In Whitechapel a Blow by Blow Account from J.G
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The Story of the Mount Rennie Outrage
Frenzy: The Story of the Mount Rennie Outrage Tom Gilling DCA 2012 CERTIFICATE OF AUTHORSHIP/ORIGINALITY I certify that the work in this thesis has not previously been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. Contents Introduction p1 1. Come with me p3 2. The Outrage p8 3. Oh Christ, here’s a policeman p25 4. For God’s sake, save me from these men p39 5. Not one should be allowed to escape p45 6. A simple confiding girl p59 7. I swear to him by his big coat p66 8. The noseless chimpanzee Howard p83 9. I’ve got the prettiest garden in Paddington p91 10. Most of the prisoners were mere boys p102 11. Noose South Wales p129 12. She is of idle, uncleanly, and untruthful habits p143 13. Nine human dingoes have been found guilty p156 14. At night the warders hear them singing psalms p166 15. We are a great people p185 16. The flowers are gay by the hangman’s track p193 17. I’d sooner be hung along with the rest p204 18. Each of the hanged lads kicked off one shoe p215 19. They looked such children p223 20. All is well that ends well p231 Afterword p241 Dissertation No end of a yarn: Reading the Mount Rennie Outrage p242 Bibliography p322 Abstract This thesis consists of two parts: a creative project, entitled Frenzy: The Story of the Mount Rennie Outrage, and a dissertation, entitled No end of a yarn: Reading the Mount Rennie Outrage. -
The Roberts Robert Macbryde (1913-1966) and Robert Colquhoun (1914-1962) 3 – 31 March 2010
The Roberts The Roberts Robert MacBryde (1913-1966) and Robert Colquhoun (1914-1962) 3 – 31 March 2010 Introduction 3 Time for Reappraisal by Davy Brown 7 Two Bright Guests by Robin Muir 10 Biographies 41 Acknowledgements 44 Front Cover: Photographs of Robert MacBryde and Robert Colquhoun by John Deakin (1951) courtesy Vogue/© The Condé Nast Publications Ltd. Above: Photograph of Robert MacBryde and Robert Colquhoun by Felix Man (1949) Hulton Archive/Getty Images. Bedford Gardens studio. Left: Robert MacBryde and Robert Colquhoun in Regent Street, London. Early 1950s: Baron Collection: Hulton Archive 2 Introduction Whilst doing some research for another of Art in the 1930s. They moved to London in exhibition, I found an L S Lowry catalogue from 1941 and quickly became associated with the 1944, called ‘The Industrial North and its People’, Neo-Romantic group of painters which included held at The Scottish Gallery. It was a chance find Keith Vaughan and John Minton. At a time when with unforeseen consequences. How exactly homosexuality was not only illegal but actively did the gallery survive during wartime and in persecuted, they made little attempt to disguise particular, what artists did we show and what their relationship and they had a constant stream social and artistic changes could clearly be of admirers, both male and female. The circle established? I pulled the entire library apart to of friends that grew around them included the find more clues. The result is that I now have too painters Francis Bacon, Lucian Freud, Michael many stories to tell, but on this day I found all the Ayrton, John Minton and the poets George Barker catalogues that belonged to ‘The Starks’. -
Martin Fido 1939–2019
May 2019 No. 164 MARTIN FIDO 1939–2019 DAVID BARRAT • MICHAEL HAWLEY • DAVID pinto STEPHEN SENISE • jan bondeson • SPOTLIGHT ON RIPPERCAST NINA & howard brown • THE BIG QUESTION victorian fiction • the latest book reviews Ripperologist 118 January 2011 1 Ripperologist 164 May 2019 EDITORIAL Adam Wood SECRETS OF THE QUEEN’S BENCH David Barrat DEAR BLUCHER: THE DIARY OF JACK THE RIPPER David Pinto TUMBLETY’S SECRET Michael Hawley THE FOURTH SIGNATURE Stephen Senise THE BIG QUESTION: Is there some undiscovered document which contains convincing evidence of the Ripper’s identity? Spotlight on Rippercast THE POLICE, THE JEWS AND JACK THE RIPPER THE PRESERVER OF THE METROPOLIS Nina and Howard Brown BRITAIN’S MOST ANCIENT MURDER HOUSE Jan Bondeson VICTORIAN FICTION: NO LIVING VOICE by THOMAS STREET MILLINGTON Eduardo Zinna BOOK REVIEWS Paul Begg and David Green Ripperologist magazine is published by Mango Books (www.MangoBooks.co.uk). The views, conclusions and opinions expressed in signed articles, essays, letters and other items published in Ripperologist Ripperologist, its editors or the publisher. The views, conclusions and opinions expressed in unsigned articles, essays, news reports, reviews and other items published in Ripperologist are the responsibility of Ripperologist and its editorial team, but are those of the authors and do not necessarily reflect the views, conclusions and opinions of doWe not occasionally necessarily use reflect material the weopinions believe of has the been publisher. placed in the public domain. It is not always possible to identify and contact the copyright holder; if you claim ownership of something we have published we will be pleased to make a proper acknowledgement. -
The Welshman Who Knew Mary Kelly
February/March 2018 No. 160 PAUL WILLIAMS on The Welshman Who Knew Mary Kelly STEPHEN SENISE JAN BONDESON HEATHER TWEED NINA and HOW BROWN VICTORIAN FICTION THE LATEST BOOK REVIEWS Ripperologist 118 January 2011 1 Ripperologist 160 February / March 2018 EDITORIAL: CHANGING FASTER NOT BETTER? Adam Wood THE WELSHMAN WHO KNEW MARY KELLY Paul Williams GEORGE WILLIAM TOPPING HUTCHINSON: ‘TOPPY’ Stephen Senise FROM RIPPER SUSPECT TO HYPERPEDESTRIAN: THE STRANGE CAREER OF BERESFORD GREATHEAD Jan Bondeson LULU - THE EIGHTH WONDER OF THE WORLD Heather Tweed WOMAN’S WORK: AN ALTERNATIVE METHOD OF CAPTURING THE WHITECHAPEL MURDERER PART TWO Nina and Howard Brown VICTORIAN FICTION: THE WITHERED ARM By THOMAS HARDY Eduardo Zinna BOOK REVIEWS Paul Begg and David Green Ripperologist magazine is published by Mango Books (www.mangobooks.co.uk). The views, conclusions and opinions expressed in signed articles, essays, letters and other items published in Ripperologist Ripperologist, its editors or the publisher. The views, conclusions and opinions expressed in unsigned articles, essays, news reports, reviews and other items published in Ripperologist are the responsibility of Ripperologist and its editorial team, but are those of the authors and do not necessarily reflect the views, conclusions and opinions of doWe not occasionally necessarily use reflect material the weopinions believe of has the been publisher. placed in the public domain. It is not always possible to identify and contact the copyright holder; if you claim ownership of something we have published we will be pleased to make a proper acknowledgement. The contents of Ripperologist No. 160, February / March 2018, including the compilation of all materials and the unsigned articles, essays, news reports, reviews and other items are copyright © 2018 Ripperologist/Mango Books. -
An International Journal of English Studies 25/1 2016 EDITOR Prof
ANGLICA An International Journal of English Studies 25/1 2016 EDITOR prof. dr hab. Grażyna Bystydzieńska [[email protected]] ASSOCIATE EDITORS dr hab. Marzena Sokołowska-Paryż [[email protected]] dr Anna Wojtyś [[email protected]] ASSISTANT EDITORS dr Katarzyna Kociołek [[email protected]] dr Magdalena Kizeweter [[email protected]] ADVISORY BOARD GUEST REVIEWERS Michael Bilynsky, University of Lviv Dorota Babilas, University of Warsaw Andrzej Bogusławski, University of Warsaw Teresa Bela, Jagiellonian University, Cracow Mirosława Buchholtz, Nicolaus Copernicus University, Toruń Maria Błaszkiewicz, University of Warsaw Xavier Dekeyser University of Antwerp / KU Leuven Anna Branach-Kallas, Nicolaus Copernicus University, Toruń Bernhard Diensberg, University of Bonn Teresa Bruś, University of Wrocław, Poland Edwin Duncan, Towson University, Towson, MD Francesca de Lucia, independent scholar Jacek Fabiszak, Adam Mickiewicz University, Poznań Ilona Dobosiewicz, Opole University Jacek Fisiak, Adam Mickiewicz University, Poznań Andrew Gross, University of Göttingen Elzbieta Foeller-Pituch, Northwestern University, Evanston-Chicago Paweł Jędrzejko, University of Silesia, Sosnowiec Piotr Gąsiorowski, Adam Mickiewicz University, Poznań Aniela Korzeniowska, University of Warsaw Keith Hanley, Lancaster University Andrzej Kowalczyk, Maria Curie-Skłodowska University, Lublin Christopher Knight, University of Montana, Missoula, MT Barbara Kowalik, University of Warsaw Marcin Krygier, Adam Mickiewicz University, Poznań Ewa Łuczak, University of Warsaw Krystyna Kujawińska-Courtney, University of Łódź David Malcolm, University of Gdańsk Zbigniew Mazur, Maria Curie-Skłodowska University, Lublin Dominika Oramus University of Warsaw Znak ogólnodostępnyRafał / Molencki,wersje University językowe of Silesia, Sosnowiec Marek Paryż, University of Warsaw John G. Newman, University of Texas at Brownsville Anna Pochmara, University of Warsaw Michal Jan Rozbicki, St. -
Mitre Square Revisited News Reports, Reviews and Other Items Are Copyright © 2009 Ripperologist
RIPPEROLOGIST MAGAZINE Issue 104, July 2009 QUOTE FOR JULY: Andre the Giant. Jack the Ripper. Dennis the Menace. Each has left a unique mark in his respective field, whether it be wrestling, serial killing or neighborhood mischief-making. Mr. The Entertainer has similarly ridden his own mid-moniker demonstrative adjective to the top of the eponymous entertainment field. Cedric the Entertainer at the Ryman - King of Comedy Julie Seabaugh, Nashville Scene , 30 May 2009. We would like to acknowledge the valuable assistance given by Features the following people in the production of this issue of Ripperologist: John Bennett — Thank you! Editorial E- Reading The views, conclusions and opinions expressed in signed Paul Begg articles, essays, letters and other items published in Ripperologist are those of the authors and do not necessarily Suede and the Ripper reflect the views, conclusions and opinions of Ripperologist or Don Souden its editors. The views, conclusions and opinions expressed in unsigned articles, essays, news reports, reviews and other items published in Ripperologist are the responsibility of Hell on Earth: The Murder of Marie Suchánková - Ripperologist and its editorial team. Michaela Kořistová We occasionally use material we believe has been placed in the public domain. It is not always possible to identify and contact the copyright holder; if you claim ownership of some - City Beat: PC Harvey thing we have published we will be pleased to make a prop - Neil Bell and Robert Clack er acknowledgement. The contents of Ripperologist No. 104 July 2009, including the co mpilation of al l materials and the unsigned articles, essays, Mitre Square Revisited news reports, reviews and other items are copyright © 2009 Ripperologist. -
1,000 Films to See Before You Die Published in the Guardian, June 2007
1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation. -
British Television's Lost New Wave Moment: Single Drama and Race
British Television’s Lost New Wave Moment: Single Drama and Race Eleni Liarou Abstract: The article argues that the working-class realism of post-WWII British television single drama is neither as English nor as white as is often implied. The surviving audiovisual material and written sources (reviews, publicity material, biographies of television writers and directors) reveal ITV’s dynamic role in offering a range of views and representations of Britain’s black population and their multi-layered relationship with white working-class cultures. By examining this neglected history of postwar British drama, this article argues for more inclusive historiographies of British television and sheds light on the dynamism and diversity of British television culture. Keywords: TV drama; working-class realism; new wave; representations of race and immigration; TV historiography; ITV history Television scholars have typically seen British television’s late- 1950s/early-1960s single drama, and particularly ITV’s Armchair Theatre strand, as a manifestation of the postwar new wave preoccupation with the English regional working class (Laing 1986; Cooke 2003; Rolinson 2011). This article argues that the working- class realism of this drama strand is neither as English nor as white as is often implied. The surviving audiovisual material and written sources – including programme listings, reviews, scripts, publicity material, biographies of television writers and directors – reveal ITV’s dynamic role in offering a range of representations of Britain’s black population and its relationship to white working-class cultures. More Journal of British Cinema and Television 9.4 (2012): 612–627 DOI: 10.3366/jbctv.2012.0108 © Edinburgh University Press www.eupjournals.com/jbctv 612 British Television’s Lost New Wave Moment particularly, the study of ITV’s single drama about black immigration in this period raises important questions which lie at the heart of postwar debates on commercial television’s lack of commitment to its public service remit. -
Acari: Oribatida) of Canada and Alaska
Zootaxa 4666 (1): 001–180 ISSN 1175-5326 (print edition) https://www.mapress.com/j/zt/ Monograph ZOOTAXA Copyright © 2019 Magnolia Press ISSN 1175-5334 (online edition) https://doi.org/10.11646/zootaxa.4666.1.1 http://zoobank.org/urn:lsid:zoobank.org:pub:BA01E30E-7F64-49AB-910A-7EE6E597A4A4 ZOOTAXA 4666 Checklist of oribatid mites (Acari: Oribatida) of Canada and Alaska VALERIE M. BEHAN-PELLETIER1,3 & ZOË LINDO1 1Agriculture and Agri-Food Canada, Canadian National Collection of Insects, Arachnids and Nematodes, Ottawa, Ontario, K1A0C6, Canada. 2Department of Biology, University of Western Ontario, London, Canada 3Corresponding author. E-mail: [email protected] Magnolia Press Auckland, New Zealand Accepted by T. Pfingstl: 26 Jul. 2019; published: 6 Sept. 2019 Licensed under a Creative Commons Attribution License http://creativecommons.org/licenses/by/3.0 VALERIE M. BEHAN-PELLETIER & ZOË LINDO Checklist of oribatid mites (Acari: Oribatida) of Canada and Alaska (Zootaxa 4666) 180 pp.; 30 cm. 6 Sept. 2019 ISBN 978-1-77670-761-4 (paperback) ISBN 978-1-77670-762-1 (Online edition) FIRST PUBLISHED IN 2019 BY Magnolia Press P.O. Box 41-383 Auckland 1346 New Zealand e-mail: [email protected] https://www.mapress.com/j/zt © 2019 Magnolia Press ISSN 1175-5326 (Print edition) ISSN 1175-5334 (Online edition) 2 · Zootaxa 4666 (1) © 2019 Magnolia Press BEHAN-PELLETIER & LINDO Table of Contents Abstract ...................................................................................................4 Introduction ................................................................................................5 -
The Final Solution (1976)
When? ‘The Autumn of Terror’ 1888, 31st August- 9th November 1888. The year after Queen Victoria’s Golden jubilee. Where? Whitechapel in the East End of London. Slum environment. Crimes? The violent murder and mutilation of women. Modus operandi? Slits throats of victims with a bladed weapon; abdominal and genital mutilations; organs removed. Victims? 5 canonical victims: Mary Ann Nichols; Annie Chapman; Elizabeth Stride; Catherine Eddowes; Mary Jane Kelly. All were prostitutes. Other potential victims include: Emma Smith; Martha Tabram. Perpetrator? Unknown Investigators? Chief Inspector Donald Sutherland Swanson; Inspector Frederick George Abberline; Inspector Joseph Chandler; Inspector Edmund Reid; Inspector Walter Beck. Metropolitan Police Commissioner Sir Charles Warren. Commissioner of the City of London Police, Sir James Fraser. Assistant Commissioner of the Metropolitan CID, Sir Robert Anderson. Victim number 5: Victim number 2: Mary Jane Kelly Annie Chapman Aged 25 Aged 47 Murdered: 9th November 1888 Murdered: 8th September 1888 Throat slit. Breasts cut off. Heart, uterus, kidney, Throat cut. Intestines severed and arranged over right shoulder. Removal liver, intestines, spleen and breast removed. of stomach, uterus, upper part of vagina, large portion of the bladder. Victim number 1: Missing portion of Mary Ann Nicholls Catherine Eddowes’ Aged 43 apron found plus the Murdered: 31st August 1888 chalk message on the Throat cut. Mutilation of the wall: ‘The Jews/Juwes abdomen. No organs removed. are the men that will not be blamed for nothing.’ Victim number 4: Victim number 3: Catherine Eddowes Elizabeth Stride Aged 46 Aged 44 th Murdered: 30th September 1888 Murdered: 30 September 1888 Throat cut. Intestines draped Throat cut. -
„Yours Truly, Jack the Ripper”
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Duisburg-Essen Publications Online „Yours truly, Jack the Ripper” Die interdiskursive Faszinationsfigur eines Serienmörders in Spannungsliteratur und Film Dissertation zur Erlangung des akademischen Grades Dr. phil. im Fach Germanistik am Institut für Geisteswissenschaften der Universität Duisburg-Essen Vorgelegt von Iris Müller (geboren in Dortmund) Erstgutachter: Prof. Dr. Jochen Vogt Zweitgutachter: Prof. Dr. Rolf Parr Tag der Disputation: 26. Mai 2014 Inhalt 1. Vorbemerkungen ..................................................................................... 4 1.1 Erkenntnisinteresse .............................................................................. 7 1.2 ‚Jack the Ripper‘ als interdiskursive Faszinationsfigur .......................... 9 1.3 Methodik und Aufbau der Arbeit ......................................................... 11 2. Die kriminalhistorischen Fakten ........................................................... 13 2.1 Quellengrundlage: Wer war ‚Jack the Ripper‘? ................................... 13 2.2 Whitechapel 1888: Der Tatort ............................................................. 14 2.3 Die Morde .......................................................................................... 16 2.3.1 Mary Ann Nichols ................................................................................................ 16 2.3.2 Annie Chapman .................................................................................................. -
EXAMINER Issue 4.Pdf
Jabez Balfour THE CASEBOOK The Cattleman, Analyses The Lunatic, The Ripper & The Doctor Murders Tom Wescott issue four October 2010 JACK THE RIPPER STUDIES, TRUE CRIME & L.V.P. SOCIAL HISTORY INTERNatIONAL MAN OF MYSTERY R J Palmer concludes his examination of Inspector Andrews D M Gates Puts his stamp GOING on the 1888 Kelly Postal POStal Directory THE CASEBOOK The contents of Casebook Examiner No. 4 October 2010 are copyright © 2010 Casebook.org. The authors of issue four signed articles, essays, letters, reviews October 2010 and other items retain the copyright of their respective contributions. ALL RIGHTS RESERVED. No part of this publication, except for brief quotations where credit is given, may be repro- CONTENTS: duced, stored in a retrieval system, The Lull Before the Storm pg 3 On The Case transmitted or otherwise circulated in any form or by any means, including Subscription Information pg 5 News From Ripper World pg 120 digital, electronic, printed, mechani- On The Case Extra Behind the Scenes in America cal, photocopying, recording or any Feature Stories pg 121 R. J. Palmer pg 6 other, without the express written per- Plotting the 1888 Kelly Directory On The Case Puzzling mission of Casebook.org. The unau- D. M. Gates pg 52 Conundrums Logic Puzzle pg 128 thorized reproduction or circulation of Jabez Balfour and The Ripper Ultimate Ripperologists’ Tour this publication or any part thereof, Murders pg 65 Canterbury to Hampton whether for monetary gain or not, is & Herne Bay, Kent pg 130 strictly prohibited and may constitute The Cattleman, The Lunatic, and copyright infringement as defined in The Doctor CSI: Whitechapel Tom Wescott pg 84 Catherine Eddowes pg 138 domestic laws and international agree- From the Casebook Archives ments and give rise to civil liability and Undercover Investigations criminal prosecution.