Marie Belloc Lowndes
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Anno Dracula - Johnny Alucard Pdf, Epub, Ebook
ANNO DRACULA - JOHNNY ALUCARD PDF, EPUB, EBOOK Kim Newman | 480 pages | 19 Sep 2014 | Titan Books Ltd | 9781781164228 | English | London, United Kingdom Anno Dracula - Johnny Alucard PDF Book It includes references to Taxi Driver , Ms. I think part of it is due to it being mostly composed of short stories, but it seemed more like a way for Newman to play around with references instead of give us a full plot. Son of the Dragon. I still enjoyed it, but maybe not as much as the other books in the series. Hollywood, the glitz, the glamour, the stars. This is a denser, much more complex and nuanced book in the Anno Dracula series, which shows an intelligence, an intensity, a knowing wink in a novel designed to homage as well as entertain that many other similar books lack. It's an assemblage of some previously published stories and new material, and the seams show, but these concerns are largely silenced by its many inspired moments and an unexpectedly moving finish. When the red thirst was on them, their famed powers of insight and persuasion turned to fuzz and fudge. Maybe there is more to be said. A relic of the past. Just a touch. The only attachment that I had to the three female leads is mostly due to my prior encounters with them. The series currently consists of five novels and a number of short stories and novellas. The stories have a lot to do with movies, and you can see Newman's love of film shine through as he takes us through the world of making movies, but what I wanted was more story, more depth, and more coherence. -
BOOKNEWS from ISSN 1056–5655, © the Poisoned Pen, Ltd
BOOKNEWS from ISSN 1056–5655, © The Poisoned Pen, Ltd. 4014 N. Goldwater Blvd. Volume 28, Number 11 Scottsdale, AZ 85251 October Booknews 2016 480-947-2974 [email protected] tel (888)560-9919 http://poisonedpen.com Horrors! It’s already October…. AUTHORS ARE SIGNING… Some Events will be webcast at http://new.livestream.com/poisonedpen. SATURDAY OCTOBER 1 2:00 PM Holmes x 2 WEDNESDAY OCTOBER 19 7:00 PM Laurie R King signs Mary Russell’s War (Poisoned Pen $15.99) Randy Wayne White signs Seduced (Putnam $27) Hannah Stories Smith #4 Laurie R King and Leslie S Klinger sign Echoes of Sherlock THURSDAY OCTOBER 20 7:00 PM Holmes (Pegasus $24.95) More stories, and by various authors David Rosenfelt signs The Twelve Dogs of Christmas (St SUNDAY OCTOBER 3 2:00 PM Martins $24.99) Andy Carpenter #14 Jodie Archer signs The Bestseller Code (St Martins $25.99) FRIDAY OCTOBER 21 7:00 PM MONDAY OCTOBER 3 7:00 PM SciFi-Fantasy Club discusses Django Wexler’s The Thousand Kevin Hearne signs The Purloined Poodle (Subterranean $20) Names ($7.99) TUESDAY OCTOBER 4 Ghosts! SATURDAY OCTOBER 22 10:30 AM Carolyn Hart signs Ghost Times Two (Berkley $26) Croak & Dagger Club discusses John Hart’s Iron House Donis Casey signs All Men Fear Me ($15.95) ($15.99) Hannah Dennison signs Deadly Desires at Honeychurch Hall SUNDAY OCTOBER 23 MiniHistoricon ($15.95) Tasha Alexander signs A Terrible Beauty (St Martins $25.99) SATURDAY OCTOBER 8 10:30 AM Lady Emily #11 Coffee and Club members share favorite Mary Stewart novels Sherry Thomas signs A Study in Scarlet Women (Berkley -
A Rhetorical Analysis of Wicked's Elphaba
“IT’S JUST THAT FOR THE FIRST TIME, I FEEL… WICKED”: A RHETORICAL ANALYSIS OF WICKED’S ELPHABA USING KENNETH BURKE’S GUILT-PURIFICATION-REDEMPTION CYCLE by Patricia C. Foreman A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree Master of Arts in Communication Studies at Liberty University May 2013 Foreman 2 Acknowledgements First and foremost, to “my Dearest, Darlingest Momsy and Popsicle,” and to my brother Gary, thank you so much for your constant support, encouragement, direction and love. I appreciate your words of wisdom and advice that always seem to be just what I need to hear. To each of my fellow graduate assistants, thank you for “dancing through life” with me. Thank you for becoming not only co-workers, but also some of my best friends. To my thesis committee – Dr. William Mullen, Dr. Faith Mullen, and Dr. Lynnda S. Beavers – thank you all so much for your help. This finished thesis is, without a doubt, the “proudliest sight” I’ve ever seen, and I thank you for your time, effort and input in making this finished product a success. Finally, to Mrs. Kim, and all of my fellow “Touch of Swing”-ers, who inspired my love of the Wicked production, and thus, this study. For the long days of rehearsals, even longer nights on tour buses, and endless hours of memories that I’ll not soon forget... “Who can say if I’ve been changed for the better? I do believe I have been changed for the better. And because I knew you, I have been changed for good.” Foreman 3 In Memory Of… Lauren Tuck May 14, 1990 – September 2, 2010 “It well may be that we will never meet again in this lifetime, so let me say before we part, so much of me is made of what I learned from you. -
<H1>The Lodger by Marie Belloc Lowndes</H1>
The Lodger by Marie Belloc Lowndes The Lodger by Marie Belloc Lowndes The Lodger by Marie Belloc Lowndes "Lover and friend hast thou put far from me, and mine acquaintance into darkness." PSALM lxxxviii. 18 CHAPTER I Robert Bunting and Ellen his wife sat before their dully burning, carefully-banked-up fire. The room, especially when it be known that it was part of a house standing in a grimy, if not exactly sordid, London thoroughfare, was exceptionally clean and well-cared-for. A casual stranger, more particularly one of a Superior class to their own, on suddenly opening the door of that sitting-room; would have thought that Mr. page 1 / 387 and Mrs. Bunting presented a very pleasant cosy picture of comfortable married life. Bunting, who was leaning back in a deep leather arm-chair, was clean-shaven and dapper, still in appearance what he had been for many years of his life--a self-respecting man-servant. On his wife, now sitting up in an uncomfortable straight-backed chair, the marks of past servitude were less apparent; but they were there all the same--in her neat black stuff dress, and in her scrupulously clean, plain collar and cuffs. Mrs. Bunting, as a single woman, had been what is known as a useful maid. But peculiarly true of average English life is the time-worn English proverb as to appearances being deceitful. Mr. and Mrs. Bunting were sitting in a very nice room and in their time--how long ago it now seemed!--both husband and wife had been proud of their carefully chosen belongings. -
Akins Papers: Finding Aid
http://oac.cdlib.org/findaid/ark:/13030/c8h132ss No online items Zoë Akins Papers: Finding Aid Finding aid prepared by Gayle M. Richardson. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © 2008 The Huntington Library. All rights reserved. Zoë Akins Papers: Finding Aid mssZA 1-7330 1 Overview of the Collection Title: Zoë Akins Papers Dates (inclusive): 1878 - 1959 Collection Number: mssZA 1-7330 Creator: Akins, Zoë, 1886-1958. Extent: 7,354 pieces in 185 boxes + ephemera. Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: This collection contains the personal and professional papers of American writer Zoë Akins (1886-1958). It includes correspondence with various literary, theatrical and motion picture figures of the first half of the twentieth century. There are also manuscripts of novels, plays, poems, short stories, outlines for plays, and articles. There is also correspondence related to her husband, Hugo Rumbold (d. 1932), and the Rumbold family. Language: English. Access Open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities. The responsibility for identifying the copyright holder, if there is one, and obtaining necessary permissions rests with the researcher. -
Notions of the Gothic in the Films of Alfred Hitchcock. CLARK, Dawn Karen
Notions of the Gothic in the films of Alfred Hitchcock. CLARK, Dawn Karen. Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/19471/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version CLARK, Dawn Karen. (2004). Notions of the Gothic in the films of Alfred Hitchcock. Masters, Sheffield Hallam University (United Kingdom).. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk Sheffield Hallam University Learning and IT Services Adsetts Centre City Campus Sheffield S1 1WB Return to Learning Centre of issue Fines are charged at 50p per hour REFERENCE ProQuest Number: 10694352 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10694352 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Notions of the Gothic in the Films of Alfred Hitchcock Dawn Karen Clark A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Master of Philosophy July 2004 Abstract The films of Alfred Hitchcock were made within the confines of the commercial film industries in Britain and the USA and related to popular cultural traditions such as the thriller and the spy story. -
Urband '13 Downs Enemy Plane; Meissner '18 Becomes Ace Nine More Deaths in Service Bring Total to Forty-Two Four Cornell Men Wounded, Two Missing, Two Captured
VOL. XX, No. 40 IPRICE TEN CENTS] AUGUST, 1918 Urband '13 Downs Enemy Plane; Meissner '18 Becomes Ace Nine More Deaths in Service Bring Total to Forty-two Four Cornell Men Wounded, Two Missing, Two Captured The University Likely to Become A Military Camp Professor Crane Describes the Wason Chinese Collection ITHACA, NEW YORK CORNELL ALUMNI NEWS Jas. H. Oliphant & Co. The Mercersburg Academy The Farmers' Loan and ALFRED L. NORRIS, FLOYD W. MUNDY '98 Prepares for all colleges and Trust Company J. NORRIS OLIPHANT Όl J. J. BRYANT, jr.,'98, FRANK L. VANWIE universities; Aims at thorough 16, 18, 20, 22 William St., New York scholarship, broad attainments Branch 475 Fifth Ave. Members New York Stock Exchange and Christian manliness 16 Pal1Ma UEast s w 1 and Chicago Stock Exchange jί 26 Old Broad Street» , E.C. 2 New York Office, 61 Broadway PARIS 41 Boulevard Haussman Chicago Office, 711 The Rookery ADDRESS WILLIAM MANN IRVINE, Ph.D. LETTERS OF CREDIT President FOREIGN EXCHANGES Herbert G. Ogden CABLE TRANSFERS E. E., '97 MERCERSBURG, PA. Attorney and Counsellor at Law Patents and Patent Causes Cascadilla School Going to Ithaca? 120 Broadway New York The Leading Preparatory School for Cornell Use the "Short Line" between Located at the edge of the University campus. Exceptional advantages for Auburn (Monroe St.) and Ithaca college entrance work Congenial living. Better Quicker Cheaper Athletic training. Certificate privilege. Direct connections at Auburn with For information and catalogue address: New York Central Trains for W. D. Funkhouser, Principal Syracuse, Albany and Boston. The Sign of Ithaca, N. -
NEW RELEASES MP3 CD, CD & LIBRARY DOWNLOAD COMPLETE and UNABRIDGED 1 Introducing Samantha Silva… Samantha Silva Is a Writer and Screenwriter Based in Idaho
JULY– SEPTEMBER 2021 Canada ULVERSCROFT AUDIO NEW RELEASES MP3 CD, CD & LIBRARY DOWNLOAD COMPLETE AND UNABRIDGED 1 Introducing Samantha Silva… Samantha Silva is a writer and screenwriter based in Idaho. She is currently adapting her debut novel, Mr Dickens and His Carol, for the stage. Love and Fury is her latest novel. Introduce us to Love and Fury. Everyone knows Mary Shelley, who gave us Frankenstein, but not everyone knows her mother, who gave us feminism…Wollstonecraft is an enormously important 18th century writer and philosopher who argues and fights with every shred of her being for an end to tyranny, whether of kings, of marriage, or men. She took Edmund Burke head on, supported both the American and French Revolutions…and managed to live as an independent woman, supporting herself as a writer, which is extraordinary for the period. She was famous in her own lifetime, but her reputation was destroyed for a century when her grieving husband, radical philosopher William Godwin, rushed to write a tell-all memoir, including her tragic love affairs, out-of-wedlock child, severe depression, suicide attempts, that scandalised even her admirers. I think we’re still recovering from that loss – trying to recover her. ‘Two centuries later, her fight for gender equality is still the fight, and her presence as necessary as ever.’ What’s your favourite quality about her? It hadn’t occurred to me that my favourite qualities of Wollstonecraft’s – fierce love and rage – are qualities of mine, even if not as attractive in me as they are in her. -
„Yours Truly, Jack the Ripper”
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Duisburg-Essen Publications Online „Yours truly, Jack the Ripper” Die interdiskursive Faszinationsfigur eines Serienmörders in Spannungsliteratur und Film Dissertation zur Erlangung des akademischen Grades Dr. phil. im Fach Germanistik am Institut für Geisteswissenschaften der Universität Duisburg-Essen Vorgelegt von Iris Müller (geboren in Dortmund) Erstgutachter: Prof. Dr. Jochen Vogt Zweitgutachter: Prof. Dr. Rolf Parr Tag der Disputation: 26. Mai 2014 Inhalt 1. Vorbemerkungen ..................................................................................... 4 1.1 Erkenntnisinteresse .............................................................................. 7 1.2 ‚Jack the Ripper‘ als interdiskursive Faszinationsfigur .......................... 9 1.3 Methodik und Aufbau der Arbeit ......................................................... 11 2. Die kriminalhistorischen Fakten ........................................................... 13 2.1 Quellengrundlage: Wer war ‚Jack the Ripper‘? ................................... 13 2.2 Whitechapel 1888: Der Tatort ............................................................. 14 2.3 Die Morde .......................................................................................... 16 2.3.1 Mary Ann Nichols ................................................................................................ 16 2.3.2 Annie Chapman .................................................................................................. -
Jack the Ripper in Film and Culture
Jack the Ripper in Film and Culture Top Hat, Gladstone Bag and Fog Clare Smith General Editor: Clive Bloom Crime Files Series Editor Clive Bloom Emeritus Professor of English and American Studies Middlesex University London Since its invention in the nineteenth century, detective fi ction has never been more popular. In novels, short stories, fi lms, radio, television and now in computer games, private detectives and psychopaths, poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fi ction. Every aspect of crime writing, detective fi ction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. More information about this series at http://www.springer.com/series/[14927] Clare Smith Jack the Ripper in Film and Culture Top Hat, Gladstone Bag and Fog Clare Smith University of Wales: Trinity St. David United Kingdom Crime Files ISBN 978-1-137-59998-8 ISBN 978-1-137-59999-5 (eBook) DOI 10.1057/978-1-137-59999-5 Library of Congress Control Number: 2016938047 © The Editor(s) (if applicable) and The Author(s) 2016 The author has/have asserted their right to be identifi ed as the author of this work in accor- dance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. -
Jack the Ripper
Learning Curve Learning Curve Education Service Workshops Key Stage 4 Jack the Ripper Contents Teachers notes 2 Documents 1 to 6: Police letters 5 Worksheet for Police letters 17 Documents 7 to 12: ‘Jack the Ripper’ letters 19 Worksheet for ‘Jack the Ripper’ letters 31 1 Learning Curve Education Service workshops Jack the Ripper Teacher’s notes Aims of the workshop This videoconference workshop is designed for those taking the Edexcel GCSE coursework option on Jack the Ripper. Through a study of original correspondence taken from the Metropolitan Police Letter Books and the Jack the Ripper letters held here at the National Archives, students will investigate why the police were unable to catch the murderer. They will research the different methods employed by the police in their efforts to apprehend Jack the Ripper, as well as those suggested by members of the public, to question whether or not they were to blame for not bringing him (or her!) to justice. The Jack the Ripper letters will also be examined to understand the impact they had on the police investigation of the case, and what they reveal about society’s attitudes to the murders. In addition to this, students will examine original census returns from 1881 to build up a picture of Whitechapel at the time of the murders and consider how this evidence can also help us to understand the difficulties faced by police in their investigations into the case. Who’s who Sir Charles Warren: Chief Commissioner of the Metropolitan Police until November 1888 Sir James Munro: Chief Commissioner of the Metropolitan Police from November 1888 Sir James Fraser: Commissioner of the City of London Police Henry Matthews: Secretary of State for the Home Office (Home Secretary) Percy Lindley: a breeder of bloodhounds from Loughton, Essex Thomas Blair: a member of the public from Gribton, Dumfries Documents Document 1: reference MEPO 1/55 (p.321 – 323) Police letter, undated. -
Valuations of Femininity in 1920S Stage Adaptations from Women's
Capital Complex: Valuations of Femininity in 1920s Stage Adaptations from Women’s Culture By Bethany Wood A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Theatre and Drama) at the UNIVERSITY OF WISCONSIN-MADISON 2012 Date of final oral examination: 10/15/12 This dissertation is approved by the following members of the Final Oral Committee: Mary Trotter, Associate Professor, Theatre and Drama Aparna Bhargava Dharwadker, Professor, Theatre and Drama Michael Vanden Heuvel, Professor, Theatre and Drama Julie D’Acci, Professor, Gender and Women’s Studies Jonathan Gray, Professor, Communication Arts © Copyright by Bethany Wood 2012 All Rights Reserved i Acknowledgements I am truly grateful for the generous personal and institutional support I have received throughout the research and writing of this dissertation. I am deeply indebted to my advisor, Dr. Mary Trotter, for her careful reading and insightful comments and questions, which inspired and directed this dissertation. Her advice and queries consistently push and guide my work in productive directions, and I am thankful for her mentorship. I would also like to express my appreciation for my dissertation committee, Dr. Julie D’Acci, Dr. Aparna Dharwadker, Dr. Jonathan Gray, and Dr. Michael Vanden Heuvel, whose suggestions helped hone my initial proposal and advance the complexity of my analysis. I am grateful for their insights and inquiries. Financial support from several institutions assisted with the research and completion