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Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
Kevin Koga CS465 9/5/08 Final Project Proposal (First Draft, First Idea)
Kevin Koga CS465 9/5/08 Final Project Proposal (First Draft, First Idea) Inspiration: The idea for my project was inspired by guitar hero. In guitar hero, players press buttons in time with a visual display of corresponding buttons and an audio track. Correctly pressing buttons scores you points, and you hear the guitar portion of the audio track. As someone who can actually read music, guitar hero always seemed too easy to me. Obviously the game is designed so that anyone can play it; even if they’ve never before seen written music. I was thinking about how Guitar Hero was eventually expanded to make Rock Band. I thought of how revolutionary those games have been. And my idea then occurred to me. Idea: When people learn to sight-sing music, the only feedback they have is their own ear. If you sing the wrong note, it sounds wrong. With the voice, there is no integral number of notes: no fingerings like on a trumpet, no frets like on a guitar. With voice, as with fretless string instruments such as violin or cello, you could be missing the note by only a quarter-step or less. To a trained ear, this makes a big difference. So I thought, why not add visual feedback? A microphone could be connected to a computer measuring frequency data in real time. The frequency or pitch of the note played or sung could move a cursor on the screen up or down. The cursor could sit atop musical staff, and point to the current note being played. -
From an Ethnic Island to a Transnational Bubble: a Reflection on Korean Americans in Los Angeles
Asian and Asian American Studies Faculty Works Asian and Asian American Studies 2012 From an Ethnic Island to a Transnational Bubble: A Reflection on Korean Americans in Los Angeles Edward J.W. Park Loyola Marymount University, [email protected] Follow this and additional works at: https://digitalcommons.lmu.edu/aaas_fac Part of the East Asian Languages and Societies Commons Recommended Citation Edward J.W. Park (2012) From an Ethnic Island to a Transnational Bubble: A Reflection on orK ean Americans in Los Angeles, Amerasia Journal, 38:1, 43-47. This Article is brought to you for free and open access by the Asian and Asian American Studies at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Asian and Asian American Studies Faculty Works by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. From an Ethnic Island to a Transnational Bubble Transnational a to Island an Ethnic From So much more could be said in reflecting on Sa-I-Gu. My main goal in this brief essay has simply been to limn the ways in which the devastating fires of Sa-I-Gu have produced a loamy and fecund soil for personal discovery, community organizing, political mobilization, and, ultimately, a remaking of what it means to be Korean and Asian in the United States. From an Ethnic Island to a Transnational Bubble: A Reflection on Korean Americans in Los Angeles Edward J.W. Park EDWARD J.W. PARK is director and professor of Asian Pacific American Studies at Loyola Marymount University in Los Angeles. -
Advocacy and Obesity John Magaña Morton, MD
Advocacy and Obesity John Magaña Morton, MD, MPH FASMBS, FACS, ABOM President, ASMBS 2014-5 Chair, ACS MBSAQIP Chief, BariatriC & Minimally Invasive Surgery, Stanford Obesity Care Diet, Rx and Balloon Surgery Treatment Lifestyle Options BMI 25-30 kg/m2 30-40 kg/m2 >40 kg/m2 % of US population 34.4% 26.2% 5.7% JAMA 2010;303:235-41 Obesity Access • Endoscopic Balloon- No Coverage • Medicaons- Mixed • Counseling- CMS Decision • Bariatric Surgery- Lessons Learned MainStream Outreach and Understanding “We Start Today” PubliC ServiCe AnnounCement (PSA) AcQviQes • Created electronic press kit to send to all staons along with PSAs to provide further detail regarding • We Start “We Start Today” campaign Today :30 PSA • PSA distributed in all 50 states and D.C., covering all Click Here to 210 DMA markets View • Less than 2 weeks aer distribu;on, secured KIKU-TV (Honolulu) airing on 10/21, reaching nearly 4,500 viewers • Strong push to secure PSA airings in the following 12 target markets: • NYC DC • Los Angeles • San Francisco • Miami • Houston • Cleveland • PSA has aired a total of 13 • Chicago mes, reaching an audience of nearly • Boston 109,000, in the Salt Lake City (UT), Honolulu (HI), • Columbia, SC and Johnstown-Altoona • Pi]sburgh (PA) markets • Atlanta Tipping Point It Starts Now judges included a Blue-Ribbon panel of judges from the television and film industry, journalism, obesity and public health experts, paent advocacy and journalism. Barry Zegel, Senior Vice and General Manager, CBS Television City Perry Rein, Emmy Award Winning Writer and Producer, Nickelodeon Dan Childs, Managing Editor, Medical Coverage, ABC News Jamie Dukes, NFL Network Commentator and NFL Player Georgeann Mallory, Execu;ve Director, ASMBS John M. -
Access All Areas? the Evolution of Singstar from the PS2 to PS3 Platform
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Fletcher, Gordon, Light, Ben, & Ferneley, Elaine (2008) Access all areas? The evolution of SingStar from the PS2 to PS3 platform. In Loader, B (Ed.) Internet Research 9.0: Rethinking Community, Rethink- ing Space (2008) - 9th Annual Conference of the Association of Internet Researchers. Association of Internet Researchers, Denmark, pp. 1-13. This file was downloaded from: https://eprints.qut.edu.au/75684/ c Copyright 2008 the authors This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. Access All Areas? The -
TELEVISION and VIDEO PRESERVATION 1997: a Report on the Current State of American Television and Video Preservation Volume 1
ISBN: 0-8444-0946-4 [Note: This is a PDF version of the report, converted from an ASCII text version. It lacks footnote text and some of the tables. For more information, please contact Steve Leggett via email at "[email protected]"] TELEVISION AND VIDEO PRESERVATION 1997 A Report on the Current State of American Television and Video Preservation Volume 1 October 1997 REPORT OF THE LIBRARIAN OF CONGRESS TELEVISION AND VIDEO PRESERVATION 1997 A Report on the Current State of American Television and Video Preservation Volume 1: Report Library of Congress Washington, D.C. October 1997 Library of Congress Cataloging-in-Publication Data Television and video preservation 1997: A report on the current state of American television and video preservation: report of the Librarian of Congress. p. cm. þThis report was written by William T. Murphy, assigned to the Library of Congress under an inter-agency agreement with the National Archives and Records Administration, effective October 1, 1995 to November 15, 1996"--T.p. verso. þSeptember 1997." Contents: v. 1. Report - ISBN 0-8444-0946-4 1. Television film--Preservation--United States. 2. Video tapes--Preservation--United States. I. Murphy, William Thomas II. Library of Congress. TR886.3 .T45 1997 778.59'7'0973--dc 21 97-31530 CIP Table of Contents List of Figures . Acknowledgements. Preface by James H. Billington, The Librarian of Congress . Executive Summary . 1. Introduction A. Origins of Study . B. Scope of Study . C. Fact-finding Process . D. Urgency. E. Earlier Efforts to Preserve Television . F. Major Issues . 2. The Materials and Their Preservation Needs A. -
Karaoke Catalog Updated On: 11/01/2019 Sing Online on in English Karaoke Songs
Karaoke catalog Updated on: 11/01/2019 Sing online on www.karafun.com In English Karaoke Songs 'Til Tuesday What Can I Say After I Say I'm Sorry The Old Lamplighter Voices Carry When You're Smiling (The Whole World Smiles With Someday You'll Want Me To Want You (H?D) Planet Earth 1930s Standards That Old Black Magic (Woman Voice) Blackout Heartaches That Old Black Magic (Man Voice) Other Side Cheek to Cheek I Know Why (And So Do You) DUET 10 Years My Romance Aren't You Glad You're You Through The Iris It's Time To Say Aloha (I've Got A Gal In) Kalamazoo 10,000 Maniacs We Gather Together No Love No Nothin' Because The Night Kumbaya Personality 10CC The Last Time I Saw Paris Sunday, Monday Or Always Dreadlock Holiday All The Things You Are This Heart Of Mine I'm Not In Love Smoke Gets In Your Eyes Mister Meadowlark The Things We Do For Love Begin The Beguine 1950s Standards Rubber Bullets I Love A Parade Get Me To The Church On Time Life Is A Minestrone I Love A Parade (short version) Fly Me To The Moon 112 I'm Gonna Sit Right Down And Write Myself A Letter It's Beginning To Look A Lot Like Christmas Cupid Body And Soul Crawdad Song Peaches And Cream Man On The Flying Trapeze Christmas In Killarney 12 Gauge Pennies From Heaven That's Amore Dunkie Butt When My Ship Comes In My Own True Love (Tara's Theme) 12 Stones Yes Sir, That's My Baby Organ Grinder's Swing Far Away About A Quarter To Nine Lullaby Of Birdland Crash Did You Ever See A Dream Walking? Rags To Riches 1800s Standards I Thought About You Something's Gotta Give Home Sweet Home -
Encoremanual UKV.Pdf
Contents GETTING STARTED 2 Wii MENU UPDATE 2 SETTING UP 4 PLAYING THE GAME 4 THE GAME SCREEN 5 SONG SELECTION 7 PARTY MODE 9 SOLO MODE 11 LESSONS 11 AWARDS 12 KARAOKE 12 JUKEBOX 12 CHARTS 12 OPTIONS 12 PAUSE MENU 13 RESULTS 15 CREDITS 16 MUSIC CREDITS 17 1 Getting Started Insert the We Sing Encore Disc into the Disc Slot. The WiiTM console will switch on. The Health and Safety Screen, as shown here, will be displayed. After reading the details press the A Button. The Health and Safety Screen will be displayed even if the Disc is inserted after turning the Wii console’s power on. Point at the Disc Channel from the Wii Menu Screen and press the A Button. The Channel Preview Screen will be displayed. Point at START and press the A Button. The Wii RemoteTM Wrist Strap Information Screen will be displayed. Tighten the strap around your wrist, then press the A Button. The opening movie will then begin to play. CAUTION – USE THE Wii REMOTE WRIST STRAP For information on how to use the Wii Remote Wrist Strap refer to the Wii Operations Manual – System Setup (Using the Wii Remote). The in-game language depends on the one that is set on your Wii console. This game includes five different language versions: English, German, French, Spanish and Italian. If your Wii console is already set to one of them, the same language will be displayed in the game. If your Wii console is set to a different language than those available in the game, the in-game default language will be English. -
Full Text (PDF)
CHI 2007 Workshop on Vocal Interaction in Assistive Technologies and Games (CHI 2007), San Jose, CA, USA, April 29 – May 3 Teaching a Music Search Engine Through Play Bryan Pardo David A. Shamma EECS, Northwestern University Yahoo! Research Berkeley Ford Building, Room 3-323, 2133 Sheridan Rd. 1950 University Ave, Suite 200 Evanston, IL, 60208, USA Berkeley, CA 94704 [email protected] [email protected] +1 (847) 491-7184 +1 (510) 704-2419 ABSTRACT include string alignment [1], n-grams [2], Markov models Systems able to find a song based on a sung, hummed, or [3], dynamic time warping [4] and earth mover distance [5]. whistled melody are called Query-By-Humming (QBH) These compare melodies transcribed from sung queries to systems. We propose an approach to improve search human-encoded symbolic music keys, such as MIDI files. performance of a QBH system based on data collected from an online social music game, Karaoke Callout. Users of Deployed QBH systems [6] have no provision for Karaoke Callout generate training data for the search automatically vetting search keys in the database for engine, allowing both ongoing personalization of query effectiveness. As melodic databases grow from thousands processing as well as vetting of database keys. to millions of entries, hand-vetting of keys will become Personalization of search engine user models takes place impractical. Current QBH systems also presume users through using sung examples generated in the course of singing styles will be similar to that of those the system was play to optimize parameters of user models. initially designed for. -
Up T Se at S R D Et Te G T G Ni E F Aok E Res Atu Ess Acc I Kar Ng
1 Importan t Informati on 2 Idntro unctio 3 Oinl ne Feusat re Setup 4 Controlle rs / Accessor ies 5 Proble ms w ith Audio Delay? 6 Parent al Contro ls Gtget in Srdta te 7 Mnai Muen 8 Agddin a Mii 9 Qunue ei go S ng s 10 My Room 11 Imn-Ga e Icons 12 Svna i g Daat Access ing Karaoke F eatu res 13 Purc has ing Ticke ts WUP-N-WAHP-00 Prod uct Inform ati on 14 Copyrigh t Informati on 15 Supp ort Inform ati on 1 Importan t Informati on Thank you for selecting Wii Karaoke U™ by JOYSOUND™ for Wii U™. This software is designed only for use with the European/Australian version of the Wii U console. Please read this manual carefully before using this software. If the software is to be used by young children, the manual should be read and explained to them by an adult. Before use, please also read the content of the Health and Safety Information application on the Wii U Menu. It contains important information that will help you enjoy this software. Language Selection This title supports five different languages: English, German, French, Spanish and Italian. If your Wii U console language is set to one of these, the same language will be displayed in the game. You can change the console language in System Settings. If your Wii U console is set to another language, you will be able to select the in- game language after launching the software. Age Rating Information For age rating information for this and other software, please consult the relevant website for the age rating system in your region. -
Karaoke: a Tool for Promoting Reading Abha Gupta Old Dominion University, [email protected]
Old Dominion University ODU Digital Commons Teaching & Learning Faculty Publications Teaching & Learning 2006 Karaoke: A Tool for Promoting Reading Abha Gupta Old Dominion University, [email protected] Follow this and additional works at: https://digitalcommons.odu.edu/teachinglearning_fac_pubs Part of the Educational Methods Commons Repository Citation Gupta, Abha, "Karaoke: A Tool for Promoting Reading" (2006). Teaching & Learning Faculty Publications. 2. https://digitalcommons.odu.edu/teachinglearning_fac_pubs/2 Original Publication Citation Gupta, A. (2006). Karaoke: A Tool for Promoting Reading. Reading Matrix: An International Online Journal, 6(2), 80-89. This Article is brought to you for free and open access by the Teaching & Learning at ODU Digital Commons. It has been accepted for inclusion in Teaching & Learning Faculty Publications by an authorized administrator of ODU Digital Commons. For more information, please contact [email protected]. 80 The Reading Matrix Vol. 6, No. 2, September 2006 KARAOKE: A TOOL FOR PROMOTING READING Abha Gupta [email protected] Abstract ________________ This article is a description of a teaching strategy that we have experimented with promising results as a motivational tool. The strategy uses Karaoke as a tool to build and enhance reading behaviors such as fluency and motivation as a twofold purpose for struggling readers. An audio and video sample of children engaged in reading and singing using Karaoke is enclosed. Some modified Karaoke instructional approaches are mentioned for a whole group / classroom use. _______________ Introduction Five-year old Kindergartner, Eesha comes home from the bus-stop and talks excitedly about Britney Spears as her favorite singer and starts to sing, “Oops, I did it again!” She had heard about the singer in the school bus where apparently, most kids were into “Britney Spears”. -
ABC Television Center Studios (Name Circa 1960)
ESTUDIOS DE CINEMA QUE VIRARAM ESTUDIOS DE TV Antigos estúdios de Hollywood http://www.retroweb.com/tv_studios_and_ranches.html ABC Television Center Studios (name circa 1960) Formerly: Vitagraph Studios Currently: The Prospect Studios (aka ABC Television Center West) Location: 4151 Prospect Avenue, Hollywood, California opened in 1912 as Vitagraph Studios, making it one of the oldest studios in Hollywood. eventually purchased by Warner Bros in 1925 ABC Television acquired the studio property in 1949, and opened the world's largest, state-of-the-art television center. "The old Vitagraph lot, then ABC, now Disney in East Hollywood, once had a large backlot, but by the time of television, the backlot was gone. For an early live western tv show, the side of one of the sound stages was painted to look like a western town or desert scene or something, and the show was show live from in front of that painted building." - Jerry S. "I've been told that all the scenes [in 42nd STREET] inside the theater were shot at Prospect on [what was known as] the Vitaphone theater stage. That stage later became Studio E at ABC, (now Stage 5). Eventually, the auditorium end of the stage was demolished to make way for a new studio now called Stage 4. The Vitaphone stage was sort of like the Phantom stage at Universal in that a portion of it had a permanent auditorium set with seats and boxes. It was removed once ABC took over. The old TV series SPACE PATROL was shot on those combined stages." - Richard P.