DOCSLIB.ORG

ROBERT-YARBER BIO.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ROBERT-YARBER BIO.Pdf S O N N A B E N D ROBERT YARBER BORN: 1948, Dallas, Texas EDUCATION 1974 Louisiana State University, Baton Rouge Louisiana, M.F.A. 1967-71 Cooper Union College, New York, New York, B.F.A. TEACHING 1994 The Pennsylvania State University, Assistant Professor 1983 University of California, Berkekey, California Visiting Lecturer University of Texas, Austin, Texas Lecturer 1982 University of California, Berkeley, California Visiting Painting Instructor University of Texas, Austin, Texas Visiting Lecturer AWARDS 1985 National Endowment for the Arts Fellowship Grant 1983 National Endowment for the Arts Fellowship Grant ONE-MAN EXHIBITIONS 2009 “Calaveras Gnosticos,” Sonnabend Gallery, New York 2007 “Sortie: The Demonological Survey,” Kyungpook National University Art Museum, Daegu, Korea 1999 Modernism, San Francisco, CA Marella Arte Contemporanea, Sarnico, Italy 1998 Sonnabend Gallery, New York, NY “Robert Yarber: New Monotypes published by Landfall Press”, Quartet Editions, NewYork, NY 1996 Marella Arte Contemporanea, Sarnico, Italy 536 WEST 22 NEW YORK NY 10011 T. 212 627 1018 F. 212 627 0489 S O N N A B E N D Sergio Tossi Arte Contemporanea, Prato, Italy 1995 Sonnabend Gallery, New York, NY "Night World", Nevada Institute of Contemporary Art, Las Vegas, NV Patricia Faure Gallery, Santa Monica, CA 1994 Galerie Lehmann, Lausanne, Switzerland 1993 Sonnabend Gallery, New York, NY Julie Saul Gallery, New York, NY 1992 Casino de Knokke, Knokke-Heist, Belgium Galerie Van de Weghe, Brussels Galleria in Arco, Torino, Italy 1991 Galerie Faust, Geneva "Robert Yarber: Photographs", Lieberman & Saul, New York "Robert Yarber: Artifice and Escapes", The Frank Martin Gallery, Muhlenberg College, Allentown, PA 1990 "Climax of the Commonplace", Sonnabend Gallery, New York, NY Galerie Langer, Fain, Paris 1989 Gallery Paule Anglim, San Francisco, CA "Robert Yarber Paintings: 1980-1988", Palmer Museum of Art Penn State University, University Park, PA; Virginia Museum of Fine Arts, Richmond, VA 1987 Asher/Faure Gallery, Los Angeles, CA Greene Gallery, Coconut Grove, FL Thomas Cohn Arte Contemporanea, Rio de Janieiro, Brasil Sonnabend Gallery, New York, NY 1985 Vollum College Center Gallery, Reed College, Portland, Oregon Sonnabend Gallery, New York, NY 1984 Mattingly Baker Gallery, Dallas, TX Southwestern University, Georgetown, TX Asher Faure Gallery, Los Angeles, CA 1983 Steven Lieber Gallery, San Francisco, CA 1981 Simon Lovinsky Gallery, Los Angeles, CA Dominican College, San Rafael, CA Simon Lovinsky Gallery, San Francisco, CA 536 WEST 22 NEW YORK NY 10011 T. 212 627 1018 F. 212 627 0489 S O N N A B E N D 1974 University of New Orleans, New Orleans 1970 Bowery Gallery, New York, NY 536 WEST 22 NEW YORK NY 10011 T. 212 627 1018 F. 212 627 0489 S O N N A B E N D GROUP EXHIBITIONS 2009 “Les annees 80” at Le, Magasin, Grenoble, France 2008 “Digitalia, Intimacy in the Hyperreal.” Deborah Colton Gallery, Houston, Texas, Jan. 12 through March 1, 2008. (Two digital images on paper.) 2007 “Fall Season,” Group Show, Jack the Pelican Gallery Brooklyn, New York ,“ September 7 to October 7, 2007. Group Show, (Two Paintings.) 2006 Feast,” Group Show, HUB-Robeson Center, Penn State University, UniversityPark, September 21-dec. 13, 2006 “The Hedonistic Imperative,” Deborah Colten Gallery, Houston, Texas 2005 “A Better Tomorrow” Curated by Saul Ostrow, Cleveland Institute of Art, Oct.22, “The Hedonistic Imperative,” guest-curated by Graham Guerra. “The show is a tribute to David Pearce’s 1996 online manifesto of the same name, which targets the elimination of suffering in all sentient beings through genetic engineering, nanotechnology and neuroscience. “The world’s last unpleasant experience,” he writes, “will be a precisely dateable event.” Jack the Pelican Gallery, Brooklyn, New York, and Jan.15- Feb. 13, 2005. (Traveling with catalog, Dates and venues forthcoming.) Group Show: “ The City: Contemporary Views of the Built Environment.” Lehman College, CUNY, Bronx, New York. February 8- May 14, 2005 (Cat.) Group Show: “Modern, Contemporary, and Latin American Art,” Bonham’s & Butterfield's,San Francisco, CA., Apr. 16- May 1, 2005 Group Show: PSU SOVA Faculty exhibit, Palmer Museum, University Park Campus, PSU, Summer, 2005 2004 “Art and Illusion: Selections from the Frederick R. Weisman Art Foundation,” Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, CA. August 24 through October 24, 2004 “25th Anniversary Exhibit,” Modernism Gallery, San Francisco, California. September 9- October 30. 2004 “In A Voting Year, “ An exhibition of artwork by School of Visual Arts Fine Arts Faculty, Zoller Gallery, The School of Visual Arts at Penn State, University Park campus, October 18th -November 2, 2004. “URGENT!: An exhibition of contemporary art and cultural paraphernalia.” Scott Pfaffman Gallery, New York, NY, Oct 23rd - Nov 2nd 2004. “Dream or Nightmare: Images of Air and Space in Contemporary Art”. Asheville Art Museum. Dec5,2003- Feb. 8, 2004. Three paintings in a six person show. Featured painting (card, advertising,) 2003 Group Show: “ The Burbs,” DFN Gallery New York City. June 4- August29, 2003. Painting: “Woman with Hose,” 2003, 38x68”, oil/canvas 536 WEST 22 NEW YORK NY 10011 T. 212 627 1018 F. 212 627 0489 S O N N A B E N D 2002 “From Pop to Now: Selections from the Sonnabend Collection,” Curated by Antonio Homem at The Tang Teaching Museum and Art Gallery, Skidmore College, Sarasota Springs, New York. ( Catalog.) June 21- September 29, 2002. ( Travelling Exhibition.) “Arte a Palazzo. Oraziana 2002,” curated by Otillio Lotinni, Prof. Dott. Horace’s Villa, Licenza, Italy. (Catalogue.) Paintings inspired by the poetry of Horace. Exhibit commemorates the restoration of the villa of the ancient Roman poet, Horace. May 26- September 7, 2002 “Visions: The First Ten Years. Selections from the Galleria Valentina Moncada. Acanto Blu, Palermo, Sicily 2001 Bologna Art Fair, Bologna, Italy “Visions: The First Ten Years,”Photography, (Catalog Forthcoming.) Galleria Valentina Moncada. Rome, Italy 2000 Bologna Art Fair 1999 “Views From the Edge of the World,” Marlborough Gallery, New York “Zero-G: When Gravity Becomes Form,” Whitney Museum of American Art at Champion, Stamford, CT. 1998 “Frightful Paint”, Maatschappij Arti et Amicitiae, Amsterdam, Netherlands 1996 "Shot - Una Visione Americana," Valentina Moncada, Rome, Italy. "Fifteen Artists," Patricia Faure Gallery, Santa Monica, CA. "Epitaphs," Edward Throp Gallery, New York, NY. "The Sonnabend Collection," Deichtorhalle, Hamburg, Germany 1994 "The World of Tomorrow", Thomas Solomon's Garage, Los Angeles, CA "Love in the Ruins", Long Beach Museum of Art, Long Beach, CA Sonnabend Gallery, New York, NY 1993 "Wake-up Call", Perforance Space 122, NY "The Flourescent Conscience", Galerie Pfefferle, Munich "Drawings: 30th Anniversary Exhibition", Leo Castelli Gallery, NY 1992 "American Art of the 80's", Museo d'Arte Moderna e Contemporanea di Trento e Rovereto, Trento, Italy "Illumination", Pfizer Inc, New York "In The Looking Glass: Contemporary Narrative Painting", Mint Museum of Art, Charlotte, NC "Bedroom Eyes: Room with a View", Main Art Gallery, California State University at Fullerton, Fullerton, CA "Troubled Waters", Rockland Center for the Arts, West Nyack, NY 536 WEST 22 NEW YORK NY 10011 T. 212 627 1018 F. 212 627 0489 S O N N A B E N D 1991 "Visions, Fantasies and Mind Wanderings", Lintas Worldwide, NY "Contemporary Surrealism", New Jersey Center for the Visual Arts, Summit, NJ "In the Looking Glass: Contemporary Narrative Painting", The Mint Museum, Charlotte, NC "Art of the 1980s: Selections from the Collection of the Eli Broad Family Foundation", Duke University Museum of Art, Durham, NC "de-persona", The Oakland Museum, Oakland, CA "Selection", FAE, Musee d'Art Contemporain, Lausanne, Switzerland 1990 "New Work by Night", Bruce Helinder Gallery, NY "In the Realm of the Plausible", curated by J. Yau. Shea and Becker Gallecy, New York, NY "Mystery + Dreams", Dorsky Gallery, NY "Northwest by Southwest", Palm Springs Desert Museum; Palm Springs, CA; Yellowstone Art Center, Billings, MO; Western Gallery, Western Washington University, Bellingham, WA; Sarah Campbell Blaffer Gallery, University of Houston, Houston, TX "California A-Z and Return", The Butler Institute of American Art, Youngstown, OH "Robert Yarber and McDermott & McGough", Improvvisazione Prima, Galleria d'Arte, Trento "Art What Thou Eat: Images of Food in American Art", Edith C. Blum Art Institute, Bard College; New York Historical Society 1989 "Horn of Plenty", Stedelijk Museum, Amsterdam, Holland "Unstable Universe", Asher/Faure Gallery, Los Angeles, CA "New Work By Gallery Artists", Sonnabend Gallery, New York, NY "Painting Beyond the Death of Painting", Curated by Donald Kuspit, Kuznetsky Most Exhibition Hall, Moscow, USSR "Social Fictions", Tom Tavelli Gallery, Aspen, CO Frederick Wiseman Collection, Neuberger Museum, Purchase, NY 1988 "Recent American Pastels", Christian A. Johnson Memorial Gallery, Middlebury College, Middlebury, VT "Collection Sonnabend", Centro de Arte Reina Sofia, Madrid; CAPC, Musee d'Art Contemporain, Bordeaux, France; Hamburger Bahnhoff Berlin, West Germany; Galleria Nazionale D'Arte Moderna, Roma; Museo d'Arte Moderna e Contemporanea, Trento; Musee Rath, Geneva; Sezon Museum of Art, Tokyo; The Miyagi Museum of Art, Sendai, Japan; The Fukuyama Museum of Art, Hiroshima, Japan; The National Museum of Modern Art, Kyoto "Symbolism-Force and Spirit", Dorsky Gallery, New York, NY "Narrative Art", Mark Twain
Load more

Recommended publications
  • Hammer Museum Winter 2012/13 Non Profit Org
    1 COVER: LEE MULLICAN. NINNEKAH CALENDAR (DETAIL), 1951. OIL ON CANVAS. 30 x 50 ⁄8 IN. (76.2 x 127.3 CM). HAMMER MUSEUM, LOS ANGELES. For additional program information: 310-443-7000 information: program For additional 90024USA California LosAngeles, Boulevard 10899 Wilshire 2012/13 Winter Museum Hammer PURCHASE AND PARTIAL GIFT OF BILL RESNICK. PHOTOGRAPHY BY BRIAN FORREST. ON VIEW IN THE EXHIBITION SELECTIONS FROM THE GRUNWALD CENTER www.hammer.ucla.edu AND THE HAMMER CONTEMPORARY COLLECTION (SEE PAGE 10). Hammer Museum Hammer hammer_museum Los Angeles, CA Los Angeles, Non Profit Org. Profit Non Permit no. 202 no. Permit US Postage US PAID Winter 2012/13Calendar Winter 25 2 3 HAMMER NEWS news RECENT ACQUISITION director THREE WEEKS IN MAY The Los Angeles–based artist, activist, and writer the 1 Suzanne Lacy has been engaged with issues of gender, social justice, and racial inequalities since the late 1960s. Three Weeks in May is a signature piece by the from A MESSAGE FROM THE DIRECTOR artist and represents the first of a series of large-scale Creating a warm and inviting environment at the Hammer has be expanded with a dedicated small-plate menu, making it a performances on violence against women that she been an important focus for us over the past several years. We perfect place to sip and nibble before our public programs. It is created in collaboration with the artist Leslie Labowitz. started our Public Engagement and Visitor Services programs our aim to offer visitors an epicurean experience on par with During a three-week period in 1977, Lacy installed a message nearly four years ago with the intention of enhancing and their cultural experience at the Hammer.
    [Show full text]
  • The Seaman Family in America Captain John Seaman
    THE SEAMAN FAMILY IN AMERICA AS DESCENDED FROM CAPTAIN JOHN SEAMAN OF HEMPSTEAD, LONG ISLAND COMPILED BY MARY THOMAS SEAMAN Author of"Links in Genealogy" Life Member of The long Island Historical Society ASSISTl!I> BY JAMES HAVII.AND SEAMAN. JR. Member of the Loag Islaod Wstorial Socicly 1928 TOBlAS A. WRIGHT, INC. PRrNTERS AND PUBLISHERS NEW\"ORK SEAMAN FAMILY All.'-fS-Bal't'V wavy of six argent and a."1.1re, a c:rcscent or. CRJ;ST-A demi-sea-horse salient argent. Mono-Spcetcmur :igendo (kt us be judged by out actiot\S). CcS'aE coNTE.,'TS OF THIS BOOK ARE AUTHEllo'TIC TO THE BEST OF MY K.-.OWLEDGE. THE CONSIDEKATIO:S OF THE PUBLIC IS ASKED FOR SUCH ERRORS AS MAY J:sADVERTE.''TLY SLIP J:sTO THE MOST CAREFULLY PRE­ PARED MA!lo'USCRIPT. MARY THOMAS SEAMA:S ILLUSTRATIONS Coat of Arms and Crest . Frontispiece PAGE Deed of sale of land from Indians to John Seaman and others, July 4, 1657 . 16 Account of the Seaman Family, by Jordan Seaman, January, 18oo • 24 Deed of gift from John Seaman, senior, to sons Nathaniel and Richard, March 17, 1692/3 . 28 Deed of gift of Nathaniel Seaman to son Thomas, August 31, 1752 . 40 1\farriage certificate of NathaniP.1 Seaman and Rachel \Vil!is, August 9. 16g5 42 Deed of sale of land bv Richard Seaman to brother Nathaniel, September II, 1745 44 Deed of sale of land from Thomas Seaman to brothers Jacob, Nathaniel and Samuel, January 30, 1759 61 Marriage certificate of Thomas Seaman and Hannah \Villets, December 3, 174r/2 .
    [Show full text]
  • Deadly Lessons: School Shooters Tell Why
    DOCUMENT RESUME ED 448 359 CG 030 506 TITLE Deadly Lessons: School Shooters Tell Why. Sun-Times Exclusive Report. INSTITUTION Chicago Sun-Times, IL. PUB DATE 2000-10-00 NOTE 20p. AVAILABLE FROM For full text: http://www.suntimes.com/shoot. PUB TYPE Information Analyses (070) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS Bullying; Educational Environment; Elementary Secondary Education; Guns; Listening; *Prevention; *Psychological Patterns; School Security; *Violence IDENTIFIERS *School Shootings ABSTRACT This document represents a compilation of newspaper articles analyzing information shared by the Secret Service concerning 37 school shootings. The findings are presented to educate parents and teachers concerning what has been learned about violent students. It was determined that there is no profile of a typical youth who kills. The shooter is neither impulsive nor spontaneous, but sees the shooting as a way to solve a problem. The shooters told friends of their grievances and shared information about the violence they planned. Acquiring weapons was never .a problem, since most youth had access to weapons in their homes. The articles point to the inherent problems associated with the current response schools are using to counter school shootings. They warn about over-reliance on metal detectors, SWAT teams, and zero-tolerance policies. Suggestions are made about the importance of listening to students; how to deal fairly with bullying; how to improve the school climate; the need to keep guns away from children; and the importance of investigating when a student raises a concern. The articles in Part 1 examine actions of the shooters; discuss bullying; and present tips on listening.
    [Show full text]
  • DAVID WOJNAROWICZ (1954–1992) B
    DAVID WOJNAROWICZ (1954–1992) b. 1954, Red Bank, NJ d. 1992, New York, NY SOLO EXHIBITIONS 2020 I is Someone Else, Morán Morán, Los Angeles CA David Wojnarowicz, Photography & Film, Morris and Helen Belkin Art Gallery, Vancouver, BC 2019 History Keeps Me Awake at Night, Museum Reina Sofia, Madrid David Wojnarowicz, Photography & Film, Kunst-Werke Institute for Contemporary Art, Berlin 2018 History Keeps Me Awake at Night, The Whitney Museum of American Art, New York, NY Soon All This Will be Picturesque Ruins: The Installations of David Wojnarowicz, P·P·O·W, New York, NY David Wojnarowicz: Video and Photography, KW Institute for Contemporary Art, Berlin, Germany. David Wojnarowicz: Flesh of My Flesh, Iceberg Projects, Chicago, IL 2016 Raging Through: The Art of David Wojnarowicz, Zimmerli Art Museum, Rutgers University, New Brunswick, NJ 2011 Spirituality, P·P·O·W, New York, NY 2009 David Wojnarowicz, Supportico Lopez, Berlin, Germany 2006 Rimbaud in New York, CABINET, London, England David Wojnarowicz, Between Bridges, London, England 2004 Out of Silence: Artworks with Original Text by David Wojnarowicz, P·P·O·W, New York, NY David Wojnarowicz: Rimbaud in New York, Roth Horowitz Gallery, New York, NY Close Up sur David Wojnarowicz, Forum des Halles Espace Rencontres, Paris, France 2001 Featured Works VI: David Wojnarowicz: The Elements, Fire and Water, Earth and Wind, Krannert Art Museum, University of Illinois, Urbana-Champaign, IL 1999 Fever: The Art of David Wojnarowicz, New Museum, New York, NY David Wojnarowicz: The Boys Go Off
    [Show full text]
  • Sold … in Cold Cash
    BROOKLYN Your Neighborhood – Your News Now Including Park Slope Courier, Carroll Gardens/Cobble Hill Courier, Brooklyn Heights Courier & Williamsburg Courier Mar. 9-15, 2012 SERVING GOWANUS, PARK SLOPE, PROSPECT HEIGHTS, WINDSOR TERRACE, BROOKLYN HEIGHTS, DUMBO, METROTECH, BOERUM HILL, CARROLL GARDENS, COBBLE HILL, RED HOOK, WILLIAMSBURG & GREENPOINT Welcome SPECIAL Free The Boro’s to the coupons ultimate jungle READER to save classified See 24/Seven BONUS you$ cash section Sold … HOOPS in cold ARENA cash BY KATE BRIQUELET Truman Capote has another best seller. The Brooklyn Heights man- BURGER sion where the legend- ary author wrote “Breakfast at Tif- fany’s” sold for $12 million — mak- ing it the most ex- pensive house to change hands in the borough’s history. BOOM A buyer snatched up the stately yellow manse on Willow Street nearly two years after Sotheby’s put it on the market — and two It’s a ground beef groundswell moving trucks from Yonkers were spotted in front of the home on HAMBURGER BY ELI ROSENBERG win over thousands of hungry fans Monday night. It’s not just properties that are expected to hit the neighborhood in Despite the abode’s writerly fl ipping near the soon-to-open Bar- search of game-time grub. trappings, the new buyers say clays Center — it’s patties. No less than fi ve new burger spots they aren’t the kinds of literary Burger joints are bouncing up have opened in the last year within luminaries and art-world scenes- BEEFING UP: 67 Burger’s Ed Tretter shows off a blue cheese and bacon around the nearly completed home of a half mile of the arena — and while ters who frequented Capote’s lav- burger in front of his new arena-friendly location on Flatbush Avenue.
    [Show full text]
  • Active Shooter: Recommendations and Analysis for Risk Mitigation
    . James P. O’Neill . Police Commissioner . John J. Miller . Deputy Commissioner of . Intelligence and . Counterterrorism ACTIVE SHOOTER James R. Waters RECOMMENDATIONS AND ANALYSIS Chief of Counterterrorism FOR RISK MITIGATION 2016 EDITION AS RELEASED BY THE NEW YORK CITY POLICE DEPARTMENT TABLE OF CONTENTS ACKNOWLEDGEMENTS ................................................................................................................2 EXECUTIVE SUMMARY .................................................................................................................3 RECENT TRENDS ........................................................................................................................6 TRAINING & AWARENESS CHALLENGE RESPONSE .................................................................................... 6 THE TARGETING OF LAW ENFORCEMENT & MILITARY PERSONNEL: IMPLICATIONS FOR PRIVATE SECURITY ........ 7 ATTACKERS INSPIRED BY A RANGE OF IDEOLOGIES PROMOTING VIOLENCE ................................................... 8 SOCIAL MEDIA PROVIDES POTENTIAL INDICATORS, SUPPORTS RESPONSE .................................................... 9 THE POPULARITY OF HANDGUNS, RIFLES, AND BODY ARMOR NECESSITATES SPECIALIZED TRAINING .............. 10 BARRICADE AND HOSTAGE-TAKING REMAIN RARE OCCURRENCES IN ACTIVE SHOOTER EVENTS .................... 10 RECOMMENDATIONS ................................................................................................................11 POLICY .........................................................................................................................................
    [Show full text]
  • Entire Issue
    E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 106 CONGRESS, SECOND SESSION Vol. 146 WASHINGTON, MONDAY, MAY 22, 2000 No. 64 House of Representatives The House met at 12:30 p.m. and was seven new people are on the Internet and Internet access at home and stu- called to order by the Speaker pro tem- every second. As elected officials, we dents who do not. pore (Mr. KUYKENDALL). should note that 78 percent of Internet Children with computers and Inter- f users almost always vote in national, net access at home have an advantage State, and local elections, compared when it comes to doing their home- DESIGNATION OF SPEAKER PRO with only 64 percent of non-Internet TEMPORE work as well as using the Internet to users. contact the Library of Congress to do The SPEAKER pro tempore laid be- It took just 5 years for the Internet research on school papers. fore the House the following commu- to reach 50 million users. It took 38 nication from the Speaker: years for the radio to reach that same If my colleagues talk with lower-in- come families who do not have com- WASHINGTON, DC, audience, 13 years for television. In May 22, 2000. 1998, the Internet economy employed puter and Internet access, they tell us I hereby appoint the Honorable STEVEN T. 4.8 million workers, more workers than that the main reason is the cost; the KUYKENDALL to act as Speaker pro tempore steel and auto and petrochemical in- cost of Internet access is really the on this day.
    [Show full text]
  • July 2017 Serving Tarrytown, Sleepy Hollow, Irvington, Scarborough-On-Hudson and Ardsley-On-Hudson Vol
    [see Pages H1-H8] 4 » Unique Bike Shop 12-16 » Celebrating Grads 27 » Local Novelist Your Most Trusted Source for Local News and Events July 2017 Serving Tarrytown, Sleepy Hollow, Irvington, Scarborough-on-Hudson and Ardsley-on-Hudson Vol. XII No. 7 Barbelet Sworn-In as New Human Traffcking: A Hidden Crime in the Rivertowns Police Chief in Tarrytown by Andrea Kott by Rick Pezzullo fcking angle.” You’ve seen them. Young people hawk- It is important for communities and es- For the frst time in 23 years, ing candy bars outside CVS in Tarrytown. pecially law enforcement to recognize pos- the Village of Tarrytown has a Teens or adults going door-to-door ped- sible signs of trafcking, Boak said. Te new police chief after Lt. John dling magazine subscriptions. Some may Westchester County Anti-Trafcking Task Barbelet was sworn-in June 19 claim to be fundraising for schools that, Force provides such training to police de- to succeed retiring Chief Scott when pressed, they cannot name. Others partments once or twice a year at no cost. Brown. may say they’re earning points for youth “Local police are our frst line of defense Barbelet, 48, will earn an an- leadership programs that do not exist. against trafcking,” Boak said. “Tey’re the nual salary of approximately Such schemes could be signs of human eyes and ears of our communities. It’s criti- $172,000 to lead the Police De- trafcking and the youngsters, its victims, cal that they get training on this issue.” partment, which has 34 full-time according to Alison Boak, co-founder and Sleepy Hollow Police Chief Anthony sworn ofcers and fve part-time executive director of the International Or- Bueti said he is working on scheduling a members.
    [Show full text]
  • Gordon Matta-Clark Born 1943 in New York
    This document was updated November 24, 2020. For reference only and not for purposes of publication. For more information, please contact the gallery. Gordon Matta-Clark Born 1943 in New York. Died 1978. EDUCATION 1963-1968 B.A. in Architecture, Cornell University, Ithaca, New York 1962-1963 French Literature, Sorbonne University, Paris SOLO EXHIBITIONS & PROJECTS 2020 GORDON MATTA-CLARK: UNRAVEL THE UNFOUND, KØS Museum of Art in Public Spaces, Køge, Denmark Line of Flight: Gordon Matta-Clark, selected by Kitty Scott, Canadian Centre for Architecture, Montreal 2019 Gordon Matta-Clark: Food, MAMCO Musée d’art moderne et contemporain, Geneva Material Thinking: Gordon Matta-Clark, selected by Yann Chateigné, Canadian Centre for Architecture, Montreal Passing Through Architecture: The 10 Years of Gordon Matta-Clark, Power Station of Art, Shanghai Rough Cuts and Outtakes: Gordon Matta-Clark, selected by Hila Peleg, Canadian Centre for Architecture, Montreal 2018 Collecting Matta-Clark: La raccolta Berg. Opere, documenti e ephemera, Accademia Nazionale di San Luca, Rome [catalogue] Gordon Matta-Clark: Mutation in Space, The National Museum of Modern Art, Tokyo [catalogue] Gordon Matta-Clark: Works 1970-1978, David Zwirner, London 2017-2020 Gordon Matta-Clark: Anarchitect, The Bronx Museum of the Arts, New York [itinerary: Jeu de Paume, Paris; Kumu kunstimuuseum, Tallinn, Estonia; Rose Art Museum, Brandeis University, Waltham, Massachusetts] [catalogue] 2017 Cut, Split & Eat: Gordon Matta-Clark, Kasteel Wijlre, The Netherlands [publication] Gordon
    [Show full text]
  • Environmentalists Support the Greater Grand Canyon Heritage National Monument
    Environmentalists Support the Greater Grand Canyon Heritage National Monument December 19, 2016 President Barack Obama The White House 1600 Pennsylvania Avenue NW Washington, DC 20500 Dear President Obama, We, the undersigned organizations are writing to thank you for all you have done to help protect our country’s public lands. And during this year of the centennial of the National Park Service we call on you to permanently protect the Grand Canyon and surrounding land by creating the Greater Grand Canyon Heritage National Monument. We are blessed with beautiful places all across the nation, and our organizations focus on protecting our natural resources and our communities’ health. But of all the places we and our members love, the Grand Canyon is a special American icon. Its scenic vistas are unparalleled; it is home to wildlife from bighorn sheep to the endangered California Condor; and it is a great place for hiking, camping, and white water rafting. In addition, the Grand Canyon and surrounding lands contain sites sacred to the Native American community, and the Colorado River and its tributaries that flow through the Canyon provide drinking water for millions of people. As environmentalists and conservationists we know how critical it is for people to have the experience of getting out into nature and the opportunity to appreciate all the great values that our public lands have to offer. Unfortunately, the Grand Canyon and the land around it is threatened by uranium mining --- including a new mine just 6 miles away from the Canyon’s southern entrance. Uranium mining has already left a toxic legacy within the national park and nearby mining will only do more of the same putting at risk water supplies, wildlife and our families’ health.
    [Show full text]
  • Solo Exhibitions Selected Group Exhibitions
    JENNIFER BOLANDE 1 BIOGRAPHY 1957 Born in Cleveland, Ohio 1979 Nova Scotia College of Art & Design, BFA Lives and works in Joshua Tree and Los Angeles SOLO EXHIBITIONS 2014 “Measured Against What,” Green Gallery, Chicago, Illinois 2012 “Jennifer Bolande Landmarks,” Luckman Gallery, Cal State Los Angeles “Jennifer Bolande Landmarks,” Institute of Contemporary Art (ICA), Philadelphia, PA 2010 “Plywood Curtains,” West of Rome Public Art, Los Angeles 2010 “Mathematics and Myths of Yesterday and Today, Thomas Solomon & Cottage Home, L.A. 2010 “Landmarks, 1982—2010; A Survey Exhibition” Institute of Visual Arts, INOVA, Wisconsin, MI 2008 “Smoke Screens” Alexander and Bonin, New York 2004 “Earthquake” Alexander and Bonin, New York 2003 “Jennifer Bolande” Fotohof, Salzburg, Austria 2001 “Globe Sightings” Alexander and Bonin, New York 1999 “The City at Night” Alexander and Bonin, New York “Jennifer Bolande” P.S.1, Long Island City, NY 1995 “Road Movie” John Gibson Gallery, New York “Jennifer Bolande” Kunstraum München, Munich, Germany “Jennifer Bolande” Kunsthalle Palazzo, Liestal, Switzerland 1994 Richard Telles Fine Art, Los Angeles 1992 Metro Pictures, New York 1990 Urbi et Orbi, Paris Galleri Nordanstad-Skarstedt, Stockholm, Sweden 1989 Margo Leavin Gallery, Los Angeles 1988 Metro Pictures, New York 1987 Galerie Sophia Ungers, Cologne 1986 Nature Morte, New York 1983 Artists Space, New York 1982 The Kitchen, New York SELECTED GROUP EXHIBITIONS 2014 Post Size, Pettenkoferstr. 42, Berlin 2013 No Bingo for Felons, Arcadia University Art Gallery,
    [Show full text]
  • Imagining the Global: Transnational Media and Popular Culture Beyond
    imagining the global Imagining the Global transnational media and popular culture beyond east and west Fabienne Darling- Wolf University of Michigan Press ann arbor Copyright © by Fabienne Darling- Wolf 2015 Some rights reserved This work is licensed under the Creative Commons Attribution- Noncommercial- No Derivative Works 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/ licenses/by- nc- nd/3.0/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA. Published in the United States of America by the University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2018 2017 2016 2015 4 3 2 1 A CIP catalog record for this book is available from the British Library. DOI: http://dx.doi.org/10.3998/nmw.12748915.0001.001 Library of Congress Cataloging- in- Publication Data Darling- Wolf, Fabienne. Imagining the global : transnational media and popular culture beyond East and West / Fabienne Darling- Wolf. pages cm. — (New media world) Includes bibliographical references and index. ISBN 978- 0- 472- 07243- 9 (hardcover : alk. paper) — ISBN 978- 0- 472- 05243- 1 (pbk. : alk. paper) — ISBN 978- 0- 472- 12079- 6 (e- book) 1. Mass media and culture. 2. Mass media and globalization. 3. Mass media— Social aspects— United States. 4. Mass media— Social aspects— France. 5. Mass media— Social aspects— Japan. I. Title. P94.6.D365 2014 302.23— dc23 2014020615 Artist Statement: The art I designed for the cover of this book is part of a series of works titled Signs of Our Times.
    [Show full text]