Gordon Matta-Clark Born 1943 in New York
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BILLY SULLIVAN *1946 in New York, USA Lives and Works in New York City
BILLY SULLIVAN *1946 in New York, USA Lives and works in New York City Education Depuis 1788 1968 School of Visual Arts, New York, NY, USA 1964 High School of Art and Design, New York, NY, USA Freymond-Guth Fine Arts Riehenstrasse 90 B Teaching CH-4058 Basel T +41 (0)61 501 9020 1997 The School of Visual Arts, New York: BFA Photo Thesis offi[email protected] 2012–14 New York University: MFA Program, Studio Art, Steinhardt School of www.freymondguth.com Culture, Education, and Human Development 2003–06, New York University, Interactive Telecommunication Program 2010–14 1999 Harvard University, The Department of Visual and Environmental Studies Solo Shows (selection) 2016 Monteverdi Art Gallery, Sarteano, Tuscany, curated by Sarah McCrory kaufmann repetto, New York 2015 Ille Arts, Amagansett, NY, USA 2014 Time after Time, Freymond-Guth Fine Arts, Zurich, CH Blush, Galerie Sabine Knust, Munich, DE 2012 Bird Drawings, Glenn Horowitz Bookseller, East Hampton, NY, USA Nicole Klagsbrun Gallery, New York, NY, USA 2011 Still, Looking, Kaufmann Repetto, Milan, IT Now & Then, Baldwin Gallery, Aspen, CO, USA 2010 Susanne Hilberry Gallery, Ferndale, MI, USA East End Photographs 1973-2009, Salomon Contemporary, East Hampton, NY, USA 2009 Galerie Sabine Knust, Munich, DE Conversations, Nicole Klagsbrun Gallery, New York, NY, USA 2008 Regen Projects, Los Angeles, CA, USA Rebecca Ibel Gallery, Columbus, OH, USA Texas Gallery, Houston, TX, USA 2007 Guild Hall, East Hampton, NY, USA Galleria Francesca Kaufmann, Milan, IT 2006 New Work, Rebecca Ibel Gallery, -
Canal Studio, Les Membres Du Conseil Horaires L’Association Le Journal Du Fresnoy D’Administration Du Fresnoy D’Ouverture Des Amis Du Fresnoy
2020 2021 № 22 P 18 INFORMATIONS PRATIQUES ÉDITO P 4 EMANUELE ALAIN FLEISCHER DIRECTEUR DU FRESNOY CAROLINE BOURGEOIS COCCIA ET PASCALE PRONNIER AVEC ENRIQUE RAMÍREZ P 15 JUSQUE-LÀ EXEPOSITION REPORTÉE DU 4 FÉVRIER 2022 AU 9 MAI 2022 P 5 Il est encore bien difficile de prévoir ce que sera accord de collaboration entre Le Fresnoy et le It is still very difficult to tell what shadow the sad Our graduates continue to score some spectac- JOAN l’ombre portée de la triste année 2020 sur 2021. ministère de la Culture d’Arabie saoudite, que year of 2020 will cast on 2021. So let’s dwell on ular successes. Bertille Bak, a recent resident at Préférons évoquer les plages de lumière. nous devons à notre président Bruno Racine. Ce the areas of light instead. the Fondation Pinault in Lens, has been invited partenariat devrait bientôt ouvrir sur de nou- to show her work at the Palazzo Grassi in Venice; FONTCUBERTA Le dernier concours d’entrée au Fresnoy a attiré velles perspectives. The last round of admissions for Le Fresnoy Randa Maroufi has been collecting awards at film un nombre record de candidatures, en prove- attracted record numbers, with applicants from festivals around the world, and the same kind of nance de quelques 45 pays sur tous les conti- Nos étudiants sortants continuent de connaître des some forty-five countries and every continent. thing has been happening to Melisa Liebenthal, nents. Nous aurons ainsi le plaisir d’accueillir succès spectaculaires : Bertille Bak, récente rési- It will be our pleasure to welcome fourteen Mili Pecherer, etc., while Nicolas Gourault, 14 étudiants étrangers et 10 Français, avec un dente de la Fondation Pinault à Lens, est invitée foreign students and ten French ones, perfectly Claire Williams, Hicham Berrada and others are parfait équilibre entre filles et garçons. -
Hammer Museum Winter 2012/13 Non Profit Org
1 COVER: LEE MULLICAN. NINNEKAH CALENDAR (DETAIL), 1951. OIL ON CANVAS. 30 x 50 ⁄8 IN. (76.2 x 127.3 CM). HAMMER MUSEUM, LOS ANGELES. For additional program information: 310-443-7000 information: program For additional 90024USA California LosAngeles, Boulevard 10899 Wilshire 2012/13 Winter Museum Hammer PURCHASE AND PARTIAL GIFT OF BILL RESNICK. PHOTOGRAPHY BY BRIAN FORREST. ON VIEW IN THE EXHIBITION SELECTIONS FROM THE GRUNWALD CENTER www.hammer.ucla.edu AND THE HAMMER CONTEMPORARY COLLECTION (SEE PAGE 10). Hammer Museum Hammer hammer_museum Los Angeles, CA Los Angeles, Non Profit Org. Profit Non Permit no. 202 no. Permit US Postage US PAID Winter 2012/13Calendar Winter 25 2 3 HAMMER NEWS news RECENT ACQUISITION director THREE WEEKS IN MAY The Los Angeles–based artist, activist, and writer the 1 Suzanne Lacy has been engaged with issues of gender, social justice, and racial inequalities since the late 1960s. Three Weeks in May is a signature piece by the from A MESSAGE FROM THE DIRECTOR artist and represents the first of a series of large-scale Creating a warm and inviting environment at the Hammer has be expanded with a dedicated small-plate menu, making it a performances on violence against women that she been an important focus for us over the past several years. We perfect place to sip and nibble before our public programs. It is created in collaboration with the artist Leslie Labowitz. started our Public Engagement and Visitor Services programs our aim to offer visitors an epicurean experience on par with During a three-week period in 1977, Lacy installed a message nearly four years ago with the intention of enhancing and their cultural experience at the Hammer. -
Itamar Gov CV 26.08.21
August 2021 ITAMAR GOV b. 1989, Tel-Aviv, Israel Lives and works in Berlin EDUCATION 2014 –2017 Master of Arts: Cinema Studies, Freie Universität, Berlin 2015 –2016 MA (Erasmus exchange) in Cinema, Philosophy, Università di Bologna 2011 –2014 Bachelor of Arts in Cinema Studies, History, French Literature, Freie Universität, Berlin 2012-2013 BA (Erasmus exchange) in Literature, Cinema, Sorbonne Nouvelle, Paris RESIDENCIES / CONFERENCES / EXHIBITIONS (SELECTION) Forthcoming Cité Internationale des Arts: One of the ten recipients of the TRAME prize. Three month long residency and development of a project dedicated to “memory of spaces” at the Marais, Paris. Forthcoming An Dún Riabhach: One month long residency for artistic creation with a project revolving around life forms in the North Atlantic Ocean, organised by ArtLink at Fort Dunree, Ireland. Forthcoming AirWG / Wilhelmina-Gasthuis: Three month long residency at the former hospital Wilhelmina- Gasthuis, which turned into a compound of artist studios and galleries in Amsterdam, Netherlands. 2021 Room to Bloom: Member in a cohort of 100 artists working towards Eco-Feminist and Anti-colonial artistic practice. Organised by European Alternatives, Studio Rizoma and Museum of World Culture, Göteborg, Sweden. 2021 How do we learn to love each other while we are embattled on so many fronts?: Participant in an ongoing project dedicated to artistic forms of care and empathy. Led and curated by Nomaduma Rosa Masilela and Thiago de Paula Souza, organised by Tankstation, Enschede, Netherlands. 2021 In Ruins: Residency for artistic research, realisation and exhibition of "The Mausoleum of Rejected Citrons”, a site specific installation at the archeological site of the Chiesetta Gotica of Squillace, Calabria, Italy. -
Contributions by Employer
2/4/2019 CONTRIBUTIONS FOR HILLARY CLINTON FOR PRESIDENT HOME / CAMPAIGN FINANCE REPORTS AND DATA / PRESIDENTIAL REPORTS / 2008 APRIL MONTHLY / REPORT FOR C00431569 / CONTRIBUTIONS BY EMPLOYER CONTRIBUTIONS BY EMPLOYER HILLARY CLINTON FOR PRESIDENT PO Box 101436 Arlington, Virginia 22210 FEC Committee ID #: C00431569 This report contains activity for a Primary Election Report type: April Monthly This Report is an Amendment Filed 05/22/2008 EMPLOYER SUM NO EMPLOYER WAS SUPPLIED 6,724,037.59 (N,P) ENERGY, INC. 800.00 (SELF) 500.00 (SELF) DOUGLASS & ASSOCI 200.00 - 175.00 1)SAN FRANCISCO PARATRAN 10.50 1-800-FLOWERS.COM 10.00 101 CASINO 187.65 115 R&P BEER 50.00 1199 NATIONAL BENEFIT FU 120.00 1199 SEIU 210.00 1199SEIU BENEFIT FUNDS 45.00 11I NETWORKS INC 500.00 11TH HOUR PRODUCTIONS, L 250.00 1291/2 JAZZ GRILLE 400.00 15 WEST REALTY ASSOCIATES 250.00 1730 CORP. 140.00 1800FLOWERS.COM 100.00 1ST FRANKLIN FINANCIAL 210.00 20 CENTURY FOX TELEVISIO 150.00 20TH CENTURY FOX 250.00 20TH CENTURY FOX FILM CO 50.00 20TH TELEVISION (FOX) 349.15 21ST CENTURY 100.00 24 SEVEN INC 500.00 24SEVEN INC 100.00 3 KIDS TICKETS INC 121.00 3 VILLAGE CENTRAL SCHOOL 250.00 3000BC 205.00 312 WEST 58TH CORP 2,000.00 321 MANAGEMENT 150.00 321 THEATRICAL MGT 100.00 http://docquery.fec.gov/pres/2008/M4/C00431569/A_EMPLOYER_C00431569.html 1/336 2/4/2019 CONTRIBUTIONS FOR HILLARY CLINTON FOR PRESIDENT 333 WEST END TENANTS COR 100.00 360 PICTURES 150.00 3B MANUFACTURING 70.00 3D INVESTMENTS 50.00 3D LEADERSHIP, LLC 50.00 3H TECHNOLOGY 100.00 3M 629.18 3M COMPANY 550.00 4-C (SOCIAL SERVICE AGEN 100.00 402EIGHT AVE CORP 2,500.00 47 PICTURES, INC. -
The Seaman Family in America Captain John Seaman
THE SEAMAN FAMILY IN AMERICA AS DESCENDED FROM CAPTAIN JOHN SEAMAN OF HEMPSTEAD, LONG ISLAND COMPILED BY MARY THOMAS SEAMAN Author of"Links in Genealogy" Life Member of The long Island Historical Society ASSISTl!I> BY JAMES HAVII.AND SEAMAN. JR. Member of the Loag Islaod Wstorial Socicly 1928 TOBlAS A. WRIGHT, INC. PRrNTERS AND PUBLISHERS NEW\"ORK SEAMAN FAMILY All.'-fS-Bal't'V wavy of six argent and a."1.1re, a c:rcscent or. CRJ;ST-A demi-sea-horse salient argent. Mono-Spcetcmur :igendo (kt us be judged by out actiot\S). CcS'aE coNTE.,'TS OF THIS BOOK ARE AUTHEllo'TIC TO THE BEST OF MY K.-.OWLEDGE. THE CONSIDEKATIO:S OF THE PUBLIC IS ASKED FOR SUCH ERRORS AS MAY J:sADVERTE.''TLY SLIP J:sTO THE MOST CAREFULLY PRE PARED MA!lo'USCRIPT. MARY THOMAS SEAMA:S ILLUSTRATIONS Coat of Arms and Crest . Frontispiece PAGE Deed of sale of land from Indians to John Seaman and others, July 4, 1657 . 16 Account of the Seaman Family, by Jordan Seaman, January, 18oo • 24 Deed of gift from John Seaman, senior, to sons Nathaniel and Richard, March 17, 1692/3 . 28 Deed of gift of Nathaniel Seaman to son Thomas, August 31, 1752 . 40 1\farriage certificate of NathaniP.1 Seaman and Rachel \Vil!is, August 9. 16g5 42 Deed of sale of land bv Richard Seaman to brother Nathaniel, September II, 1745 44 Deed of sale of land from Thomas Seaman to brothers Jacob, Nathaniel and Samuel, January 30, 1759 61 Marriage certificate of Thomas Seaman and Hannah \Villets, December 3, 174r/2 . -
ABRIR CAPÍTULO 4 OBJETO REPRESENTADO-OBJETO PRESENTADO Relación Entre Naturaleza Muerta E Instalación En Richard Artschwager
ABRIR CAPÍTULO 4 OBJETO REPRESENTADO-OBJETO PRESENTADO Relación entre naturaleza muerta e instalación en Richard Artschwager - CONCLUSIONES - CONCLUSIONES La presente Tesis, en su propia formulación, plantea dos vías de investigación concurrentes, que plantean como resultado dos conclusiones fundamentales: La primera, de carácter más general, trata de la relación existente entre la presentación y la representación plástica de objetos (de la que se da cuenta en el apartado CA) La segunda se refiere a la relación entre la naturaleza muerta (como aplicación plástica del concepto objeto representado), y la instalación <en relación al de objeto presentado>, en la práctica artística de Richard Artschwager <tratada en el apartado C.2) Del propio desarrollo de la investigación, por otra parte, se derivan una serie de conclusiones de carácter general en relación a la confluencia entre naturaleza muerta e instalación (a las que se refiere el apartado C.3) 443 : C. 1: EL PROCESO DE PRESENTACIÓN ARTÍSTICA COMO VARIABLE REPRESENTATIVA. Una vez diferenciados los conceptos de presencia y presentación, y desgajados. de éste las contaminaciones derivadas de una interpretación extensiva de la presencia prereflexíva o de determinadas cualidades gestálticas de la obra de arte (véase la introducción acerca del concepto de representación y el capítulo 3.1, sobre la presencia como cualidad, y la diferencia entre presencia y presentación), la presentación artistica aparece como una determinada forma de representación. Las características más sobresalientes de -
Deadly Lessons: School Shooters Tell Why
DOCUMENT RESUME ED 448 359 CG 030 506 TITLE Deadly Lessons: School Shooters Tell Why. Sun-Times Exclusive Report. INSTITUTION Chicago Sun-Times, IL. PUB DATE 2000-10-00 NOTE 20p. AVAILABLE FROM For full text: http://www.suntimes.com/shoot. PUB TYPE Information Analyses (070) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS Bullying; Educational Environment; Elementary Secondary Education; Guns; Listening; *Prevention; *Psychological Patterns; School Security; *Violence IDENTIFIERS *School Shootings ABSTRACT This document represents a compilation of newspaper articles analyzing information shared by the Secret Service concerning 37 school shootings. The findings are presented to educate parents and teachers concerning what has been learned about violent students. It was determined that there is no profile of a typical youth who kills. The shooter is neither impulsive nor spontaneous, but sees the shooting as a way to solve a problem. The shooters told friends of their grievances and shared information about the violence they planned. Acquiring weapons was never .a problem, since most youth had access to weapons in their homes. The articles point to the inherent problems associated with the current response schools are using to counter school shootings. They warn about over-reliance on metal detectors, SWAT teams, and zero-tolerance policies. Suggestions are made about the importance of listening to students; how to deal fairly with bullying; how to improve the school climate; the need to keep guns away from children; and the importance of investigating when a student raises a concern. The articles in Part 1 examine actions of the shooters; discuss bullying; and present tips on listening. -
DAVID WOJNAROWICZ (1954–1992) B
DAVID WOJNAROWICZ (1954–1992) b. 1954, Red Bank, NJ d. 1992, New York, NY SOLO EXHIBITIONS 2020 I is Someone Else, Morán Morán, Los Angeles CA David Wojnarowicz, Photography & Film, Morris and Helen Belkin Art Gallery, Vancouver, BC 2019 History Keeps Me Awake at Night, Museum Reina Sofia, Madrid David Wojnarowicz, Photography & Film, Kunst-Werke Institute for Contemporary Art, Berlin 2018 History Keeps Me Awake at Night, The Whitney Museum of American Art, New York, NY Soon All This Will be Picturesque Ruins: The Installations of David Wojnarowicz, P·P·O·W, New York, NY David Wojnarowicz: Video and Photography, KW Institute for Contemporary Art, Berlin, Germany. David Wojnarowicz: Flesh of My Flesh, Iceberg Projects, Chicago, IL 2016 Raging Through: The Art of David Wojnarowicz, Zimmerli Art Museum, Rutgers University, New Brunswick, NJ 2011 Spirituality, P·P·O·W, New York, NY 2009 David Wojnarowicz, Supportico Lopez, Berlin, Germany 2006 Rimbaud in New York, CABINET, London, England David Wojnarowicz, Between Bridges, London, England 2004 Out of Silence: Artworks with Original Text by David Wojnarowicz, P·P·O·W, New York, NY David Wojnarowicz: Rimbaud in New York, Roth Horowitz Gallery, New York, NY Close Up sur David Wojnarowicz, Forum des Halles Espace Rencontres, Paris, France 2001 Featured Works VI: David Wojnarowicz: The Elements, Fire and Water, Earth and Wind, Krannert Art Museum, University of Illinois, Urbana-Champaign, IL 1999 Fever: The Art of David Wojnarowicz, New Museum, New York, NY David Wojnarowicz: The Boys Go Off -
Minimal Art 1965 - 1999 L’ARENGARIO STUDIO BIBLIOGRAFICO Via Pratolungo 192 - 25064 Gussago BS - Italia
minimal art 1965 - 1999 L’ARENGARIO STUDIO BIBLIOGRAFICO Via Pratolungo 192 - 25064 Gussago BS - Italia tel. ++39 030 25 22 472 - fax ++39 030 25 22 458 mail: [email protected] - web: www.arengario.it Facebook - Instagram @arengariostudiobibliografico A.L.A.I. Associazione Librai Antiquari d’Italia I.L.A.B. International League Antiquarian Booksellers (immagine in copertina) n. 48. On Kawara, Arbeitsplatz des Künstlers, Stockholm 1973, Köln, Gebr. König, s.d. [1973] minimal art 1965 - 1999 ARTISTS Donald Judd Imi Knoebel Carl Andre Robert Mangold Steven Antonakos Brice Marden Richard Artschwager Agnes Martin Carel Balth Tony Morgan Larry Bell Wolfgang Nester Ronald Bladen Barnett Newman Robert Breer Blinky Palermo Alan Chrlton David Rabinwitch Walter De Maria Ad Reinhardt Dan Flavin Peter Roehr Robert Grasvenor Ulrich Rückriem Eva Hesse Reiner Ruthenbeck Jene Highstein Robert Ryman Robert Huot Fred Sandback Will Insley Richard Serra Robert Irwin Richard Smith Paul Isenrath Tony Smith Alan Johnston William Tucker Peter Joseph Richard Van Buren 1. AA.VV., Minimal Art, Düsseldorf, Stadtische Kunsthalle Düsseldorf, 1969, 20x50 cm, foglio d’invito ripiegato a leporello in cinque parti con 2 immagini fotografiche in bianco e nero e 1 composizione geometrica in nero stampata su entrambe le faccia- te, due brevi testi trascritti in tedesco. Invito edito in occasione della mostra (Düss- eldorf, Städtische Kunsthalle, dal 17 gennaio al 23 febbraio 1969). € 70 2. AA.VV., Minimal Art. Andre-Bladen-Flavin-Grosvenor-Judd-LeWitt-Morris-Smi- th-Smithson-Steiner, Berlin, Akademie der Künste, 1969, 19,8x19,8 cm., brossura, pp. 64, copertina illustrata a colori, 1 immagine fotografica a colori e 22 in bianco e nero nel testo conopere di Carl Andre, Ronald Bladen, Dan Flavin, Robert Grosve- nor, Donald Judd, Sol Lewitt, Robert Morris, Tony Smith, Robert Smithson, Michael Steine. -
Fluxus Reader By: Ken Friedman Edited by Ken Friedman ISBN: 0471978582 See Detail of This Book on Amazon.Com
The Fluxus Reader By: Ken Friedman Edited by Ken Friedman ISBN: 0471978582 See detail of this book on Amazon.com Book served by AMAZON NOIR (www.amazon-noir.com) project by: PAOLO CIRIO paolocirio.net UBERMORGEN.COM ubermorgen.com ALESSANDRO LUDOVICO neural.it Page 1 PART I THREE HISTORIESPART I THREE HISTORIESPART I THREE HISTORIES Page 2 Page 3 Ben Patterson, Terry Reilly and Emmett Williams, of whose productions we will see this evening, pursue purposes already completely separate from Cage, though they have, however, a respectful affection.' After this introduction the concert itself began with a performance of Ben Patterson's Paper Piece. Two performers entered the stage from the wings carrying a large 3'x15' sheet of paper, which they then held over the heads of the front of the audience. At the same time, sounds of crumpling and tearing paper could be heard from behind the on-stage paper screen, in which a number of small holes began to appear. The piece of paper held over the audience's heads was then dropped as shreds and balls of paper were thrown over the screen and out into the audience. As the small holes grew larger, performers could be seen behind the screen. The initial two performers carried another large sheet out over the audience and from this a number of printed sheets of letter-sized paper were dumped onto the audience. On one side of these sheets was a kind of manifesto: "PURGE the world of bourgeois sickness, `intellectual', professional & commercialised culture, PURGE the world of dead art, imitation, artificial art, abstract art, illusionistic Page 4 [...] FUSE the cadres of cultural, social & political revolutionaries into united front & action."2 The performance of Paper Piece ended as the paper screen was gradually torn to shreds, leaving a paper-strewn stage. -
Gilane Tawadros Talks with Omer Fast
O mer Fa st 07 September-23 October 2005 at inIVA In his first UK exhibition, Godville is constructed from interviews with eighteenth-century characters – interpreters in Colonial Williamsburg, a living-history museum in Virginia, USA. The piece presents portraits from a town somewhere in America unmoored and floating between the past and the present. The Institute of International Visual Arts For further information please contact: (inIVA) is a contemporary arts organisation promoting artists from diverse cultural inIVA (Institute of International Visual Arts) backgrounds through exhibitions, 6-8 Standard Place, Rivington Street publications, research and educational London EC2A 3BE, United Kingdom ventures. inIVA has a special interest in new Tel.: +44 20 7729 9616 technologies, international collaborations Fax: +44 20 7729 9509 and commissioning site-specific artworks. Email: [email protected] Wednesday–Saturday, 7 September – 23 www.iniva.org October 2005, 12.00–6.00pm and Sunday 18 September & 23 October Registered Charity no. 1031721 2005, 12.00–6.00pm Admission free Opposite: Omer Fast, Godville, production still (Detail), 2004 Education Curated by Nadia Fischer 20 June – 20 July In Media Res: Information, Whitechapel, London Review Postmasters (Review), Flash and Katja Garcia Anton, 13 Facing Footage, Two-Person Contre-Information, Galerie of Books, vol.27, 6 January Art, May/June 2003 MFA, Hunter College of the June – 16 September Exhibition (with Jeanne Faust) Art & Essai, Universite 2005 Roberta Smith, Art in Review: City