Operation Manual
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
The Science of String Instruments
The Science of String Instruments Thomas D. Rossing Editor The Science of String Instruments Editor Thomas D. Rossing Stanford University Center for Computer Research in Music and Acoustics (CCRMA) Stanford, CA 94302-8180, USA [email protected] ISBN 978-1-4419-7109-8 e-ISBN 978-1-4419-7110-4 DOI 10.1007/978-1-4419-7110-4 Springer New York Dordrecht Heidelberg London # Springer Science+Business Media, LLC 2010 All rights reserved. This work may not be translated or copied in whole or in part without the written permission of the publisher (Springer Science+Business Media, LLC, 233 Spring Street, New York, NY 10013, USA), except for brief excerpts in connection with reviews or scholarly analysis. Use in connection with any form of information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed is forbidden. The use in this publication of trade names, trademarks, service marks, and similar terms, even if they are not identified as such, is not to be taken as an expression of opinion as to whether or not they are subject to proprietary rights. Printed on acid-free paper Springer is part of Springer ScienceþBusiness Media (www.springer.com) Contents 1 Introduction............................................................... 1 Thomas D. Rossing 2 Plucked Strings ........................................................... 11 Thomas D. Rossing 3 Guitars and Lutes ........................................................ 19 Thomas D. Rossing and Graham Caldersmith 4 Portuguese Guitar ........................................................ 47 Octavio Inacio 5 Banjo ...................................................................... 59 James Rae 6 Mandolin Family Instruments........................................... 77 David J. Cohen and Thomas D. Rossing 7 Psalteries and Zithers .................................................... 99 Andres Peekna and Thomas D. -
In the Aftermath Start Line
STAY CONNECTED >> Follow us on Twitter @BULARIAT for breaking news updates and more Baylor LariatWE’RE THERE WHEN YOU CAN’T BE LTVN Online: Castro’s death NOVEMBER 30, 2016 WEDNESDAY BAYLORLARIAT.COM Wonderland Run benefits local schools MEGAN RULE Staff Writer The Wonderland Run will take off for the first time this Saturday as a part of the Waco Wonderland extravaganza taking place this weekend. “This is our first year doing this, so I’m excited to see how it turns out and how it goes,” said Aaron Mize, director of development and community partnership with Communities in Schools of the Heart of Texas. “We’re excited to see the turnout because there has been a lot of excitement already.” The organization had a race for the past two years in the spring, but the city of Waco didn’t have a holiday-themed run, and Mize said the organization saw the opportunity to make this an annual event. Communities in Schools is working with the city of Waco to coordinate the run. “I’m so excited about this run; it’s a great way to get into the holiday spirit,” said Basking Associated Press Ridge, N.J., sophomore Rachel Creedon. “It’s a great addition to this weekend’s festivities.” FIRST RESPONSE Ohio State University student Nicholas Flores reacts as police respond on Monday to an attack on campus in The Wonderland Run features a one-mile Columbus, Ohio. walk, a 5K run and a 10K run. Both the running races will start at 8 a.m. Saturday at the corner of Austin Avenue and Third Street in front of City Hall. -
Alternate Tuning Guide
1 Alternate Tuning Guide by Bill Sethares New tunings inspire new musical thoughts. Belew is talented... But playing in alternate Alternate tunings let you play voicings and slide tunings is impossible on stage, retuning is a between chord forms that would normally be nightmare... strings break, wiggle and bend out impossible. They give access to nonstandard of tune, necks warp. And the alternative - carry- open strings. Playing familiar fingerings on an ing around five special guitars for five special unfamiliar fretboard is exciting - you never know tuning tunes - is a hassle. Back to EBGDAE. exactly what to expect. And working out familiar But all these "practical" reasons pale com- riffs on an unfamiliar fretboard often suggests pared to psychological inertia. "I've spent years new sound patterns and variations. This book mastering one tuning, why should I try others?" helps you explore alternative ways of making Because there are musical worlds waiting to be music. exploited. Once you have retuned and explored a Why is the standard guitar tuning standard? single alternate tuning, you'll be hooked by the Where did this strange combination of a major unexpected fingerings, the easy drone strings, 3rd and four perfect 4ths come from? There is a the "new" open chords. New tunings are a way to bit of history (view the guitar as a descendant of recapture the wonder you experienced when first the lute), a bit of technology (strings which are finding your way around the fretboard - but now too high and thin tend to break, those which are you can become proficient in a matter of days too low tend to be too soft), and a bit of chance. -
Studio 2 Equipment
STUDIO 2 EQUIPMENT Console Reverb/Delay Solid State Logic Duality δelta 48 input analog console with Total Recall Bricasti M7 digital reverb #1 Bricasti M7 digital reverb #2 Computer AMS RMX16 500 series digital reverb Avid Pro Tools Ultimate 2019.6 HDX 3 w/ HD I/O 64/64 Avid HDX processing card #1 500 Series Processors Avid HDX processing card #2 AMS RMX16 500 series digital reverb Avid HDX processing card #3 API 550A three-band EQ module # 1 Apple Mac Pro (Cylinder) 3.0 GHz 8-Core/32GB w/Mojave API 550A three-band EQ module # 2 Sonnet Echo Express Iii rackmount thunderbolt PCIe chassis API 512v discrete mic/line pre #1 OWC Thunderbay 4 four-bay thunderbolt HDD enclosure API 512v discrete mic/line pre #2 OWC Drive Dock dual-bay thunderbolt/USB3.0 HDD docking station API 525 limiter/compressor module Universal Audio UAD-2 Satellite Thunderbolt – OCTO Custom Moog analog delay module Samsung 29" SE790C curved monitor Heritage Audio BT-500 bluetooth streaming module Logic Pro X 10.2 Studio Music Production Software for Mac **Source Connect Live & Pro available upon request Headphones Sony MDR 7506 I/O Sony MDR 7520 Avid HD I/O #1 Audio-Technica ATH-M50x Avid HD I/O #2 Beyer Dynamic DT770 Avid HD I/O #3 Direct Sound Extreme Isolation EX-29 Avid HD I/O #4 Master & Dynamic MH40 Avid SYNCH HD Sennheiser HD-280 Pro Antelope Robidium 10M Atomic Clock & Isochrome Trinity Aviom personal monitor mixer system for headphones Focusrite Clarett 8 Pre Grace m920 reference headphone amplifier, DAC, monitor controller Lavry AD 122 96K MKIII stereo A to -
Gator Cases Master Cross Reference April 5, 2010.Xlsx
Master Cross Reference Chart Updated April 5, 2010 Includes: Pro A/V, Keyboard, Guitar, Recording, and DJ gear Manufacturer Model Type Fit (1) Fit (2) Fit (3) Fit (4) Fit (5) 360 Systems DR600 Digital Audio Gear G‐MIX‐B 1515 G‐TOUR 12X17 G‐TOUR 12X17 3M S15 Projector GAV‐20 3M S40 Projector GAV‐1412‐RGAV‐DLX‐1412R GAV‐DLX‐20 GAV‐PE‐1412R 3M S50 Projector GAV‐1412‐RGAV‐PE‐1412R 3M S55 Projector GAV‐1412‐RGAV‐DLX‐1412R GAV‐DLX‐20 GAV‐PE‐1412R 3M X40 Projector GAV‐1412‐RGAV‐DLX‐1412R GAV‐DLX‐20 GAV‐PE‐1412R 3M X45 Projector GAV‐1412‐RGAV‐DLX‐1412R GAV‐DLX‐20 GAV‐PE‐1412R 3M X50 Projector GAV‐1412‐RGAV‐DLX‐1412R GAV‐DLX‐20 GAV‐PE‐1412R 3M X55 Projector GAV‐1412‐RGAV‐DLX‐1412R GAV‐DLX‐20 GAV‐PE‐1412R 3M X75 Projector GAV‐1412‐RGAV‐PE‐1412R Access VIRUS CLASSIC Keyboard G‐MEDIA PROBPXL Access VIRUS TI 61 Keyboard GK‐61 GKC‐1540 GKPE‐61‐TSA G‐TOUR 61 Access VIRUS TI DESKTOP Keyboard G‐MEDIA PROBPXL Adam SUB10 Speaker GPA‐450‐515 GPA‐777 GPA‐E15 GPA‐SCVR450‐515 Adam SUB8 Speaker GPA‐600 Adam Audio SUB10 MKII Speaker GPA‐450‐515 GPA‐777 GPA‐E15 GPA‐SCVR450‐515 Akai APC40 Digital Audio Gear GMC‐2222 G‐MIX 19X21 G‐MIX‐B 1815 G‐MIX‐L 1618A Akai Miniak Keyboard G‐MULTIFX‐2411 Akai MPC1000 Digital Audio Gear G‐MEDIA PRO BP G‐MULTIFX‐1510 G‐TOUR 12X17 G‐TOUR 12X17 Akai MPC2000XL‐MCD Digital Audio Gear GMC‐2222 G‐MIX‐B 1815 G‐MIX‐B 1818 G‐MIX‐B 2118 G‐MIX‐L 1618A Akai MPC2500 Digital Audio Gear GMC‐2222 G‐MIX 19X21 G‐MIX‐B 1815 G‐MIX‐L 1618A Akai MPC4000 PLUS Digital Audio Gear G‐MIX 19X21 G‐MIX‐B 2118 GP‐PC309 G‐TOUR 19X21 GX‐1921‐7.5 Akai MPC500 Digital -
Guitar Tunings
Guitar tunings Guitar tunings assign pitches to the open strings of guitars, including acoustic guitars, electric guitars, and classical guitars. Tunings are described by the particular pitches denoted by notes in Western music. By convention, the notes are ordered from lowest-pitched string (i.e., the deepest bass note) to highest-pitched (thickest string to thinnest).[1] Standard tuning defines the string pitches as E, A, D, G, B, and E, from lowest (low E2) to highest (high E4). Standard tuning is used by most guitarists, and The range of a guitar with standard frequently used tunings can be understood as variations on standard tuning. tuning The term guitar tunings may refer to pitch sets other than standard tuning, also called nonstandard, alternative, or alternate. Some tunings are used for 0:00 MENU particular songs, and might be referred to by the song's title. There are Standard tuning (listen) hundreds of such tunings, often minor variants of established tunings. Communities of guitarists who share a musical tradition often use the same or similar tunings. Contents Standard and alternatives Standard Alternative String gauges Dropped tunings Open tunings Major key tunings Open D Open C Open G Creating any kind of open tuning Minor or “cross-note” tunings Other open chordal tunings Modal tunings Lowered (standard) E♭ tuning D tuning Regular tunings Major thirds and perfect fourths All fifths and “new standard tuning” Instrumental tunings Miscellaneous or “special” tunings 1 15 See also Notes Citation references References Further reading External links Standard and alternatives Standard Standard tuning is the tuning most frequently used on a six-string guitar and musicians assume this tuning by default if a specific alternate (or scordatura) is not mentioned. -
Sound Productions Backline Rentals Production Smaller Dec
BACKLINE RENTALS DRUM KITS PERCUSSION KEYBOARDS GUITARS GUITAR AMPS BASS GUITARS BASS AMPS GUITAR PEDALS & ACCS. DJ EQUIP. WIRELESS EQUIP. MIXING CONSOLES MISC EQUIP. For quotes & inquiries contact Greg Narkewicz at 972.550.0594 or [email protected] DRUM KITS DW Collectors Series Broken Glass Gretsch Renown Maple Pure Maple Kit Silver Sparkle Kicks : 20’’,22’’,24’’ Kick : 22’’ Rack Toms : 8’’.10’’,12’’,13’’,14’’ Rack Toms : 10’’,12’’ Floor Toms : 14’’,16’’,18’’ Floor Toms : 14’’,16’’ Snare : 14’’X6.5’’ Maple Snare : 14x5 Maple DW Collectors Series Curly Maple Ludwig Classic Maple Natural Finish Red Sparkle Kicks: 20’’,22’’,24’’ Kick : 22’’, 24’’ Rack Toms :8’’,10’’,12’’,13’’ Rack Toms : 10’’ , 12’’, 13’’ Floor Toms : 14’’,16’’,18’’ Floor Tom :2x 16’’ Snare: 14x5 Maple Snare : 6.5x14 Atlas-Pro Hardware Pearl Masterworks Red Sparkle Tama Starclassic Kick : 22’’ Cherry Sunburst Rack Toms : 10’’,12’’,13’’ Kick : 22’’ Floor Toms : 14’’,16’’ Rack Toms : 10’’ , 12’’ Snare : 14x6.5 Maple Signature Floor Tom : 16’’ Snare : 14x5’’ Gretsch Renown Maple Dark Brown Kick : 22’’ Yamaha Custom Recording Birch Rack Toms : 10’’,12’’ Black Hanging Floor Toms : 14’’,16’’ Kick : 22’’ Snare : 14x5 Maple Rack Toms : 10’’,12’’,13’’, 14’’ Floor Tom : 16’’ Snare : 14x7 Birch MoreDRUM KITS Yamaha Generic Kit Red Cymbal Brands Kick : 22’’ Zildjian Rack Toms : 12’’,13’’ Sabian Floor Tom : 16’’ Paiste Snare : 14x6.5 Chrome Yamaha Maple Custom Natural Finish Kick : 22’’ Rack Toms : 10’’,12’’,13’’ Hanging Floor Toms : 14’’,16’’ Snare : 14x4 Maple Yamaha Maple Custom Absolute Electric Blue Kicks : 20’’,22’’ Rack Toms : 8’’,10’’,12’’,13’’ Floor Toms : 14’’,16’’,18’’ Snare : 14x5 Maple Additional Snares Yamaha 13x6 Oak Yamaha 13x6 Brass Ludwig 14x6.5 Black Beauty Ludwig 14x5 Black Beauty Pearl 14x3 Brass Free Floater Mapex 13x5 Maple Pearl 10x5 Firecracker PERCUSSION Percussion L.P. -
(12) United States Patent (10) Patent No.: US 8,686,269 B2 Schmidt Et Al
USOO8686269B2 (12) United States Patent (10) Patent No.: US 8,686,269 B2 Schmidt et al. (45) Date of Patent: * Apr. 1, 2014 (54) PROVIDING REALISTIC INTERACTION TO (56) References Cited A PLAYER OF A MUSIC-BASED VIDEO GAME U.S. PATENT DOCUMENTS (75) Inventors: Daniel A. Schmidt, Somery ille, MA 3.430,530D211,666 AS 3/19697/1968 GrindingerMacGillavry (US); Gregory B. LoPiccolo, Brookline, 3,897,711 A 8/1975 Elledge MA (US); Eran Egozy, Brookline, MA D245,038 S 7, 1977 Ebata et al. (US) D247,795 S 4, 1978 Darrell 4,128,037 A 12, 1978 Montemurro (73) Assignee: Harmonix Music Systems, Inc., E. 88: Sushida et al. Cambridge, MA (US) D262,017 S 11/1981 Frakes, Jr. D265,821 S 8, 1982 Okada et al. (*) Notice: Subject to any disclaimer, the term of this D266,664 S 10, 1982 Hoshino et al. patent is extended or adjusted under 35 (Continued) U.S.C. 154(b) by 823 days. This patent is Subject to a terminal dis- FOREIGN PATENT DOCUMENTS claimer. AT 468071 T 6, 2010 AU T41239 B2 4f1999 (21) Appl. No.: 12/263,434 (Continued) (22) Filed: Oct. 31, 2008 OTHER PUBLICATIONS (65) Prior Publication Data Guitar Hero (video game) Wikipedia, the free encyclopedia— US 2009/OO82O78A1 Mar. 26, 2009 (Publisher RedOctane) Release Date Nov. 2005.* Related U.S. Application Data (Continued) (63) Continuation of application No. 1 1/683,136, filed on Mar. 7, 2007, now Pat. No. 7,459,624. Primary Examiner — Marlon Fletcher (74) Attorney, Agent, or Firm — Wilmer Cutler Pickering (60) Provisional application No. -
Guernsey's Auction Auction Catalog
HOME ABOUT AUCTIONS SELLING BUYING SOLD BY GUERNSEY'S PRIVATE SALES CATALOGUES FINDERS CONTACT View Auctions Bidder Login Create Account Get Started Help Search... GO Guernsey's Auction > The Artistry of the Guitar - Day 1 The Artistry of the Guitar - Day 1 Wednesday, April 02, 2014 | 7:00 PM Eastern Auction closed. Internet Premium: 25% See Special Terms for additional fees Location: New York, NY Share: Share 52 Guernsey's Auction Description: Nearly three hundred instruments historic Martin, Gibson, Epiphone, 212-794-2280 Gretsch, Washburn, Stromberg and Larson Brothers guitars. Bid on items created by such talented craftsmen as Torres, D'Angelico, etc Internet Premium: 25% Participation Requirements: Valid Credit Card required for bidding approval Payment Options: Visa, MasterCard, Discover, Check, Money Order, and Wire Transfer open in browser PRO version Are you a developer? Try out the HTML to PDF API pdfcrowd.com Visa MasterCard Discover more Sort By: Search Catalog: Go to Lot: Per Page: Go to Page: View ing: Sale Order GO GO 25 GO Page 4 of 6 Refresh Items Print Catalog Increment Table All Items | Closed Items Displaying 76 - 100 of 136 1968 Gibson Everly Brothers Custom Sold for: $ 20,000.00 Lot # 77 to onsite Low Est: 50000 High Est: 60000 NO RESERVE. The Gibson Everly Brothers flattop, produced from 1962 through 1972, is one of the rarest and collectible models Gibson offered during the 1960s. It has a curvaceous jumbo body similar to the J-185 and boasts flashy cosmetic features that include star-shaped peghead and fretboard inlays, a shiny jet black finish, and a pair of oversized pickguards that cover a good portion of the guitar’s top. -
The 50 Greatest Rhythm Guitarists 12/25/11 9:25 AM
GuitarPlayer: The 50 Greatest Rhythm Guitarists 12/25/11 9:25 AM | Sign-In | GO HOME NEWS ARTISTS LESSONS GEAR VIDEO COMMUNITY SUBSCRIBE The 50 Greatest Rhythm Guitarists Darrin Fox Tweet 1 Share Like 21 print ShareThis rss It’s pretty simple really: Whatever style of music you play— if your rhythm stinks, you stink. And deserving or not, guitarists have a reputation for having less-than-perfect time. But it’s not as if perfect meter makes you a perfect rhythm player. There’s something else. Something elusive. A swing, a feel, or a groove—you know it when you hear it, or feel it. Each player on this list has “it,” regardless of genre, and if there’s one lesson all of these players espouse it’s never take rhythm for granted. Ever. Deciding who made the list was not easy, however. In fact, at times it seemed downright impossible. What was eventually agreed upon was Hey Jazz Guy, October that the players included had to have a visceral impact on the music via 2011 their rhythm chops. Good riffs alone weren’t enough. An artist’s influence The Bluesy Beauty of Bent was also factored in, as many players on this list single-handedly Unisons changed the course of music with their guitar and a groove. As this list David Grissom’s Badass proves, rhythm guitar encompasses a multitude of musical disciplines. Bends There isn’t one “right” way to play rhythm, but there is one truism: If it feels good, it is good. The Fabulous Fretwork of Jon Herington David Grissom’s Awesome Open Strings Chuck Berry I don"t believe it A little trick for guitar chords on mandolin MERRY, MERRY Steve Howe is having a Chuck Berry changed the rhythmic landscape of popular music forever. -
Guitar Rental Rates
Department: GUITARS Rental Rates Jan 2010 1 1 1 Model Description Day Wk Mth Sell ---------------- ------------------------------------- --- --- ---------------- Group: ALMANSA CLASSIC GUITARS A-401 ALMANSA CLASSICAL CEDAR/LAM MAHOGANY 5 9 18 330 A-403 ALMANSA CLASSICAL CEDAR/LAM MAHOGANY 5 10 20 440 Group: DENVER NYLON STRING DC12N DENVER 1/2 SIZE NYLON STRING GTR W/BAG 3 5 9 99 DC34N DENVER 3/4 SIZE NYLON CLASSICAL W/BAG 3 5 9 115 DC44N DENVER 4/4 SIZE CLASSIC GUITAR W/BAG 3 5 9 129 Group: LA PATRIE CLASSIC GUITARS LP0340 LAPATRIE ETUDE 4 8 15 299 LP0364 LAPATRIE ETUDE LEFT 4 8 16 335 LP0425 LAPATRIE CONCERT 5 9 18 385 LP25091 LAPATRIE LA PATRIE CONCERT CW QI 8 15 30 590 LP28740 LA PATRIE HYBRID CW LIGHT BST GLOSS QII W TRI 10 19 38 699 Group: YAMAHA CLASSIC GUITARS C40 YAMAHA CLASSIC GTR 4 7 13 130 CG111S YAMAHA CLASSIC GTR GLOSS SOLID SPRUCE TOP 5 10 20 315 Group: DENVER STEEL STRING DD34S DENVER 3/4 SIZE STEEL STRING GUITAR W/BAG 3 5 9 115 DD44S DENVER 4/4 SIZE STEEL STRING DREADNOUGHT W/BA 3 5 10 139 Group: EPIPHONE ACOUSTIC GUITARS AJ100CENACH EPIPHONE AJ-100CE EL/ACOUST-NATURAL 4 7 14 210 AJ100EBCH EPIPHONE AJ-100 ACOUSTIC - EBONY 4 7 13 149 AJ100NACH EPIPHONE AJ-100 ACOUSTIC - NATURAL 4 7 13 149 AJ100VSCH EPIPHONE AJ-100 ACOUSTIC - VINT SUNBURST 4 7 13 149 AJ200SNACH EPIPHONE AJ-200S SOLID TOP-NATURAL 6 11 22 235 DR100EBCH EPIPHONE DR-100 ACOUSTIC - EBONY 4 7 13 149 DR100NACH EPIPHONE DR-100 ACOUSTIC - NATURAL 4 7 13 149 DR100VSCH EPIPHONE DR-100 ACOUSTIC - VINT SUNBURST 4 7 13 149 DR212NACH EPIPHONE DR-212 12-STRING-NATURAL 4 -
Gift Issue 2019
PUBLICATIONS MAIL AGREEMENT NUMBER 40026865 INSIDE 3 A NOTE FROM THE PRESIDENT 4 Gear: Guitars 8 THE GLORIOUS SONS: WAGING WAR ON EVERYTHING By Steve Das 14 HUMIDITY AND YOUR GUITAR 17 Gear: Print 18 Gear: Pro Audio 22 HAVIAH MIGHTY: THE NEW NORTH STAR By Andrew King 24 Gear: Recording 28 THE MIDDLE EIGHT By Stephen Klein 30 Gear: Keyboards 32 Gear: Drums 37 MUSICAL GIFTS FOR ALL AGES By Tony Bouma 40 Gear: Band Editor and Publisher: Sheri Katz Design and Layout: Cristine Giampaolo Article Solicitation and Collection: Chris Russell Writers: Tony Bouma, Steve Das, Andrew King, Stephen Klein ESSENTIAL INFORMATION: The Long & McQuade Magazine is published by Long & McQuade Musical Instruments Limited. CIRCULATION 300,000 copies per issue. All rights reserved. Contents may not be reprinted without the permission of the publisher. Please do not send unsolicited manuscripts, artwork or photos. The Long & McQuade Magazine takes no responsibility for return of any unsolicited materials. Printed in Canada. PUBLICATIONS MAIL AGREEMENT #40026865 Circulation inquiries, address changes and updates should be directed to [email protected]. CORPORATE HEAD OFFICE: Long & McQuade Limited, 722 Rosebank Road, Pickering ON L1W 4B2 PUBLISHING OFFICE & ADVERTISER INQUIRIES: Long & McQuade Limited • Attention: The Long & McQuade Magazine, 722 Rosebank Road, Pickering ON L1W 4B2 Contact Sheri Katz: [email protected]. Product inquiries or support questions: [email protected]. Spread Joy, Give Music. One of my most prized possessions is a 1978 Rogue bass, which is a copy of a Fender Precision bass, back when that was allowed. As a young bass player and singer, out on the road with my band, I sometimes had problems with broken strings.