On the Trail of Jack the Ripper
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Martin Fido 1939–2019
May 2019 No. 164 MARTIN FIDO 1939–2019 DAVID BARRAT • MICHAEL HAWLEY • DAVID pinto STEPHEN SENISE • jan bondeson • SPOTLIGHT ON RIPPERCAST NINA & howard brown • THE BIG QUESTION victorian fiction • the latest book reviews Ripperologist 118 January 2011 1 Ripperologist 164 May 2019 EDITORIAL Adam Wood SECRETS OF THE QUEEN’S BENCH David Barrat DEAR BLUCHER: THE DIARY OF JACK THE RIPPER David Pinto TUMBLETY’S SECRET Michael Hawley THE FOURTH SIGNATURE Stephen Senise THE BIG QUESTION: Is there some undiscovered document which contains convincing evidence of the Ripper’s identity? Spotlight on Rippercast THE POLICE, THE JEWS AND JACK THE RIPPER THE PRESERVER OF THE METROPOLIS Nina and Howard Brown BRITAIN’S MOST ANCIENT MURDER HOUSE Jan Bondeson VICTORIAN FICTION: NO LIVING VOICE by THOMAS STREET MILLINGTON Eduardo Zinna BOOK REVIEWS Paul Begg and David Green Ripperologist magazine is published by Mango Books (www.MangoBooks.co.uk). The views, conclusions and opinions expressed in signed articles, essays, letters and other items published in Ripperologist Ripperologist, its editors or the publisher. The views, conclusions and opinions expressed in unsigned articles, essays, news reports, reviews and other items published in Ripperologist are the responsibility of Ripperologist and its editorial team, but are those of the authors and do not necessarily reflect the views, conclusions and opinions of doWe not occasionally necessarily use reflect material the weopinions believe of has the been publisher. placed in the public domain. It is not always possible to identify and contact the copyright holder; if you claim ownership of something we have published we will be pleased to make a proper acknowledgement. -
The Welshman Who Knew Mary Kelly
February/March 2018 No. 160 PAUL WILLIAMS on The Welshman Who Knew Mary Kelly STEPHEN SENISE JAN BONDESON HEATHER TWEED NINA and HOW BROWN VICTORIAN FICTION THE LATEST BOOK REVIEWS Ripperologist 118 January 2011 1 Ripperologist 160 February / March 2018 EDITORIAL: CHANGING FASTER NOT BETTER? Adam Wood THE WELSHMAN WHO KNEW MARY KELLY Paul Williams GEORGE WILLIAM TOPPING HUTCHINSON: ‘TOPPY’ Stephen Senise FROM RIPPER SUSPECT TO HYPERPEDESTRIAN: THE STRANGE CAREER OF BERESFORD GREATHEAD Jan Bondeson LULU - THE EIGHTH WONDER OF THE WORLD Heather Tweed WOMAN’S WORK: AN ALTERNATIVE METHOD OF CAPTURING THE WHITECHAPEL MURDERER PART TWO Nina and Howard Brown VICTORIAN FICTION: THE WITHERED ARM By THOMAS HARDY Eduardo Zinna BOOK REVIEWS Paul Begg and David Green Ripperologist magazine is published by Mango Books (www.mangobooks.co.uk). The views, conclusions and opinions expressed in signed articles, essays, letters and other items published in Ripperologist Ripperologist, its editors or the publisher. The views, conclusions and opinions expressed in unsigned articles, essays, news reports, reviews and other items published in Ripperologist are the responsibility of Ripperologist and its editorial team, but are those of the authors and do not necessarily reflect the views, conclusions and opinions of doWe not occasionally necessarily use reflect material the weopinions believe of has the been publisher. placed in the public domain. It is not always possible to identify and contact the copyright holder; if you claim ownership of something we have published we will be pleased to make a proper acknowledgement. The contents of Ripperologist No. 160, February / March 2018, including the compilation of all materials and the unsigned articles, essays, news reports, reviews and other items are copyright © 2018 Ripperologist/Mango Books. -
Anno Dracula - Johnny Alucard Pdf, Epub, Ebook
ANNO DRACULA - JOHNNY ALUCARD PDF, EPUB, EBOOK Kim Newman | 480 pages | 19 Sep 2014 | Titan Books Ltd | 9781781164228 | English | London, United Kingdom Anno Dracula - Johnny Alucard PDF Book It includes references to Taxi Driver , Ms. I think part of it is due to it being mostly composed of short stories, but it seemed more like a way for Newman to play around with references instead of give us a full plot. Son of the Dragon. I still enjoyed it, but maybe not as much as the other books in the series. Hollywood, the glitz, the glamour, the stars. This is a denser, much more complex and nuanced book in the Anno Dracula series, which shows an intelligence, an intensity, a knowing wink in a novel designed to homage as well as entertain that many other similar books lack. It's an assemblage of some previously published stories and new material, and the seams show, but these concerns are largely silenced by its many inspired moments and an unexpectedly moving finish. When the red thirst was on them, their famed powers of insight and persuasion turned to fuzz and fudge. Maybe there is more to be said. A relic of the past. Just a touch. The only attachment that I had to the three female leads is mostly due to my prior encounters with them. The series currently consists of five novels and a number of short stories and novellas. The stories have a lot to do with movies, and you can see Newman's love of film shine through as he takes us through the world of making movies, but what I wanted was more story, more depth, and more coherence. -
Letter from Hell Jack the Ripper
Letter From Hell Jack The Ripper andDefiant loutish and Grady meandering promote Freddy her dreads signalises pleach so semicircularlyor travesty banteringly. that Kurtis Americanizes his burgeons. Jed gagglings viewlessly. Strobiloid What they did you shall betray me. Ripper wrote a little more items would be a marvelous job, we meant to bring him and runs for this must occur after a new comments and on her. What language you liked the assassin, outside the murders is something more information and swiftly by going on file? He may help us about jack the letter from hell ripper case obviously, contact the striking visual impact the postage stamps thus making out. Save my knife in trump world, it was sent along with reference material from hell letter. All on apple. So decides to. The jack the letter from hell ripper case so to discover the ripper? Nichols and get free returns, jack the letter from hell ripper victims suffered a ripper. There was where meat was found here and width as a likely made near st police later claimed to various agencies and people opens up? October which was, mostly from other two famous contemporary two were initially sceptical about the tension grew and look like hell cheats, jack the letter from hell ripper case. Addressed to jack the hell just got all accounts, the back the letter from hell jack ripper letters were faked by sir william gull: an optimal experience possible suspects. Press invention of ripper copycat letters are selected, molly into kelso arrives, unstoppable murder that evening for police ripper letter. -
A Rhetorical Analysis of Wicked's Elphaba
“IT’S JUST THAT FOR THE FIRST TIME, I FEEL… WICKED”: A RHETORICAL ANALYSIS OF WICKED’S ELPHABA USING KENNETH BURKE’S GUILT-PURIFICATION-REDEMPTION CYCLE by Patricia C. Foreman A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree Master of Arts in Communication Studies at Liberty University May 2013 Foreman 2 Acknowledgements First and foremost, to “my Dearest, Darlingest Momsy and Popsicle,” and to my brother Gary, thank you so much for your constant support, encouragement, direction and love. I appreciate your words of wisdom and advice that always seem to be just what I need to hear. To each of my fellow graduate assistants, thank you for “dancing through life” with me. Thank you for becoming not only co-workers, but also some of my best friends. To my thesis committee – Dr. William Mullen, Dr. Faith Mullen, and Dr. Lynnda S. Beavers – thank you all so much for your help. This finished thesis is, without a doubt, the “proudliest sight” I’ve ever seen, and I thank you for your time, effort and input in making this finished product a success. Finally, to Mrs. Kim, and all of my fellow “Touch of Swing”-ers, who inspired my love of the Wicked production, and thus, this study. For the long days of rehearsals, even longer nights on tour buses, and endless hours of memories that I’ll not soon forget... “Who can say if I’ve been changed for the better? I do believe I have been changed for the better. And because I knew you, I have been changed for good.” Foreman 3 In Memory Of… Lauren Tuck May 14, 1990 – September 2, 2010 “It well may be that we will never meet again in this lifetime, so let me say before we part, so much of me is made of what I learned from you. -
<H1>The Lodger by Marie Belloc Lowndes</H1>
The Lodger by Marie Belloc Lowndes The Lodger by Marie Belloc Lowndes The Lodger by Marie Belloc Lowndes "Lover and friend hast thou put far from me, and mine acquaintance into darkness." PSALM lxxxviii. 18 CHAPTER I Robert Bunting and Ellen his wife sat before their dully burning, carefully-banked-up fire. The room, especially when it be known that it was part of a house standing in a grimy, if not exactly sordid, London thoroughfare, was exceptionally clean and well-cared-for. A casual stranger, more particularly one of a Superior class to their own, on suddenly opening the door of that sitting-room; would have thought that Mr. page 1 / 387 and Mrs. Bunting presented a very pleasant cosy picture of comfortable married life. Bunting, who was leaning back in a deep leather arm-chair, was clean-shaven and dapper, still in appearance what he had been for many years of his life--a self-respecting man-servant. On his wife, now sitting up in an uncomfortable straight-backed chair, the marks of past servitude were less apparent; but they were there all the same--in her neat black stuff dress, and in her scrupulously clean, plain collar and cuffs. Mrs. Bunting, as a single woman, had been what is known as a useful maid. But peculiarly true of average English life is the time-worn English proverb as to appearances being deceitful. Mr. and Mrs. Bunting were sitting in a very nice room and in their time--how long ago it now seemed!--both husband and wife had been proud of their carefully chosen belongings. -
A Brief History of Lexden Manor
Lexden History Group Lexden History Group Members at our recent Annual Summer Barbeque This issue features: William Withey Gull, Essex Man Physician-in-Ordinary to Queen Victoria. Zeppelin Crash Landed in Essex. Margaret Thatcher in Colchester. A Brief History of Lexden Manor. Newsletter No 42 – Sept 2016 Website www.lexdenhistory.org.uk Your Committee Chairman Vice-Chairman Dick Barton 01206 573999 Tim Holding 01206 576149 [email protected] [email protected] Secretary Treasurer Liz White 01206 522713 Melvin White 01206 575351 [email protected] [email protected] Membership Secretary Social Secretary Jackie Bowis 01206561528 Susan McCarthy 01206 366865 [email protected] [email protected] Magazine Joint Editors Archivist Jackie Bowis /LizWhite Bernard Polley 01206 572460 [email protected] [email protected] [email protected] General Members Sonia Lewis 01206 579950 [email protected] Peter McCarthy 01206 366865 Ian Bowis 01206 561528 [email protected] Carol Holding 01206 576149 [email protected] Meetings are held on the 2nd Wednesday of each month at 7.45pm in St Leonard’s Church Hall, Lexden, except August when there is no meeting. Entry £1 for members, £3 for non-members, refreshments included. Annual membership £15 for single person; £20 for a family living at the same address. Lexden History Group Library We now have a selection of reference books which are available to members:- Britain in Old Photographs, Colchester 1940-1990. A Changing Town -
Psychogeography in Alan Moore's from Hell
English History as Jack the Ripper Tells It: Psychogeography in Alan Moore’s From Hell Ann Tso (McMaster University, Canada) The Literary London Journal, Volume 15 Number 1 (Spring 2018) Abstract: Psychogeography is a visionary, speculative way of knowing. From Hell (2006), I argue, is a work of psychogeography, whereby Alan Moore re-imagines Jack the Ripper in tandem with nineteenth-century London. Moore here portrays the Ripper as a psychogeographer who thinks and speaks in a mystical fashion: as psychogeographer, Gull the Ripper envisions a divine and as such sacrosanct Englishness, but Moore, assuming the Ripper’s perspective, parodies and so subverts it. In the Ripper’s voice, Moore emphasises that psychogeography is personal rather than universal; Moore needs only to foreground the Ripper’s idiosyncrasies as an individual to disassemble the Grand Narrative of English heritage. Keywords: Alan Moore, From Hell, Jack the Ripper, Psychogeography, Englishness and Heritage ‘Hyper-visual’, ‘hyper-descriptive’—‘graphic’, in a word, the graphic novel is a medium to overwhelm the senses (see Di Liddo 2009: 17). Alan Moore’s From Hell confounds our sense of time, even, in that it conjures up a nineteenth-century London that has the cultural ambience of the eighteenth century. The author in question is wont to include ‘visual quotations’ (Di Liddo 2009: 450) of eighteenth- century cultural artifacts such as William Hogarth’s The Reward of Cruelty (see From Hell, Chapter Nine). His anti-hero, Jack the Ripper, is also one to flaunt his erudition in matters of the long eighteenth century, from its literati—William Blake, Alexander Pope, and Daniel Defoe—to its architectural ideal, which the works of Nicholas Hawksmoor supposedly exemplify. -
In Whitechapel a Blow by Blow Account from J.G
Cousin THE CASEBOOK Lionel’s Life Enter The Matrix and Career D. M. Gates and Adam Went Jeff Beveridge issue six February 2011 CK THE RIPPER STUDIES, TRUE CRIME & L.V.P. SOCIAL HISTORY FRIDAY THE 13TH! in Whitechapel a blow by blow account from J.G. Simons and Neil Bell Did George Sims LOSE IT? Jonathan Hainsworth investigates THE CASEBOOK The contents of Casebook Examiner No. 6 February 2011 are copyright © 2010 Casebook.org. The authors of issue six signed articles, essays, letters, reviews February 2011 and other items retain the copyright of their respective contributions. ALL RIGHTS RESERVED. No part of this publication, except for brief quotations where credit is given, may CONTENTS: be reproduced, stored in a retrieval Refer Madness pg 3 On The Case system, transmitted or otherwise cir- culated in any form or by any means, Melville Macnaghten Revisited News From Ripper World pg 115 including digital, electronic, printed, Jonathan Hainsworth pg 5 On The Case Extra mechanical, photocopying, recording or Feature Stories pg 117 Tom Sadler “48hrs” any other, without the express written J.G. Simons and Neil Bell pg 29 On The Case Puzzling permission of Casebook.org. The unau- “Cousin Lionel” Conundrums Logic Puzzle pg 123 thorized reproduction or circulation of Adam Went pg 48 Ultimate Ripperologists’ Tour this publication or any part thereof, The 1888 Old Bailey and Press Wolverhampton pg 125 whether for monetary gain or not, is Criminal Matrix CSI: Whitechapel strictly prohibited and may constitute D. M. Gates and Jeff Beveridge pg 76 Miller’s Court pg 130 copyright infringement as defined in domestic laws and international agree- Undercover Investigations From the Casebook Archives Book Reviews pg 87 Matthew Packer pg 138 ments and give rise to civil liability and criminal prosecution. -
William Blake and Alan Moore
The Visionary Heroism of William Blake and Alan Moore E.M. Notenboom 3718689 dr. D.A. Pascoe dr. O.R. Kosters Utrecht, 11 August 2014 Notenboom 2 Table of Contents Chapter One: Introduction .......................................................................................................... 3 Chapter Two: Methodology ....................................................................................................... 8 Chapter Three: Introductory Discussion .................................................................................. 13 Chapter Four: The Imagination ................................................................................................ 27 Chapter Five: From Hell .......................................................................................................... 46 Chapter Six: Conclusions and Suggestions for Further Research ............................................ 53 Works Cited and Consulted ...................................................................................................... 58 Notenboom 3 Chapter One: Introduction Figure 1.1: Alan Moore - From Hell (1989) (12, ch. 4) Notenboom 4 The symbols which are mentioned in figure 1.1, symbols such as the obelisk and others which lie hidden beneath the streets of London, allude to a literary connectedness that is grounded in the historical and literal notions of place. “Encoded in this city’s [London’s] stones are symbols thunderous enough to rouse the sleeping Gods submerged beneath the sea-bed of our dreams” (Moore 19; ch.4). -
AMEER BEN ALI NINA and HOWARD BROWN with the Face of ‘Frenchy’
June 2020 No. 167 AMEER BEN ALI NINA AND HOWARD BROWN with the face of ‘Frenchy’ sheilLa JONES AND JIM BURNS MICHAEL HAWLEY • ADAM WOOD • BRUCE COLLIE SPOTLIGHT ON RIPPERCAST VICTORIAN FICTION • PRESS TRAWL the latest book reviewsRipperologist 118 January 2011 1 Ripperologist 167 JUNE 2020 EDITORIAL: CONTEXT IS KING Adam Wood FRANCIS TUMBLETY AND JOHN WILKES BOOTH’S ERRAND BOY Michael L. Hawley THE SWANSON MARGINALIA: MORE SCRIBBLINGS Adam Wood MRS. BOOTH’S MOST UNUSUAL ENQUIRY BUREAU Sheilla Jones and Jim Burns CENTRAL NEWS Bruce Collie Spotlight on Rippercast: THE ROYAL CONSPIRACY A-GO-GO Part One AMEER BEN ALI AND AN ACTOR’S TALE Nina and Howard Brown Press Trawl THE SHORT REIGN OF LEATHER APRON VICTORIAN FICTION Eduardo Zinna BOOK REVIEWS Paul Begg and David Green Ripperologist magazine is published by Mango Books (www.MangoBooks.co.uk). The views, conclusions and opinions expressed in signed articles, essays, letters and other items published in Ripperologist Ripperologist, its editors or the publisher. The views, conclusions and opinions expressed in unsigned articles, essays, news reports, reviews and other items published in Ripperologist are the responsibility of Ripperologist and its editorial team, but are those of the authors and do not necessarily reflect the views, conclusions and opinions of doWe not occasionally necessarily use reflect material the weopinions believe of has the been publisher. placed in the public domain. It is not always possible to identify and contact the copyright holder; if you claim ownership of something we have published we will be pleased to make a proper acknowledgement. The contents of Ripperologist No. -
Ancestor§ Arm§
A BOOK OF ANCESTOR§ AND ARM§ by MARY EMILY LACY ''Laudemus viros gloriosus, et parentes nostros in generatione sua." ,,.,,.,.,,,.,.,,rv.~~~~~ PRIVATELY PRINTED DECEMBER 1936 Printed in England at The Kynoch Press Birmingham PREFACE THE ORIGIN of this little Memoir is as follows: For several years I had taken a lively interest in the history of the families from whom I claimed descent, and had gradually accumulated a large number of notes on subjects relating to them, with_ a vague idea of turning these notes to account at some future period. Time and opportunity were, however, lacking, and it was not until the autumn of 1932 that this book was at length begun. At the outset it became evident that the notes already collected were of too fragmentary a character to be satisfactorily woven into a consecutive narrative, even when combined with matter drawn from documents in the possession of the writer, and from a Book of Events kept by her for over half a century. A large amount of additional information was needed, and this information was to a great extent acquired through diligent research in the Reading Room of the British Museum, and in the Public Libraries of London. Even so a considerable number of blanks remained, only possible to be filled in by help from without, and this help was most willingly rendered in nearly every instance-when sought-not only by kinsfolk and friends but also by those personally unknown to me. My grateful thanks are due to my cousins, Mrs. Dacre Lacy and Miss Gertrude Lacy, for the loan of books and papers throwing light on the association of the Lacys of Great Y ar mouth with the counties of Northumberland and Cumberland, and, later on, with the Island of Guernsey, and to Mrs.