NEWS Number 19: Spring 2005
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Guide to the Jack Coughlin Collection, 1973-1986
Bridgewater State University Maxwell Library Archives & Special Collections Jack Coughlin Collection, 1973-1986 (MSS-034) Finding Aid Compiled by Orson Kingsley, June 2018 Last Updated: June 13, 2018 Maxwell Library Bridgewater State University 10 Shaw Road / Bridgewater, MA 02325 / (508) 531-1389 Finding Aid: Jack Coughlin Collection (MSS-034) 2 Volume: 1.25 linear feet (2 document boxes, 3 framed items) Acquisition: All items in this manuscript group were donated to Bridgewater State University by Maureen Connelly in 2012 and 2018, with one etching donated by the Paula Vadeboncoeur estate in 2016. Access: Access to this record group is unrestricted. Copyright: The researcher assumes full responsibility for conforming with the laws of copyright. Whenever possible, the Maxwell Library will provide information about copyright owners and other restrictions, but the legal determination ultimately rests with the researcher. Requests for permission to publish material from this collection should be discussed with the University Archivist. Jack Coughlin Collection Biographical Sketch Jack Coughlin is an artist of Irish-American heritage who is well known for his portraits of literary figures and musicians. His prints, drawings and watercolors have been exhibited widely across the United States and Europe. They are in the permanent collections of the Metropolitan Museum and the Museum of Modern Art in New York, the National Collection of Fine Arts in Washington D.C., the Norfolk Museum of Arts and Sciences in Virginia, the Worcester Art Museum in Massachusetts, the University of Colorado, the Philadelphia Free Public Library, Staedelsches Kunstinstitut, Frankfort, Germany, the New University of Ulster, Coleraine, Northern Ireland and in several other important museum, university and library collections worldwide. -
The Early Work of Austin Clarke the Early Work (1916-1938)
THE EARLY WORK OF AUSTIN CLARKE THE EARLY WORK (1916-1938) OF AUSTIN CLARKE By MAURICE RIORDAN, M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Doctor of Philosophy McMaster University March 1981 DOCTOR OF PHILOSOPHY (1981) McMASTER UNIVERSITY (English) Hamilton, Ontario TITLE: The Early Work (1916-1938) of Austin Clarke. AUTHOR: Maurice Riordan, B.A. (Cork) M.A. (Cork) SUPERVISOR: Dr. Brian John NUMBER OF Fll.GES: vi, 275 ii ABSTRACT Austin Clarke dedicated himself to the ideal of an independent Irish literature in English. This dedication had two principal consequences for his work: he developed a poetic style appropriate to expressing the Irish imagination, and he found inspiration in the matter of Ireland, in hex mythology and folklore, in her literary, artistic and __ religious traditions, and in the daily life of modern Ireland. The basic orientation of Clarke's work determines the twofold purpose of this thesis. It seeks to provide a clarifying background for his poetry, drama and fiction up to 1938; and, in examining the texts in their prope.r context, it seeks to reveal the permanent and universal aspects of his achievement. Clarke's early development in response to the shaping influence of the Irish Revival is examined in the opening chapter. His initial interest in heroic saga is considered, but, principally, the focus is on his effort to establish stylistic links between the Anglo-Irish and the Gaelic traditions, an effort that is seen to culminate with his adoption of assonantal verse as an essential element in his poetic technique. -
Austin Clarke Papers
Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 83 Austin Clarke Papers (MSS 38,651-38,708) (Accession no. 5615) Correspondence, drafts of poetry, plays and prose, broadcast scripts, notebooks, press cuttings and miscellanea related to Austin Clarke and Joseph Campbell Compiled by Dr Mary Shine Thompson 2003 TABLE OF CONTENTS Introduction 7 Abbreviations 7 The Papers 7 Austin Clarke 8 I Correspendence 11 I.i Letters to Clarke 12 I.i.1 Names beginning with “A” 12 I.i.1.A General 12 I.i.1.B Abbey Theatre 13 I.i.1.C AE (George Russell) 13 I.i.1.D Andrew Melrose, Publishers 13 I.i.1.E American Irish Foundation 13 I.i.1.F Arena (Periodical) 13 I.i.1.G Ariel (Periodical) 13 I.i.1.H Arts Council of Ireland 14 I.i.2 Names beginning with “B” 14 I.i.2.A General 14 I.i.2.B John Betjeman 15 I.i.2.C Gordon Bottomley 16 I.i.2.D British Broadcasting Corporation 17 I.i.2.E British Council 17 I.i.2.F Hubert and Peggy Butler 17 I.i.3 Names beginning with “C” 17 I.i.3.A General 17 I.i.3.B Cahill and Company 20 I.i.3.C Joseph Campbell 20 I.i.3.D David H. Charles, solicitor 20 I.i.3.E Richard Church 20 I.i.3.F Padraic Colum 21 I.i.3.G Maurice Craig 21 I.i.3.H Curtis Brown, publisher 21 I.i.4 Names beginning with “D” 21 I.i.4.A General 21 I.i.4.B Leslie Daiken 23 I.i.4.C Aodh De Blacam 24 I.i.4.D Decca Record Company 24 I.i.4.E Alan Denson 24 I.i.4.F Dolmen Press 24 I.i.5 Names beginning with “E” 25 I.i.6 Names beginning with “F” 26 I.i.6.A General 26 I.i.6.B Padraic Fallon 28 2 I.i.6.C Robert Farren 28 I.i.6.D Frank Hollings Rare Books 29 I.i.7 Names beginning with “G” 29 I.i.7.A General 29 I.i.7.B George Allen and Unwin 31 I.i.7.C Monk Gibbon 32 I.i.8 Names beginning with “H” 32 I.i.8.A General 32 I.i.8.B Seamus Heaney 35 I.i.8.C John Hewitt 35 I.i.8.D F.R. -
Nationalist Adaptations of the Cuchulain Myth Martha J
University of South Carolina Scholar Commons Theses and Dissertations Spring 2019 The aW rped One: Nationalist Adaptations of the Cuchulain Myth Martha J. Lee Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the English Language and Literature Commons Recommended Citation Lee, M. J.(2019). The Warped One: Nationalist Adaptations of the Cuchulain Myth. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/5278 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Warped One: Nationalist Adaptations of the Cuchulain Myth By Martha J. Lee Bachelor of Business Administration University of Georgia, 1995 Master of Arts Georgia Southern University, 2003 ________________________________________________________ Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in English College of Arts and Sciences University of South Carolina 2019 Accepted by: Ed Madden, Major Professor Scott Gwara, Committee Member Thomas Rice, Committee Member Yvonne Ivory, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Martha J. Lee, 2019 All Rights Reserved ii DEDICATION This dissertation and degree belong as much or more to my family as to me. They sacrificed so much while I traveled and studied; they supported me, loved and believed in me, fed me, and made sure I had the time and energy to complete the work. My cousins Monk and Carolyn Phifer gave me a home as well as love and support, so that I could complete my course work in Columbia. -
The Annals of the Four Masters De Búrca Rare Books Download
De Búrca Rare Books A selection of fine, rare and important books and manuscripts Catalogue 142 Summer 2020 DE BÚRCA RARE BOOKS Cloonagashel, 27 Priory Drive, Blackrock, County Dublin. 01 288 2159 01 288 6960 CATALOGUE 142 Summer 2020 PLEASE NOTE 1. Please order by item number: Four Masters is the code word for this catalogue which means: “Please forward from Catalogue 142: item/s ...”. 2. Payment strictly on receipt of books. 3. You may return any item found unsatisfactory, within seven days. 4. All items are in good condition, octavo, and cloth bound, unless otherwise stated. 5. Prices are net and in Euro. Other currencies are accepted. 6. Postage, insurance and packaging are extra. 7. All enquiries/orders will be answered. 8. We are open to visitors, preferably by appointment. 9. Our hours of business are: Mon. to Fri. 9 a.m.-5.30 p.m., Sat. 10 a.m.- 1 p.m. 10. As we are Specialists in Fine Books, Manuscripts and Maps relating to Ireland, we are always interested in acquiring same, and pay the best prices. 11. We accept: Visa and Mastercard. There is an administration charge of 2.5% on all credit cards. 12. All books etc. remain our property until paid for. 13. Text and images copyright © De Burca Rare Books. 14. All correspondence to 27 Priory Drive, Blackrock, County Dublin. Telephone (01) 288 2159. International + 353 1 288 2159 (01) 288 6960. International + 353 1 288 6960 Fax (01) 283 4080. International + 353 1 283 4080 e-mail [email protected] web site www.deburcararebooks.com COVER ILLUSTRATIONS: Our cover illustration is taken from item 70, Owen Connellan’s translation of The Annals of the Four Masters. -
"The Given Note": Traditional Music and Modern Irish Poetry
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title "The Given Note": traditional music and modern Irish poetry Author(s) Crosson, Seán Publication Date 2008 Publication Crosson, Seán. (2008). "The Given Note": Traditional Music Information and Modern Irish Poetry, by Seán Crosson. Newcastle: Cambridge Scholars Publishing. Publisher Cambridge Scholars Publishing Link to publisher's http://www.cambridgescholars.com/the-given-note-25 version Item record http://hdl.handle.net/10379/6060 Downloaded 2021-09-26T13:34:31Z Some rights reserved. For more information, please see the item record link above. "The Given Note" "The Given Note": Traditional Music and Modern Irish Poetry By Seán Crosson Cambridge Scholars Publishing "The Given Note": Traditional Music and Modern Irish Poetry, by Seán Crosson This book first published 2008 by Cambridge Scholars Publishing 15 Angerton Gardens, Newcastle, NE5 2JA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2008 by Seán Crosson All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-84718-569-X, ISBN (13): 9781847185693 Do m’Athair agus mo Mháthair TABLE OF CONTENTS Acknowledgements ................................................................................. -
205 SIR CHARLES GAVAN DUFFY (1816-1903) His New Gate Prison Cell Lock Cover Plate
164 205 SIR CHARLES GAVAN DUFFY (1816-1903) His New Gate Prison cell lock cover plate. The rectangular metal plate painted on both sides with white numerals ‘22’, 12.8 x 10.1 cm. Sir Charles Gavan Duffy, Irish nationalist, politician, journalist and 8th Premier of Victoria. He was arrested in 1846 following an attempt at insurrection in Tipperary and was imprisoned in Richmond Prison on a charge of sedition based on his involvement with ‘Young Ireland’ and articles that had appeared in The Nation, which he edited and co-founded with Thomas Davis and John Blake Dillon. Duffy was first imprisoned in New Gate, which served as a holding facility for prisoners, prior to his conviction and removal to Richmond prison. He was later released in April 1849. In 1856, disheartened by the political atmosphere in Ireland, he emigrated with his family to Australia and later became the 8th Premier of Victoria in 1871. This unique item bears a typed clipping attached to the rear of the number plate, though not entirely readable, it recounts the return of Sir Charles Gavan Duffy to New Gate prison prior to its demolition in 1893 wherein he visited his old cell and asked the new owner of the property for the lock so that he might return to Australia with it. The transcription of this text is as follows: Mr. T Byrne… sends us the… “After the purchase of Newgate Jail… by my father, the late Mr. ____ Byrne b____ 38 and 39 J_____ street. In the course of his taking down the old building, the late Sir Charles Gavan Duffy called into the jail and asked to be shown the cell he was confined in. -
A Thesis Presented'to Thef~Culty of the Department of English Indiana
The Renaissance movement in the Irish theatre, 1899-1949 Item Type Thesis Authors Diehl, Margaret Flaherty Download date 06/10/2021 20:08:21 Link to Item http://hdl.handle.net/10484/4764 THE :RENAISSANCE HOVEMENT IN THE IRISH THEATRE 1899... 1949 A Thesis Presented'to TheF~culty of the Department of English Indiana. state Teachers College >" , .. .I 'j' , ;I'" " J' r, " <>.. ~ ,.I :;I~ ~ .~" ",," , '. ' J ' ~ " ") •.;.> / ~ oj.. ., ". j ,. ".,. " l •" J, , ., " .,." , ') I In Partial Fulfillment of the ReqUi:tements for th.eDegree Mast~rofArts in Education by Margaret Flaherty' Diehl June- 1949 i . I .' , is hereby approved as counting toward the completion of the Maste:r's degree in the amount of _L hOUI's' credit. , ~-IU~~~....{.t.}.~~~f...4:~:ti::~~~'~(.{I"''-_' Chairman. Re:prese~ative of Eng /{Sh Depa~ent: b~~~ , ~... PI ACKf.iIUvJLJIDG.fI1:EThTTS The author of this thesis wishes to express her sincere thanks to the members of her committee: (Mrs.) Haze~ T. Pfennig, Ph.D., chairman; (Mrs.) Sara K. Harve,y, Ph.D.; George E. Smock, Ph.D., for their advice and assistance. She appreciates the opportunities fOr research "itlhich have been extended to her, through bo'th Indiana State Teachers College Librar,y and Fairbanks Memoria~ Librar,y. The writer also desires to thank Lennox Robinson and Sean a'Casey fOr their friendly letters" She is espeCially indebted for valuable information afforded her through correspondence with Denis Johnston. Margaret Flaherty Diehl TABLE OF CONTENTS CHAPTER PAGE I.. BEGINNING OF THE DRAMA IN IRELAND ••••• .. ". 1 Need for this study of the Irish Renaissance .. 1 The English theatre in Ireland • • e' • • " ." 1 Foupding of the Gaiety Theatre . -
Trinity and the Rising Commemorating the 1916 Centenary Trinity and the Rising Commemorating the 1916 Centenary
Trinity and the Rising Commemorating the 1916 centenary Trinity and the Rising Commemorating the 1916 centenary Soldier and poet, Francis Ledwidge This booklet was produced by Katie Strickland Byrne in the Office of Public Affairs and Communications. TRInITy and The RIsIng CommemoRaTIng The 1916 CenTenaRy Contents John Boland 02 Introduction by the dean of Research eunan o’halpin 04 Lest we forget: Trinity College and the decade of Commemorations Jane ohlmeyer 07 an unstoppable process Ruth Barton 14 screening 1916 davis Coakley 16 small town – high walls estelle gittins 19 ‘all changed, changed utterly’: Commemorating the 1916 easter Rising at the Library of Trinity College dublin sarah smyth 21 Translations Iggy mcgovern 23 alliterations gerald dawe 24 an affirming Flame andrew o’Connell 26 Radio Rising Caoimhe ní Lochlainn 29 Trinity’s public engagement and media interest Patrick geoghegan 31 Vision for the future – appeal to the past page 01 TRInITy and The RIsIng CommemoRaTIng The 1916 CenTenaRy Introduction by the dean of Research Collected in this book, are reflections from leading academics and staff across our community. Eunan O’Halpin from the School of History outlines some of the events hosted by Trinity in the years leading up to 2016 that sought to look beyond the confines of the Rising and to place it in a broader historical context. Jane Ohlmeyer, director of the Trinity Long Room Hub Arts and Humanities Research Institute (TLRH), traces elements of this broader historical context in her analysis of how the Rising impacted on the British Empire, paying particular attention to how it was received in India, and notes the current day issues surrounding the fate of Northern Ireland in the wake of the recent Brexit vote. -
Notes on Contributors
Notes on Contributors BRENDAN KENNELLY, a Kerryman, is a Fellow of Trinity College, Dublin and Associate Professor of English there. His poetry is published in ten volumes, which include My Dark Fa/hers (1964) ; Good Souls to Survive (1967) ; and Selected Poems (1969). He has written two novels and is the editor of The Penguin Rook of Irish Verse (1970). JOHN S. KELLY was Henry Hutchinson Stewart Literary Scholar and Yicc-Chan- cellor's Prizeman (English prose) at Trinity College, Dublin. After graduate work at the University oí Cambridge, he now teaches at the University of Kent at Canterbury and is writing a history of the Irish literary revival. ANDREW PARKIN was educated at the Universities of Cambridge and Bristol. He has taught in Birmingham, Cambridge and I long Kong. He reviews for The School Librarian and is completing a book on Yeats's plays. He works in Bristol at The College of St Matthias. STANLEY WEINTRAUB is Professor of English at Pennsylvania State University and Editor of The Sham Review, lie has been a Guggenheim Fellow (1968), a National Book Award nominee, and a Visiting Professor at the University of California, Los Angeles. Flis books include Private Shaw and Public Shaw (1963), and The hast Great Cause: the intellectuals and the Spanish Civil War (1968). His inost recent work includes The Literary Criticism of Oscar Wilde and Shaw: An autobiography 1856-1898. He is working on Journey to Heartbreak, a biography of Shaw during the period 1914-18. TIMOTHY BROWNLOW, educated at St. Columba's College and Trinity College, Dublin, has taught in France, England and Ireland. -
Appendix: Roger Casement: "They ... Blackened His Good Name"
Appendix: Roger Casement: "They ... blackened his good name" In the nineteen-thirties, the figure of Roger Casement, although on a lesser scale than Parnell, also provoked Yeats into mythic ballads. Actively campaigning for Irish independence through German help during the First World War, Casement did little to stir Yeats's imagination, as Sir William Rothenstein remembered: ... Casement ... was full, too, of the wrongs ofIreland. 'As long as he only bothers about present conditions,' said Yeats, 'it doesn't matter; but Heaven help him if he fills his head with Ireland's past wrongs. '1 Casement's fanatic hatred of England and reverence for Germany made others uneasy, and they doubted the effectiveness of his plans. John Butler Yeats, who had met him atJohn Quinn's, liked him, but noted that he "is about sick with grief over 'poor Kaiser' ".2 Writing to Quinn, AE described Casement as "a romantic person of the picturesque kind, with no heavy mentality to embarass him in his actions."3 However, when he was sentenced to death for treason, Yeats signed a petition on his behalf at Maud Gonne's urging, and wrote Eva Gore-Booth that "the argument for clemency is so strong that the government cannot disregard this argument .. " 4 When he was executed, however, Casement was not much more to Yeats than the unnamed sixteenth man of "Sixteen Dead Men" . To Maud Gonne, although his death was" a national loss' , , it was" a less terrible blow" than other deaths - and, like her, Yeats's imagination had been captured by other martyrs of 1916: evenJohn MacBride was mentioned in "Easter 1916" , and Casement was not. -
Traditional Irish Sources for “The Song of Wandering Aengus”
“The Song of Wandering Aengus” by W. B. Yeats: A Common Core Exemplar Traditional Irish Sources for “The Song of Wandering Aengus” Part 1. Allusions to Celtic Mythology In discussing the composition of “The Song of Wandering Aengus,” William Butler Yeats noted, “It was suggested to me by a Greek folksong; but the folk belief of Greece is very like that of Ireland, and I certainly thought, when I wrote it, of Ireland, and of the spirits that are in Ireland.” One of Yeats’s long standing passions was to revive traditional Irish culture, and one way he acted upon it was by integrating Celtic mythology and Irish folk lore into his written work. Yeats included several archetypal images in “The Song of Wandering Aengus” that have special significance in the Irish folk tradition: the fisherman, the silver trout, the hazel bough, and the apple. The fisherman archetype surfaces in various forms in this part of the world, especially in stories related to “selkies” with their scenes of fantastic shape shifting between seal and human form. The silver trout reflects the symbolic association fish carry in the Irish tradition with connotations related to health and fertility as well as knowledge, inspiration, and prophecy. The hazel is a sacred tree connected with immortal wisdom in Irish tree-lore. Stories in the Celtic tradition often place hazel trees at the border between worlds where magical things happen. Hazel is considered a container of ancient knowledge and, when ingested, hazel nuts were thought to heighten awareness and induce visions that led to epiphanies.