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Current, March 20, 2017
University of Missouri, St. Louis IRL @ UMSL Current (2010s) Student Newspapers 3-20-2017 Current, March 20, 2017 University of Missouri-St. Louis Follow this and additional works at: https://irl.umsl.edu/current2010s Recommended Citation University of Missouri-St. Louis, "Current, March 20, 2017" (2017). Current (2010s). 258. https://irl.umsl.edu/current2010s/258 This Book is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (2010s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. Vol. 50 Issue 1528 The Current March 20, 2017 UMSL’S INDEPENDENT STUDENT NEWS UMSL Students Win $10,000 in Hackathon, Law Experts Share Have Opportunity to Incubate Business Insight at Leah Jones Features Editor Legal Career ustin Reusnow, junior, com- Jputer science; Omar Salih, in- Symposium formation systems; Sam Luebbers, graduate, information systems; Lori Dresner Chau Tran, senior, information News Editor systems; Kyle Hopfer, junior, infor- mation systems, and Alex Nuetzel, egal experts shared their sophomore, computer science at Linsight and offered advice to the University of Missouri–Colum- students considering law school at bia, have collectively won $10,000 the Choosing a Law School and Le- and the opportunity to create and gal Career Symposium in Century incubate a business through the Room C of the Millennium Student University of Missouri–St. Louis’ Center at the University of Mis- Accelerate program. This is all be- souri–St. Louis on the afternoon of fore any of them have graduated March 16. from their respective degree tracks. -
© 2020 Kaitlyn Wentz All Rights Reserved
© 2020 KAITLYN WENTZ ALL RIGHTS RESERVED ARTS AND CULTURE INFLUENCERS: TWO PHILANTHROPISTS’ IMPACT ON THE NORTHEAST OHIO REGION A Thesis PresenteD to The GraDuate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Arts KAITLYN WENTZ May, 2020 ARTS AND CULTURE INFLUENCERS: TWO PHILANTHROPISTS’ IMPACT ON THE NORTHEAST OHIO REGION Kaitlyn Wentz Thesis ApproveD: AccepteD: ______________________________ ___________________________ Advisor School Director James Slowiak Dr. Marc ReeD ______________________________ ___________________________ Committee Member Interim Dean of the College ArnolD Tunstall Dr. LinDa Subich ______________________________ ___________________________ Committee Member Acting Dean of the GraDuate Courtney Cable School Dr. Marnie SaunDers ___________________________ Date ii ABSTRACT In a time of constant threat to funDing, elimination of the National EnDowment, anD competition over resources, philanthropy in the arts anD culture sector is inDispensable to the vibrancy anD economic Development of a city’s core. The arts anD culture sector is consiDereD to take away from an economy’s financial resources. However, it is the exact opposite. It is a thriving sector that contributes to the economy by creating jobs, spenDing money at local businesses, anD bringing in cultural tourists. FreD BiDwell anD Rick Rogers have a long history of philanthropy in this sector, anD their DemonstrateD support has leD to efforts of revitalization, vibrancy, anD Dollars spent in the cities of Akron anD ClevelanD. This thesis explores the history, issues, and successes of the two cultural proDucers’ philanthropy efforts in the sector anD the impact that their support has brought to the Northeast Ohio region. iii TABLE OF CONTENTS CHAPTER I. -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
Jack Hanley Gallery
JACK HANLEY GALLERY Margaret Lee (b. 1980) lives and works in New York, NY Solo and Two Person Exhibitions 2018 Shouting in a Bucket Blues, The Green Gallery, Milwaukee, WI ...banana in your tailpipe, Marlborough Contemporary, London, UK 2017 ...banana in my tailpipe, Misako & Rosen Gallery, Tokyo, Japan 2016 It’s not that I’m not taking (this) seriously, Jack Hanley Gallery, New York, NY Having It Both Ways, The Window at Barneys, New York, NY Duddell’s x DMA: Concentrations HK: Margaret Lee, curated by Gabriel Ritter, Duddell’s, Hong Kong, China de, da, do...da, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA 2015 You Can Teach an Old Zebra New Tricks, Margaret Lee and Emily Sundblad, Hannah Hoff- man Gallery, Los Angeles, CA 2014 Reading into Things, Team Bungalow, Venice, CA Sometimes Maybe, The Green Gallery, Oak Park, Chicago, IL Closer to wrong than right/ closer to right than wrong, Jack Hanley Gallery, New York, NY 2013 Für die Kinder Düsseldorfs, with Emily Sundblad, Off Vendome, Dusseldorf, Germany 2012 MHML: Margaret Lee and Matthew Higgs, The Green Gallery East, Milwaukee, WI MLMH: Margaret Lee and Matthew Higgs, Murray Guy, New York, NY Waiting for ####, Jack Hanley Gallery, New York, NY Group Exhibitions 2020 For a Dreamer of Houses, Dallas Museum of Art, Dallas, TX 2017 Oomingmak, Capital Gallery, San Francisco, CA 30th Anniversary Exhibition Attics of My Life, Jack Hanley Gallery, New York, NY Sea Sick in Paradise, DEPART Foundation, Los Angeles, CA 2016 Her Crowd: New Art by Women from Our Neighbors’ -
Live Nation Revenue Wiped out by COVID; CEO Michael Rapino Sees Live Events in Full Swing Next Summer by Jill Goldsmith August 5, 2020 5:05Pm
6/8/2020 Live Nation Revenue Wiped Out By COVID – Deadline TIP US HOME / BUSINESS / BREAKING NEWS Live Nation Revenue Wiped Out By COVID; CEO Michael Rapino Sees Live Events In Full Swing Next Summer By Jill Goldsmith August 5, 2020 5:05pm Courtesy Paramount Pictures https://deadline.com/2020/08/live-nation-revenue-wiped-out-by-covid-ceo-michael-rapino-sees-live-events-in-full-swing-next-summer-1203005595/ 1/10 6/8/2020 Live Nation Revenue Wiped Out By COVID – Deadline Let’s get this over with. Live Nation, which makes a living on live events, saw revenue plunge 98% last TIP US quarter to $74 million and swung to a loss of $588 million from a profit of $176 million the year before. It was the first full COVID-19 quarter and the company was expected to bleed red ink. CEO Michael Rapino can only look ahead. And he did as the company reported financial results for the three months ended in June. He said he expects live events to “return at scale in the summer of 2021,” with ticket sales ramping up in the quarters leading up to summer shows. He noted that 86% of fans opted to keep tickets for rescheduled shows and that two-thirds of fans are keeping tickets for canceled festivals so they can go to next year’s show. The company cited strong early ticket sales for festivals in the U.K. next summer, for example, with Download and Isle of Wight pacing well ahead of last year. ADVERTISEMENT RELATED STORY AMC Entertainment Q2 Revenues Plunge, Swings To The Red In "Most Challenging Quarter In 100-Year History" - CEO Adam Aron Between tickets held by fans for rescheduled shows and festival sales, the company, which owns Ticketmaster, said it’s already sold 19 million tickets to more than four thousand concerts and festivals scheduled for 2021, “creating a strong baseload of demand that is pacing well ahead of this point last year.” Can Live Nation last that long? Rapino says yes. -
Painting in the 21St Century PR
Site:Brooklyn Gallery Hanae Kawai - Memory Recorder Painting in the 21st Century Juried by Stephen Henry Madoff Opening Reception: Friday, September 21st, 6–9PM September 21st – October 21st, 2018 165 7th Street, Brooklyn, New York Site:Brooklyn Gallery is pleased to present Painting in the 21st Century, an international open call for submission juried by Steven Henry Madoff. Did painting, as some have argued, reach a dead end with the culmination of abstraction in the late 20th century? If anything, the opposite seems to be true. Representation and abstraction, historically, were not, and are not, total opposites. Abstraction almost inevitably has representational qualities (as Jackson Pollock’s work demonstrates). To look at the issue from a different direction, abstracted guration was the hallmark of move- ments like Post-Impressionism. As much of this exhibition demonstrates, abstraction and representation are often vitally intertwined. This show seeks to illuminate some of these interactions and dilemmas, by showing a selection of contemporary painting, in all of its variety and in- ventiveness. While the work is from all across the world, with a number of styles and social commitments, nevertheless, the exhibition, has a feeling of cohesion and direction. What stands out most is the interplay between the effects of new media (especially social networks such as Instagram), the verities of brush and canvas, and the ever-present tensions between guration and abstraction. Speci cally, many of the works engage by giv- ing the viewer a feeling of abstraction anthropomorphized, touching on themes of trans-humanism and the future of the body as a unitary, stable, whole. -
Flipping the Script: Gabriela Silang's Legacy Through Stagecraft
Dominican Scholar Humanities & Cultural Studies | Senior Liberal Arts and Education | Theses Undergraduate Student Scholarship 5-2020 Flipping the Script: Gabriela Silang’s Legacy through Stagecraft Leeann Francisco Dominican University of California https://doi.org/10.33015/dominican.edu/2020.HCS.ST.02 Survey: Let us know how this paper benefits you. Recommended Citation Francisco, Leeann, "Flipping the Script: Gabriela Silang’s Legacy through Stagecraft" (2020). Humanities & Cultural Studies | Senior Theses. 2. https://doi.org/10.33015/dominican.edu/2020.HCS.ST.02 This Senior Thesis is brought to you for free and open access by the Liberal Arts and Education | Undergraduate Student Scholarship at Dominican Scholar. It has been accepted for inclusion in Humanities & Cultural Studies | Senior Theses by an authorized administrator of Dominican Scholar. For more information, please contact [email protected]. Flipping the Script: Gabriela Silang’s Legacy through Stagecraft By Leeann Francisco A culminating thesis submitted to the faculty of Dominican University of California in partial fulfillment of the requirements for the degree of Bachelor of Arts in Humanities Dominican University of California San Rafael, CA May 2020 ii Copyright © Francisco 2020. All rights reserved iii ABSTRACT Flipping the Script: Gabriela Silang’s Legacy through Stagecraft is a chronicle of the scriptwriting and staging process for Bannuar, a historical adaptation about the life of Gabriela Silang (1731-1763) produced by Dominican University of California’s (DUC) Filipino student club (Kapamilya) for their annual Pilipino Cultural Night (PCN). The 9th annual show was scheduled for April 5, 2020. Due to the limitations of stagecraft, implications of COVID-19, and shelter-in-place orders, the scriptwriters made executive decisions on what to omit or adapt to create a well-rounded script. -
February 6, 2016 Hawaii Filipino Chronicle 1
FeBruary 6, 2016 HawaII FIlIPIno CHronICle 1 ♦ FEBRUARY 6, 2016 ♦ Photo credit: Jason Moore BIG ISLAND MEMORIES LEGAL NOTES NON-FIcTION STORy sakada day In keeau ImmIgratIon raIds Cause love and sInulog FestIval Fear among ImmIgrant knows no In kona CommunItIes Bounds PRESORTED HAWAII FILIPINO cHRONIcLE STANDARD 94-356 WAIPAHU DEPOT RD., 2ND FLR. U.S. POSTAGE WAIPAHU, HI 96797 PAID HONOLULU, HI PERMIT NO. 9661 2 HawaII FIlIPIno CHronICle FeBruary 6, 2016 EDITORIALS FROM THE PUBLISHER Publisher & Executive Editor ung Hee Fat Choy! Just when Charlie Y. Sonido, M.D. More Filipinos Artists the newness and excitement of Publisher & Managing Editor 2016 has faded, there’s Chinese Chona A. Montesines-Sonido Making News New Year to celebrate. So in the Associate Editors Dennis Galolo | Edwin Quinabo ilipinos are headliners in sports, entertainment, spirit of Chinese New Year, K Contributing Editor beauty pageants and politics to name just a few. One which is officially observed on Belinda Aquino, Ph.D. field that tends to be overlooked is fine arts—and February 8, the Chronicle’s staff and edi- Creative Designer understandably so. Art is often an afterthought and torial board would like to wish our readers Junggoi Peralta a luxury in a Third World Country like the Philip- F a very happy, safe and prosperous Year of the Monkey. Photography pines where the majority of the people work extra For this issue’s cover story, contributing writer Carolyn Tim Llena hard to make ends meet. But with the recent successes of a grow- Administrative Assistant Weygan-Hildebrand introduces us to talented Filipino artist Shalimar Pagulayan ing number of Filipino artists, the international art world is notic- Philip Sabado whose paintings have delighted those fortunate columnists ing that pinoys are pretty damn good when it comes to visually enough to see them up-close-and-personal. -
Crazy Ex-Girlfriend and Feminist Politics of Offence
KATRIN HORN “PERIOD SEX”: CRAZY EX-GIRLFRIEND AND FEMINIST POLITICS OF OFFENCE When cartoon versions of the supporting cast call the main character of The CW’s Crazy Ex-Girlfriend (2015–) exactly that – a crazy ex-girlfriend – in the opening credits of season one, the offended Rebecca Bunch (played by co-creator Rachel Bloom) vehemently protests: “the situation is a lot more nuanced than that!” TV critics mostly agree, calling the show “witty, well-acted, brazenly inventive, and a pleasure to watch” (Bastién 2017) or simply “The Best Show on TV [...] that demonstrates the near-total creative freedom of TV’s latest evolutionary period better than any other” (Zoller Seitz 2016). A Slate-review that proclaims it “one of the most critically acclaimed programs on broadcast television,” however, also notes that Crazy Ex-Girlfriend (CXG) is not “among the lowest [rated], but consistently in the absolute last spot, almost as if it’s trying to make a point” (Wilson 2018). Headlines like “4 reasons why ‘Crazy Ex- Girlfriend’ is the best show you’re not watching (Fitzpatrick 2015) are therefore a staple of the show’s critical reception. The explanation usually given – “Hate the title? Us too […]” (Pandell 2016) – is that show’s title, “a sexist term,” as the credit sequence acknowledges, is so offensive it repels most potential viewers. The embrace of offensiveness in the “Subversive Show with the Terrible Name” (Lenker 2016), however, does not stop there. It instead extents to narrative as well as aesthetic levels. As such, the title is not so much ‘terrible’ as it is telling: it proclaims the show’s reliance on offence, which is used – this article argues – as a tool of feminist critique of contemporary modes of representation of women, romance, and mental illness. -
US Mainstream Media Index May 2021.Pdf
Mainstream Media Top Investors/Donors/Owners Ownership Type Medium Reach # estimated monthly (ranked by audience size) for ranking purposes 1 Wikipedia Google was the biggest funder in 2020 Non Profit Digital Only In July 2020, there were 1,700,000,000 along with Wojcicki Foundation 5B visitors to Wikipedia. (YouTube) Foundation while the largest BBC reports, via donor to its endowment is Arcadia, a Wikipedia, that the site charitable fund of Lisbet Rausing and had on average in 2020, Peter Baldwin. Other major donors 1.7 billion unique visitors include Google.org, Amazon, Musk every month. SimilarWeb Foundation, George Soros, Craig reports over 5B monthly Newmark, Facebook and the late Jim visits for April 2021. Pacha. Wikipedia spends $55M/year on salaries and programs with a total of $112M in expenses in 2020 while all content is user-generated (free). 2 FOX Rupert Murdoch has a controlling Publicly Traded TV/digital site 2.6M in Jan. 2021. 3.6 833,000,000 interest in News Corp. million households – Average weekday prime Rupert Murdoch Executive Chairman, time news audience in News Corp, son Lachlan K. Murdoch, Co- 2020. Website visits in Chairman, News Corp, Executive Dec. 2020: FOX 332M. Chairman & Chief Executive Officer, Fox Source: Adweek and Corporation, Executive Chairman, NOVA Press Gazette. However, Entertainment Group. Fox News is owned unique monthly views by the Fox Corporation, which is owned in are 113M in Dec. 2020. part by the Murdoch Family (39% share). It’s also important to point out that the same person with Fox News ownership, Rupert Murdoch, owns News Corp with the same 39% share, and News Corp owns the New York Post, HarperCollins, and the Wall Street Journal. -
'Brainwashed', Maria Giese and Summer Xinlei Yang Join As Co-Producers
10/11/2020 Nina Menkes Sets #MeToo Documentary ‘Brainwashed’ – Deadline TIP US Save an average of $536* when you switch to State Farm Auto Insurance. *Average annual per household savings based on a 2019 national survey by State Farm of new policyholders who reported savings by switching to State Farm. BREAKING NEWS 'Cleopatra' Teams Gal Gadot & Patty Jenkins For Paramount Win HOME / FILM / BREAKING NEWS Nina Menkes Sets #MeToo Documentary ‘Brainwashed’, Maria Giese And Summer Xinlei Yang Join As Co-Producers By Dino-Ray Ramos October 9, 2020 10:00am OFFICIAL BRAINWASHED TEASER As the #MeToo movement continues to resonate, filmmaker Nina Menkes has unveiled details about her forthcoming documentary Brainwashed and the all-female team behind it. The feature docu exposes common cinematic techniques that disempower women and girls. Produced, conceived and directed by Menkes, the film is slated for completion in mid-2021 and will be entered for festival consideration. https://deadline.com/2020/10/nina-menkes-metoo-documentary-brainwashed-maria-giese-summer-xinlei-yang-1234594229/ 1/13 10/11/2020 Nina Menkes Sets #MeToo Documentary ‘Brainwashed’ – Deadline The docu gives incisive commentary on films from the 1940s through the present. Using key scenesTIP US from A-list directors, Menkes spotlights how filmmakers employ framing, lighting, visual effects and camera angles to disempower women while appearing to glamorize them. These cinematic techniques for disempowerment have been dubbed “The Menkes List.” ADVERTISEMENT Maria Giese and Summer Xinlei Yang have boarded the project as co-producers. Giese is the DGA member who instigated the groundbreaking 2015 industry-wide federal investigation of sex discrimination in Hollywood. -
New Museum and K11 Art Foundation Announce a New Partnership To
FOR IMMEDIATE RELEASE July 5, 2016 New Museum and K11 Art Foundation Announce a New Partnership to Establish Residency for an Emerging Chinese Artist Artist Cheng Ran Selected for Three-Month Residency and Solo Exhibition, Opening at New Museum October 2016 New York, NY…The New Museum and the K11 Art Foundation (KAF) today announced a new partnership to support a residency and exhibition program for young Chinese artists. One of the most dynamic art institutions at work in Greater China today, KAF has, since 2010, supported a series of artist residencies in China and initiated major new productions by emerging Chinese artists internationally. KAF and the New Museum share a common mission to empower and incubate the talent of artists by facilitating the production of new works and providing opportunities for presentation locally and globally. Photo: Cheng Ran After reviewing more than fifty portfolios and interviewing more than fifteen artists, the New Museum and KAF have selected Hangzhou-based artist Cheng Ran for a three-month residency in New York City, which will culminate in an exhibition in the New Museum’s Lobby Gallery. Cheng Ran will be working in residence at the Museum’s adjacent 231 Bowery studio space from August to October 2016, with his exhibition opening to the public on October 19. Though his work has been exhibited internationally, the New Museum show will be the artist’s first US solo exhibition and the result of his first visit to the United States. Cheng Ran is one of the most promising younger Chinese artists working today.