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Circus Magazine SUMMER TOUR INFO ON VAN HALEN, TOM PETTY, NUGENT, STYX, RUSH, PRETENDERS, STONES, REO JUNE 30, 1981 FOC 55037-7 $1.50 Special 8-Paae - Pullou"* Sec"*lon AGujde"o .ear After The II Tragedy, The Rock & Roll d Bounces Back On"our HO&' S,.AR­ RAYER! SHIP Their I lew LPs REI/ ~'Ned Inside How". Bu~~ Guj.a. • j.hOU1 Gojnl Brok. o _ __ 'I OZZY OSBOURNE JUNE 30, 1981 ({·X') i it) t·, ,\'. I ., i 26' ;\ ;: i i :; t) 25 Ozzy Osbou rne • Letters A day in the life of the prince valiant Feedback from our readers of darkness. wi th color photos - (Gerald Roth berg) • I Front Pages News from the rock & roll scene - (Lisa Robinson) Marshall Tucker •• Circus Word Find Puzzling game for fans Band - (Steven Dean Pastis) Circus travels to South Carolina to visit Spartanburg's pride and JOY, Ozzy Osbourne's travels, p. 25 MTB - (Ph ilip Bashe) 20 Stage Pass Circus hunts down rock's reporter­ eating carnivore. Ted Nugent. Also: Adam and the Ants prove the psy­ 14 Jefferson Starship chedelic revival is coming over­ Poster ground -(Steve Weitzman) 15 Summer Rock 1981 .7 Longplayers Circus reports on~ho is hitting the Reviews of new LPs by the Who. road this summer Pat Travers. Judas Priest , Plasmat­ -(Steve Weitzman) ics and more - (J. M. Young. Jim Farber) 45 The Vapors Smoke gets in their eyes Journey continues, p.50 .,4 Back Pages - (Ph ilip Bashe) Inside inform ation on the rock scene 5. Rock & Roll Year­ -(Lou O'Neill Jr .) book: Class of '81 •• April Wine Who are 1981's standout students Circus (I SS 0009-7365) IS pub­ of rock & roll? lished monthly by Circus Enter­ The toast of Canada pops its cork prises Corporatio n. 115 East 57 St .. - (Ph ilip Bashe) -(Philip Bashe) New York . NY 10022. (21 2)832- 1626 Return postage must accom­ pa ny all unsolicite d manuscripts. draWings and photographs Entire 50 Journey contents COPYright - 1981 by Cir­ One of rock 's most popular outfits I i: h) ;; tlj :i 3: , ti cus En terprises Corporation All loses a founding member and finds rights reserved Reproduction or itself a baby-faced replacement use without permission 01 editorial - (Bill Mcilva ine) 59 Music Gear or pictOrial ma tte r In any form IS pro­ Th is month's musical instrument hibited . Printed In U.S A Subscrip­ section includes Rush 's Alex Life­ tion rates 5 16 for 12 Issues . If ma il ed son talking about his pet subject. outside the US _ add an additional 54 The Postman guitars: a shopping guide on how to 56 00 Second class postage paid at purchase a good electric axe under New Yo rk _ N.Y and at additional ma iling offices. Member of Audit Bu­ Always Rings Twice $600: in-depth looks at electric and Sultry Jessica Lange talks about reau of Circulat ions acoustic (1uitars: plus a guide to the POSTMASTER PLEASE SEND he r close encounters with shining latest products from the musIc fac­ FORM 3579 TO CIRCUS MAG A­ star Jack Nicholson tory ZI E . P OBOX 265. MT - (Ric hard Hogan) -(John St ix. Barry Lipman) N256 MORRIS . ILL 61054 814-Pittsburgh. PA: S/10-11 -Austin. TX : 7/10-Columbia. MO : S/19-Jackson. NJ : 8/S-Montreal, QUE: SIS-Vienna, VA Civic Center Soap Creek Inn Merriweather Post Great Adventure Forum SIS-Elmira, NY S/12-13-Houston, TX: Pavillion S/20-Philadelphia. PA: SI7 -Pittsburgh, PA PLASTICS (Island) Rockertellers 7/11-New York. NY: J.F.K. Stadium MUDDY WATERS SIB-Clarkston, MI S/17-Houston, TX : Battery Park (Blue Sky) B/12-Cincinnati, OH S/11- Tallahassee. FL: Juneteenth Festival VAN HALEN (WB) B/14-Hitland, IL Tommy's S/19-20-New Orleans, SQUEEZE (A&M) S/10-Toronto,ONT B/1S-ln ianapolis, IN S/12-13-Atlanta. GA: LA : S/12-13-0akland. CA: S/11-Kitchener, ONT B/17-Holmdel, NJ SSB Club Tip 'N' Tina's S/2B-29-New York, Coliseum S/12-Niagara Falls, NY B/1B-Saratoga S/1B-Washington . NY: S/16-Las Vegas, NV: S/14-Montreal, QUE Springs, NY D.C.: Ritz Alladin I 930 Club RUSH (polyGram) S/18-Fresno. CA: ZZ TOP (WB) MOODY BLUES (Threshold) S/19-Philadelphia. PA: THE STRANGLERS Selland Arena S/10- 11 -Los Angeles, Emerald City (Stiff) S/19-Los Angeles, CA: S/17-Cleveland, OH S/20-New York. NY: CA: Sport Arena S/18-Columbus. OH S/1S-Baton RO~, LA S/1S-Houston, Ritz Forum S/12-New York, NY: S/20-21-Los Angeles, S/19-Washington, D.C. S/17-Dallas, TX S/24-Sacramento. CA: S/12-Anaheim, CA: Bonds CA: S/20-Cape Cod, MA: The Galactica 2000 Convention Center Forum Cape Cod Coliseum S/1B-Austin , TX S/25-2S-San S/14-Long Beach, CA: 7/2-Mllwaukee, WI : S/24-Rochester, NY S/20-Tucson, AZ. Arena JAMES TAYLOR S/21-Phoenix, AZ. Francisco. CA: (CBS) Arena S/2S-Niagara Falls, NY Old Waldorf S/1S-Las Vegas, NV: 7/3-4-Detroit, MI: S/2S-New Haven, CT S/22-San Diego, CA Alladin Theatre S/24-San Francisco, S/27-Santa Cruz, CA: S/11-lndianapolis, IN: Cobo Hall S/27-Philadelphia, PA S/1S-Reno, NV: CA Catalyst Sport Center 717-t,t. Paul, MN : S/2B-Uniondale, NY: Centennial Coliseum S/27-Los Angeles, CA 7/1-2-Los Angeles, S/13-14-Chicago. IL: Civic Arena Nassau Coliseum S/1B-19-Seattle, WA: S/28-Long Beach, CA CA: Poplar Creek 7/9-lndianapolis. IN: 7/9-San Diego, CA Coliseum S/30-7/30-Denver, CO: Roxy S/1S- 1S-Cleveland, Market Square Arena 7!1 0-Los Angeles, CA: S/20-Portland, OR: Red Rocks 7/S-Honolulu. HI OH: 7/10-12-Chicago,IL: Forum Coliseum 7/S-S-Washington. S/1B-Pittsburgh, PA: Amphitheatre 7/11-Phoenix, AZ. S/21-Spokane, WA: D.C. PURE PRAIRIE Civic Center 7/14-Pittsburgh, PA: 7/ 12-AlbUquer~ue , NM COliseum 717 -Cleveland, OH LEAGUE (PolyGram) S/19-Philadelphia, PA: Civic Center 7/1S-0dessa, X 7/2-3-Minneapolis, 7/1S-New Haven. CT: 7/1S-EI Paso. TX 7/9-11-Detroit, MI MN: Frederich Mann Music 7/14-New York, NY: S/13-Arlington. TX: Center Cross County 7/17-Tucson , AZ. Metropolitan Center Madison Square Six Flags S/20-New York, NY: 7/17-New York, NY: 7I18-Las Ve~as , NV S/19-Green River, WY: 7/4-S-East Troy, NY: Madison Square 7/19-Bakersfleld, CA Garden Alpine Valley Batte~ Park 7/17-Chicago, IL Rodeo S/21- ain Date Garden 7/22-Portland, OR S/21-Park City, UT: S/ 22 - sarat~a , NY: 7/1S-Uniondale, NY: 7/23-Spokane, WA MOTORHEAD Park West SANTANA (CBS) Pertorming rts Nassau Coliseum 7/24-Seattle, WA (Polygram) 7/3-Aquawan, MA: Center 7/20-22-Philadelphia, 7/2B-Reno , NV Riverside Park S/ 12-Philadel~hia , PA: S/24-2S-Holmdel, NJ: PA: 7/29-San Francisco, S/20-Las Vegas, NV Stadium Robin Hood ell Garden State Arts Spectrum CA S/24-Phoenix, AZ. 7/27-Great Falls, MT: S/13-Cleveland,OH: Center 7/24-2S -Boston , MA: 7/31 -Sall Lake City, S/2S-San Bernadino, Montana State Fair Blossom Festival S/2S-Hartford. CT: Boston Gardens UT CA 8/12-Rapid City, SO : S/27 -Saratoga CiviC Center 7/29-Largo, MD: B/1-Denver, CO S/2S-San Diego, CA State Fair Springs, NY: S/27-28-Columbia. Cellar Door B/2-Rapid City, SO S/27-Long Beach, CA 8/1S-Billings, MT: Performing Arts MD: 7/31-Buffalo, NY: Yellowstone Exhibition Center Merriweather Post Memorial Auditorium GORDON OZZY OSBOURNE! 7/4-Cape Cod, MA: Pavillion B/2-3-Cleveland, OH: LIGHTFOOT (WB) BLIZZARD OF OZ Coliseum Richfield Coliseum (Jet) ROOM FULL OF 7/9-Pittsburgh, PA: 8/4-Toronto.ONT: S/19-Fort Lauderdale, FL BLUES (Blue Flame) Civic Center .38 SPECIAL (A&M) Maple Leaf Gardens S/21-Atlanta. GA see Motorhead dates' Nugent ~ Van Zant reveal road strategies istening to them talk, you'd think The promotional motive behind the road. He must take care that the summer they were generals mounting an rock & roll tour is still a strong one, but tour will coincide with a newly-released invasion. Words like "target" stars are no longer as much at the mercy or currently-charting record. Stars like Land "strategy" keep cropping up of flight lag or shrewd promoters as they Nugent must learn to work full-time with in their conversation. were 10 or 20 years ago. Guitarist Ted as many as 30 people on the road. ""We intend to break through to some Nugent, for instance, says he has the Security has been a sore point with new territories," says Florida-based whole touring business worked out. every big rock act since the '79 Who con­ bandleader Johnny Van Zant. "We "We have pre-assault maneuvers ev­ cent disaster in Cincinnati. With too haven't covered the West Coast before." ery year before our tours," says the much security, fans can panic, or be hurt Van Zant knows his five-man rock group Michigan wildman. "I hire a crew, and, by zealous uniformed guards. will be on the road for at least four sometimes, a new band. I get them all to­ "There's a lot more to touring than months this summer, and, with his mana­ gether at a meeting, and I tell 'em that just getting up there," snorts Nugent, gers and booking agent, is premeditating everything has got to be perfect.
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  • Rush, Musicians' Rock, and the Progressive Post-Counterculture
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  • Alex Lifeson: Rush's Kinetic Lead Guitarist
    BLEil LIFESOn Rush's Kinetic Lead Guitarist I By Jim Schwartz ENTION THE words "power trio," and most people think back M to the late '60s and early '70s when gargantuan walls of gray Marshall stacks formed an imposingly loud backdrop for a single guitar, bass, and drums. It was the age of psychedelia-of mind-expanding experi­ ments both synthetic and organic. Bands such as Cream and the Jim Hendrix Experi­ ence left listeners' ears ringin.g and musicians' heads swimming with soulful, mysterious melodies. • With the advance of ll\fulical technology in the '70s, and with the desires of many groups to elaborate further upon their roots, new equipment (and often more personnel) was added to the power trio's basic format: a second guitar, a vocalist, horns, keyboards, and a myriad of special effects. For some bands the '70s became the age oftechno-rock as the simple power trio was, at best, rele­ gated to a backwater status. There are a few three-piece groups, however, which retained their attraction for simplicity in numbers while also integrating into their music some ofthe most progressive components of modern instrument technol­ ogy. Rush is such a band. When three young Canadians-guitar­ ist Alex Lifeson, bassist Geddy Lee, and drummer John Rutsey-first decided to join musician experimented with new instru­ or its love of playing music. Shunned by musical forces as Rush in 1968, they couldn't ments. Lifeson incorporated guitar synthe­ most radio stations in the past because of help but be captivated by their British and sizer and Moog Taurus bass pedals into long songs and often shrill vocals, the group American contemporaries who, at that time, Rush's tunes; Lee's bass shared time with built its following through almost constant were forging the foundations of power rock.
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