The Mark of Television Experience
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Indonesia in View a CASBAA Market Research Report
Indonesia in View A CASBAA Market Research Report In Association with Table of Contents 1. Executive Summary 6 1.1 Large prospective market providing key challenges are overcome 6 1.2 Fiercely competitive pay TV environment 6 1.3 Slowing growth of paying subscribers 6 1.4 Nascent market for internet TV 7 1.5 Indonesian advertising dominated by ftA TV 7 1.6 Piracy 7 1.7 Regulations 8 2. FTA in Indonesia 9 2.1 National stations 9 2.2 Regional “network” stations 10 2.3 Local stations 10 2.4 FTA digitalization 10 3. The advertising market 11 3.1 Overview 11 3.2 Television 12 3.3 Other media 12 4. Pay TV Consumer Habits 13 4.1 Daily consumption of TV 13 4.2 What are consumers watching 13 4.3 Pay TV consumer psychology 16 5. Pay TV Environment 18 5.1 Overview 18 5.2 Number of players 18 5.3 Business models 20 5.4 Challenges facing the industry 21 5.4.1 Unhealthy competition between players and high churn rate 21 5.4.2 Rupiah depreciation against US dollar 21 5.4.3 Regulatory changes 21 5.4.4 Piracy 22 5.5 Subscribers 22 5.6 Market share 23 5.7 DTH is still king 23 5.8 Pricing 24 5.9 Programming 24 5.9.1 Premium channel mix 25 5.9.2 SD / HD channel mix 25 5.9.3 In-house / 3rd party exclusive channels 28 5.9.4 Football broadcast rights 32 5.9.5 International football rights 33 5.9.6 Indonesian Soccer League (ISL) 5.10 Technology 35 5.10.1 DTH operators’ satellite bands and conditional access system 35 5.10.2 Terrestrial technologies 36 5.10.3 Residential DTT services 36 5.10.4 In-car terrestrial service 36 5.11 Provincial cable operators 37 5.12 Players’ activities 39 5.12.1 Leading players 39 5.12.2 Other players 42 5.12.3 New entrants 44 5.12.4 Players exiting the sector 44 6. -
BAB I PENDAHULUAN 1.1 Gambaran Umum Objek Penelitian Pay-Tv
BAB I PENDAHULUAN 1.1 Gambaran Umum Objek Penelitian Pay-tv atau televisi berbayar adalah jenis televisi yang memberikan saluran penyiaran khusus kepada pemirsa yang bersedia membayar (berlangganan) secara berkala, televisi berbayar biasanya disediakan dengan menggunakan sistem digital ataupun analog (sumber: www.publikasi.bps.go.id, diakses 1 Mei 2015). Sehingga pay-tv berbeda dengan televisi free-to-air dimana penyiarannya dilakukan secara gratis. Televisi berbayar di dunia pertama kali diperkenalkan oleh Zeinth Radio Corporation pada tahun 1949. Layanannya diberi nama Phonevision sebab cara kerjanya adalah memesan tayangan tertentu melalui telepon yang sifatnya tidak free-to-air. (Arga, 2008). Pada tahun 1953 Internasional Telemeter Corporation yang dimiliki oleh Paramount Pictures meluncurkan sebuah kombinasi antara antena dengan kabel yang menghasilkan variasi lainnya dari televisi berbayar. Pelanggan tidak dikenakan biaya untuk menyaksikan program biasa, biaya hanya dikenakan bagi program khusus dengan cara memasukan sejumlah uang logam ke dalam perangkat yang telah ditambahkan pada televisi mereka masing-masing. Kemudian Telemovies diluncurkan di Bartlesvile, Oklahoma pada tahun 1957. Layanan yang diluncurkan oleh Video Independent Theaters ini menawarkan sebuah first-run movie channel, yaitu channel khusus yang menayangkan semua film–film bioskop pertama kali setelah turun dari layar lebar. Telemovie pun merupakan televisi berbayar pertama yang membebankan biaya flat perbulan kepada pelanggannya tanpa melihat seberapa banyak penggunaannya -
Media Ownership Chart
In 1983, 50 corporations controlled the vast majority of all news media in the U.S. At the time, Ben Bagdikian was called "alarmist" for pointing this out in his book, The Media Monopoly . In his 4th edition, published in 1992, he wrote "in the U.S., fewer than two dozen of these extraordinary creatures own and operate 90% of the mass media" -- controlling almost all of America's newspapers, magazines, TV and radio stations, books, records, movies, videos, wire services and photo agencies. He predicted then that eventually this number would fall to about half a dozen companies. This was greeted with skepticism at the time. When the 6th edition of The Media Monopoly was published in 2000, the number had fallen to six. Since then, there have been more mergers and the scope has expanded to include new media like the Internet market. More than 1 in 4 Internet users in the U.S. now log in with AOL Time-Warner, the world's largest media corporation. In 2004, Bagdikian's revised and expanded book, The New Media Monopoly , shows that only 5 huge corporations -- Time Warner, Disney, Murdoch's News Corporation, Bertelsmann of Germany, and Viacom (formerly CBS) -- now control most of the media industry in the U.S. General Electric's NBC is a close sixth. Who Controls the Media? Parent General Electric Time Warner The Walt Viacom News Company Disney Co. Corporation $100.5 billion $26.8 billion $18.9 billion 1998 revenues 1998 revenues $23 billion 1998 revenues $13 billion 1998 revenues 1998 revenues Background GE/NBC's ranks No. -
Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
12–31–08 Vol. 73 No. 251 Wednesday Dec. 31, 2008 Pages
12–31–08 Wednesday Vol. 73 No. 251 Dec. 31, 2008 Pages 80289–80700 VerDate Aug 31 2005 20:39 Dec 30, 2008 Jkt 217001 PO 00000 Frm 00001 Fmt 4710 Sfmt 4710 E:\FR\FM\31DEWS.LOC 31DEWS hsrobinson on PROD1PC76 with PROPOSALS6 II Federal Register / Vol. 73, No. 251 / Wednesday, December 31, 2008 The FEDERAL REGISTER (ISSN 0097–6326) is published daily, SUBSCRIPTIONS AND COPIES Monday through Friday, except official holidays, by the Office of the Federal Register, National Archives and Records PUBLIC Administration, Washington, DC 20408, under the Federal Register Subscriptions: Act (44 U.S.C. Ch. 15) and the regulations of the Administrative Paper or fiche 202–512–1800 Committee of the Federal Register (1 CFR Ch. I). The Assistance with public subscriptions 202–512–1806 Superintendent of Documents, U.S. Government Printing Office, Washington, DC 20402 is the exclusive distributor of the official General online information 202–512–1530; 1–888–293–6498 edition. Periodicals postage is paid at Washington, DC. Single copies/back copies: The FEDERAL REGISTER provides a uniform system for making Paper or fiche 202–512–1800 available to the public regulations and legal notices issued by Assistance with public single copies 1–866–512–1800 Federal agencies. These include Presidential proclamations and (Toll-Free) Executive Orders, Federal agency documents having general FEDERAL AGENCIES applicability and legal effect, documents required to be published by act of Congress, and other Federal agency documents of public Subscriptions: interest. Paper or fiche 202–741–6005 Documents are on file for public inspection in the Office of the Assistance with Federal agency subscriptions 202–741–6005 Federal Register the day before they are published, unless the issuing agency requests earlier filing. -
Gabriel Mann
GABRIEL MANN FEATURE FILMS HUMOR ME Danielle Renfrew Behrens, Ruth Pomerance, Emily Blavatnik, Fugitive Films Courtney Potts. Jamie Gordon, prods. Sam Hoffman, dir. TELEVISION SERIES THE MAYOR Jeremy Bronson, Dylan Clark, Daveed Diggs, Scott Stuber, ABC Jamie Tarses, exec prods. Score & Theme Jeremy Bronson, showrunner James Griffiths, dir. ROSEWOOD Marty Bowen, Wyck Godfrey, Todd Harthan, exec. prods. FBC / 20th Century Fox TV Todd Harthan, showrunner Score & Theme Richard Shepard, dir. RECTIFY Melissa Bernstein, Ray McKinnon, Mark Johnson, exec. prods. Sundance Channel / Gran Via Productions Ray McKinnon, showrunner Score Keith Gordon, dir. MODERN FAMILY Steven Levitan, Christopher Lloyd, exec. prods. ABC/ 20th Century Fox Television Jason Winer/Reggie Hudlin, dir. Score 3 CABALLEROS Sarah Finn, dir. Disney Online Co-Score ANGEL FROM HELL Tad Quill, exec. prod. CBS / CBS TV Studios Tad Quill, showrunner Score Don Scardino, dir. DR. KEN Jared Stern, John Davis, John Fox, ABC / Sony Pictures TV Mike Sikowitz, exec. prods. Score Mike Sikowitz, showrunner Scott Ellis, dir. SCHOOL OF ROCK Richard Linklater, Scott Rudin, Jim Armogida, Steve Nickelodeon / Paramount TV Armogida, exec. prods. Score THE CROODS Netflix / Dreamworks Animation Score THE KICKS Elizabeth Allen Rosenbaum, prod /dir. Amazon Studios / Picrow Prods Andrew Orenstein, showrunner Score THE MCCARTHYS Will Gluck, Brian Gallivan, Mike Sikowitz, exec. prods. CBS / Sony Pictures TV Mike Sikowitz, showrunner Score Andy Ackerman, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 GABRIEL MANN MARRY ME David Caspe, Seth Gordon, Jamie Tarses, exec. prod. NBC / Sony Pictures TV David Caspe, showrunners Score Seth Gordon, dir. FRIENDS WITH BETTER LIVES Aaron Kaplan, exec. prod. CBS / 20th Century Fox Television Dana Klein, David Hemingson, showrunners Score & Theme TROPHY WIFE Lee Eisenberg, Emily Halpern, Sarah Haskins, exec. -
Federal Register/Vol. 85, No. 103/Thursday, May 28, 2020
32256 Federal Register / Vol. 85, No. 103 / Thursday, May 28, 2020 / Proposed Rules FEDERAL COMMUNICATIONS closes-headquarters-open-window-and- presentation of data or arguments COMMISSION changes-hand-delivery-policy. already reflected in the presenter’s 7. During the time the Commission’s written comments, memoranda, or other 47 CFR Part 1 building is closed to the general public filings in the proceeding, the presenter [MD Docket Nos. 19–105; MD Docket Nos. and until further notice, if more than may provide citations to such data or 20–105; FCC 20–64; FRS 16780] one docket or rulemaking number arguments in his or her prior comments, appears in the caption of a proceeding, memoranda, or other filings (specifying Assessment and Collection of paper filers need not submit two the relevant page and/or paragraph Regulatory Fees for Fiscal Year 2020. additional copies for each additional numbers where such data or arguments docket or rulemaking number; an can be found) in lieu of summarizing AGENCY: Federal Communications original and one copy are sufficient. them in the memorandum. Documents Commission. For detailed instructions for shown or given to Commission staff ACTION: Notice of proposed rulemaking. submitting comments and additional during ex parte meetings are deemed to be written ex parte presentations and SUMMARY: In this document, the Federal information on the rulemaking process, must be filed consistent with section Communications Commission see the SUPPLEMENTARY INFORMATION 1.1206(b) of the Commission’s rules. In (Commission) seeks comment on several section of this document. proceedings governed by section 1.49(f) proposals that will impact FY 2020 FOR FURTHER INFORMATION CONTACT: of the Commission’s rules or for which regulatory fees. -
“The CBS Dream Team, It's Epic!” Adds Two New Series to Its Saturday
“THE CBS DREAM TEAM, IT’S EPIC!” ADDS TWO NEW SERIES TO ITS SATURDAY MORNING LINEUP, WHEN THE THIRD SEASON PREMIERES OCT. 3 “The Inspectors,” an Original Scripted Dramatic Series, and "Chicken Soup for the Soul's Hidden Heroes," Hosted By Brooke Burke-Charvet, Join the Three Hour Saturday Morning Block CBS announced today that two new series, THE INSPECTORS and CHICKEN SOUP FOR THE SOUL'S HIDDEN HEROES, will join THE CBS DREAM TEAM, IT’S EPIC! three- hour Saturday morning block when it returns for its third season Saturday, Oct. 3 (9:00 AM- 12:00 PM, ET/PT), on the CBS Television Network. The CBS DREAM TEAM Saturday morning line up is a diverse, family friendly schedule featuring compelling shows and stories of hope and compassion designed to enlighten, teach and inspire viewers to make a greater commitment to themselves, their families and their communities. The block is FCC educational/informational compliant, targeted to 13- to 16-year- olds and appealing to all viewers. THE INSPECTORS is a new scripted dramatic series set in Washington, D.C., inspired by compelling real cases handled by the United States Postal Inspection Service. In the series, Preston Wainwright (Bret Green), a determined teen who is thriving after being paralyzed in a car accident, works as an intern assisting his U.S. Postal Inspector mom, Amanda (Jessica Lundy), to solve crimes that deal with everything from internet scams, identity and mail theft, to consumer fraud. THE INSPECTORS strives to educate young people about making the right choices in their daily lives, encourages open communication between teens and parents and includes positive messaging regarding living with disabilities, overcoming challenges, beating the odds and the power of perseverance. -
Information Circular Accompanies This Notice of Annual General Meeting
CANFOR CORPORATION NOTICE OF ANNUAL GENERAL MEETING OF SHAREHOLDERS To: The Common Shareholders of Canfor Corporation Notice is hereby given that the Annual General Meeting (the “Meeting”) of the Common Shareholders of Canfor Corporation (the “Company”) will be held at the PG Playhouse, at 2833 Recreation Pl., Prince George, British Columbia, on Wednesday, April 27, 2016 at 1:00 p.m. for the following purposes: 1. To receive and consider the consolidated financial statements of the Company and its subsidiaries for the fiscal year ended December 31, 2015 and the report of the auditors thereon. 2. To set the number of Directors of the Company at nine. 3. To elect Directors for the ensuing year. 4. To appoint auditors for the ensuing year. 5. To transact such other business as may properly come before the Meeting. DATED at Vancouver, British Columbia this 23rd day of March, 2016. By Order of the Board of Directors David M. Calabrigo, QC Corporate Secretary An Information Circular accompanies this Notice of Annual General Meeting. The Information Circular contains details of matters to be considered at the Meeting. The Company’s Annual Report is available electronically on the Company’s website at www.canfor.com/Investor-Relations or upon request at [email protected]. The Annual Report includes consolidated financial statements of the Company for the year ended December 31, 2015 and the auditors’ report thereon and the Management’s Discussion and Analysis of Financial Condition and Results of Operations of the Company. A Common Shareholder who is unable to attend the Meeting in person and who wishes to ensure that their shares will be voted at the Meeting is requested to complete, date and sign the enclosed form of proxy and to deliver the form of proxy in accordance with the instructions set out in the form of proxy and the Information Circular. -
'A Bridge Home' for L.A.'S Homeless Duran to Become Weho Mayor
WWW.BEVERLYPRESS.COM INSIDE • Ellis Act protest on Hayworth. pg. 3 • L.A. party house Sunny, with ordinance takes highs in the effect. pg. 6 low 80s Volume 28 No. 16 Serving the West Hollywood, Hancock Park, Beverly Hills and Wilshire Communities April 19, 2018 Durann to become WeHo mayor The councilman will n‘A Bridge Home’ for L.A.’s homeless enter his fourth mayoral Garcetti’s State of term; D’Amico will be the City proposes mayor pro tempore shelters in each of the 15 council districts West Hollywood Councilman The Los Angeles City Council on John Duran will become the city’s April 17 declared an emergency mayor next month, and shelter crisis, clearing the way for Councilman John D’Amico the implementation of a plan by Mayor city’s mayor pro tempore. Eric Garcetti to fund temporary The City Council approved their shelters in each of the 15 council nominations at its April 15 meet- districts. ing, and scheduled the installation The declaration came on the ceremony for May 21 at 6 p.m. John Duran same day that Garcetti signed the Duran has served on the City Interim Motel Conversion Council since 2001, and will enter Ordinance and the Permanent his fourth term as mayor. The city month, he said he also wants to Supportive Housing Ordinance, rotates the positions of mayor and make sure the stays rooted in its which will enable the city to create photo courtesy of Mayor Eric Garcetti’s office mayor pro tempore each year past. more affordable permanent housing among the five council members. -
Brother Outsider: Queered Belonging and Kinships in African American Men’S Literature, 1953-1971
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 5-2018 Brother Outsider: Queered Belonging and Kinships in African American Men’s Literature, 1953-1971 Debarati Biswas The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2612 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] BROTHER OUTSIDER: QUEERED BELONGING AND KINSHIPS IN AFRICAN AMERICAN MEN’S LITERATURE, 1953-1971 by DEBARATI BISWAS A Dissertation submitted to the Graduate Faculty in English in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2018 Biswas ii © 2018 DEBARATI BISWAS All Rights Reserved Biswas iii Brother Outsider: Queered Belonging and Kinships in African American Men’s Literature, 1953-1971 by Debarati Biswas This manuscript has been read and accepted by the Graduate Faculty in English in satisfaction of the dissertation requirement for the Degree of Doctor of Philosophy. Date Robert F. Reid-Pharr Chair of Examining Committee Date Eric Lott Executive Officer Supervisory Committee: Robert F. Reid-Pharr Ammiel Alcalay Peter Hitchcock THE CITY UNIVERSITY OF NEW YORK Biswas iv ABSTRACT Brother Outsider: Queered Belonging and Kinships in African American Men’s Literature, 1953-1971 By Debarati Biswas Adviser: Robert Reid-Pharr Brother Outsider: Queered Belonging and Kinships in African American Men’s Literature, 1953-1971 builds on the work of women-of-color feminists since the late 1960s and queer-of-color critique in the works of José Esteban Muñoz, Robert Reid-Pharr, Roderic Ferguson, and Nadia Ellis, in order to chronicle the emergence of a queer tradition in mid twentieth century African American men’s literature. -
Turner Classic Movies, Walt Disney World Resort and the Walt Disney Studios Team up to Share Stories Centered on Classic Film
Nov. 26, 2014 Turner Classic Movies, Walt Disney World Resort and The Walt Disney Studios Team Up to Share Stories Centered on Classic Film Features Include New TCM Integration in Theme Park Attraction and On-Air Showcase of Disney Treasures Turner Classic Movies (TCM) today announced new strategic relationships with Walt Disney World Resort and The Walt Disney Studios to broaden its reach in family entertainment with joint efforts centered on classic film. At Disney's Hollywood Studios, the "The Great Movie Ride" Attraction highlights some of the most famous film moments in silver screen history and is set to receive a TCM-curated refresh of the pre-show and the finale. TCM branding will be integrated into the attraction's marquee as well as banners, posters and display windows outside the attraction. In the queue line, families will enjoy new digital movie posters and will watch a new pre-ride video with TCM host Robert Osborne providing illuminating insights from the movies some of which guests will experience during the ride. The finale will feature an all-new montage of classic movie moments. After guests exit the attraction, they will have a photo opportunity with a classic movie theme. The TCM-curated refresh is set to launch by spring. As part of the relationship with The Walt Disney Studios, TCM will launch Treasures from the Disney Vault, a recurring on-air showcase that will include such live-action Disney features as Treasure Island (1950), Darby O'Gill and the Little People (1959) and Pollyanna (1960); animated films like The Three Caballeros (1944) and The Adventures of Ichabod and Mr.