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1 Alfred Hrdlicka 7 Honet 13 Julie Hayward 19 Peter Kogler 25 Aldo Giannotti 31 Esther Stocker Mahnmal gegen Krieg Totem Modern 2013 abtauchen/auftauchen 2009 U-Bahn-Station Karlsplatz 2011 Buildings on Buildings #2 2017 TONSPUR_passage 2006 und Faschismus 1988 14 concrete columns of the subway The Austrian artist Julie Hayward (*1968) The Austrian artist Peter Kogler’s (*1959) The project Buildings on Buildings by the The SOUNDTRACK_passage is one of The Vienna City Council commissioned line U2 along the Vorgartenstraße form has designed the short passage from solution for the intermediate level of Italian artist Aldo Giannotti (*1977) com- five passages in the MuseumsQuartier the Austrian sculptor Alfred Hrdlicka the stage for this street art project. here to there and vice versa as a zone of the subway station Karlsplatz is aimed prises three interventions in the Vienna Wien dedicated to a certain theme. It (1928–2009) to conceive a Monument The minimalist figures of the French switching from one to the other. People at virtually extending its real spatial cityscape. Highest Building in the World is located between courtyards 7 and 8. against War and Fascism. Controversial- artist Honet (*1972) visually refer to the coming from the city go underground in structure. A network of computer-gene- has the house participate in a worldwide The vault design was developed by the ly discussed at the time, the ensemble superheroes of the 1970s, linking them the direction of the Donaukanal (Danube rated tube forms seems to dissolve the competition of the highest construc- South Tyrolean artist Esther Stocker shows suffering, pain, and humiliation up to a modern totemism. Canal). Guided by the bright blue of the boundaries of architecture and, with its tions and, as such, refers ironically to a (*1974). quartier 21 presents sitespeci- as consequences of fascism, war, and passage, the way leads them toward the dynamically intertwined shapes, alludes global superstructure delusion. fic sound works by international artists anti-Semitism. 1020 Vienna, columns between Trabrenn- water – and back into the light again. to the level’s transfer function at the there on a temporary basis. straße and Stella-Klein-Löw-Weg same time. 1060 Vienna, Gumpendorfer Straße 40–44, 1010 Vienna, Albertinaplatz g U2 Krieau 1030 Vienna, pedestrian underpass Bruno-Marek-Hof 1070 Vienna, Museumsplatz 1 g U1, U2, U4 Karlsplatz; Angelo-Soliman-Weg , connects Löwen- 1040 Vienna, subway station Karlsplatz, 1150 Vienna, Grangasse 6 g U2, U3 Volkstheater/exit Burggasse; trams 1, 2, D Oper gasse and Treppelweg (Danube Canal) U1/U2 intermediate level g Bus 57A Stiegengasse U2 Museumsquartier g trams 1, O Radetzkyplatz g U1, U2, U4 Karlsplatz © Walter Schaub-Walzer/PID, 2009 © Iris Ranzinger, 2013 © Stephan Wyckoff, 2009 © Iris Ranzinger, 2012 © Aldo Giannotti, 2017 © Kay-Uwe Rossenburg, 2006 2 Ken Lum 8 Helmut & Johanna Kandl 14 Donald Judd 20 Henry Moore 26 Ronald Kodritsch 32 Lois Weinberger Pi 2006 Denkmal für eine Nobelpreis- Stage Set 1991 Hill Arches 1973 Reason to Believe 2009 I-Weed, YOU-Weed 2013 trägerin 2006 The permanent media installation Pi in Stage Set by the American artist Donald The British sculptor Henry Moore (1898– Reason to Believe by the Austrian artist The installation designed for the eleva- the western underground pedestrian After collecting stories and anecdotes in Judd (1928-1994) is the expression 1986) donated his work Hill Arches to Ronald Kodritsch (*1970) is a life-size tor shaft of the Street Art Passageway passageway on Karlsplatz was created the Volkertplatz neighborhood for years, of an uncompromising vision situated the City of Vienna on the occasion of figure of a man with glasses and a plain Vienna forges an artistic link to the by the Canadian artist Ken Lum (*1956). the Austrian artist duo Johanna (*1954) between art and architecture. Six panels the redesign of Karlsplatz in 1975 in grey suit carrying an attaché case, tags and graffiti that mark the streets In the middle of the passageway we find and Helmut (*1953) Kandl condensed made from differently colored strips of 1978. The sculpture was installed in which was mounted on the edge of bordering Vienna’s seventh district. the transcendent number pi (π) with 478 this material to the fictitious biogra- fabric are mounted at differing heights. the reflecting water basin in front of the roof ledge of a corner building. The Weinberger‘s (*1947) work takes up decimal places, with the most recently phy of a woman who will be awarded They rhythmize the open space and St. Charles’s Church. Its softly flowing economic crisis is viewed from a new both their writtenness and their prolife- calculated figures being shown on the the Nobel Prize for Economics in 2045. visualize serializations and processes lines describe two rhythmically moving perspective from above. Where does rating, intoxicating aspects, and mirrors display. The Monument to a Female Nobel Prize that are characteristic of Judd’s work. bodies, whose gaps are as important as one step further get me? them into the MuseumsQuartier. Winner is dedicated to her. their material forms. 1010 Vienna, subway station Karlsplatz, 1030 Vienna, Stadtpark (between 1060 Vienna, rooftop Getreidemarkt 17/ 1070 Vienna, elevator shaft of the Street western passageway, exit Secession 1020 Vienna, Volkertplatz bridge and path toward Heumarkt) 1040 Vienna, Karlsplatz corner Mariahilfer Straße Art Passageway in the MQ, Museumsplatz 1 g U1, U2, U4 Karlsplatz g tram 2 Taborstraße/Heinestraße; g U4 Stadtpark g U1, U2, U4 Karlsplatz g U2 Museumsquartier g U2, U3 Volkstheater/exit Burggasse; bus 80A Volkertplatz U2 Museumsquartier © Jörg Auzinger, 2006 © Andrea Huemer, 2009 © Nora Höglinger/KÖR GmbH, 2015 © Eva Amann/KÖR GmbH, 2012 © Norbert Pruscha © Barbara Horvath/KÖR GmbH, 2014 3 Olaf Nicolai 9 Michaela Melián 15 Gerold Tagwerker 21 Michael Sailstorfer 27 Franz West 33 VALIE EXPORT Denkmal für die Verfolgten Herminengasse 2017 mirror.grid_passage 2012 Hauptweg und Nebenwege 2017 Gerngross-Säule 2000/2007 Kubus EXPORT – Der Trans parente der NS-Militärjustiz 2014 Raum 2001 A research study for this project estab- Together with the architect Anna Titled Primary Route and Byways, the The Austrian artist Franz West (1947– During the Second World War, Nazi military lished that, between 1938 and ’45, Wickenhauser, the Austrian artist Gerold three sculptures by the German artist 2012) dedicated this column to the Cube EXPORT – The Transparent Room is justice handed out more than 30,000 death 800 Jewish men and women who lived Tagwerker (*1965) designed a horizontal Michael Sailstorfer (*1979) positioned architect, exhibition organizer, and a glass volume designed by the Austrian sentences most of which were passed in Herminengasse were eventually grid band of grey ceramic tiles for the above the subway ventilation shafts journalist Heidulf Gerngross (*1939). media artist VALIE EXPORT (*1940) and against deserters. The Memorial to the deported by the Nazis. The German artist walls of the pedestrian underpass, which reflect the importance of the square as The Gerngross Column is intended as a installed under an arch of the elevated Victims of Nazi Military Justice by the Ger- Michaela Melián (*1956) traces the fates is ornamentally rhythmized by mirror tiles a traffic hub. Based on drawings that metaphor of an exhibition organizer’s track of the city’s former metropolitan man artist Olaf Nicolai (*1962) stages the of these individuals by drawing lines interrupting the band both vertically and show the local traffic situation and Herculean task. An egg with the mirror railway. It was conceived as an open Vienna situation of the individual and demons- that lead from the residential houses in horizontally. Vienna’s rail network, the sculptures image of Gerngross’s name caps the space for communication, creativity, trates respect for all those who position Herminengasse to the various concent- evoke maps, paths, or routes. garbage can tower. and contemplation and serves as a themselves against the current system. ration camps. 1030 Vienna, pedestrian underpass venue for presentations by artists. Public Art Art Public Adolf-Blamauer-Gasse/Ghegastraße 1040 Vienna, Südtiroler Platz 1060 Vienna, Rahlgasse 5 (traffic circle) 1010 Vienna, Ballhausplatz 1020 Vienna, subway station Schottenring, g tram 18 Heinrich-Drimmel-Platz g U1 Südtiroler Platz – Hauptbahnhof; g U2 Museumsquartier 1080 Vienna, Lerchenfelder Gürtel, g U2, U3 Volkstheater; trams 1, 2, D exit Herminengasse (U2 train platform) trams 18, O Hauptbahnhof Gürtelbogen 48 Dr.-Karl-Renner-Ring g U2, U4, trams 1, 31 Schottenring g U6, tram 2 Josefstädter Straße © Iris Ranzinger, 2014 © Iris Ranzinger, 2017 © Iris Ranzinger, 2012 © Michael Strasser, 2017 © Ulrike Wagendorfer, 2009 © Nora Höglinger/KÖR GmbH, 2015 4 Plattform Geschichtspolitik 10 Speto 16 PRINZpod 22 Ulrike Lienbacher 28 Iris Andraschek 34 Hofstetter Kurt About KÖR Publisher’s Notes Weinheber ausgehoben 2019 3 Brothers 2014 Aspang Railway Station Memorial IDYLLE 2002 Tell these people who I am 2011/2012 N.I.C. – nature is cool 2009 2017 Kunst im öffentlichen Raum (KÖR) Publisher: The concrete foundation of the monu- The work by the Brazilian artist Speto The façade of the municipal housing The Austrian artist Iris Andraschek’s N.I.C. – nature is cool is a sculpture GmbH (Public Art Vienna) is com- Kunst im öffentlichen Raum GmbH ment to the Nazi poet Josef Weinheber, (*1971) pays homage to the Villas Bôas In 1939 and 1941/42, a total of 47,035 estate shows a wall picture by the (*1963) work comprises three “ carpets” by the Austrian artist Hofstetter Kurt Hörnesgasse 2/1, A-1030 Vienna mitted to breathing new life into erected in 1975, was uncovered on the brothers and the narrative cultures Austrian Jews, men and women, were painter Rudolf Böttiger which unfolds milled into different sidewalks of Vien- (*1959). Three spheres with a diame- www.koer.or.at the city of Vienna’s public space initiative of the Plattform Geschichtspo- of Brazil’s indigenous population.

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