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Yann Chateigné Tytelman Is Currently Serving As an Associate Yann Chateigné Tytelman — Joachim Koester, Bringing something Bio back, Bergen Kunsthall, Janvier – Mars. A curator, editor and writer ba- sed in Brussels (CH), Yann Chateigné 2017 Tytelman is currently serving as an — 1977, L’Onde, Vélizy, Paris, Mars associate curator at Kanal Foundation, – Mai. where he arranged It Never Ends, Swiss — Immersion, LiveInYourHead, Genève, artist John M Armleder’s large-scale Mars – Avril. and eight-months long carte blanche. — Joachim Koester, In the Face of There, since January 2021, he is co- Overwhelming Forces, Camden Arts operating Studio K, an online radio Center, London, Janvier -Mars. program that articulates artists’ con- 2016 versations, audio archives and sound — Talisman, Manoir de Cologny, Octo- creations. Starting in Spring 2021, he bre – Décembre. is the guest curator of Country SALTS, — Motion. Montréal/Genève, Galerie a new art space created in the coun- de l’UQAM, Montréal, LiveInYourHead, tryside near Basel (CH). Genève, Mars – Mai. He recently received a grant from the French Ministry of Culture / 2015 Centre National des Arts Plastiques — Hypnagogic Visions, Pataphysics (Paris), for a research to be taking Cabinet, Mexico DF, Août (avec Joa- place between Europe and the USA, chim Koester). in the Autumn of 2021. Since 2019, 2014 he is teaching a seminar at Erg, in — Biennial of Moving Images, Centre Brussels. d’Art Contemporain, Genève, Septem- bre – Novembre (avec Andrea Bellini Exhibitions 2020 and Hans-Ulrich Obrist). — It Never Ends, John M Armleder & — 6 – 4 – 2., LiveInYourHead, Ge- Guests, Kanal – Centre Pompidou, nève, Septembre – Octobre.Combusti- Bruxelles Septembre 2020 – Avril on, SAKS, Genève, Janvier – Février 2021 (avec Bernard Blistène). Texts 2019 « Black Suns », in Lars Bang Larsen — By repetition, you start noticing (Ed.), Art and Psychedelia, Londres, details in the landscape, Le Commun, Cologne, Genève : Afterall Books / Genève, Décembre 2019 – Janvier 2020 Koenig Books / HEAD – Genève, à pa- (avec MMMMM) raître, printemps 2021. — Anecdotes sans inventaire. Ecart, 1969 – 2019, LiveInYourHead, Genève, « Affection », in Diego Marcon, Mi- Décembre (avec Elisabeth Jobin). lan : Lenz, à paraître, décembre — Gordon Matta-Clark: Material Thin- 2020. king, Centre Canadien d’Architectu- re, Montréal, Juin – Septembre. « Material thinking », in CP138 Gor- don Matta-Clark : Les archives revu- 2018 es par Yann Chateigné, Hila Peleg et — Sound, OGR, Turin, dans le cadre Kitty Scott, Montréal, Londres : CCA d’Artissima, Novembre / Koenig Books, 2020. (avec Nicola Ricciardi). — Sundown, Bärtschi & Cie, « Singing the unknown. A listen- Genève, Juillet – Août. ing session with Guillaume Sorge », in Andrea Bellini et Sarah Lomabrdi « Rubber Ghost: a conversation (Eds.), Scrivere Disegnando. Quand with Vanessa Safavi », in Mousse la langue cherche son autre, Milan, n°67, Printemps 2019. Disponible à Genève : Lenz / Centre d’Art Contem- l’adresse suivante : http://mousse- porain Genève, 2020. magazine.it/vanessa-safavi-yann-cha- teigne-2019/ (dernière consultation « Dream piece », Issue, Printemps : 4 septembre 2020). 2020. Disponible à l’adresse suivan- te : https://issue-journal.ch/flux- « Une nouvelle réfutation du temps », posts/dream-piece/ (dernière consul- in Bodmeriana/Borgesiana, Genève : tation : 4 septembre 2020). Fondation Bodmer / HEAD – Genève, 2018. « Dream piece », in Elisabeth Jobin « Le jardin intérieur », pour Roman et Yann Chateigné (Eds.), Almanach Moriceau, Our exquisite replica of Ecart. Une archive collective, Ge- “eternity”, Paris, Galerie Derouil- nève, Lausanne : HEAD – Genève / lon, Novembre 2018. art&fiction, 2019. « Night Ways: Caroline Bachman’s « Enseigner par le milieu », Issue, Landscape Paintings », autopublica- Eté 2019. Disponible à l’adresse tion, Octobre 2018. suivante : https://issue-journal.ch/ flux-posts/lenseignement-par-le-mi- « Untitled », pour Tyra Tingleff, Will lieu/ (dernière consultation : 4 Always be the Opposite, Londres, The septembre 2020). Sunday Painter, Avril 2018. « On exhibitions and memory machines « Letter dated January 11, 2017 », », in Steinar Sekkingstad et Yann in Charlotte Herzig, Zürich, Lucerne Chateigné (Eds.), Joachim Koester. : Pro Helvetia, Cahiers d’artistes / Bringing Something Back, Köln, Ber- Edizioni Periferia, 2017. gen, Londres : Walther Koenig / Ber- gen Kunsthall / Camden Art Center, « Untitled », in 1977, L’onde, Vélizy. 2019. 2017 « Moon with many eyes » in Marie “Dispossession“, Obieg n°4, Eté Kølbæk Iversen : IO I, Aarhus: Anty- 2017. Disponible à l’adresse suivan- pirine, 2019. te : https://obieg.u-jazdowski.pl/ en/numery/performans-teraz/wywla- « A collective archive » (avec Eli- szczenie (dernière consultation : 4 sabeth Jobin), in Lionel Bovier and septembre 2020). Christophe Cherix (Eds.), Ecart. L’irrésolution commune d’un engage- “1977”, in May Revue n°18, Octobre ment équivoque, Genève, Cologne : 2017. Disponible à l’adresse suivan- MAMCO / Walther Koenig, 2019. te : https://www.mayrevue.com/1977- 2/ (dernière consultation : 4 sep- « Letters: David Horvitz », in tembre 2020). Mousse n°66, Hiver 2019. Disponib- le à l’adresse suivante : http:// “Quelles articulations entre les moussemagazine.it/david-horvitz- arts et les sciences ? Une conver- yann-chateigne-2019/ (dernière con- sation avec Gérard Azoulay, Christ- sultation : 4 septembre 2020). ophe Kihm et Jelena Martinovic”, in Artpress n°44 : Images de l’espace: « The Magic Chain », in Palais n°17, Archive, exploration, fiction, Jan- Février 2013. vier 2017. “Les obliques radicales », in Retour « Against the Day (Diaries) », in d’y voir n° 06, 07 & 08 – Une scène Mousse n°60, Automne 2017. romande, Septembre 2013. « Anaesthesia », in Mousse n°59, Eté “(Dé)faire école”, Artpress 2 – Eco- 2017. les d’art : nouveaux enjeux, Septem- bre 2011. « Constellational », in Jochen Volz et Julia Rebouças (Eds.), Incerteza « Mimetic Powers: Modernity and its Viva: Sao Paulo: The 32nd Sao Paulo Double. Art, Theater and Anthopology Biennial, cat. Exp., 2016. », in (Mis)reading Masquerade, Arn- hem, Amsterdam, Rotterdam, Dutch Art « Economies du dissensus. Utopie et Institute / IICD / Piet Zwart Insti- contre-utopie de Monte Verità », in tute, 2010. constellation.s: Groupe 8, Bordeaux : arc en rêve centre d’architecture, Books 2016. Almanach Ecart. Une archive collec- tive, Genève, Lausanne : HEAD – Ge- « Theories of obscurity », in Raf- nève / art&fiction, 2019 (Ed., avec fael Dörig (Ed.), Megarave Metarave, Elisabeth Jobin). Langenthal, Dijon, Fribourg : “A la recherche d’un non-savo- ir”, Culture & Recherche, March 2015. Disponible à l’adresse sui- vante : http://www.culture.gouv. fr/Thematiques/Enseignement-super- ieur-et-Recherche/La-revue-Culture- et-Recherche/La-recherche-dans-les- ecoles-superieures-d-art (dernière consultation : 4 septembre 2020). “Le côté obscur de l’Eden”, in Ini- tiales n° 04 – Initiales M.V. (Monte Verità), Ecole des Beaux-Arts, Lyon, Les Presses du Réel, Juillet 2014. Kunsthaus Langenthal / WallRiss / Les presses du réel, 2014. « Choses pensées », in Thomas Bou- toux (Ed.), Pensée nomade, chose imprimée, Paris, Bordeaux : Paraguay Press / Ecole des Beaux-arts, 2014. « Inlands », in Derive / Drift, Ge- nève, Dijon : HEAD – Genève / Les Presses du réel, 2014..
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