DOCSLIB.ORG

April | May | June™ 2021 Vol 44 | Ed 2

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
April | May | June™ 2021 Vol 44 | Ed 2 April | May | June™ 2021 Vol 44 | Ed 2 Antiques, Collectibles, History and Nostalgia for the Pacific Northwest whO’S inSidE Shops, Services & Products By Rusty Rae Howard Road in Auburn. no major damage to structures, her, partly due to road construc- Old Stuff Associate Editor Notes of the demise of the Purple but she notes, “We had a number tion in the area, partly due to the OrEgOn washingtOn of trees that had various limbs pandemic, and partly due to a Vintage, antique and collectable Pelican in Florence are prema- come down in the storm in Febru- lack of energy on her part. “”I’m 78 ALOHA MCMINNVILLE ABERDEEN shops of Old Stuff nation survived ture. Though the previous owner ary. We’ve been working hard and I never know when I’m feel- Susantiques & Collectibles. .......................................9 Homeward Bound Pets and Humane Society ......9 Past & Present Mercantile ....................................... 16 both the COVID-19 closure and a was set to shutter the shop and to get the place back in shape.” . ing up to opening the store,” she Miller’s Antiques ..........................................................8 devastating mid-February winter had sold the cases and shelv- AURORA EDMONDS ing, the building owner, Russ Basl noted she hasn’t been doing said. She said the signs are out, storm that left many sans power Aurora Antiques ...........................................................4 NEWBERG Aurora Antique Pavillion ......................................... 18 Luker, decided to try his hand a great deal of shopping for new so if you’re in the Aloha-Hills- for up to a week. With the winter Aurora Lampworks & Antiques ................................4 Wine Country Antique Mall ......................................9 at the business and it remains product during the first quarter boro-Beaverton area, stop by and weather behind us and COVID- Aurora Mills Architectural ........................................4 LAKEWOOD open. Previous owner Mike Ault of 2021, but with good weather on brighten her day. 19 vaccinations ramping up in HWY 99E Antique Mall ...............................................4 NEWPORT South Tacoma Antique Mall ................................... 18 said the mall was nearly 7,000 the way is looking forward to a We love talking with wisen- the Pacific Northwest, many are Home Again Antiques .................................................4 Pirate’s Plunder ........................................................... 13 square feet in two buildings, but “big spring sale.” heimers like Dan Borge of Wild LONGVIEW preparing for an improved busi- Main Street Mercantile ..............................................7 it’s currently down to one build- On the flip side of the weather River Antiques in Brookings, PORTLAND Commerce Corner Collectibles .............................. 16 ness climate over the next three McLaren Auction Services ........................................4 ing and about 4,000 square feet. coin, Tracy Bennett of the Farm- Oregon. When asked how the first Antique Alley ............................................................... 10 months. South End Antiques .....................................................7 PARKLAND “We’ve got a few items in a booth er’s Co-op Antiques in Redmond, quarter had been going for him, American at Heart .......................................................8 There have been a few changes Three Daisies Vintage .................................................4 Pacific Run Antiquem all ......................................... 17 he answered, “ A total disaster!” Multnomah Antiques .................................................11 in addresses over the last three Timeless Antiques .......................................................4 Then after a suitable pause added, PUYALLUP months. Nielsen’s Antiques, a Tin & Paisley Boutique & Salon ................................4 REDMOND “I’m just joking. We’ve really had a Puyallup Antique District ........................................ 18 classic red barn in Amity for Farmer’s Co-Op ........................................................... 13 great first quarter and have actu- BROOKINGS HARBOR many years, has moved to new SEATTLE ally seen a rise in sales.” Wild River Antiques................................................... 13 SCIO digs in Sutherlin, Oregon. Dale Fairlook Antiques ....................................................... 18 The secret to Borge’s success is J.J.’s Ranch Shop ..........................................................9 Nielsen sold the property to his CANNON BEACH Pacific Galleries .......................................................... 17 his entrepreneurial spirit and the next door neighbor who will use The Butler Did It Antiques ....................................... 13 SPRINGFIELD Stewart Wilson ............................................................ 16 ability to think a little out of the the barn for their farming activi- The Antique Peddlers ...............................................14 ties. Nielsen said the operation box. EAGLE POINT SErvices in Sutherlin isn’t quite ready for “First, I read the regulations very Butte Creek Mill Antiques ....................................... 15 TURNER The Farmhouse Show .................................................7 Insurance, ACNA ..........................................................7 prime time as of April. “We’ve carefully and since we sell dishes, GLADSTONE moved everything out of the main silverware, and pots and pans – Gladstone Mercantile................................................ 10 barn but still have some items admittedly vintage – but they’re ld Stuff magazine wants to know more about what’s happening in the Northwest in other buildings. We’re kind of still usable – I was able to stay so we’ll keep doing our own thing, Oregon, noted their first quarter KLAMATH FALLS antiques and collectibles world. Send press releases or news items of interest waiting to finish up our COVID open since could prove we were a O Auld said. of 2021, despite both the weather Keeper’s Corner ...........................................................14 to oldstuffnews@gmailcom. Want to contribute or have a story idea? Email us; we’d shots and see how things go,” he store that met the rules for excep- and the pandemic, was relatively love to chat about it. See story on pagesfive and 15 that came to us from Southe nd said. Melonie Rolling, the senior tions,” he said. LINCOLN CITY manager of the store, said that strong. Bennett said the store has The Rocking Horse Mall ........................................... 13 Antiques in Aurora, Oregon and the Purple Pelican in Florence. In Auburn, Washington, Carly “Of course, we did sanitizer and while the store went to restricted a full complement of vendors, Willis reports the opening of masking. We didn’t have a rush hours during street construction numbering between 65 and 70. Antique Marketplace has been a of people, but we did have some in Florence and the COVID lock- “It seems as if when it snowed, strong success. She said the store awesome days,” he said. down, they’ve established normal we had a rush of customers. We has done steady business since ‘Off thE wAll’ funk ArtiSt rEmEmbErEd hours of 11-5 pm and are looking expected it to be slow and have a Borge delivered other good news opening with 90 vendors. She to be open seven days a week by chance to reorganize for Spring, – there are two or three new By Ossie Bladine said they were looking forward April. She reports they have 26 but we were actually kind of vintage and collectable shops to their first promotional event, A recent edition of Terry and Kim Kovel’s syndi- it’s easy to see why his work remains popular, vendors and are looking forward swamped with customers. I guess opening in his area. He said a March Madness sale, and once they just wanted to get out – and cated collectibles column recently sparked a and therefore collectible. His creations were to a strong spring. they’re not quite ready to open, personal response from a reader when it ran in crafted with doses of whimsy and hints of unset- they saw how it did, they were we’re happy they did.” but added, “Pacific Treasures, PUBLISHER Old Stuff sibling publication, the News-Register, tledness. And they are utterly unique. considering another event in Like many in Oregon, Joy Basl Sue Keith at Susantiques & Antiques, and Collectables should Jeb Bladine the community newspaper for Yamhill County. July. The store is located in the of JJ’s Ranch Shop notes they Most of his sculptures shown on the online art Collectibles in Aloha notes the open in the Brookings area in the marketplace invaluable.com are estimated in the old JOANN Fabrics store on played dodg’em with Oak trees on “Sometimes modern art is hard to understand, very near future.” EDITOR / ASSOCIATE PUBLISHER the property in Scio. Fortunately first quarter has been slow for and often it is meant to be a joke,” started the $1,000 to $2,000 range. Although a 34-inch tall Ossie Bladine column highlighting the work of David Gilhooly, totem made of ceramic hotdogs and hamburgers 503.687.1269 known a founder and father of The Funk Cermic is estimated at $10,000 to $15,000. Movement of the Bay Area in the 1960s. “Almost For the Lucichs of Dayton, the value of one Associate editor all his sculptures were fantasies, meant to be Gilhooly piece can’t be measured in dollars. Rusty Rae funny or have a satirical message. He sculpted “One day he asked Terry if he could borrow a tire, frogs
Load more

Recommended publications
  • Antique Shops
    Antique Shops Antique Shops NAICS Code: 453310 SIC Code: 5932 Completed by Veronica G. Rodriguez Antique shops and stores are considered as part of the used merchandise industry. They are involved in buying and selling old, but still valuable items such as furniture, coins, paintings, toys, etc. The majority of “antique” shops do not sell big items or true antique commodities. At times, the lines can be blurred between collectibles and antique objects. Typically, shops deal in small, used items that maintain value for collectors or ignite cherished memories for the customer. Purchases may be prized as the perfect start of a hobby or as a welcome addition to an already existing collection. Demographically, more people ages 45 and older collect antiques, and more women than men are actively involved in making these purchases. About one-quarter (25%) of the population collect some form of valuable memorabilia. The antique shop industry has seen growth that began in the 1980’s but only on the lower end of the market. One important factor currently helping to promote the antique shop industry is the popular Public Broadcasting System (PBS) television show, Antiques Roadshow. This show draws 10 million viewers annually and began its 10th season in January of 2006. The advent of Antiques Roadshow has generated much interest and enthusiasm in this arena. Industry Overview Buying and selling antiques is not always a predictable venture, but has always had a following. Online businesses like eBay that operate as auction sites and store fronts for displayed merchandise have not dissuaded customers from enjoying the time-honored amusement of walking into the sometimes dusty, occasionally quaint, generally out-of-the-way store for a unique shopping experience.
    [Show full text]
  • Ephemera Journal Vol 18 Issue 2
    THE EPHEMERA JOURNAL VOLUME 18, NUMBER 2 JANUARY 2016 Bicycle Trade Catalogs BY TALIA S. COUTIN Before the ‘Bicycle Boom’ the bicycle was a luxury item with limited reach but, by 1896, America was home to an estimated four million “wheelmen” and “wheelwomen.” How and why did bicycles take the country by storm? The ‘Golden Age of the Bicycle’ coincided with the ‘Golden Age of Advertising Art.’ Austin Charles Bates, a pioneering adman of the time, estimated that bicycle firms spent more than one billion dollars in 1897. “And yet it paid,” he wrote. “Everyone was bicycle crazy...” Images of wheelmen and wheelwomen appeared everywhere in print, including on products that had nothing to do with bicycling. They graced posters and postcards, magazine covers and cigarette labels, sheet music and card decks – advertising bicycling, if not a particular bicycle brand. Through trade catalogs, companies tried to distinguish their brands with clever copy and alluring graphic designs. Companies spoke directly to consumers, offering them commercial art they could keep. Examining the material, visual, and textual aspects of catalogs from two of America’s leading bicycle manufacturers, the Overman Wheel Company and the Pope Manufacturing Company, reveals how advertising strategies developed between 1881 and 1899 to whet the consumer appetite for bicycles. A beautiful nymph with spaghetti hair gazes behind a screen in a wildly verdant setting that has nothing to do with bicycles. The competing linear and the curvilinear elements define the unique Art Nouveau style of graphic artist Will H. Bradley, who also designed posters for the Overman Wheel Co.
    [Show full text]
  • SETH ROGEN Talks to Versus About “Observe and Report,” How He Gets Into Character and What It’S Like Not to Have a Grand Plan
    VerThe Vanderbilt Hustler’s Arts & su Entertainment Magazine s APRIL 15—APRIL 21, 2009 VOL. 47, NO. 13 SETH ROGEN talks to Versus about “Observe and Report,” how he gets into character and what it’s like not to have a grand plan. Check out page 9 for the whole story. Run with Bulls’ Brad Sample thought we were cool enough to meet at Fido. We think he’s cool right back. Flip to page 6 for the interview. Everything you need to know about Rites of Spring is on page 8. Seriously. PLACES TO GO, PEOPLE TO SEE THURSDAY, APRIL 16 FRIDAY, APRIL 17 SATURDAY, APRIL 18 The Regulars Urban Acoustic League — Edgehill Studios Cafe T.I., Q-Tip, Santigold and more — Vanderbilt University supre X — The Rutledge THE RUTLEDGE With just enough misspelling and strange capitalization style to The Urban Acoustic League was founded as a place for songwriters With Rites of Spring weekend finally upon us, what better way to 410 Fourth Ave. South 37201 irritate me infinitely, as well as weird song names like “Traenor” and acoustic instrumentalists to unite and hone their craft. The kick it off than heading over to Alumni lawn for a great afternoon/ 782-6858 League aims to overturn today’s overproduced, commercialized evening of performances?! Apart from the always swagger-tastic and “Stunkuf,” this is one of those bands that will probably cater to those who are much more hip and emo and all that than I am. music scene with a return to attention to artistry and craft in Q-Tip and T.I., crowd pleasers like Santigold, Okkervil River and THE MERCY LOUNGE/CANNERY music.
    [Show full text]
  • Fresh Dressed
    PRESENTS FRESH DRESSED A CNN FILMS PRODUCTION WORLD PREMIERE – DOCUMENTARY PREMIERE Running Time: 82 Minutes Sales Contact: Dogwoof Ana Vicente – Head of Theatrical Sales Tel: 02072536244 [email protected] 1 SYNOPSIS With funky, fat-laced Adidas, Kangol hats, and Cazal shades, a totally original look was born— Fresh—and it came from the black and brown side of town where another cultural force was revving up in the streets to take the world by storm. Hip-hop, and its aspirational relationship to fashion, would become such a force on the market that Tommy Hilfiger, in an effort to associate their brand with the cultural swell, would drive through the streets and hand out free clothing to kids on the corner. Fresh Dressed is a fascinating, fun-to-watch chronicle of hip-hop, urban fashion, and the hustle that brought oversized pants and graffiti-drenched jackets from Orchard Street to high fashion's catwalks and Middle America shopping malls. Reaching deep to Southern plantation culture, the Black church, and Little Richard, director Sacha Jenkins' music-drenched history draws from a rich mix of archival materials and in-depth interviews with rappers, designers, and other industry insiders, such as Pharrell Williams, Damon Dash, Karl Kani, Kanye West, Nasir Jones, and André Leon Talley. The result is a passionate telling of how the reach for freedom of expression and a better life by a culture that refused to be squashed, would, through sheer originality and swagger, take over the mainstream. 2 ABOUT THE FILMMAKERS SACHA JENKINS – Director Sacha Jenkins, a native New Yorker, published his first magazine—Graphic Scenes & X-Plicit Language (a ‘zine about the graffiti subculture)—at age 17.
    [Show full text]
  • Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies
    Williams, Justin A. (2010) Musical borrowing in hip-hop music: theoretical frameworks and case studies. PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/11081/1/JustinWilliams_PhDfinal.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A.
    [Show full text]
  • Spread a Souvenir Across Your Table Top by Barbara Miller Beem of 34 and 38 Inches
    AntiqueWeek T HE W EEKLY A N T IQUE A UC T ION & C OLLEC T ING N E W SP A PER VOL. 52 ISSUE NO. 2643 www.antiqueweek.com MAY 26, 2020 Above Left: A state as of Jan. 3, 1959, Alaska was the subject of many tablecloths. But residents of that state might have to travel beyond its borders to find a vintage souvenir bearing its name. Above Middle: California, here I come! The underlying theme of many mid-century souvenir tablecloths seems to be “Go west!” Above Right: Some people bought postcard books, while others remembered their travels with tablecloths bearing iconic graphics such as these. Spread a souvenir across your table top By Barbara Miller Beem of 34 and 38 inches. It was not until the 1940s that things changed, when cotton and cotton blends (often including rayon) were employed in the manufacture of tablecloths which, at the Purchased from kitschy gift shops, transported back home in the family station wagon, same time, grew to 52 and 64 inches long, sized for kitchen tables and intended for everyday and then stashed away in Mom’s cedar chest: Mid-century souvenir tablecloths were colorful use. Although examples were made into the mid-1960s, collectors consider 1945 to 1955 to and cheery, affordable and widely available. Today, these charming examples of vintage be the “golden age” of vintage souvenir tablecloths. Americana continue to inspire countless enthusiasts as they are once again displayed and This timing is no accident, as the end of World War II marked a new era in the country, used daily.
    [Show full text]
  • Ephemera-Journal-Vol16-Issue-2
    THE EPHEMERA JOURNAL VOLUME 16, NUMBER 2 JANUARY 2014 Artistry in Letterpress and Engraving BY DAVID JURY The ambition of any craftsman was to become a ‘master’ of his trade. However, the idea that craftsmanship might, at its best, result in something that others instinctively call ‘art’ has always remained the unspoken goal. The 18th century jobbing letterpress printer There is no denying that as an employer, the 18th century jobbing letterpress printer had an ‘image problem.’ He was something of a maverick; he resented and resisted the printers’ guild and, later, the print unions interfering in the Poster for a book. Two-color letterpress with engraving, Two-color wood type specimens, Antique Shaded, Bonnewell & Company, London, London, 1692. Prior to the 19th century, books were ca1865. The carefully-judged ‘miss-aligned’ printing of the red gives the word ad- often sold without board-covers, giving the title page a ditional urgency by the suggestion of ‘haste’ in its production. It is inconceivable that temporary function as the cover. It is also known that the Bonnewell Company would have allowed a ‘mistake’ of this magnitude in their own additional prints of title pages were made specifically catalogue – a suitable example of the tail (the jobbing printer) wagging the dog (the to be used as posters. This poster appears to be an foundry)! Courtesy of David Wakefield. example of this practice, being a trimmed version of the book’s title page. Courtesy of the Printing Collection, Department of Typography, University of Reading. Continued on Page 4 1 In This Issue: Civil War Valentine Artistry • Page 10 ~ Adoption Research, Ephemera, and Art • Page 15 ~ “Excelsior!” • Page 20 ~ Box 15 at the Fenyes • Page 23 The Ephemera Journal Dear Members and Friends: Best wishes to everyone for a bountiful New Year filled with health, happiness, and of course, ephemera! Your ESA looks forward to many exciting events, and sincerely hopes you will join in our upcoming activities.
    [Show full text]
  • 0 Musical Borrowing in Hip-Hop
    MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. Williams, BA, MMus Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy September 2009 0 Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies Justin A. Williams ABSTRACT ‗Musical Borrowing in Hip-hop‘ begins with a crucial premise: the hip-hop world, as an imagined community, regards unconcealed intertextuality as integral to the production and reception of its artistic culture. In other words, borrowing, in its multidimensional forms and manifestations, is central to the aesthetics of hip-hop. This study of borrowing in hip-hop music, which transcends narrow discourses on ‗sampling‘ (digital sampling), illustrates the variety of ways that one can borrow from a source text or trope, and ways that audiences identify and respond to these practices. Another function of this thesis is to initiate a more nuanced discourse in hip-hop studies, to allow for the number of intertextual avenues travelled within hip-hop recordings, and to present academic frameworks with which to study them. The following five chapters provide case studies that prove that musical borrowing, part and parcel of hip-hop aesthetics, occurs on multiple planes and within myriad dimensions. These case studies include borrowing from the internal past of the genre (Ch. 1), the use of jazz and its reception as an ‗art music‘ within hip-hop (Ch. 2), borrowing and mixing intended for listening spaces such as the automobile (Ch. 3), sampling the voice of rap artists posthumously (Ch. 4), and sampling and borrowing as lineage within the gangsta rap subgenre (Ch.
    [Show full text]
  • Made You Look: Chicano Experience, Graphic Identity and Agency in Pilsen Murals Nina Teubner University of Wisconsin-Milwaukee
    University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2013 Made You Look: Chicano Experience, Graphic Identity and Agency in Pilsen Murals Nina Teubner University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the History of Art, Architecture, and Archaeology Commons Recommended Citation Teubner, Nina, "Made You Look: Chicano Experience, Graphic Identity and Agency in Pilsen Murals" (2013). Theses and Dissertations. 767. https://dc.uwm.edu/etd/767 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. MADE YOU LOOK: CHICANO EXPERIENCE, GRAPHIC IDENTITY AND AGENCY IN PILSEN MURALS by Nina Teubner A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Art History at The University of Wisconsin-Milwaukee May 2013 ABSTRACT MADE YOU LOOK: CHICANO EXPERIENCE, GRAPHIC IDENTITY AND AGENCY IN PILSEN MURALS by Nina Teubner The University of Wisconsin-Milwaukee, 2013 Under the Supervision of Professor Kenneth Bendiner This paper examines three different types of Mexican-identified murals in the Pilsen neighborhood of Chicago, Illinois. Using three murals as a case-study, Francisco Mendoza and Gallery 37, 1710 West 18th Street, Chicago, 1998, Hector Duarte’s Gulliver in Wonderland, 1900 West Cullterton, Chicago, 2005 and Jeff Zimmerman Unbelievable the Things You See, South Ashland Ave & West 19th St Chicago completed 1998, this paper examines the artistic process, formal aspects and graphic identity, and function and continuing role of each mural.
    [Show full text]
  • Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy
    Illinois State University ISU ReD: Research and eData Theses and Dissertations 3-2-2017 On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy Evan Nave Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the African American Studies Commons, Creative Writing Commons, Curriculum and Instruction Commons, and the Educational Methods Commons Recommended Citation Nave, Evan, "On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy" (2017). Theses and Dissertations. 697. https://ir.library.illinoisstate.edu/etd/697 This Dissertation is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. ON MY GRIND: FREESTYLE RAP PRACTICES IN EXPERIMENTAL CREATIVE WRITING AND COMPOSITION PEDAGOGY Evan Nave 312 Pages My work is always necessarily two-headed. Double-voiced. Call-and-response at once. Paranoid self-talk as dichotomous monologue to move the crowd. Part of this has to do with the deep cuts and scratches in my mind. Recorded and remixed across DNA double helixes. Structurally split. Generationally divided. A style and family history built on breaking down. Evidence of how ill I am. And then there’s the matter of skin. The material concerns of cultural cross-fertilization. Itching to plant seeds where the grass is always greener. Color collaborations and appropriations. Writing white/out with black art ink. Distinctions dangerously hidden behind backbeats or shamelessly displayed front and center for familiar-feeling consumption.
    [Show full text]
  • Songs by Title
    Sound Master Entertainment Songs by Title smedenver.com Title Artist Title Artist #thatPower Will.I.Am & Justin Bieber 1994 Jason Aldean (Come On Ride) The Train Quad City DJ's 1999 Prince (Everything I Do) I Do It For Bryan Adams 1st Of Tha Month Bone Thugs-N-Harmony You 2 Become 1 Spice Girls Bryan Adams 2 Legit 2 Quit MC Hammer (Four) 4 Minutes Madonna & Justin Timberlake 2 Step Unk & Timbaland Unk (Get Up I Feel Like Being A) James Brown 2.Oh Golf Boys Sex Machine 21 Guns Green Day (God Must Have Spent) A N Sync 21 Questions 50 Cent & Nate Dogg Little More Time On You 22 Taylor Swift N Sync 23 Mike Will Made-It & Miley (Hot St) Country Grammar Nelly Cyrus' Wiz Khalifa & Juicy J (I Just) Died In Your Arms Cutting Crew 23 (Exp) Mike Will Made-It & Miley (I Wanna Take) Forever Peter Cetera & Crystal Cyrus' Wiz Khalifa & Juicy J Tonight Bernard 25 Or 6 To 4 Chicago (I've Had) The Time Of My Bill Medley & Jennifer Warnes 3 Britney Spears Life Britney Spears (Oh) Pretty Woman Van Halen 3 A.M. Matchbox Twenty (One) #1 Nelly 3 A.M. Eternal KLF (Rock) Superstar Cypress Hill 3 Way (Exp) Lonely Island & Justin (Shake, Shake, Shake) Shake KC & The Sunshine Band Timberlake & Lady Gaga Your Booty 4 Minutes Madonna & Justin Timberlake (She's) Sexy + 17 Stray Cats & Timbaland (There's Gotta Be) More To Stacie Orrico 4 My People Missy Elliott Life 4 Seasons Of Loneliness Boyz II Men (They Long To Be) Close To Carpenters You 5 O'Clock T-Pain Carpenters 5 1 5 0 Dierks Bentley (This Ain't) No Thinkin Thing Trace Adkins 50 Ways To Say Goodbye Train (You Can Still) Rock In Night Ranger 50's 2 Step Disco Break Party Break America 6 Underground Sneaker Pimps (You Drive Me) Crazy Britney Spears 6th Avenue Heartache Wallflowers (You Want To) Make A Bon Jovi 7 Prince & The New Power Memory Generation 03 Bonnie & Clyde Jay-Z & Beyonce 8 Days Of Christmas Destiny's Child Jay-Z & Beyonce 80's Flashback Mix (John Cha Various 1 Thing Amerie Mix)) 1, 2 Step Ciara & Missy Elliott 9 P.M.
    [Show full text]
  • The Contribution of Ephemera Dealers
    Robert Dalton Harris, Diane DeBlois, David Margolis, and Jean Moss The Contribution of Ephemera Dealers Robert Dalton Harris and Diane DeBlois of aGatherin’, and David Margolis and Jean Moss of Margolis and Moss, explore the relationship between dealers and the libraries and museums that purchase ephemera from them. The two couples who, for over three decades, have specialized in handling ephemera within the rare book world, are from different backgrounds and have divergent strengths, yet agree philosophically on both the importance of ephemera and the complementary role dealers can have with librarians and curators in building collections. In describing their passions, they hope to connect with the collector inside the library and archives profession, as well as to illuminate what it is they actually do as ephemerists, capi- talizing upon the quotidian. Why would an antiquarian choose to specialize in ephemera? Robert Dalton Harris, as a Garbage Hound: My life as a collector began in the hospital—not the one in Salt Lake City where I was born, but five years later in Oregon when I got polio. My neighbor in the children’s ward was totally absorbed in his stamp collection—so I asked my mother about stamps, and we immediately found half a dozen different ones on envelopes from her correspondence. These we purloined, soaked, and counted. Many years later, my grandparents returned to me a letter I wrote them that Christmas, in which I painstakingly accounted for the thirteen stamps I had by then amassed. I was off and running. My mother invited me to take any duplicates I could find from her own col- lection—I remember that there were two—and subsequently we collected together, but in separate albums: gathering from the incoming mail, from gifts, from the post office, from approval selections, and “big bag missionary” mixtures—until my collec- tion exceeded hers and, it was agreed, I became the proud possessor of both.
    [Show full text]