Hammer Museum Winter 2012/13 Non Profit Org. US Postage Winter 2012/13 Calendar 10899 Wilshire Boulevard Los Angeles, California 90024 USA PAID For additional program information: 310-443-7000 Los Angeles, CA Permit no. 202 www.hammer.ucla.edu Hammer Museum hammer_museum

127.3 CM). HAMMER MUSEUM, LOS ANGELES. 127.3 CM). HAMMER MUSEUM, LOS ANGELES. x IN. (76.2 8 ⁄ 1 50 x (DETAIL), 1951. OIL ON CANVAS. 30 1951. OIL ON CANVAS. (DETAIL),

NINNEKAH CALENDAR . LEE MULLICAN COVER: CENTER ON VIEW IN THE EXHIBITION SELECTIONS FROM GRUNWALD GIFT OF BILL RESNICK. PHOTOGRAPHY BY BRIAN FORREST. PURCHASE AND PARTIAL 10). COLLECTION (SEE PAGE AND THE HAMMER CONTEMPORARY

25 2 3

HAMMER NEWS news

RECENT ACQUISITION director THREE WEEKS IN MAY

The Los Angeles–based artist, activist, and writer the 1 Suzanne Lacy has been engaged with issues of gender, social justice, and racial inequalities since the late 1960s. Three Weeks in May is a signature piece by the

from A MESSAGE FROM THE DIRECTOR artist and represents the first of a series of large-scale Creating a warm and inviting environment at the Hammer has be expanded with a dedicated small-plate menu, making it a performances on violence against women that she been an important focus for us over the past several years. We perfect place to sip and nibble before our public programs. It is created in collaboration with the artist Leslie Labowitz. started our Public Engagement and Visitor Services programs our aim to offer visitors an epicurean experience on par with During a three-week period in 1977, Lacy installed a message

nearly four years ago with the intention of enhancing and their cultural experience at the Hammer. large map of Los Angeles in the City Hall mall and a

improving visitor experience. The latest development in this stenciled the word RAPE in red where attacks had been initiative is the rollout of the Hammer’s volunteer Ambassador Finally, it is with great sadness that we mark the passing of reported to the police. Since her work often takes the program, which began over the summer during Made in L.A. Hal David in September. Although Hal is best remembered as form of public events, broadcasts, and installations, this

1 2012 as a way to help people register and vote for the Mohn a Grammy Award–winning lyricist, he and his wife, Eunice, particular object is a rare and important testament to Award. More than 50 Ambassadors logged upwards of 1,000 were also avid art collectors. In 2003 they generously gave a one of the leading pioneers of public practice. hours this summer, and they did a lot more than just facilitate significant group of drawings to the Grunwald Center for the the voting process—they also oriented guests to the museum Graphic Arts at the Hammer, and we subsequently mounted an SUZANNE LACY. THREE WEEKS IN MAY, 1977. INK ON PRINTED MAPS, SOUND. HAMMER MUSEUM, LOS ANGELES. PURCHASED THROUGH THE BOARD OF OVERSEERS and provided a crucial point of human contact. We received exhibition of the collection and published a beautiful catalogue. ACQUISITION FUND WITH ADDITIONAL SUPPORT FROM DORI PETERMAN MOSTOV, a great deal of feedback from visitors and know that in this The collection includes work by many of the artists who SUSAN BAY NIMOY, AND RUTH BLOOM. digital age the experience of being welcomed face-to-face shaped the course of 19th- and 20th-century art, from Eugène cannot be underestimated. The Ambassador program is officially Delacroix, Édouard Manet, Mary Cassatt, and Gustav Klimt here to stay, and you will continue to see these amazing to Pablo Picasso, Henri Matisse, Robert Motherwell, Richard volunteers staff the front lines at the Hammer. For more Diebenkorn, Andy Warhol, Sam Francis, and David Hockney. The information about the Ambassador program, please contact processes of looking, reflecting, and composing are central to MADE IN L.A. SOUNDMAP Christopher Mangum-James, visitor services coordinator, at these works, and this reflects the interests of their talented NAMED BEST L.A. CITY APP [email protected]. and much-loved collectors. Hal once remarked that the couple’s BY LA WEEKLY “appreciation of drawings stems from the fact that they are Our iPhone app, Made in L.A. Soundmap was The venerable Hollywood restaurant AMMO set up its Westside often the first steps in the creative process towards something named “Best L.A. City App” by LA Weekly this outpost in our courtyard last summer, and we plan to celebrate larger and greater—much like the way a songwriter starts fall! The site-specific mobile audio experience the arrival of 2013 with a new look for AMMO at the Hammer. with nothing and ends with a completed song.” A selection of features interviews with Made in L.A. artists Building on the architectural strengths of the café and the natural drawings from the David collection will be on display in the and curators and music curated by the collective beauty of the courtyard, the changes will reflect the aura of Grunwald Center Study Room this winter. Dublab. Noted one L.A. Weekly judge, “It gives casual elegance that AMMO is known for. We will unite the L.A. the arts and culture narrative we don’t HAMMER MUSEUM COLLABORATES WITH indoor/outdoor experience of the courtyard with new furniture —Ann Philbin, Director get credit for having.” and materials, including the addition of a large Donald Judd THE HEART PROJECT communal table. With the completion of the kitchen renovation, FOR 2012––13 ABOVE: HAL AND EUNICE DAVID, 2003. we will expand and diversify the menu, making AMMO at the GUSTAV KLIMT. STUDY FOR SATYR L.A. arts education organization The HeArt Project combats the high school dropout Hammer a dining destination on the Westside. One of the CARRYING DRUM, C. 1886–88. GRAPHITE crisis with a long-term, sequential arts program. Through ten-week arts education AND WHITE CHALK ON BROWN PAPER, most exciting changes will be the introduction of a special LAID ON JAPAN PAPER. THE EUNICE AND programs, students create artworks and performances inspired by the exhibitions HAL DAVID COLLECTION OF 19TH-AND brunch menu on weekends, including innovative soju cocktails 20TH-CENTURY WORKS ON PAPER. Zarina: Paper Like Skin and A Strange Magic: Gustave Moreau’s Salome. Student work and a deftly curated wine and beer list. Happy hour will also RIGHT: DIRECTOR ANN PHILBIN will be presented in the Hammer courtyard on Thursday, February 14, until noon. 1 exhibitions 4 management &publications. Hammer’s presentation isorganized by Brooke Hodge, director, exhibitions Lupton, seniorcurator of contemporary designatCooper-Hewitt. The curator of architecture anddesign attheWalker ArtCenter, andEllen The leadcurators of New York. Minneapolis, andtheSmithsonian’s Cooper-Hewitt, NationalDesignMuseum, Graphic Design: Now inProduction compelling information narratives. for filmand television; and the transformation of raw data into typeface design; the storytelling potential of titling sequences nature of designer-produced goods; the renaissance indigital recent developments inthe field, such asthe entrepreneurial newspapers, books, posters, and branding programs, showcasing Design: NowinProduction in the most vital sectorsof communication design, and shapersof experiences. Featuring workproduced since 2000 producers, deploying their creative skillsasmakers of content visual media. At the same time, graphic designers are becoming the techniquesand processes of design tocreate and publish distribution systems, peopleoutside the fieldare mobilizing accessible creative software and innovations inpublishing and a specialized profession toawidely usedtool.Withthe riseof has broadened its reach overthe pastdecade, expanding from This major international exhibition explores how graphic design continues through NOW INPRODUCTION GRAPHIC DESIGN— Graphic Design:Now inProduction January6,2013 explores design-driven magazines, isco-organized by theWalker Art Center, are Andrew Blauvelt, Graphic Graphic See page 16 THURSDAY, December6,7:30PM Geoff McFetridge See page 16 TUesday, December4,7:30PM Jürg Lehni HAMMER LECTURES Fund of theTidesFoundation. Family Dayreceived generous supportfrom theArt4Moore by Snap Yourself! and refreshments willbeprovided. Margo Graxeda, Eric Gardner, andbooth others. Photo graphic designers such Henri Lucas, Brian Roettinger, Archive, and more. Featuring workshops withprofessional Billy Wilder Theater bythe UCLAFilmand Television viewing groundbreaking commercials screenedthe in and posters, interacting withnew design technologies, by creating their own letterforms, screenprinting T-shirts the Hammer encourages allages toparticipate indesign designer these days. The second annual FamilyDayat in Production at ourfingertips, the exhibition With the technological toolsof making and distributing Sunday, December9,11am–2pm Family Day:DesignNow! EXHIBITION-RELATED PROGRAMS makes the point thateveryone canbea Graphic Design: Now Graphic Design:Now

continues throughDecember30,2012 PAPER LIKESKIN ZARINA OPPOSITE, LEFTANDRIGHT: MEMBERSOPENINGFOR and Christie’s. Specialthanks toLuhringAugustine, New York. provided by CatherineGlynnBenkaim andBarbara Timmer, Agnes Gund, Foundation, andtheLLWW Foundation. Additional supportwas also Leona B. CarpenterFoundation, theAudrey &Sydney IrmasCharitable Generous supportwas provided by SusieCrippen,theE.Rhodes and Steinhauser andDanielGreenberg/The Greenberg Foundation. Zarina: Paper LikeSkin the ArtInstitute of Chicago (June 27–September22,2013). Guggenheim Museum inNew York (January 25–April21,2013)and This long-overdue surveyof Zarina’s workwilltravel tothe Solomon R. Center for the Graphic Arts. exhibition isorganized byAllegra Pesenti, curator, Grunwald spiritual, orfamilial—resonates throughout her oeuvre. This concept of home—whether personal, geographic, national, with her lifeand the themes of displacement and exile. The bronze. Zarina’s vocabularyisabstract yetrich inassociations rubbings, aswellsculptural objectscastinpaperpulpand production of woodcuts, etchings, pinpricked drawings, and the range and subtleties of her artistic practice, including her history, and geographic associations. The exhibition displays surface toworkonand asamaterial withitsownproperties, 1970s. Handmade paperiscentral to her practice, bothasa France, Germany, and Japan before settling inNew York inthe referred tosimplybyher first name, livedinIndia, Thailand, dating from 1961 tothe present. Zarina, who chooses tobe American artistZarina Hashmi (b. 1937),featuring works Zarina: Paper Like Skin AND ZARINA PAPER LIKE SKIN LIKE PAPER ZARINA ismadepossibleby amajorgiftfrom Susan ; PHOTOSBYTODDCHENEY.

is the first retrospective of the Indian-born

GRAPHIC DESIGN: NOW IN PRODUCTION IN NOW DESIGN: GRAPHIC

1 exhibitions 5 6 7

A STRANGE MAGIC GUSTAVE MOREAU’S SALOME continues through December 9, 2012 exhibitions exhibitions

1 1 LLYN FOULKES The Hammer Museum presents an exhibition devoted to Gustave Moreau’s February 3 – May 19, 2013 Salome Dancing before Herod, one of the most remarkable and best-known paintings in the museum’s collection. Salome created a sensation when it was exhibited for the first time in Paris in 1876 and is arguably Moreau’s most important work. The painting depicts the biblical story of the daughter of Herodias, whose seductive dance before her stepfather and uncle, Herod, persuaded the aging king to grant her the head of John the Baptist. Salome In the tradition of exhibitions that have shed light on lesser-known artists such as danced at the behest of her mother, Herodias, who wanted to silence John the Lee Bontecou, Charles Burchfield, and Alina Szapocznikow, the Hammer Museum Baptist from railing against her incestuous marriage to Herod, the brother of presents a long-overdue career retrospective of the work of Llyn Foulkes (b. 1934, her murdered husband. A Strange Magic: Gustave Moreau’s Salome comprises Yakima, Washington). One of the most important and influential yet underrecognized approximately 50 works—including related paintings, drawings, and preparatory artists working in Los Angeles today, Foulkes makes hard-to-categorize work studies—drawn entirely from the collection of the Gustave Moreau Museum in distinguished by its raw, immediate, unfiltered, and visceral qualities. Since his Paris. Many of the works have never before been seen in the United States, and solo shows at Ferus Gallery in 1961 and at the Pasadena Art Museum in 1962, he the Hammer is the sole American venue. has consistently challenged audiences and defied expectations, pushing his work A Strange Magic: Gustave Moreau’s Salome is organized by the Hammer Museum in collaboration with into new territories and expanding its range and depth. The exhibition features the Gustave Moreau Museum in Paris and is curated by Cynthia Burlingham, director of the UCLA more than 140 artworks from public and private collections in the United States Grunwald Center for the Graphic Arts and deputy director of curatorial affairs at the Hammer Museum. and Europe, some of which have not been seen for decades. The show will explore A Strange Magic: Gustave Moreau’s Salome is made possible by a major gift from the Armand Hammer the entire scope of the artist’s career, including his macabre, emotionally charged Foundation. The exhibition also received generous support from the Ahmanson Foundation and the Robert Lehman Foundation. paintings of the early 1960s; his epic rock and postcard paintings of the late Exhibition Walkthrough 1960s and early 1970s; his “bloody head” series of mutilated figures from the Sunday, February 10, 2pm Hammer Presents late 1970s through the present; and finally his remarkable tableaux that combine Join curator Ali Subotnick for a Oscar Wilde’s Salome painting with woodworking, found materials, and thick mounds of modeling public walkthrough of the exhibition. Wednesday, December 5, 7:30pm paste, seamlessly blended into the painted surface to create a remarkable illusion Free with museum admission. Co-presented by the UCLA Department of Theater of depth. The show will also feature a video of Foulkes playing his Machine, Salome by Oscar Wilde is one of the great masterworks of the early 20th-century an instrument consisting of cowbells, horns, bass, organ pipes, percussion, Hammer Presents English aesthetic movement. Yet its history is fraught with scandal. Written in and more. The exhibition will be accompanied by a fully illustrated catalogue Llyn Foulkes and The Machine including essays by the novelist and art critic Jim Lewis, the writer Jason Weiss, French for Sarah Bernhardt and translated by Wilde’s lover Lord Alfred Douglas, TBD the play was considered so decadent that it was frequently banned. It also served and Hammer curator Ali Subotnick. Llyn Foulkes performs on his infamous as the basis for the equally shocking opera by Richard Strauss. Michael Hackett, Machine, a one-man apparatus created chair of the Department of Theater of the UCLA School of Theater, Film, and by the artist featuring horns, cowbells, Television, will direct a reading of Wilde’s provocative play. LLYN FOULKES is made possible by major gifts from Susan Steinhauser and Daniel Greenberg/ The Greenberg Foundation in honor of Mickey Gribin; Kayne Foundation – Maggie Kayne; and organ pipes, percussion, and more. The Andy Warhol Foundation for the Visual Arts. GUSTAVE MOREAU. NUDE FEMALE MODEL FOR SALOME (STUDY FOR SALOME DANCING BEFORE HEROD), CA. 1876. KCRW 89.9 FM is the official media sponsor of the exhibition. LLYN FOULKES, 1962. PHOTO BY WARD KIMBALL. 11 BLACK CHALK ON YELLOW PAPER; 14 ¾ x 22 ⁄16 IN. (37.4 x 22.1 CM). MUSÉE GUSTAVE MOREAU, PARIS. PHOTO: TONY QUERREC ©RÉUNION DES MUSÉES NATIONAUX /ART RESOURCE, NY. 8 9 exhibitions exhibitions

1 1

CONTINUING PROJECTS HAMMER PROJECTS ENRICO DAVID LATIFA ECHAKHCH SUN YUAN AND PENG YU january 12 – may 5, 2013 February 23 – July 18, 2013 continues through January 6, 2013 RELATED PROGRAM Hammer Projects is a series of exhibitions focusing primarily Transient figures and intangible forms dwell in the work Latifa Echakhch will reprise her 2007 work À chaque stencil hammer lecture: zheng shengtian on the work of emerging artists. of Enrico David. This installation takes its cue from a une revolution (For each stencil a revolution) for the Hammer’s singular figure modeled in bronze around a hollow animal lobby wall. After attaching hundreds of sheets of carbon paper Tuesday, December 11, 7:30pm bone and bound to a protruding blade. The statuette is to the wall, Echakhch will treat the surface with a solvent that A scholar, artist, and independent curator, Zheng Shengtian Hammer Projects is made possible by a major gift from like an anthropomorphic pocketknife that embodies both causes the ink to run down the pages and pool on the floor. is the managing editor of Yishu, a journal of contemporary The Horace W. Goldsmith Foundation. permanence, through its molded outlines, and ephemerality, Her use of carbon paper points to an outmoded duplication Chinese art. He has curated numerous exhibitions, most recently Generous support is provided by the Los Angeles County Board of through its gaping cavity. Around it, paper mummies crawl technology that was central to the ability of political groups Art and China’s Revolution at the Asia Society Museum, New York. Supervisors through the Los Angeles County Arts Commission and by For this program, Zheng discusses the provocative work of Susan Bay Nimoy and Leonard Nimoy. Additional support is provided across the wall, haunting silhouettes peer out of canvases, of earlier generations—such as the civil rights and anti–Vietnam by Good Works Foundation and Laura Donnelley; the City of Los Angeles and ethereal profiles delineate see-through metal screens. The War protests—to disseminate information. While the work Sun Yuan and Peng Yu. Department of Cultural Affairs; the Decade Fund; and the David Teiger exhibition is organized by Allegra Pesenti, curator, Grunwald pays homage to the uprisings of that period, it rings with Curatorial Travel Fund. Center for the Graphic Arts. melancholy: stripped of its ink, the paper is robbed of its LUCY RAVEN Hammer Projects: Lucy Raven is presented through a residency at the potential to carry any message. The exhibition is organized Hammer Museum. The Hammer Museum’s Artist Residency Program was continues through January 20, 2013 initiated with funding from the Nimoy Foundation and is supported DARA FRIEDMAN by Hammer senior curator Anne Ellegood. through a significant grant from The James Irvine Foundation. RELATED PROGRAM January 19 – April 14, 2013 ARTIST TALK: LOW RELIEF Dara Friedman explores notions of performativity, urban space, Tuesday, January 8, 7:30PM and the individual in the public sphere in her ebullient, poetic Lucy Raven’s research into the history and evolution of films and videos. ForDancer (2011), she enlisted Miami-based contemporary applications of 3-D film technologies has led to dancers of all stripes to dance through the city streets for a handful of trips to Mumbai, a major production outpost for

3 3 the camera. Shot on 16mm black-and-white film,Dancer ABOVE, LEFT–RIGHT: ENRICO DAVID. UNTITLED, 2012. ACRYLIC ON CANVAS. 103 ⁄4 x 91 ⁄4 INCHES. the Hollywood 2-D to 3-D film conversion process. In her celebrates both the city and the medium of dance, as dancers 281 x 233 CM. COURTESY MICHAEL WERNER GALLERY, NEW YORK AND LONDON; DARA FRIEDMAN. STILL FROM DANCER, 2011. SUPER 16MM FILM TRANSFERRED TO HD VIDEO, BLACK AND illustrated lecture Low Relief, Raven investigates depictions make meaning through movement. The exhibition is organized WHITE, SOUND. 25 MIN. COURTESY OF THE ARTIST; LATIFA ECHAKHCH. À CHAQUE STENCIL of spatial depth and the roots of 3-D image making. UNE RÉVOLUTION, 2007. TATE MODERN, BANKSIDE, LONDON. COURTESY OF THE ARTIST; by Hammer senior curator Anne Ellegood. KAMEL MENNOUR, PARIS; AND GALLERIA FRANCESCA KAUFMANN, MILAN. © LATIFA ECHAKHCH. 1 exhibitions 10 Anne Ellegood, seniorand curator. Arts, Graphic affairs, and director, Grunwald Center for the by Cynthia Burlingham, deputy director, curatorial and Kori Newkirk Tom Kovachevich Wallace Berman recent purchases, including worksby to form these exceptional collections and highlights the donors and friends whose generosity hashelped historical genres. Thisexhibition acknowledges array of mediums and indifferent thematic and collections is rich and varied, with strengths in an Renaissance tothe present. The scopeof both photographs, and artists’books, dating from the grown tomore than 45,000prints, drawings, for the Graphic Arts, established in1955,has The collection of the UCLAGrunwald Center from Southern California and around the world. photography, sculpture, and video made byartists comprises worksindrawing, film,painting, by contemporary artists, thisgrowing collection Acknowledging the breadth of mediums engaged art through bothpurchases and gifts. initiative tobuildacollection of contemporary In 2005the Hammer launched anexciting January 19–April28,2013 HAMMER CONTEMPORARY COLLECTION GRUNWALD CENTERANDTHE SELECTIONS FROMTHE David Wojnarowicz , Mary Weatherford , , Jimmie Durham Charles Long . Thisexhibition is organized ,

, Carlos Amorales Lee Mullican , Pae White Omer Fast

, , ,

,

MARY WEATHERFORD . RUBY I RUBY , 2012. FLASHEAND NEONON LINEN.93

x 79INCHES. *Emily Gonzalez 1960 In Memoryof St.VincentSchool Llyn Foulkes February 6 *Anne Ellegood 0744 James Welling December 19 , 2006 from museum collections. 15-minute discussions about works of artcurrently onview or The Hammer’s curatorial department leadsfree and insightful Lunchtime ArtTalks take placeeveryWednesday at12:30pm. LUNCHTIME , *Ellen Donnelly Color asLanguage Richard Tuttle January 9 *Brooke Hodge Sleeping Rock Llyn Foulkes February 13

*Speaker , 2004–5 , 1969 ART TALKS

*Corrina Peipon Dancer Dara Friedman February 20 The Inferno Anonymous January 16 *Cynthia Burlingham , 2007 , ca.1480–1500

*David Rodes Caprichos “Tale-Bearing Witches” Francisco Goya January 23 *Allison Agsten Game Room Selected works December 5 *Ali Subotnick Who’s onThird? Llyn Foulkes February 27 ( The Follies , 2012 , 1971–73 ) , 1793–98

from Los *Corrina Peipon Untitled Fliers Ed Fella December 12 *Ellen Donnelly Be Blue, LittleSparrows Be Zany, Poised Harpists, Hammond Jane January 30 , 2009 , 2002

1 art talks 11 12 13

HAMMER CONVERSATIONS engagement

conversations

DAVID DENBY & RON SHELTON TBD public

David Denby is a staff writer and film critic at theNew

Yorker. He is the author of the best-selling book Snark, 1 a look at the use and abuse of humor in commentary. In 1 PUBLIC ENGAGEMENT LIBROS SCHMIBROS BOOK CLUB his new book, Do the Movies Have a Future, Denby argues Libros Schmibros continues its engagement at the Hammer that the American film industry is at a crisis point. Before The Hammer Museum’s Public Engagement Program is supported through with a monthly book club led by co-directors David Kipen joining the New Yorker, he was a film critic atNew York a major grant from The James Irvine Foundation. Additional support is and Colleen Jaurretche. Convenings focus on books related provided by Karyn Kohl, and The Shifting Foundation. Magazine. A former baseball player for the Baltimore to the museum’s exhibitions and programs. Orioles’ minor league team, Ron Shelton is the Academy Sunday, December 16, 2PM Award-nominated screenwriter and director of Bull Durham GAME ROOM A Rebours/Against Nature: Called by Oscar Wilde the “strangest and other sports classics such as Tin Cup and White Men book...a novel without a plot [with] metaphors as monstrous December 1, 2012 – February 17, 2013 Can’t Jump. He is currently working on…………. as orchids,” Joris-Karl Huysmans’s book epitomized the The advent of digital games has not only cracked open appetite for decadence during the fin-de-siècle. a new visual vernacular but has also created a shift in the In conjunction with A Strange Magic: Gustave Moreau’s Salome. JONATHAN BLOW & human dynamic: players can be separated by continents but connected by the Internet. Or they may simply play Sunday, January 13, 2PM HEATHER CHAPLIN alone. Though the look, the feel, and sometimes the Scholar Kevin Starr’s Golden Dreams: California in an Age wednesday, february 6, 7:30PM solitude of these electronic games inevitably plays out of Abundance, 1950–1963 is an ebullient, interdisciplinary Jonathan Blow is an independent game designer-programmer in the work of a growing number of artists, Game Room popular history of the grandest kind. whose goal is to make games that are mind-expanding in purposely returns to an earlier tradition. Each work is Sunday, February 3, 2PM ways special to the medium. He is best known for the well- multiplayer, analog, and intended to be handled by visitors. William McClung’s Landscapes of Desire: Anglo Mythologies of received game Braid. He is co-founder of the Indie Fund, Los Angeles invites spirited discussion on every page, on such an initiative to help creative emerging independent game. WILD UP RESIDENCY topics as Helen Hunt Jackson’s Ramona and David Hockney’s He speaks frequently at conferences and universities on the Hancock St., West Hollywood. advancement of ethical game design as an art form. Heather FINAL CONCERT: ART.MUSIC. The January and February selections are related to the upcoming Getty Chaplin is the co-author of the book Smartbomb: The Quest Saturday, December 8, 3-5PM initiative Pacific Standard Time Presents: Modern Architecture in L.A. and for Art, Entertainment and Big Bucks in the Videogame For wild Up’s final concert, the Hammer’s first orchestra- our exhibition The Architecture of A. Quincy Jones. Revolution and has covered games for The New York Times and in-residence examines the intersection of visual art and NPR’s All Things Considered. She is an assistant professor of music by exploring the museum’s collections and creating CONTEMPLATIVE ART VIEWING journalism at The New School. new site-specific work. The program also features old works Saturday, February 9, 1–2:15PM In conjunction with Game Room. rearranged for the Hammer by wild Up composers. During Mindfulness educator Mitra Manesh will lead a 75-minute intermission, visitors are invited to walk around the museum mindful art-viewing experience of the Armand Hammer Collection. to experience work composed specifically for Hammer spaces. This guided meditation deepens the art exploration experience wild Up at the Hammer received generous support from Karyn Kohl. by focusing on the suspension of judgment and creating an opportunity for art, artist, and self to be considered anew. ALEXIS SMITH PLAYING CARDS, MADE IN U.S.A. PHOTOS BY MARIANNE WILLIAMS. TOP–BOTTOM: TK, TK, JONATHAN BLOW, AND HEATHER CHAPLIN.

14 15

CALENDAR 21 Sun 2pm Libros Schmibros Book Club (p. 10) 27 Tue 7:30pm Films Selected by Zarina (p. 5) The Pre-Raphaelites and Their Circle Khamosh Pani (Silent Waters) Public programs are made possible by a major gift from the Dream Fund at UCLA. Generous support is also provided by Hammer Members; Susan Bay Nimoy and Leonard Nimoy; Bronya and Andrew Galef; 23 Tue 7:30pm Some Favorite Writers (p. 20) 28 Wed 7:30pm Hammer Lectures (p. 19) Good Works Foundation and Laura Donnelley; and an anonymous donor. Paris Review Presents the Art of the Story Chip Kidd calendar calendar

24 Wed 7:30pm Hammer Screenings (p. 22) 29 Thu 7:30pm Hammer Conversations (p. 13) HAMMER MEMBERS HAMMER MUSEUM FREE GROUP TOURS OF HAMMER Jews of Iran Michael Bierut & Ellen Lupton PROGRAMS ARE FREE RECEIVE PRIORITY EXHIBITIONS ARE AVAILABLE TO THE PUBLIC. SEATING AT PROGRAMS. THURSDAYS AT 6:45PM. 25 Thu 7:30pm Hammer Lectures: Michael Lejeune (p. 18) 1 1 A Cooler Ride

SEPTEMBER 25 Tue 11am–8pm Hammer Screenings (p. 23) 28 Sun 11am Family Flicks Film Series (p. 25) * FREE WITH MUSEUM ADMISSION Chang’an Boulevard Where the Wild Things Are 1 Sat 3pm Public Engagement (p. 10) 7:30pm Hammer Screenings (p. 23) wild Up Concert: BACH-BQ 12pm Sunday Afternoons for Kids (p. 25) Disturbing the Peace Your World Order Ticketing 7 Fri 7:30pm JazzPOP (p. 16) Assigned seating now available in the Billy Wilder theater! Free 26 Wed 11am-8pm Hammer Screenings (p. 23) Michael Dessen Trio 30 Tue 7:30pm Films Selected by Zarina (p. 5) tickets are required and available at the Box Office, one ticket per Beijing: The Second Ring & The Third Ring Garam Hawa (Scorching Winds) person on a first come, first served basis. Hammer Members enjoy 8 Sat 11am Public Engagement (p. 10) 7:30pm Hammer Screenings (p. 23) priority seating and seat selection, subject to availability. wild Up: Spatial Music Series One Recluse Membership does not guarantee seating. Arrival at least a half hour NOVEMBER prior to program time is recommended. 1pm Public Engagement (p. 10) 27 Thu 7:30pm Hammer Screenings (p. 22) 1 Thu 7:30pm Hammer Poetry (p. 20) Contemplative Art Viewing Jai Bhim Comrade Dora Malech 11 Tue 7:30pm Hammer Forum (p. 21) 30 Sun 2pm Artist Talk: Zarina (p. 5) 4 Sun 12pm Sunday Afternoons for Kids (p. 25) In Search of the Center * A Conversation with Zarina Tabletop Moviemaking 2.0

13 Thu 7:30pm Some Favorite Writers (p. 20) 7 Wed 7:30pm Hammer Conversations (p. 13) Michael Chabon OCTOBER Roya Hakakian & Rabbi David Wolpe 9 Tue 7:30pm Some Favorite Writers (p. 20) 14 Fri 7:30pm JazzPOP (p. 16) A.M. Homes 8 Thu 7pm Symposium Opening Lecture (p. 5) Vinny Golia Sextet Homi Bhabha 10 Wed 7:30pm UCLA Department of Art Lectures (p. 19) 16 Sun 2pm Libros Schmibros Book Club (p. 10) Pae White 9 Fri 9:30am–5:30pm Symposium: Strangers in a Strange Land (p. 5) Fleurs du Mal/Flowers of Evil Presentations & Discussion 11 Thu 7:30pm Hammer Lectures: David Rodes (p. 8) 18 Tue 7:30pm Hammer Screenings (p. 22) 6pm Symposium: Musical Performance (p. 5) Oscar Wilde, Sarah Bernhardt, and the Gerhard Richter Painting Vidya Shah Murderous Princess 20 Thu 7:30pm Hammer Presents (p. 17) 10 Sat 11am Public Engagement (p. 10) HOLIDAY SALE 13 Sat 11am Public Engagement (p. 10) Flux Screening Series wild Up: Spatial Music Series wild Up: Spatial Music Series MEMBERS ONLY! 21 Fri 7:30pm JazzPOP (p. 16) 14 Wed 7:30pm Hammer Forum (p. 21) 14 Sun 2pm Exhibition Walkthrough: Brooke Hodge (p. 7) HAMMER MEMBERS RECEIVE 20% Aram Shelton Quartet * Artists’ Rights and Internet Freedom Graphic Design: Now in Production OFF IN THE HAMMER STORE 23 Sun 11am Family Flicks Film Series (p. 25) 15 Thu 7:30pm UCLA Department of Art Lectures (p. 19) DECEMBER 1–7 Mr. Smith Goes to Washington 16 Tue 7:30pm Hammer Forum (p. 21) Jim Drain The New Politics of Extremism 12pm Sunday Afternoons for Kids (p. 25) 18 Sun 11am Family Flicks Film Series (p. 25) LITLAB 17 Wed 7:30pm Hammer Screenings (p. 8) Elephant Boy Sunset Boulevard 24 Mon 7:30pm Hammer Screenings (p. 23) 2pm Libros Schmibros Book Club (p. 10) Salammbo Ai Weiwei: Never Sorry 18 Thu 7:30pm Hammer Presents (p. 17) Open Projector Night 2pm Hammer Presents (p. 17) Salome in Opera and on Film 20 Sat 10am–6pm UCLA Art History Graduate Student Symposium (p. 19) Translations 20 Tue 7:30pm Hammer Lectures: Three of a Kind (p. 18) Brian Roettinger, Gail Swanlund, & Henri Lucas 38 1 lectures 16 HAMMER LECTURES In conjunctionwith See page 9 tuesday, December11,7:30pm ZHENG SHENGTIAN In conjunctionwith Milan, Italy; and Pasadena Museum of California Art,Pasadena. Contemporary Art, Los Angeles; Triennale Design Museum of widely, including inrecent group shows atthe Museum of film Hewlett Packard, and he recently created the titlesfor the Notable clients include Nike, Patagonia, Gapred, Vans, and T-shirts, textiles, motion graphics, and filmproduction. has created designs for advertising, magazines, posters, visual artist.As the founder of Champion Graphics, he Geoff McFetridge thursday, December6,7:30PM GEOFF MCFETRIDGE In conjunctionwith currently teaches inthe UCLADesign |Media Artsdepartment. Design Museum London, and Kunsthalle St.Gallen.He Pompidou, Institute of Contemporary Arts, V&AMuseum, Museum of Modern Art,New York, Walker ArtCenter, Centre shown workinternationally ingroup and soloshows atthe Vectorama.org, Scriptographer.org, Paperjs.org. Lehnihas as software-based structures and frameworks, including as the drawing machines Hektor, Rita,and Viktor, aswell the form of platforms and scenarios for production, such human condition. Hisself-initiated worksoften take dealing withthe nuances of technology, tools, and the Jürg Lehni tuesday, December4,7:30PM JÜRG LEHNI Where theWildThingsAre workscollaboratively across disciplines, Hammer Projects: SunYuan andPeng Yu. Graphic Design: Now inProduction. Graphic Design:Now inProduction. isanL.A.-basedgraphic designer and . Hisworkhasbeenexhibited

OPPOSITE, TOP–BOTTOM: LEFT: award for hisbook Photography Awards’ 2007Professional Photographer of the Year Climate inNew Orleans. He isthe recipient of the International Nations, the World Affairs Council, and the General Assembly on and hasgivenkeynote addresses toaudiences atthe United decade, Copeland hasbeenfeatured ontelevision and radio As aninternational speaker onclimate crisisfor more thana athlete, filmmaker, author, lecturer, and environmental activist. Sebastian Copeland TBD SEBASTIAN COPELAND Program onMarch 12at7:30PMinSchoenberg Hall atUCLA. from Opera UCLAand LAOpera’s Domingo-Thornton Young Artist will conduct amaster class—opentothe public—with students composers of the 19thcentury. Inaddition, Maestro Conlon Giuseppe Verdi and Richard Wagner, the two greatest opera examples inhonor of the 200thanniversaries of the birthof 2013 and willgiveaseries of three lectures withmusical Opera, hasbeennamed Regents’ Lecturer atUCLAfor winter Maestro and theUCLADepartmentof Musicology Co-presented by theUCLADepartment of Comparative Literature Wednesday, March9,7:30PM Thursday, February21,7:30PM Tuesday, February19,7:30PM WITH MAESTRO JAMES CONLON IN VERDIANDWAGNER EARLY, MIDDLE,ANDLATE STYLES embody its sociopolitical and economic segregation. Its topographical and morphological development physically always beenamanifestation of social and economic stratifications. to the history of Iran’s capitalcity. Tehran’s urbanspace has the processes and meanings of thatuprising are tied directly the weightiest events inthe 20thcentury. Grigor argues that Iranian Revolution of 1979isconsidered bymany asone of cross-pollination of architecture and politics inIran. The The Architectural historian Co-presented by theFarhang Foundation Thursday, January3,7:30PM OF REVOLUTIONS TEHRAN: ANURBANHISTORY JAMES CONLON James Conlon (PHOTO:TODDROSENBERG) AND JÜRG LEHNI Antarctica: TheGlobalWarning isanaward-winning photographer, extreme , Richard SeaverMusic Director of LA AND Talinn Grigor GEOFF MCFETRIDGE

SEBASTIAN COPELAND discussesthe (©MILLANPHOTO.COM).

. .

1 lectures 17 1 lectures 18 Department of Art. Long BeachMuseum of Art.She isaprofessor inthe UCLA Twelve Milestothe Horizon survey atthe Guggenheim Museum, New York. Her exhibition Museum of Contemporary Art,LosAngeles; and amidcareer St. LouisArtMuseum; Museum of Contemporary Art Chicago; of Contemporary Art,Boston;Walker ArtCenter, Minneapolis; and people. Selected soloexhibitions include the Institute generation and adocumentarian of the American landscape Catherine Opie Thursday, January24,7:30PM CATHERINE OPIE Los Angeles; and GalleryBrandstrup, Oslo. Galerie Michael Janssen, Berlin;Municipal Art Gallery, and inexhibitions atthe GettyMuseum, LosAngeles; featured in monochromatic abstract forms. Her workwasrecently she makes energetic collages pairing found imagery with color theory, design, fashion, and supermarket advertising, meaning inourculture. Withaneyeequally enamored of shared experience and how imagery and objectsacquire investigates the intersections betweenindividual and With levityand agreat deal of wit, Thursday, December13,7:30PM MEG CRANSTON Fund. generous supportofLecture theWilliamD.Feldman Family Endowed Art The UCLADepartmentof Art’s visitinglecture OF ART LECTURES UCLA DEPARTMENT Made inL.A.2012 isone of the leading photographers of this iscurrently onview atthe atthe Hammer Museum Meg Cranston series ismadepossiblethrough the

MEG CRANSTON and isdean of the School of Artat CalArts. including London. He haswrittenextensively for various publications, Art, SanDiego; the CCA,Glasgow; and the BatterseaArtsCentre, his workhavebeenorganized bythe Museum of Contemporary Anthony Reynolds, London; and LAXART, LosAngeles. Surveys of output. Hisworkhasbeenshown atMetro Pictures, New York; Thomas Lawson Thursday, February7, 7:30PM THOMAS LAWSON and Tampa, Florida, tocreate green public spaces. Sonfist collaborated withGreen CityPlanners in Pori, Finland, climate change withhisinternational projects. Recently, sustainable energy and strivestoraise awareness of global havens of nature and green art.Today he continues topromote critical acclaimfor their innovative useof urbanspacesas His “Time Landscapes” inGreenwich Village, New York, won natural landscapes toevoke the hidden narrative of the earth. Alan Sonfist Thursday, January31,7:30PM ALAN SONFIST

Artforum . CALIFORNIA (FULL SIZE) (FULL CALIFORNIA isanartistand designer who engages with isanartistwithadiverse, project-driven , Flash Art , 2012.PHOTO COURTESY UCOFFICEOF THEPRESIDENT. , and Afterall . He livesinLos Angeles of taxpolicy and contemporary politics. international taxissues, and the intersection focuses onthe taxation of capitalincome, Joint Committee onTaxation. Hiswork the former chief of staffof the U.S.Congress professor atUSC’s GouldSchool of Lawand English” toRobYou Blind The FinePrint:HowBigCompaniesUse“Plain bestseller in the U.S.taxcode. Hisbooksinclude the 2001 for uncovering loopholes and inequities the income taxes. Johnston, a13-yearveteran of realties of who exactly ispaying U.S.federal Kleinbard Cay Johnston Pulitzer Prize–winning journalist wednesday, december12,7:30PM WHO PAYS TAXES? Hammer Forum ismadepossibleinpartby Bronya andAndrew Galef. and political issues. This ongoing series of timely, thought-provoking events addresses current social HAMMER FORUM New York Times Hammer Forumismoderated by Sundays at11AM, and Perfectly Legal discussthe misconceptions and and taxlawscholar , won the Pulitzer Prize in , wonthe PulitzerPrizein The DailyBriefing, , and anew book, . Kleinbard is a . Kleinbard isa

Ian Masters Edward David David Monday through Thursday at5PM,onKPFK90.7 FM.

, journalist, author, screenwriter, documentary filmmaker, and host of the radio programs work, technology, and globalproduction. Berkeley, where he specializes inissuesof the Graduate School of Education atUC professor of social and cultural studies at & Municipal Employees;and Shaiken isa of the American Federation of State, County Booth isexecutive assistant to the president Los Angeles County Federation of Labor; is executive secretary–treasurer of the a robust economy for allAmericans. Durazo strategies torebuild amovement tocreate and laborscholar Maria ElenaDurazo survival and relevance. Union representatives organized laborconfronts questions of in America’s labormarket gain ground, As efforts toeradicate union representation tuesday, january29,7:30PM WORKING INAMERICA2013 Harley Shaiken and Paul Booth offer

between American Muslims and Jews. productive engagement, and social change organization pursuing healthy relations, executive director of NewGround, an Life atthe USC, and Rabbi joined by crimes, terrorism, and legalissues. Levin is where he specializes inthe analysis of hate and Extremism at CalStateSanBernardino, director of the Center for the Study of Hate Brian Levin racism, and prejudice. Criminologist the latestemergence of religious intolerance, with anti-Muslim hatespeech,weexplore New York Citysubwaysare emblazoned the imaginary threat of sharia lawand As statelegislatures passlawsagainst wednesday, February20,7:30PM ISLAMAPHOBIA Ali Mir isacivilrights attorney and , director of Muslim Student , director ofStudent Muslim Background Briefing Sarah Bassin ,

,

1 forum 19 1 readings 20 ROSANNA WARREN ABOVE, LEFT–RIGHT: C. K.Williams’s RepairwonboththePulitzerPrizeandLosAngelesTimes Thursday, February14,7:30PM C. K.WILLIAMS from the Poetry Foundation. Her most recent bookis also aprize-winning essayistand the recipient of the Randall Jarrell Award for Criticism the Academy of American Poets and awinner of aNational Poetry Series Award. She is her second volume, Ange Mlinko’s Thursday, January17,7:30PM ANGE MLINKO at UCLAand author of This series of readings isorganized and hosted by POETRY HAMMER READINGS of Artsand Sciences and hasservedaschancellor of the Academy of American Poets. Award for Merit inPoetry, and the BerlinPrize. She isamember of the American Academy for Excellence inteaching atBoston University, the American Academy of Artsand Letters include the Lamont Poetry Prize for her collection titled Rosanna Warren’s Thursday, February28,7:30PM ROSANNA WARREN and Letters, he teaches atPrinceton University. In Time:Poems, Poets, andtheRest Collected Poems He received the prestigious RuthLillyPoetry Prizein2005,and hisbooksinclude Prize in2000,and hisvolume (PHOTO:MIKE MINEHAN).RIGHT: debut book, ANGE MLINKO , fifthvolume of poems, Wait Starred Wire, , A BoundlessField:AmericanPoetry atLarge Writers WritingDying (PHOTO:STEVENMCNAMARA), Matinées wasbothafinalist for the James Laughlin Award from The Singing , wasa DAN O’SHANNON . Amember of the American Academy of Arts Ghost inaRedHat Publishers Weekly wonthe National BookAward in2003. , and anew collection of essaystitled C. K.WILLIAMS Stephen Yenser Shoulder Season Stained Glass (PHOTO:©BENOITCORTET) AND , came outin2010.Her awards Best Bookof the Year, and and , poetand , the Metcalf Award . Blue Guide professor Book

.

Family television network comedies and producer bestknown for the Globe, and WGA Award-winning writer Dan O’Shannon Thursday, January10,7:30PM DAN O’SHANNON new approach tocomedy theory. Comedic Event At? AComprehensiveGuidetothe O’Shannon’s book , Frasier presents anentirely , Cheers isanEmmy, Golden What AreYou Laughing , and Newhart Modern . Ensemble of UCLA Jonathan Gold Los Angeles Chinese food scene with PulitzerPrize-winning L.A.food critic or decorate yourownpaperlantern, learntowrite Chinese characters, discussthe Ring inthe Year of the Snake atthe Hammer’s Chinese New Year’s Dayfestival.Make Sunday, February10,11AM-5PM CHINESE NEWYEAR FESTIVAL In conjunctionwith and the renowned will read from contemporary and classical poems accompanied by with English translations. Poets Join usfor aspecial evening of poetry and music inbothAramaic and Persian, TBD February,7:30pm ECSTASY ANDTHEPERSIAN SPIRIT In conjunctionwith See page 6 Wednesday, December5,7:30PM OSCAR WILDE’SSALOME In conjunctionwith See page 7 TBD LLYN FOULKES AND Details athammer.ucla.edu. discussions reflecting onhislegacyin music, dance, art, design, and architecture. performance of Cage’s piano compositions byGloria Cheng and lectures and panel On the 100thbirthday of acclaimed composerJohn Cage, the Hammer presents a Co-presented by UCLAHerbAlpert Schoolof Music Sunday, December2,1-7PM CAGE AT UCLA HAMMER PRESENTS

, and enjoyaconcert of traditional Chinese music by the Light andShadows: TheStory of Persian Jews A Strange Magic:Gustave Moreau’s Salome. LLYN FOULKES Lian Ensemble . Visitthe Hammer websitefor afullschedule of festivities. . Majid Naficy performing classical Persian music. HIS MACHINE , Bernard Radfar at the Fowler MuseumatUCLA. , and Pejman Hadadi Niloufar Talebi Music of China China Music of

LANTERN PHOTOBYDAVE CROSS. LLYN FOULKES ANDHISMACHINE,2012;

1 presents 21 23 22 1

HAMMER SCREENINGS

UCLA Film & Television Archive and the Hammer Museum

screenings have teamed up for a matinee screening series of new SUNDAY AFTERNOONS FOR KIDS

and classic family-friendly films from around the world. The Hammer’s free collaborative workshops, presented 1 Family Flicks is co-presented with UCLA Film & Television Archive. with 826LA, are designed for groups of up to 20 students. Reservations are encouraged. Please visit 1 THE IRAN JOB workshops.826LA.org or call 310-305-8418. TBD The Iran Job follows American basketball player Kevin Sheppard as he accepts a job to play in Iran. With tensions running high between Iran and the West, BABES IN TOYLAND THE SIXTH ANNUAL Kevin tries to separate sports from politics, only to find SUNDAY, DECEMBER 16, 11AM DIY HOLIDAY WORKSHOP Recommended for ages 8+ that politics are impossible to escape in Iran. Kevin’s Sunday, December 16, 12-2PM Beloved comics Laurel & Hardy star in this whimsical fantasy, season culminates in something much bigger than Join us for this year’s 826LA/Hammer Museum DIY set in a magical land where Tom Thumb, Bo Peep, and the basketball: the uprising and subsequent suppression of Holiday Workshop! Students will invent a holiday (last three pigs dance and sing outside Santa’s workshop. When Iran’s reformist Green Movement, a powerful prelude to the year’s was Arbitrary Mammal Day), create its folklore dastardly Silas Barnaby tries to evict the Old Woman Who currently unfolding Arab Spring. (2012, Dir. T. Schauder, 93 min.) and heroes and traditions, then write and perform songs Lives in a Shoe, Stannie Dum and Ollie Dee use their wits and commemorating its (brief) history. Led by Kristy Hanson, a battalion of wooden soldiers to set things right. A tuneful a touring, Los Angeles–based singer-songwriter, and OPEN PROJECTOR NIGHT holiday treat for the whole family. (1934, Dirs. Gus Meins and composer of West Hollywood’s new theme song. TBD Charles Rogers, 35mm, b/w, 77 min.) Equal parts showcase and showdown, the Hammer’s Open WHEN YOU’RE 64 MARY POPPINS Projector Night is the most raucous independent short Sunday, January 13, 12-2PM film festival around. Films and videos of all genres have SUNDAY, JANUARY 13, 11AM Students look both forward and back in this workshop, as garnered praise and wrath alike, and though this is not Recommended for ages 6+ they assemble an old-fashioned scrapbook of their future an event for the thin-skinned, it’s a fantastic opportunity Jane and Michael Banks get more than they could have hoped lives, including letters, journal entries, photographs, and to find out “what they really think” about your work. for when their advertisement for a kind and cheerful nanny news clippings. Led by writer J. Ryan Stradal. Nationally known and loved comedy team the Sklar is answered by the unflappable, magical Mary Poppins. Chalk Brothers emcee, and free popcorn is served. Submissions paintings come to life, toys put themselves away, and a spoonful DR. SCRIBB’S FANTASTICAL are accepted from 7 to 7:30PM. Work under 10 minutes of sugar helps the medicine go down, in this well-loved Disney CARD COMBINATORIUM only, please. Visit hammer.ucla.edu for accepted formats. classic starring Julie Andrews and Dick Van Dyke. (1964, Dir. Robert Stevenson, 35mm, color, 140 min.) Sunday, February 17, 12-2PM Guided by a deck of cards featuring literary devices, dramatic FLUX SCREENING SERIES RAGGEDY ANN & ANDY: A MUSICAL ADVENTURE themes, and mysterious objects, students race against the TBD SUNDAY, FEBRUARY 17, 11AM clock, earn points by creating collaborative writing projects, Flux and the Hammer present an evening of innovative Recommended for ages 4+ and maybe win a fabulous prize. Led by Sarah Brin, a writer short films, music videos, filmmaker presentations, and Everyone’s favorite redheaded rag dolls come to animated life and experience designer; Jeff Watson, an artist, designer, the most interesting visual work from around the globe. in this bright and bouncy family gem. As in the later Toy Story and educator at the USC Game Innovation Lab; and Simon Learn more at www.flux.net. (1995), everything is happy routine for the toys in a little Wiscombe, an interactive artist and game designer at USC. girl’s bedroom until the arrival of a new plaything leads to a Family Flicks and Hammer Kids are made possible, in part, through UCLA FILM & TELEVISION ARCHIVE PROJECTIONIST JIM SMITH PREPARES A KINOTON 35/70MM mishap, forcing Raggedy Ann and Andy out into the world on PROJECTOR FOR A HAMMER SCREENING. PHOTO COURTESY UC OFFICE OF THE PRESIDENT. the generosity of supporters and friends of the Hammer’s Kids’ Art a rescue mission. (1977, Dir. Richard Williams, 35mm, color, 84 min.) Museum Project (K.A.M.P.), a family fundraiser. Additional support is provided by the Westwood Neighborhood Council. 1 11 12 13 14 15 24 25 GALA IN THE GARDEN gala gala

On October 6, 2012, artists, philanthropists, gallerists, collectors, and other entertainment figures gathered at the Hammer Museum’s

1 10th annual Gala in the Garden, which raised $2 million to support 1 18 19 20 the Hammer’s nationally acclaimed exhibitions and free public 16 17 programs. This year’s honorees were two extraordinary creative forces—the artists Barbara Kruger and Cindy Sherman. The event 2 was co-chaired by Elizabeth and Armie Hammer and Jeanne and Anthony Pritzker. The gala featured tribute speeches by actor, author, and musician Steve Martin and MSNBC host and author Rachel Maddow. Guests dined on cuisine by Suzanne Goin of Lucques in the elegant courtyard and enjoyed a special five-song performance by singer-songwriter Katy Perry. 21 22 23 24

3 4

5

5 25 26 27 28 29 21 30

8 9 10 7 21

31 32 33 1) HONOREE CINDY SHERMAN AND CATHERINE OPIE 2) HONOREE BARBARA KRUGER AND TRIBUTE SPEAKER RACHEL MADDOW 3) MAYOR ANTONIO VILLARAIGOSA AND DIRECTOR ANN PHILBIN 4) TRIBUTE SPEAKER STEVE MARTIN 5) JARL MOHN, MOHN AWARD RECIPIENT MELEKO MOKGOSI, PAMELA MOHN 6) CO-CHAIRS ANTHONY AND JEANNE PRITZKER 7) CO-CHAIRS ARMIE AND ELIZABETH HAMMER 8) JEANNE TRIPPLEHORN 9) MATT GROENING AND LYNDA BARRY 10) RITA WILSON AND TOM HANKS 11) CYNDEE HOWARD AND ANNE ELLEGOOD 12) TOM FORD, MARK BRADFORD, RICHARD BUCKLEY 13) KAARI UPSON AND THOMAS JANE 14) JOHN TUNNEY 15) MONIQUE LHUILLIER 16) KATY PERRY 17) JENNI AND MAGGIE KAYNE 18) RON RADZINER 19) CAROLE BAYER SAGER AND LYNDA RESNICK 20) CHARLES AND DORI MOSTOV 21) TRACEE ELLIS ROSS 22) BRENT SIKKEMA AND LARRY MARX 23) SUSAN AND LEONARD NIMOY 24) LISA LOVE, ALPHAEUS TAYLOR, LAURA MULLEAVY, KATE MULLEAVY 25) JOHN C. REILLY AND ALISON DICKEY 26) BRIAN O’CONNELL AND LIZ GLYNN 27) ROSETTE DELUG 28) WILL FERRELL AND VIVECA PAULIN FERRELL 29) JULIE BOWEN 30) DAVID MOREHOUSE AND SCOTT STERNBERG (BAND OF OUTSIDERS) 31) EILEEN HARRIS NORTON 32) RACHEL GRIFFITHS 33) MARIO YBARRA JR. AND KARLA DIAZ

IMAGES: 1, 2, 3, 6, 7, 8, 10, 12, 14, 15, 17, 18, 23, 25, 27, 28, 29, 31 BY STEFANIE KEENAN/GETTY IMAGES. 6 ALL OTHER IMAGES BY ANDREAS BRANCH/PATRICK MCMULLAN.

48 49 WWW.HAMMER.UCLA.EDU 27

310-443-7000 23

THANKS TO OUR SUPPORTERS AND MEMBERS Hours We are grateful to numerous individuals, foundations, corporations, and government agencies for their crucial support of the Hammer’s Tue–Fri 11am–8pm Sat and Sun 11am–5pm exhibitions, program series, and special projects. Thanks to the generosity of our donors and members, the Hammer Museum is able to Closed Mondays continue to offer a full slate of free public programs. Admission information

We thank the following people and organizations for their generous support of the Hammer Museum from October 2011 to October 2012. $10 Adults membership

$5 Seniors (65+) and UCLA Alumni Association $100,000+ David Bohnett Waldo Fernandez CHANEL Members with ID Parking The Annenberg Foundation Mary Boone Andrew Franklin Citi Private Bank Available under the museum;

1 Marcy Carsey Carole Bayer Sager The David Geffen Foundation Consulate General of Poland Free for Hammer members, $3 with validation. Enter on general Dream Fund Christie’s Gemini G.E.L in Los Angeles students with ID, UCLA Gagosian Gallery Westwood Boulevard or City of Los Angeles Department The Rosalinde and Arthur Gilbert Foundation COTY faculty and staff, active-duty Getty Foundation of Cultural Affairs Graham Foundation for Advanced Studies Aran Cravey Glendon Avenue. Parking for military personnel, veterans, Erika Glazer Asher Delug in the Fine Arts Kathi and Gary Cypres people with disabilities is Armand Hammer Foundation Rosette Varda Delug Matt Groening Dick Blick Holdings, Inc. and visitors 17 and under.

The James Irvine Foundation George Freeman Agnes Gund Karen Fox and Harvey Ruben provided on levels P1 and P3. 1 Kayne Foundation – Ric & Suzanne Kayne Bronya and Andrew Galef Randal Haworth, M.D. Emily and Mark Goldstein Free every Thursday for Bikes park free. and Jenni, Maggie & Saree Linda and Bob Gersh Alan Hergott and Curt Shepard Susan Hancock all visitors. Alice and Nahum Lainer GUESS? Foundation Tara and Eric Hirshberg Honor Fraser Gallery MEMBERSHIP Eugenio Lopez – Fundación Jumex, A.C. David Hoberman Sydney Holland InterfaceFLOR To request a group tour, visit our website or call the Group Tours line at 310-443-7041. Susan and Lawrence Marx Maria D. Hummer and Robert H. Tuttle Cyndee Howard Thomas Kennedy and John Morace Pamela and Jarl Mohn The Audrey and Sydney Irmas IKEA Burbank Bettina Korek The Hammer Museum is operated and partially funded by the University of California, Susan Bay Nimoy and Leonard Nimoy Charitable Foundation Steven Jensen Sandra Krause and Bill Fitzgerald YEAR-END GIVING Los Angeles. Occidental Petroleum Corporation has partially endowed the Museum and constructed the Occidental Petroleum Cultural Center Building, which houses the Museum. Brenda Potter L & M Arts Brooke and Adam Kanter Margo Leavin Making a year-end contribution, above and beyond yearly Anthony & Jeanne Pritzker LLWW Foundation Scott Kavanaugh Joan and Stuart Levin Family Foundation Nathalie Marciano Karyn Kohl Burt Levitch membership dues, to the Hammer Museum’s Annual Fund is Alisa and Kevin Ratner Matthew Marks Gallery Robert Lehman Foundation Loeb & Loeb LLP Board of Directors Board of Overseers Artist Council Susan Smalley and Kevin Wall Metro Pictures Monique Lhuillier and Tom Bugbee Merle and Gerald Measer one of the most direct ways you can help support all the Susan Steinhauser and Daniel Greenberg National Endowment for the Arts Mary Looker Merchandise Mart Properties, Inc. programs that you have come to love at the Museum. Please Founder Peter Benedek Edgar Arceneaux The Greenberg Foundation Eileen Harris Norton Jay Luchs Michael Maltzan Architecture Dr. Armand Hammer Ruth Bloom Lisa Anne Auerbach The Andy Warhol Foundation for Occidental Petroleum Corp Marmol Radziner & Associates Michael Kohn Gallery consider making a fully tax-deductible contribution to the Susie Crippen Jennifer Bolande the Visual Arts Viveca Paulin-Ferrell and Will Ferrell John McIlwee and Bill Damaschke Joni Moisant Weyl and Sidney Felsen Chairman Emeritus Hammer before Monday, December 31. For more information Rosette Varda Delug Meg Cranston Wells Fargo Bank Prada USA Juliet McIver Lauren and Adam Nathanson Michael A. Hammer Emily and Mitch Rales Jane and Marc Nathanson Angella and David Nazarian or to make your contribution today, call 310-443-7050 George Freeman Teddy Cruz $50,000—99,999 Lee and Lawrence Ramer NBCUniversal Shulamit Nazarian or visit http://store.hammer.ucla.edu/donate.asp. Honorary Directors Bronya Galef Charles Gaines The Ahmanson Foundation Sumner M. Redstone Charitable Foundation Tracy O’Brien and Thaddeus Stauber Sandra Nelson Winkler and Armie Hammer Bob Gersh Fritz Haeg Herta and Paul Amir Kristin Rey and Michael Rubel The Offield Family Foundation Charles Winkler David Hoberman Glenn Kaino Ruth and Jake Bloom Viktor Armand Hammer Sharon and Nelson Rising Pasadena Art Alliance Gerald Oppenheimer Family Foundation Stanley Hollander Yoshua Okón The Broad Art Foundation Ronnie Sassoon Stacy and John Rubeli Judge Mariana Pfaelzer Chairman The Chernin Family Foundation HAMMER GIFT MEMBERSHIP Linda Janger Laura Owens Eva and Bob Shaye Scoop NYC Gelila and Wolfgang Puck John V. Tunney Susie Crippen Christina and Mark Siegel Marc Selwyn PUMA Barbara Kruger Hirsch Perlman Hammer Membership is a great gift for any holiday Dori Peterman Mostov Alexis Smith Elfrieda Davis Revocable Trust Julie and Barry Smooke Shirley and Ralph Shapiro Phillip Mercado and Todd Quinn President Larry Field Catharine and Jeffrey Soros The Simms/Mann Family Foundation Amy and George Roland celebration. Give a Contributor-level Hammer membership Erik Murkoff Mario Ybarra Jr. Michael Rubel* The Horace W. Goldsmith Foundation Darren Star Sotheby’s Jolene and George Schlatter and your friend and/or family member will enjoy a Susan Bay Nimoy Good Works Foundation and The Fran and Ray Stark Foundation Sprueth Magers Berlin London Natasha and Shawn Sedaghat Gene D. Block Lari Pittman Director Laura Donnelley Ruth and Bill True Stella McCartney America, Inc. The Shifting Foundation full year of art, culture, and new experiences, including Marcy Carsey* Ronnie Sassoon Ann Philbin Gail and Stanley Hollander Kathinka and John Tunney Laila and Mehran Taslimi Leigh Silverton Lloyd E. Cotsen Chara Schreyer Linda and Jerry Janger Marisa and Jeremy Zimmer United Talent Agency Jennifer Simchowitz unlimited free admission, priority seating at ALL Hammer Martin Cozyn Barry Smooke Kadima Foundation Kimm and Alessandro Uzielli Steve Smooke public programs, a complimentary exhibition catalogue, Los Angeles County Board of Supervisors $10,000—24,999 Vanity Fair Thomas Solomon Samuel P. Dominick Susan Steinhauser through the Los Angeles County AQUAhydrate Ron Watson Shidan Taslimi invitations to opening parties and other members-only Eric Esrailian David Teiger Arts Commission Association of Independent Frederick R. Weisman Art Foundation Grazka Taylor events, discounts at the Museum Store and AMMO at Frank O. Gehry Bill True Moss Foundation Commercial Producers Pamela West Mimi and Warren Techentin Erika Glazer* Dean Valentine Dori Peterman Mostov and Charles Mostov/ Colleen and Bradley Bell Family Orna and Keenan Wolens Deborah and David Trainer the Hammer, and more! Tim Hanlon Jeremy Zimmer Galen Family Foundation Catherine G. Benkaim and Barbara Timmer Esther and Joseph Varet Larry Marx* Heidi and Erik Murkoff Richard Buckley & Tom Ford $5,000—9,999 Sally and David Vena Not sure if someone you have in mind is already a Steven A. Olsen Lynda and Stewart Resnick Case-mate Bank of America Christopher Walker Anthony N. Pritzker David Teiger The Cosmopolitan of Las Vegas Lewis Baskerville Sara Weinheimer member? Call us any time at 310-443-7050 or Esther Cynamon and Nino Mier/ Heika Burnison Westwood Neighborhood Council [email protected]. We are happy to help. Lee Ramer $25,000—49,999 Food + Lab Laurie and Bill Benenson Rita Wilson and Tom Hanks Kevin L. Ratner* Amy Adelson and Dean Valentine Dana Delany J. Ben Bourgeois Nelson C. Rising Barbara Gladstone Gallery Caroline DeWitt and Ken Burry The Brotman Foundation of California And remember: a portion of your membership contribution Heather Skinazi Barbara and Peter Benedek Carolyn and John Diemer Philippa Calnan is always tax-deductible! Kevin Wall* Blum & Poe John Walsh Christopher A. Waterman *Sits on Board of Overseers as well51