissioner Maureen Ohlhausen, Commissioner Report Contributors Bureau of Consumer Protection Sarah Botha, Staff Attorney, Division of Advertising Practices Keith Fentonmiller, Staff Attorney, Division of Advertising Practices Carol Jennings, Staff Attorney, Division of Advertising Practices Mary Johnson, Staff Attorney, Division of Advertising Practices Michelle K. Rusk, Staff Attorney, Division of Advertising Practices Kial Young, Staff Attorney, Division of Advertising Practices Heather Hippsley, Assistant Director, Division of Advertising Practices Mary Koelbel Engle, Associate Director, Division of Advertising Practices Bureau of Economics Pauline M. Ippolito, Deputy Director, Bureau of Economics David Givens, Economist, Division of Consumer Protection Paul Rothstein, Economist, Division of Consumer Protection Christopher H. Wheeler, Economist, Division of Consumer Protection Research Assistants Michelle Y. Kambara, Bureau of Economics Susie Liu, Bureau of Economics Mariel Woods, Bureau of Consumer Protection, Division of Advertising Practices ii Contents List of Tables ...................................................................................................................................v -
PRIZE PROMOTIONS AROUND the WORLD Full Handbook
PRIZE PROMOTIONS AROUND THE WORLD Full Handbook Downloaded: 01 Oct 2021 TABLE OF CONTENTS PRIZE PROMOTIONS AROUND THE WORLD TABLE OF CONTENTS About Prize Promotions around the World . 2 Argentina . 4 Australia . 9 Austria . 28 Belgium . 34 Brazil . 40 Canada . 46 Chile . 51 China . 57 Colombia . 65 Czech Republic . 71 Denmark . 76 Finland . 83 France . 88 Germany . 98 Hong Kong, SAR . 106 Hungary . 113 India . 118 Ireland . 125 Italy . 133 Japan . 139 Luxembourg . 144 Mexico . 151 Netherlands . 159 New Zealand . 165 Nigeria . 170 Norway . 174 Poland . 181 Portugal . 187 Romania . 194 Russia . 199 Saudi Arabia . 203 Singapore . 208 South Korea . 217 Spain . 221 Sweden . 226 Thailand . 232 Turkey . 237 Ukraine . 242 United Arab Emirates - Dubai . 248 United Kingdom . 254 United States . 261 ABOUT2 | DLA Piper Prize Promotions | www.dlapiperintelligence.com/prizepromotions/ PRIZE PROMOTIONS AROUND THE WORLD ABOUT Welcome to the fourth edition of DLA Piper's popular Guide to Prize Promotions Around the World. Prize promotions remain a popular marketing tool used globally by businesses to attract customers. The internet and various social media platforms make this an attractive, cost efficient means of reaching a large, multi-jurisdictional customer base; but it is not without its legal challenges. This handbook is designed to equip our clients with a useful tool to assist them with the management of the early development stages of a promotion, and to bring potentially problematic issues to their attention as soon as possible. NEW FEATURES AND TRENDS In response to client demand, this fourth edition of the Guide has been expanded to cover 39 jurisdictions which count among the most significant for our clients, with the addition of Denmark, Hungary, Nigeria and Turkey. -
Thesaurus of Ephemera Terms
Thesaurus of Ephemera Terms Barbara Morris Centre for Ephemera Studies November 2013 Department of Typography & Graphic Communication University of Reading Thesaurus of ephemera terms 1 Introduction This thesaurus is a project of the Centre for Ephemera Studies, based in the Department of Typography & Graphic Communication at the University of Reading. It is in some measure a follow up to the publication of the Encyclopedia of Ephemera, and had its inception in the realisation that the Encyclopedia, written by Maurice Rickards and edited by Michael Twyman, Amoret Tanner and Sally de Beaumont, was being used in ways for which it was not intended. The anticipated audience for this thesaurus is not primarily individual collectors but museums and other organisations which are becoming increasingly interested in ordering and cataloguing their ephemera. It is hoped that it may help in answering the question “What should I call this?” Work on the thesaurus has been based on the collections of the Centre for Ephemera Studies particularly the Maurice Rickards Collection which forms the basis of the Centre’s material. Rickards believed that studying ephemera could contribute to an understanding both of social history and of the development of printing and graphic design; and the items in the collection illustrate this, covering a wide range of subjects and genres, rather than focussing on large collections of specific types of artefact. 2 Scope 2.1 Genre/format terms Genre / format terms form the basic content of the thesaurus. They include not only printed ephemera but manuscript, typed and some born digital items. Digital equivalents already exist for many of the categories defined here, and no doubt many more will be produced in the future, but the thesaurus does not include digital items for which there are no hard copy equivalents. -
Tracking and Disrupting the Illicit Antiquities Trade with Open Source
Tracking and Disrupting the Illicit Antiquities Trade with Open-Source Data MATTHEW SARGENT, JAMES V. MARRONE, ALEXANDRA EVANS, BILYANA LILLY, ERIK NEMETH, STEPHEN DALZELL C O R P O R A T I O N For more information on this publication, visit www.rand.org/t/RR2706 Library of Congress Cataloging-in-Publication Data is available for this publication. ISBN: 978-1-9774-0148-9 Published by the RAND Corporation, Santa Monica, Calif. © Copyright 2020 RAND Corporation R® is a registered trademark. Cover image: Adobe Stock. Limited Print and Electronic Distribution Rights This document and trademark(s) contained herein are protected by law. This representation of RAND intellectual property is provided for noncommercial use only. Unauthorized posting of this publication online is prohibited. Permission is given to duplicate this document for personal use only, as long as it is unaltered and complete. Permission is required from RAND to reproduce, or reuse in another form, any of its research documents for commercial use. For information on reprint and linking permissions, please visit www.rand.org/pubs/permissions. The RAND Corporation is a research organization that develops solutions to public policy challenges to help make communities throughout the world safer and more secure, healthier and more prosperous. RAND is nonprofit, nonpartisan, and committed to the public interest. RAND’s publications do not necessarily reflect the opinions of its research clients and sponsors. Support RAND Make a tax-deductible charitable contribution at www.rand.org/giving/contribute www.rand.org Preface The sale of illicit goods provides an important funding source for terrorist organizations, organized crime, and rogue states.