AMIE SIEGEL b.1974, Chicago, IL., USA
Education 1999 MFA, The School of the Art Institute of Chicago, Chicago, IL 1996 BA, Bard College, Annandale-on-Hudson, NY
Awards / Fellowships
2017 The Smithsonian Institution, Washington, D.C., Artist Research Fellowship 2015 Creative Capital, New York, Visual Arts Award Gertrude Contemporary, Melbourne, Australia, Residency 2014 Forum Expanded Award, Berlin International Film Festival 2012 Sundance Institute, Utah, Documentary Film Fund 2011 Graham Foundation for Visual Arts, Chicago, Grant Princess Grace Foundation, New York; Special Project Grant 2010 Foster Prize, The Institute of Contemporary Art, Boston 2009 Artadia: The Fund for Art and Dialogue, Artist Award 2008 Film Study Center at Harvard University, Fulton Fellow Akademie Schloss Solitude, Stuttgart, Germany, Residency 2007 John Simon Guggenheim Memorial Foundation, Fellow 2006 New Yorks State Council for the Arts, Individual Artist Award 2005 Edith Russ Haus für Medienkunst, Germany, Residency 2003 DAAD Berliner-Künstlerprogramm, Residency 2002 Lower Manhattan Cultural Council, Studio Residency
Solo Exhibitions:
2017 Winter, Guggenheim Bilbao, Spain (upcoming) 12x12: Amie Siegel, Berlinische Galerie, Berlin, Germany Interiors, Frye Art Museum, Seattle, WA (cat.) Strata, South London Gallery, England Quarry, Audain Gallery, Simon Frasier University, Vancouver, B.C
2016 The Spear in the Stone, Simon Preston Gallery, New York Imitation of Life, Temple Bar Gallery, Dublin, Ireland Amie Siegel. Part 2: Ricochet, Kunstmuseum Stuttgart, Germany (cat.) Double Negative, Museum Villa Stuck, Munich, Germany (cat.)
2015 Provenance, MAK Museum für Angewante Kunst, Vienna, Austria The Architects, Storefront for Art & Architecture, New York, NY
2014 Provenance, The Metropolitan Museum of Art, New York, NY (cat.) Provenance, University of Michigan Museum of Art, Ann Arbor, MI (cat.) Provenance, Center for Contemporary Art, Tel Aviv, Israel Winter, Ratio 3 Gallery, San Francisco, CA
2013 Provenance, Simon Preston Gallery, New York, NY
2012 Black Moon, Arthouse - Austin Museum of Art, Austin, Texas
2011 Amie Siegel. Part 1: Black Moon, Kunstmuseum Stuttgart, Germany (cat.)
2010 Black Moon, Krome Gallery, Berlin, Germany
2007 Berlin Remake, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA
2006 Berlin Remake, Edith-Ruß-Haus für Medienkunst, Oldenburg, Germany (cat.) 1
Selected Group Exhibitions / Screenings
2017 4,543 Million, CAPC Musée d’Art Contemporain de Bordeaux, France Hallstatt, Galeria Fortes Vilaça, São Paulo, Brazil Habits of Care, Blackwood Gallery, University of Toronto Mississauga, Ontario, Canada A Thousand Roaring Beasts, Centro Andaluz de Arte Contemporáneo, Seville, Spain FADE IN 2: EXT. MODERNIST HOME—NIGHT, Museum of Contemporary Art, Belgrade
2016 In The Belly of The Whale, Witte de With, Rotterdam, The Netherlands Life Inside An Image, Monash University Museum of Art, Melbourne, Australia Director’s Programme, Glasgow International, Scotland Beyond 2 Degrees, Museum of Contemporary Art, Santa Barbara, CA (cat.) FADE IN: INT. ART GALLERY – DAY, The Swiss Institute, New York, NY Hallstatt, Galeria Fortes Vilaça, São Paulo, Brazil
2015 Everything Must Go, Glucksman Gallery, Cork, Ireland (cat.) Wohnungsfrage, Haus der Kulturen der Welt, Berlin, Germany (cat.) Amie Siegel / Victor Burgin, Screen Space, Melbourne, Australia Residue: The Persistance of the Real, Vancouver Art Gallery, Vancouver, B.C. (cat.) Provenance, Palazzo Grassi / Pinault Collection, Venice, Italy La Citta Che Sale/The City Rises, BID Project Gallery, Milan, Italy Ornament, Simon Preston Gallery, New York, NY Production Routes, Tel Aviv Museum of Art, Tel Aviv, Israel The Future is a Do-Over, Dunedin Public Art Gallery, New Zealand The Architects, Storefront for Art and Architecture, New York, NY
2014 Utopia for Sale?, MAXXI National Museum of XXI Century Arts, Rome, Italy Infinite City, Zabludowicz Collection, London, England Forum Expanded: Provenance, Berlin International Film Festival Future Projections: Provenance, Toronto International Film Festival Modern/Moderna, Cranbrook Art Museum, Bloomfield Hills, MI Back to Berlin, Herzliyah Museum of Contemporary Art, Herzliyah, Israel Pop Departures, Seattle Art Museum, Seattle, WA (cat.) Art of the Real, Film Society of Lincoln Center, New York, NY Scintillation/Disappearance, National Museum of Modern & Contemporary Art, Seoul, Korea The Architects, Arsenale / US Pavillon, Venice Architecture Biennial, Venice, Italy
2013 City of Disappearances, CCA Wattis Institute for Contemprary Art, San Francisco, CA Approximately Infinite Universe, Museum of Contemporary Art, San Diego, CA The 5th Auckland Triennial: If You Were to Live Here, Auckland Art Gallery, New Zealand (cat.) Brute, Carpenter Center for Visual Arts, Harvard University, Cambridge, MA Permutation 03.2: Re-Place, P!, New York, NY Mad, Bad and Sad, Freud Museum, London, England
2012 The Future’s Not What it Used To Be, Chapter, Cardiff, Wales (traveled to Newlyn Art Gallery, Cornwall, England) American Originals Now: Amie Siegel, National Gallery of Art, Washington, DC Black Moon, Migrating Forms, Anthology Film Archives, New York, NY Emotional Blackmail, Kitchener-Waterloo Art Gallery, Ontario, Canada Ready for Extinction, Pleasure Dome, Toronto, Canada
2011 Cannes International Film Festival, Semaine de la Critique, Cannes, France After the Fall, TULCA, Galway, Ireland (cat.) East Meets West, Walter and McBean Galleries, San Francisco, CA Migration/Dislocation, Millennium Film Workshop, New York, NY Emotional Blackmail, Southern Alberta Art Gallery, Lethbridge, Canada (cat.) Signal and Noise, Vivo Media Arts Centre, Vancouver, B.C. Fear, Lo and Behold, Salon de Vortex, Athens, Greece (cat.) 2
2010 The Talent Show, Walker Art Center, Minneapolis, MN (traveled to MoMA/PS1, New York; Henry Art Gallery, Seattle) 2010 Foster Prize, The Institute for Contemporary Art, Boston Another Point of View, Centre d’Art Contemporain, Noisy-le-sec, France (cat.) Auto-Kino! Temporaäre Kunsthalle Berlin, Germany (curated by Phil Collins, cat.) Amie Siegel: Three Films, Harvard Film Archive, Cambridge, MA Into the Eye of the Storm, VideoZone: International Video Art Biennial, Israel (cat.) Transmodern, Baltimore Museum of Art, Baltimore, MD Migrating Forms, Anthology Film Archives, New York Territories of the Inhuman, Württemburhischer Kunstverein Stuttgart, Stuttgart, Germany DDR/DDR, The Museum of Modern Art, New York, NY DDR/DDR, Pacific Film Archive, Berkeley, CA DDR/DDR, Portland Art Museum, Portland, OR DDR/DDR, Northwest Filmforum, Seattle, WA DDR/DDR, Anthology Film Archives DDR/DDR, Rice Cinema, Houston, TX DDR/DDR, Harn Museum of Art, Gainesville, FL DDR/DDR, Pacific Cinematheque, Vancouver, B.C. DDR/DDR, Filmoteca de Catalunya, Barcelona, Spain
2009 The Russian Linesman, Hayward Gallery, London, England (curated by Mark Wallinger, cat.) (traveled to Leeds Art Gallery and Glynn Vivian, Swansea) MONITAUR, Aspen Art Museum, Aspen, CO Imagining History, CA2M Centro de Arte 2 de Mayo, Madrid, Spain (cat.) Zeigen, Temporäre Kunsthalle Berlin, Germany (curated by Karin Sander, cat.) DDR/DDR, DAAD Galerie, Berlin, Germany DDR/DDR, The Gene Siskel Film Center, Art Institute of Chicago, Chicago DDR/DDR, Migrating Forms /Anthology Film Archives, New York Views from the Avant-Garde, The New York Film Festival
2008 Whitney Biennial, Whitney Museum of American Art, New York, NY (cat.) Werkleitz Bienniale “Amerika,” Halle/Leipzig, Germany (cat.) VideoPanel 2008, Hamburg, Germany
2007 Now (and Again), BFI Southbank, London, England Split Screen, Recontres Internationales, Círculo de Bellas Artes, Madrid, Spain Liar Lies: Contemporary Performance for the Camera, DePaul Art Museum, Chicago,
2006 Forum Expanded, KW Institute for Contemporary Art, Berlin, Germany Berlin International Film Festival, Berlin, Germany Now Again the Past: Rewind, Replay, Resound, Carnegie Arts Center, Buffalo, NY (cat.) Fair Play, Palazzo Genovese, Salerno, Italy 3 Videoarbeiten: Filmische Rekonstruktion mit Walter Benjamin, Kino Arsenal, Berlin Monitoring, Kassel Documentary Film & Video Festival, Kassel, Germany Kinovi[sie]on, Cinematograph, Innsbruck, Austria Kino im Kopf. Psychologie und Film seit Sigmund Freud, Film Museum Berlin
2005 Empathy, Gene Siskel Film Center, The Art Institute of Chicago, IL Empathy, Pacific Film Archive, Berkeley, CA Empathy, San Francisco Cinematheque, San Francisco, CA Empathy, Museum of Fine Arts Boston, Boston, MA Empathy, LA Filmforum, Egyptian Theater, Los Angeles, CA After Effects, Lower Manhattan Cultural Council, New York, NY Empathy, Anthology Film Archives, New York, NY After Effects, Lower Manhattan Cultural Council, New York, NY Empathy, Casablanca Kino, Dresden, Germany Empathy, Cornell Cinema, Ithaca, NY
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2004 Empathy, Film Forum, New York, NY Empathy, The Andy Warhol Museum, Pittsburgh, PA Infame Bilder- Im Kino der Kontrollgesellschaft, Austrian Film Museum, Vienna, Austria Stranger Than Fiction, Cologne Filmhaus, Cologne, Germany Empathy, Facets Cinematheque, Chicago, IL Empathy, Cleveland Cinematheque, Cleveland Institute of Art, OH Empathy, Detroit Institute of the Arts, Detroit, MI Empathy, Pacific Cinematheque, Vancouver, Canada Empathy, Leipzig Kino, Leipzig, Germany Empathy, Kommunales Kino Freiburg, Freiburg, Germany Theatrical runs in Philadelphia, Portland, Denver, Miami, Houston, & other US cities.
2003 Empathy, Berlin International Film Festival (Forum) Amie Siegel: Die Performanz des Performativen, Kino Arsenal, Berlin Kameraauge und Filmraum, Kinemathek Karlsruhe, Karlsruhe, Germany Chicago International Film Festival (World Cinema), Chicago Jerusalem International Film Festival (Panorama), Israel Empathy, Frankfurt Film Museum, Frankfurt, Germany Empathy, Künstlerhaus Hannover, Hannover, Germany Empathy, Kommunales Kino Leipzig, Germany Empathy, Kommunales Kino Freiburg, Germany Empathy, Kamera Kino, Heidelberg, Germany Empathy, Shaubuhne Kino / Künstlerhaus Bremen, Germany Empathy, Brotfabrik Kino, Berlin, Germany Kameraauge und Filmraum, Kinemathek Karlsruhe, Karlsruhe, Germany New York: Present Tense, Museo de Arte Latinamericano de Buenos Aires, Brazil
2002 Überwachen und Aufzeichen, Kino Arsenal, Berlin, Germany The Brewster Project, Brewster, NY Stories That Refuse to be Told, Cornell Cinema, Ithaca, NY; San Francisco Cinematheque; Robert Beck Memorial Cinema, New York
2001 School of Sound, Glasgow, Scotland Eine andere Kunst - ein anderes Kino, Kino Arsenal, Berlin, Germany Dreaming Narrative, Filmforum, UCLA Hammer Museum of Art, Los Angeles, CA
2000 The Color of Ritual, The Color of Thought: Women Avant-Garde Filmmakers in America 1930-2000, Whitney Museum of American Art, New York, NY New Filmmakers, Anthology Film Archives, New York, NY New Century/New Cinema, The Pacific Film Archive, Berkeley, CA Five Travelers, Filmforum, UCLA Hammer Museum of Art, Los Angeles, CA
Artist Talks / Public Lectures / Presentations:
2017 Arsenal Institute for Film & Video Art, Berlin • South London Gallery, England • Visual & Material Worlds, SUNY Binghamton • Simon Frasier University, Vancouver, B.C. • Frye Art Museum, Seattle • Goldsmiths, University of London • Parsons / The New School, New York • University of Victoria, B.C. • Deutsche Film- und Fernsehakademie Berlin
2016 The Menil Collection, Houston • Artists on Artists Lecture, DIA Art Foundation, New York • UCLA / Hammer Museum, Los Angeles • Yale University School of Art, New Haven • M-Museum, Leuven, Belgium • VIPER Gallery, Prague • Media & Modernity, Princeton School of Architecture • Light Industry, Brooklyn • Museum of Contemporary Art, Santa Barbara • Pacific Film Archive, Berkeley • Museum Villa Stuck, Munich • Temple Bar Gallery, Dublin • Crawford School of Art, Cork, Ireland • Irish Film Institute, Dublin
2015 Cooper Union, New York • Schloss Solitude, Stuttgart, Germany • University of Pennsylvania / ICA, Philadelphia • Paris Photo LA, Los Angeles • Haus der Kulturen der Welt, Berlin • MAK Vienna, Austria • Storefront for Art & Architecture, New York • Deutsches Haus, NYU, New York 4
2014 The Metropolitan Museum of Art, New York • Museum of Contemporary Art Detroit • University of Michigan Museum of Art, Ann Arbor • The Vera List Center for Art & Politics, The New School, New York, NY • Swiss Institute / Contemporary Art, New York, NY • The Center for Contemporary Art, Tel Aviv, Israel • Canadian Centre for Architecture, Montreal, Quebec • Film Society of Lincoln Center, New York, NY • MAXXI Museum of 21st Century Arts, Rome Italy • University of Las Vegas, Las Vegas, NV • Zabludowicz Collection, London, UK
2013 Yale University School of Art, New Haven (visiting critic) • Auckland Art Gallery, New Zealand • Luminato Festival, Toronto, Ontario • Simon Preston Gallery, New York • Parsons, The New School, New York
2012 National Gallery of Art, Washington, D.C. • Brakhage Symposium, Boulder, CO • Merz Akademie, Stuttgart • New York University, New York • School of Visual Arts, New York • Auckland Art Gallery, Auckland, New Zealand
2011 SALT, Istanbul, Turkey • Semaine de la Critique, Cannes Film Festival, American Pavillion • TULCA, Galway, Ireland • San Francisco Art Institute • Massachusetts College of Art & Design, Boston • Deutsches Architektur Zentrum, Berlin, Germany
2010 Museum of Modern Art, New York • California Institute of the Arts, Los Angeles • University of California, Santa Cruz • University of California, Berkeley • Georgetown University, Washington D.C. • University of Florida, Gainesville • Rice University, Houston • Harvard Film Archive, Cambridge, MA • Anthology Film Archives, New York • Humboldt University, Berlin • Berkman Center for Internet & Society, Harvard University, Cambridge, MA • Platform/Le Plateau, Paris • Simon Frasier University, Vancouver, BC • Institute of Contemporary Art, Boston
2009 Hayward Gallery, London, UK • Humanities Center, Harvard University, Cambridge, MA • Hunter College, New York • Graduate School of Design, Harvard University, Cambridge, MA • Akademie für Bilden Künste, Vienna • DAAD Galerie, Berlin
2008 Whitney Museum of American Art, New York • School of the Museum of Fine Arts Boston • Massachusetts College of Art, Boston • AdHocVox, Friederike Taylor Gallery, New York
2007 BFI Southbank, London • Harvard University, Cambridge, MA
2006 KW Institute for Contemporary Art, Berlin • Hochschule Vechta, Germany • Film Museum Berlin • • Kino Arsenal, Berlin • Blackmarket for Useful Knowledge, Hebbel Theatre, Berlin • Palazzo Genovese, Salerno, Italy • Humboldt University, Berlin
2005 Gene Siskel Film Center, Chicago • San Francisco Cinematheque • Pacific Film Archive, Berkeley • Cornell University, Ithaca • Bard College, Annandale, NY • San Francisco Art Institute • San Francisco State University • Anthology Film Archive, New York • Bowdoin College, Portland, ME • The School of the Art Institute of Chicago • Museum of Fine Arts Boston • Edith Rüss Site for Media Art, Oldenburg, Germany
2004 Film Forum, New York • Kölner Filmhaus, Cologne • Kino Arsenal, Berlin
2003 Raumkontrolle 2 / Perimetrisches Wörterbuch, Volksbühn, Berlin • Humboldt Universität, Berlin • Kino Arsenal, Berlin • Frankfurt Film Museum • Karl Abraham Institut, Berlin
2002 New Views: Dumbo, Creative Time, Brooklyn, NY • The Dialogue, Thomas Erben Gallery, New York • The Poetry Project, New York • Kelly Writer’s House, Philadelphia • Johns Hopkins University, Baltimore • Cornell Cinema, Ithaca • Hallwalls, Buffalo • Hunter College, New York
2001 School of Sound, Glasgow • Kino Arsenal, Berlin
2000 Hammer Museum of Art, Los Angeles, CA • Maryland Institute College of Art, Baltimore • University of Iowa, Iowa City • The Institute for Psychoanalysis, Chicago • Williams College, Williamstown, MA • San Francisco Cinematheque
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Artist Writings and Publications:
2017 Introduction to “Cryptoarchitecture,” The Svetlana Boym Reader (Cristina Vatulescu, Tamar Abramov, Ed.), Bloombsury Press, London, forthcoming 2018
2016 “Portfolio,” Frieze, June 13 “Questionnaire: A Response,” October 155, MIT Press, Cambridge, MA
2015 Amie Siegel: Love Letters, Spector Books, Leipzig (from the book series Wohnungsfrage, Haus der Kulturen der Welt, Berlin (Nikolaus Hirsch, Hila Peleg, Ed.) “Mirroring,” Speculation, Now, Vera List Center for Art & Politics (Carin Kuoni, Prem Krishnamurthy, Vyjayanthi Rao, Ed.) Duke University Press
2014 Amie Siegel: CATALOGUE, Inventory Press, New York “Circuit: Provenance,” Heros of the Art Auction/Helden der Kunstauktion, Dirk Boll, Ed., Hatje Cantz “Project Malaparte,” Remediate, Merz Akademie “Factories and The Factory,” A Companion to Jean-Luc Godard, Wiley Blackwell
2012 “Ciné-Constellation,” Revolver: Manifestheft 26, Berlin “Object Relations,” Draw it With Your Eyes Closed, Edited by Paper Monument
2011 “Á Rebours / Against the Grain,” Film: Tacita Dean, Tate Modern, Tate Publications “Artist Project,” Cabinet, No. 41 – 43 (temporal project over three issues)
2010 “Author, Author,” Artist Project, Input. Vol. 2
2007 “Don’t Mention the Wall,” The Imagined Nation: Body & Gender in East German Studio Films, DEFA Shriftenreihe, Berlin
2004 “Marching Up, Crawling Through and Coming Out: Public Art in Germany,” with Bettina Mathes, Chain 11: Public Forms, Temple University Press, Philadelphia
2002 “Violations, Indiscretions and Narrative Expectation in Film Sound,” Soundscape: The School of Sound Lectures 1998-2001, Wallflower Press, London
2001 “An Aural Equivalent” (from “Image Picture Frame” by Jon Jost, Patrick Keiller, Sam McMullen, John Maybury and Amie Siegel”) Vertigo, Vol. 2 No.1, London, Spring 2001
Selected Bibliography:
2017 Gabriel Coxhead, “Amie Siegel: South London Gallery”, Art in America, April Jillian Knipe, “Amie Siegel: Strata”, This is Tomorrow, 8 March Emily Watkins, “Inanimate and Intimate”, Plinth, 1 February Veronica Simpson, “Amie Siegel: Strata”, Studio international, 24 February Henry Boome, “Conceptual Values”, Aesthetica, 31 January Margaret Carrigan, “Amie Siegel Psychoanalyzes America in ‘Strata’ at South London Gallery”, ArtInfo, January 30 Adrian Searle, “Amie Siegel’s Strata – from the depths of the Earth to the heights of excess”, The Guardian, January 23 José da Silva, “Amie Siegel Takes a Freudian Trip to South London”, The Art Newspaper, January 20 Eddy Frankel, “Amie Siegel: Strata”, Time Out London, 9 January
2016 Adam Kleinman, “Amie Siegel: Critical Relations”, Camera Austria, Issue 136 Amie Siegel: Double Negative, Museum Villa Stuck, Munich (Yara Sonseca Mas, Michael Buhrs, Eds; contributions by Manuel Cirauqui and Michael Taussig) Mousse Publications, Italy (catalogue) Martha Schwendener, “Amie Siegel: The Spear in the Stone”, The New York Times, June 9 6
Mira Dayal, “The Preservation of Desire: Amie Siegel’s The Spear in the Stone”, NYAQ, May 26 Orit Gat, “Amie Siegel’s The Spear in the Stone”, Art Agenda, May 24 Blake Gopnik, “Amie Siegel Dyes Black Swans White”, Artnet, May 17 Courtney Fiske, “Critics’ Picks”, Artforum, May 13 Bert Rebhandl, “Amie Siegel: Villa Stuck, Munich / Kunstmuseum Stuttgart,” Frieze d/e, Frieze.com Simone Krug, “FADE IN: INT. ART GALLERY – DAY”, The Brooklyn Rail, May 3 Orit Gat, “Critic’s Guide: New York”, Frieze.com, May 2 Paul Laster, “10 Things to Do in New York’s Art World Before May 2”, The Observer, April 28 Sabrina Mandanici, “The Architecture of Desire”, Aperture, April 25 “Amie Siegel “Part 2. Ricochet” at Kunstmuseum Stuttgart”, Mousse, April 24 Laura Campbell, “Amie Siegel: Provenance”, The List, April 20 “FADE IN: INT. ART GALLERY—DAY”, New Yorker, April Louisa Buck, “Glasgow International”, The Art Newspaper, April 13 Kristy Bell, “Glasgow International”, Art Agenda, April 13 Hettie Judah, “Glasgow International 7th Edition”, Artnet, April 12 Adrian Searle, “Glasgow International rules the waves”, The Guardian, April 11 Laura Cumming, “Glasgow International– irrepressible vitality everywhere”, The Guardian, April 10 Samantha McKegg, “Postcards: Dunedin”, Art News New Zealand Tom McDonough, “Introduction to Quarry”, Vdrome, March 6 Aidan Dunne, “Amie Siegel: Imitation of Life,” The Irish Times, March 1
2015 Wohnungsfrage, Eds. Jesko Fezer, Christian Hiller, Nikolaus Hirsch, Wilfried Kuehn, Hila Peleg, Haus der Kulturen der Welt, Spector Books, Leipzig, Germany Residue: The Persistence of the Real, Ed. Grand Arnold, Vancouver Art Gallery and Black Dog Publishing, New York, NY Everything Must Go: Art and the Market, Glucksman Gallery, Cork, Ireland Sonja Hornung, “Current Shows: Wohnungsfrage”, Frieze, November Steel Stillman, “In The Studio: Amie Siegel”, Art in America, November Helmut Draxler, “Helmut Draxler on Amie Siegel’s The Architects”, Artforum, October Rachel Stevens, “Amie Siegel Provenance,” Millenium Film Journal, no. 61, Spring Laura Herman, “Amie Siegel: The Architects“, This is Tomorrow, April 1 Rattanamol Singh Johal, “Amie Siegel: Provenance,” Art Papers, January
2014 Pop Departures, Ed. Catharina Manchanda, Seattle Art Museum, Seattle Blake Gopnik, “Top Ten Shows of 2014,” The Art Newspaper, Issue 263, December Simon Castet, “New York’s Best, 2014,” Art in America, December Mark Guiducci, “Amie Siegel’s Provenance,” Vogue.com, December 15 Catharina Manchanda, Pop Departures, Seatttle Art Museum; Yale University Press (cat.) Jen Graves, “Pop Departures Challenges Our Deepest Belief Systems,” The Stranger, November 12 Murray White, “Past Futures Made Present,” The Toronto Star, September 9 Ellen Pearlman, “The Rise and Fall and Rise Again of a Chair”, Hyperallergic, August 15 Joseph R. Wolin, “Amie Siegel: Provenance,” Time Out, July 7 Monica Westin, "Critics’ Picks: Amie Siegel," Artforum, May Andrea Picard, “Provenance: The Artist (Amie Siegel),” Cinema Scope, May Mark Godfrey, introduction to "Amie Siegel: 1000 Words", Artforum, January Thomas Herold, “Amie Siegel’s Recursive DDR/DDR: In and Beyond the Wake of Friedrich Kittler,” The Germanic Review, vol. 98, issue 4 Lynn Hershman Leeson, “Amie Siegel by Lynn Hershmann Leeson”, Bomb, Winter
2013 Kari Rittenbach, “Valued Objects, High Returns,” Texte zur Kunst, December Lauren O’Neill-Butler, “Amie Siegel at Simon Preston Gallery,” Artforum, December JD Beltram, “City of Disappearances,” Huffington Post, December 16 Chris Wiley, “Frieze Highlights: Amie Siegel,” Freize.com, December 10 Erika Balsom, “Best of 2013: Film,” Artforum, December Jennifer Kabat, “Auctioning off Utopia,” Salon, December 8 Benjamin Solomon, “Amie Siegel at Simon Preston Gallery”, Architectural Record, October 4 Janelle Zara, “An Art Film Follows Le Corbusier’s Furniture Back in Time…”, Blouin ArtInfo, October 3
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Carol Kino, “A Curious Path to Auction for India’s Modernist Furniture,” The New York Times T Magazine, October 2 Mónica de la Torre, “Amie Siegel,” Bomb, October 2 Blake Gopnik, “Watching Le Corbusier Become Fabergé,” The Daily Beast, October 1 “Amie Siegel,” Art In America, October “Goings on About Town,” The New Yorker, September Jessica Klingelfuss, “Amie Siegel searches for Provenance,” Wallpaper.com, September 6 Natalie King, “If You Were to Live Here: The 5th Auckland Triennial,” Flash Art, Issue 231, July - September Nova Benway, “Permutation 03.2:Re-Place,” Modern Painters, July/AugustScott McDonald, “Cine- Surveillance: 3 Avant Docs: Interviews With Amie Siegel, Sharon Lockhart and Jane Gillooly”, Film Quarterly, Vol. 66, Nov. 3, Spring John Daly-Peoples, “Auckland Triennial: If You Were to See Art Here,” National Business Review, New Zealand, June 11 John McDonald, “Life on the Edge,” Sydney Morning Herald, May 25 Hou Hanru, Pascal Beausse, Elizabeth Thomas, The 5th Auckland Triennial 2013: If You Were to Live Here (Auckland Art Gallery, New Zealand) (cat.) Scott MacDonald, “Amie Siegel”, American Ethnographic Film and Personal Documentary: The Cambridge Turn, (University of California Press, Berkeley, CA)
2012 William Smith, “Cross-Polination”, Artforum.com, June 6 Luke Quinton, “Women fight Invisible foe in Amie Siegel’s ‘Black Moon’”, Austin Statesman, May 9 Barbara Mennel. "The Architecture of Heimat in the Mise-en-Scene of Memory: Amie Siegel's Berlin Remake,” Heimat: At the Intersection of Space and Memory, (Eds.) Friederike Eigler & Jens Kugele, (De Gruyter, Berlin; Boston) Anna Altman, “Socialist Cowboys,” NewYorker.com, April 13
2011 Aidan Dunne, “Once Upon a Time in the West,” The Irish Times, November 11 Jen Schwarting, “The Talent Show”, Brooklyn Rail, November 1 Jennifer Wing, “The Limits of Privacy: The Henry's 'The Talent Show,’” NPR Seattle, July 17 Mathieu Lericq, “Black Moon d’Amie Siegel,” Format Court, June 5 Jen Graves, “Exposures: An Exhibition About Exhibitionism,” The Stranger, May 10 Christoph Hochhausler, “Spiegelungen/Mirroring,” Revolver, April 20 Brian Droitcour, “My Way- Amie Siegel,” Rhizome, February 28 Tony Pipolo, “Views from the Avant-Garde,” Millenium Film Journal, No.53, February 12 Aaron Kunin, “Space and Place in Two Video Installations by Amie Siegel,” The Highlights, Feb. 4 Ariella Budick, “Invasion of the Image-Snatchers.” Financial Times, January 14 Lila Kanner, Franklin Sirmans, 5 Cities, 41 Artists, Artadia: The Fund for Art and Dialogue, 2011 (cat.) Evangelia Lidaki, Fear, (Lo and Behold Publishing), 2011 (cat.)
2010 Audrey Illouz, “Another Point of View,” Frieze, November 22 Chen Tamir, Maayan Sheleff, Videozone 5 (Center for Contemporary Art, Tel Aviv, Israel) (cat.) Eric Aichiner, “Häuserkampf im Zeichenkrieg.” Artnet.de, October 26 Tom McCormack, “Market Forces,” Moving Image Source, August 10 Lena Valencia, “Amie Siegel: DDR/DDR,” Bomblog, May 12 J. Hoberman, “The Lives of Others in DDR/DDR,” Village Voice, May 4 Ricky D’Ambrose, “DDR/DDR,” Slant, May 3 Martin L. Johnson, “Transmodern Films,” Baltimore City Paper, April 20 Marco Mazzi, “Amie Siegel: Esperienze Cinematiche,” Arte e Critica no. 51, January Phil Collins and Sinisa Mitrovic, Auto-Kino!, Temporäre Kunsthalle Berlin, 2010 (cat.) Aaron Kunin, “Decoration, Modernism, Cruelty,” Modernism/modernity, Vol. 17, No.1, January
2009 Jennifer Thatcher, “The Russian Linesman,” MAP: Journeys in Contemporary Art, No.18, Summer David Foster, “The Russian Linesman: Frontiers, Borders and Thresholds,” ArtVehicle 41, May James Hansen, “Migrating Forms 2009: ‘DDR/DDR’ Amie Siegel,” Out 1 Film Journal, April 20 Mark Elijah Rosenberg, “Migrating Forms: Amie Siegel’s DDR/DDR,” Flavorwire, April 1 Michael Wang, “Form and Function,” Artforum.com, April 10 Lucy Steed, “Mark Wallinger Curates: The Russian Linesman,” Art Monthly, April 8
Emmanuel Cooper, “Images of Time and Other Relative Dimensions in Space,” Tribune, March 19 Laura Cumming, “Roll Up, Roll Up, The Circus is in Town,” The Observer, London, March 8 Ossian Ward, “The Russian Linesman: Blackboard Lectures,” Time Out London, February 23Mark Wallinger, Roger Malbert, Mark Wallinger: The Russian Linesman, (Hayward Publishing, London) (cat.) Charles Darwent, “The Russian Linesman,” The Independent, London, February 22 Bill Stamets, “DDR/DDR”, Chicago Sun Times, February 20
2008 Volker Pantenburg, “Post-Cinema? Movies, Museums, Mutations,” SITE: Journal for Contemporary Art, Architecture, Cinema and Philosophy, No.24 Xavier Laboulbenne, Aljoscha Weskott, Fracture: Conversations on Memory in the Berlin Republic (B_Books Verlag, Berlin) Elizabeth Schambelan, “Whitney Biennial,” Artforum, Summer Wolf Jahn, “Hamburg- Videopanel 2008,” Artforum, May Domenick Ammirati, “Whitney Biennial 2008, Whitney Museum of American Art,” Afterall, May 24 David Markus, “Hungover at the Whitney,” The Brooklyn Rail, April Jerry Saltz, “When Cool Turns Cold,” New York Magazine, March 13 Henriette Huldisch, Shamim M. Momin, 2008 Whitney Biennial (Yale University Press) (cat.) Anna-Lena Wenzel, “Videopanel 2008,” The Thing Hamburg, January 31 Marcel Schwierin, Daniel Herrmann, Werkleitz Biennial: Amerika (cat.)
2007 Bruno Di Marino, “Architetture Della Finzione,” Segno Cinema, Issue #140, July/August
2006 Joanna Raczynska, Now Again the Past: Rewind, Replay, Resound, (Carnegie Arts Center) (cat.) Petra Schröck, “Verhängnisvolle Affäre, Kunst und Kino beim ‘Forum Expanded,’” Film-dienst, June Annedore Beelte, “Der Soundtrack zum Leben,” Die Tageszeitung Nord, April 4 Sabine Himmelsbach, Barbara Filser, Amie Siegel: Berlin Remake, Revolver Archiv für Aktuelle Kunst, Frankfurt (cat.) Andréa Picard, “Film/Art: Prelude as Post-Script,” Cinemascope, Issue 26 Jennifer Allen, “Forum Expanded,” Artforum.com Critic’s Pick, February Brigitte Werneburg, “Oh diese alten Schachteln!” Die Tageszeitung, February 13 Aurélien Ferenczi, “Sortie de Secours: Voyage dans le temps,” Télérama, February 12 Bert Rebhandl, “An den Äuseren Rändern des Kosmos,” Frankfurt Allgemeine Zeitung, Feb. 11 Ralph Findeisen, “Nach Maß Geschneidert,” Artnet.de, February 10 Cosima Lutz, “Wo Kunst und Kino ineinander fliessen,” Berliner Morgenpost, February 9 Carsten Probst, “Berlinale zeigt Videokunst,” Deutschland Radio Kultur, February 8
2005 Robert J. Benton, “Empathy; Intimacy, and the Psychoanalytic Space: Empathy and Intimate Strangers,” Psychoanalytic Review, August 2005, v. 92 n. 4 Dennis Harvey, “Rep. Picks: Empathy,” San Francisco Bay Guardian, February Gerald Peary, “Editor’s Picks,” The Boston Phoenix, February 23 Holly Willis, “Amie Siegel’s Empathy,” LA Weekly, February 11-17 Janice Page, “Genre-bending ‘Empathy’ is Full of Surprises,” The Boston Globe, January 26 Sam Adams, “Best of 2004: Fall Guys,” Philadelphia City Paper, January 5
2004 Erin Donnelly, “Critical Distance,” Site Matters, Distributed Art Publishers, New York (cat.) Tony Pipoli, “Empathy,” Cineaste, Summer 2004, v. 29 n. 3 Michael Wilmington, “Facets Feature Marks Deft Indie Debut,” Chicago Tribune, August 6 Lisa Kennedy, “Empathy: Hmmm...What does it mean?” The Denver Post, May 21 Steven Rea, “A Teasing Take on Therapy,” The Philadelphia Inquirer, April Katie Haegele, “Empathy,” Philadelphia Weekly, April Tone Clarke, “Empathy for the Devil,” Wideshut Magazine UK, April Sam Adams, “Analyze This,” Philadelphia City Paper, April 1-7 Alexandra Wach, “Neugier aufs Reale,” Kölner Stadt-Anzieger, March 18 Marc Mohan, “The Talking Cure,” The Oregonian, March 5 Chuleenan Svetvilas, “Hybrid Documentaries,” International Documentary, June 2004, v. 23, n. 5 Andrew Sarris, “Analyzing Analysis,” New York Observer, February 2 David Sterritt, “Empathy,” Christian Science Monitor, January 23 9
Ken Fox, “Lady in the Dark,” TVGuide.com, January 22 Nicole Keeter, “Empathy,” Time Out New York, January 22-29, 2004, Issue # 434 Noel Murray, “Empathy,” The Onion, January 22-28, 2004, v. 30 n. 3 A.O. Scott, “Putting Psychoanalysis Itself on the Couch,” The New York Times, January 21 Nathan Lee, “Psychoanalyze This,” The New York Sun, January 23-25 J. Hoberman, “Honey, I Punk’d the Shrinks,” The Village Voice, January 21-27 Prairie Miller, “The Prairie Miller Show,” WBAI Radio, NYC, January (Interview)
2003 Anthony Kaufman, “The Chicago Film Festival,” IndieWIRE, November Hilde Meier, “Empathy. Szenen einer Analyse,” Aviva-Berlin, November Jonathon Miller, “Critic’s Choice: Director Amie Siegel,” Eight-Forty-Eight, WBEZ Radio, October 8 Reece Pendleton, “Chicago Int. Film Festival: Empathy,” Chicago Reader, October Tobias Hering, “Interview with American Filmmaker & Artist Amie Siegel,” Ex-Berliner #10, November “Empathy- Intelligent and Thrilling: An Analysis of Psychoanalysis,” TIP, September 9-22 Frank Noack, “Jeder Mensch ist ein Haus,” Ticket, September 17 Dietmar Kammerer, “Analysis of Analysis,” Die Tagezeitung, September 13 Simone Mahrenholz, “Voyeurists, Friends, Empathy- Analyzing the Analyst,” Die Welt, September 11 Malte Henk, “Empathy- The Wall Must Go,” Berliner Zeitung, September 11 Thomas Vorwerk, “Empathy,” SATT.org, September 7 Heidi Reutter, “Empathy,” Bayerischen Radio, September 4 Birgit Roschy, “Die Alten Männer und das Begehren,” Frankfurt Rundschau, June 26 Claudia Henne, “Radio Kultur: Regissuerin Amie Siegel zu Arsenal,” SFB Radio Berlin, May Tobias Hering, “Filmschnitt ist wie Chirugie,” Der Tagesspiegel, May 22 Eddie Cockrell, “Empathy at the Berlin Film Festival,” Variety, March 19 Maximilian Preisler, “Radio Kultur: American Independents,” SFB Radio Berlin, February Detlef Kuhlbrot, “Berlinale: Privattheater für Reiche,” Die Tageszeitung, February 15
2002 Jenny Perlin, “What Should I Make Up? Michele Fleming, Sarah Jane Lapp & Amie Siegel,” Screening the Past, Issue #13 ‘Women, Autobiography, and New Media,’ December 1 Luis Perez, “DUMBO Exhibit: Skyline Forever Altered,” New York Daily News, October 17
2001 Holly Willis, “Dreaming Narrative- The Sleepers by Amie Siegel,” LA Weekly, October 20-26 Jonathon Miller, “Critics Choice: The Sleepers,” Eight Forty-Eight, Chicago Public Radio, May
2000 Fred Camper, “Chicago’s Own: Fleming, Siegel and Gosser,” Chicago Reader, September 24 Robert Kelly, review of The Waking Life, First Intensity, Issue #13, Spring
1999 John Petrakis, “Fall Line-up New Filmmakers,” Chicago Tribune, September 9 S.P. Healey, review of ‘The Waking Life’, Rain Taxi, Volume 4, No. 3, Fall
1998 Fred Camper, “Chicago’s Own: World Views,” Chicago Reader, April 17
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