Gator Cases Master Cross Reference April 5, 2010.Xlsx
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(12) United States Patent (10) Patent No.: US 8,686,269 B2 Schmidt Et Al
USOO8686269B2 (12) United States Patent (10) Patent No.: US 8,686,269 B2 Schmidt et al. (45) Date of Patent: * Apr. 1, 2014 (54) PROVIDING REALISTIC INTERACTION TO (56) References Cited A PLAYER OF A MUSIC-BASED VIDEO GAME U.S. PATENT DOCUMENTS (75) Inventors: Daniel A. Schmidt, Somery ille, MA 3.430,530D211,666 AS 3/19697/1968 GrindingerMacGillavry (US); Gregory B. LoPiccolo, Brookline, 3,897,711 A 8/1975 Elledge MA (US); Eran Egozy, Brookline, MA D245,038 S 7, 1977 Ebata et al. (US) D247,795 S 4, 1978 Darrell 4,128,037 A 12, 1978 Montemurro (73) Assignee: Harmonix Music Systems, Inc., E. 88: Sushida et al. Cambridge, MA (US) D262,017 S 11/1981 Frakes, Jr. D265,821 S 8, 1982 Okada et al. (*) Notice: Subject to any disclaimer, the term of this D266,664 S 10, 1982 Hoshino et al. patent is extended or adjusted under 35 (Continued) U.S.C. 154(b) by 823 days. This patent is Subject to a terminal dis- FOREIGN PATENT DOCUMENTS claimer. AT 468071 T 6, 2010 AU T41239 B2 4f1999 (21) Appl. No.: 12/263,434 (Continued) (22) Filed: Oct. 31, 2008 OTHER PUBLICATIONS (65) Prior Publication Data Guitar Hero (video game) Wikipedia, the free encyclopedia— US 2009/OO82O78A1 Mar. 26, 2009 (Publisher RedOctane) Release Date Nov. 2005.* Related U.S. Application Data (Continued) (63) Continuation of application No. 1 1/683,136, filed on Mar. 7, 2007, now Pat. No. 7,459,624. Primary Examiner — Marlon Fletcher (74) Attorney, Agent, or Firm — Wilmer Cutler Pickering (60) Provisional application No. -
Guernsey's Auction Auction Catalog
HOME ABOUT AUCTIONS SELLING BUYING SOLD BY GUERNSEY'S PRIVATE SALES CATALOGUES FINDERS CONTACT View Auctions Bidder Login Create Account Get Started Help Search... GO Guernsey's Auction > The Artistry of the Guitar - Day 1 The Artistry of the Guitar - Day 1 Wednesday, April 02, 2014 | 7:00 PM Eastern Auction closed. Internet Premium: 25% See Special Terms for additional fees Location: New York, NY Share: Share 52 Guernsey's Auction Description: Nearly three hundred instruments historic Martin, Gibson, Epiphone, 212-794-2280 Gretsch, Washburn, Stromberg and Larson Brothers guitars. Bid on items created by such talented craftsmen as Torres, D'Angelico, etc Internet Premium: 25% Participation Requirements: Valid Credit Card required for bidding approval Payment Options: Visa, MasterCard, Discover, Check, Money Order, and Wire Transfer open in browser PRO version Are you a developer? Try out the HTML to PDF API pdfcrowd.com Visa MasterCard Discover more Sort By: Search Catalog: Go to Lot: Per Page: Go to Page: View ing: Sale Order GO GO 25 GO Page 4 of 6 Refresh Items Print Catalog Increment Table All Items | Closed Items Displaying 76 - 100 of 136 1968 Gibson Everly Brothers Custom Sold for: $ 20,000.00 Lot # 77 to onsite Low Est: 50000 High Est: 60000 NO RESERVE. The Gibson Everly Brothers flattop, produced from 1962 through 1972, is one of the rarest and collectible models Gibson offered during the 1960s. It has a curvaceous jumbo body similar to the J-185 and boasts flashy cosmetic features that include star-shaped peghead and fretboard inlays, a shiny jet black finish, and a pair of oversized pickguards that cover a good portion of the guitar’s top. -
Legendary Guitars & Musical Treasures
LEGENDARY GUITARS & MUSICAL TREASURES DECEMBER 2, 2017 Legendary Guitars & Musical Treasures - Dec 2 1: Les Paul electric guitar signed to Bruce Springsteen USD 5,000 - 7,000 An Epiphone electric guitar signed to Bruce Springsteen, from Les Paul. Serial #9400536. Les respected Bruce and thought he was a "cool dude." The consigner of this item, who worked for Les Paul, had given Bruce an acoustic guitar Les had signed in the 1990s. When Les heard he was on tour a few years later, he signed this guitar to Bruce. Lester William Polsfuss was an inventor and musician. A talented musician as well as inventor, Les Paul is credited with various recording innovations and his skilled guitar playing, however he is probably best known for helping to design the Gibson Les Paul.The consigner of this item worked directly with Les Paul. 2: 1963 Jan & Dean Master Tapes USD 3,000 - 5,000 Two master tracks from the album "Jan & Dean Take Linda Surfin'". Recorded on February 20th, 1963. Track list: "Rhythm of the Rain" and "Mr. Bass Man." Arranged and produced by Jan Berry and supervised by Lou Adler, "Jan & Dean Take Linda Surfin'" is the duo's first Liberty album, and included the usual backup of high quality musicians, giving Jan & Dean ample opportunity for vocal acrobatics and comic antics in "Mr. Bass Man," while their rendition of "Rhythm of the Rain" has a low-key charm that wasn't usually associated with the duo.Jan & Dean were an American rock duo made up of Jan Berry and Dean Torrence. -
Circus Magazine
SUMMER TOUR INFO ON VAN HALEN, TOM PETTY, NUGENT, STYX, RUSH, PRETENDERS, STONES, REO JUNE 30, 1981 FOC 55037-7 $1.50 Special 8-Paae - Pullou"* Sec"*lon AGujde"o .ear After The II Tragedy, The Rock & Roll d Bounces Back On"our HO&' S,.AR RAYER! SHIP Their I lew LPs REI/ ~'Ned Inside How". Bu~~ Guj.a. • j.hOU1 Gojnl Brok. o _ __ 'I OZZY OSBOURNE JUNE 30, 1981 ({·X') i it) t·, ,\'. I ., i 26' ;\ ;: i i :; t) 25 Ozzy Osbou rne • Letters A day in the life of the prince valiant Feedback from our readers of darkness. wi th color photos - (Gerald Roth berg) • I Front Pages News from the rock & roll scene - (Lisa Robinson) Marshall Tucker •• Circus Word Find Puzzling game for fans Band - (Steven Dean Pastis) Circus travels to South Carolina to visit Spartanburg's pride and JOY, Ozzy Osbourne's travels, p. 25 MTB - (Ph ilip Bashe) 20 Stage Pass Circus hunts down rock's reporter eating carnivore. Ted Nugent. Also: Adam and the Ants prove the psy 14 Jefferson Starship chedelic revival is coming over Poster ground -(Steve Weitzman) 15 Summer Rock 1981 .7 Longplayers Circus reports on~ho is hitting the Reviews of new LPs by the Who. road this summer Pat Travers. Judas Priest , Plasmat -(Steve Weitzman) ics and more - (J. M. Young. Jim Farber) 45 The Vapors Smoke gets in their eyes Journey continues, p.50 .,4 Back Pages - (Ph ilip Bashe) Inside inform ation on the rock scene 5. Rock & Roll Year -(Lou O'Neill Jr .) book: Class of '81 •• April Wine Who are 1981's standout students Circus (I SS 0009-7365) IS pub of rock & roll? lished monthly by Circus Enter The toast of Canada pops its cork prises Corporatio n. -
OH Completed List
OH Completed List Page 1 of 70 9/6/2017 7:02:48AM First Name Last Name Title Interview Date Yoshiharu Abe TEAC, Engineer and Innovator d 10/14/2006 Norbert Abel Abel Hammer Company, President 07/17/2015 David L. Abell David L. Abell Fine Pianos, Founder d 10/18/2005 Susan Aberbach Hill & Range Songs Inc., President 11/14/2012 Lester Abrams Songwriter 02/02/2015 Richard Abreau Music Village, Advocate 07/03/2013 Gus Acevedo International House of Music, Founder 01/20/2012 Ken Achard Peavey Corporation, Sales Director UK 07/11/2005 Antonio Acosta Luthier Strings, Founder 01/17/2007 Cliff Acred Amro Music, Band Instrument Repair 07/15/2013 Mike Adams Moog Music, President 01/13/2010 Arthur Adams Songwriter, Musician 09/25/2011 Edna Adams World Wide Music, Former Sales Executive 04/16/2010 Paul Adams Piano Technician 07/17/2015 Hawley Ades Shawnee Press, Music Arranger d 06/10/2007 Henry Adler Henry Adler Music, Founder d 10/19/2007 Dominique Agnew NAMM, Director Trade Show Sales 08/13/2009 Charles Ahlers Anaheim Visitor and Convention Bureau, 01/25/2013 President Don Airey Musician, Product Endorser 09/29/2014 Takehiko Akaboshi Japan Music Volunteer Assoc., Chairman d 10/14/2006 Bulent Akbay Istanbul Mehmet, Product Specialist 04/11/2013 Joy Akerman Museum of Making Music, Docent 11/30/2007 Toshio Akiyama Band Director 12/15/2011 Marty Albertson Guitar Center, Chairman 01/21/2012 John Aldridge Not So Modern Drummer, Founder 01/23/2005 Tommy Aldridge Musician, Product Endorser 01/19/2008 Philipp Alexander Musik Alexander, President 03/15/2008 Will Alexander Engineer, Synthesizers 01/22/2005 01/22/2015 Van Alexander Composer, Arranger, Bandleader d 10/18/2001 James Alexander Musician 07/15/2015 Pat Alger Songwriter 07/10/2015 Frank Alkyer Down Beat and Music Inc, Editor 03/31/2011 Davie Allan Musician, Guitarist, Early Rock 09/25/2011 Fred Allard Amp Sales, Inc, Founder 12/08/2010 John Allegrezza Allegrezza Piano, President 10/10/2012 Andy Allen Luthier 07/11/2017 Richard (RC) Allen Luthier, Friend of Paul A. -
Forever and Ever, Amen a Memoir of Music, Faith, and Braving the Storms of Life
FOREVER AND EVER, AMEN A MEMOIR OF MUSIC, FAITH, AND BRAVING THE STORMS OF LIFE RANDY TRAVIS WITH KEN ABRAHAM Forever and Ever Amen_1P.indd 5 12/7/18 2:07 PM © 2019 Randy Travis All rights reserved. No portion of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means— electronic, mechanical, photocopy, recording, scanning, or other— except for brief quotations in critical reviews or articles, without the prior written permission of the publisher. Published in Nashville, Tennessee, by Nelson Books, an imprint of Thomas Nelson. Nelson Books and Thomas Nelson are registered trademarks of HarperCollins Christian Publishing, Inc. Thomas Nelson titles may be purchased in bulk for educational, business, fund- raising, or sales promotional use. For information, please e- mail [email protected]. Any Internet addresses, phone numbers, or company or product information printed in this book are offered as a resource and are not intended in any way to be or to imply an endorsement by Thomas Nelson, nor does Thomas Nelson vouch for the existence, content, or services of these sites, phone numbers, companies, or products beyond the life of this book. Scripture quotation marked kjv is from the King James Version, public domain. ISBN 978–1–4002–0798–5 (HC) ISBN 978–1–4002–0799–2 (eBook) Library of Congress Cataloging- in- Publication Data ISBN 978–1–4002–0798–5 Printed in the United States of America 19 20 21 22 23 LSC 10 9 8 7 6 5 4 3 2 1 Forever and Ever Amen_1P.indd 6 12/7/18 2:07 PM AUTHOR’S NOTE Because of certain circumstances I have experienced, I have relied on a number of individuals to help describe and fill in some details of this story. -
Boxing Day Sale Dec 2002
BOXING DAY SALE! ► All items are new stock with full warranty unless noted ► All guitars come with full setup, plus our standard one-year no-charge setup & service ►All sales items are final sales: sorry but no trade-ins allowed on sale items ! Boxing Day sale prices apply only to new, in-stock items. Discounts do not apply to individual instruments that are already discounted. Prices subject to change at our discretion. Fender Guitars NO TAX (HST) On Any New Fender Guitar Gretsch Guitars NO TAX (HST) On Any New Gretsch Guitar Contact our in-store Gretsch & Gibson specialist Nevin Douglas – for any questions on these fine instruments. Eastman Guitars Pre-war Martin-style Ukuleles; Soprano, Concert & Tenor sizes. Solid mahogany construction and finished in Nitrocellulose lacquer. View Online Assorted Eastman Ukuleles on special at: $299. (Reg. $499) All Eastman instruments are hand-made, all solid wood guitars finished in Nitro-cellulose lacquer; built by the world’s largest maker of violins. These superb guitars continue to amaze us with consistent quality at a low price. They have a confusing number of models in a variety of woods: most are OM body, Parlour size or Dreadnought and look similar View models online. EASTMAN ACOUSTIC GUITARS Eastman E10P Parlour Guitar with Case: $999. *Plus HST (Reg. $1439) Eastman E20P Rosewood Parlour Guitar with Case: $1099. *Plus HST (Reg. $1559) EASTMAN ARCHTOP JAZZ GUITARS Eastman AR371 and 372 (Gibson ES 175 Style): $899. *Plus HST (Reg. $1299) Eastman AR 405E (Gibson 1950s ES 125 Dog-Ear Pickup): $770. *Plus HST (Reg. $1170) “Wow…we’re givin’ it away eh?!” Contact our in-store specialist – Brian Dickie – for any questions on these fine instruments. -
(12) United States Patent (10) Patent No.: US 8,003,872 B2 Lopiccolo Et Al
USO08003872B2 (12) United States Patent (10) Patent No.: US 8,003,872 B2 Lopiccolo et al. (45) Date of Patent: Aug. 23, 2011 (54) FACILITATING INTERACTION WITH A 6,379,244 B1* 4/2002 Sagawa et al. .................... 463,7 MUSIC-BASED VIDEO GAME 6,390,923 B1 5/2002 Yoshitomi et al. 6,699,123 B2 * 3/2004 Matsuura et al. ............... 463,31 (75) Inventors: Gregory B. Lopiccolo, Brookline, MA 2004/0244566 Al 12/2004 Steiger (US); Robert Kay, Cambridge, MA FOREIGN PATENT DOCUMENTS (US); Eric J. Brosius, Arlington, MA DE 19833 989 2, 2000 (US); Daniel K. Sussman, Allston, MA EP 1 081 680 3, 2001 (US); Eran B. Egozy, Cambridge, MA WO WO 86,01927 3, 1986 (US) WO WO 2004/OO8430 1, 2004 (73) Assignee: Harmonix Music Systems, Inc., Cambridge, MA (US) OTHER PUBLICATIONS GamesRadar Guitar Hero Summary. Retrieved Jan. 2, 2010. http:// (*) Notice: Subject to any disclaimer, the term of this www.gamesradar.com/ps2/guitar-hero/g-200512169201488.3026.* patent is extended or adjusted under 35 Guitar Hero Review by T Prime. Retrieved Jan. 2, 2010. http://www. U.S.C. 154(b) by 277 days. gamefaqs.com/consoleps2/review/R113400.html.* Guitar Hero Review by Misfit 119. Retrieved Jan. 2, 2010. http:// (21) Appl. No.: 11/609,654 www.gamefaqs.com/console ps2/review/R110926.html.* 1-1. Guitar Hero Review by Ninjujitsu. Retrieved Jan. 2, 2010. http:// (22) Filed: Dec. 12, 2006 www.gamefaqs.com/console ps2/review/R94093.html.* O O Guitar Hero Review by SaxMyster. Retrieved Jan. 2, 2010. http:// (65) Prior Publication Data www.gamefaqs.com/console ps2/review/R109815.html.* US 2007/O2323.74 A1 Oct. -
Gift Issue 2018
PUBLICATIONS MAIL AGREEMENT NUMBER 40026865 MAGAZINE 2018 long-mcquade.com GIFT ISSUE QLOWEST OF THE LOW QGIFT GIVING OUTSIDE THE BOX QTHE UKULELE QIN CELEBRATION OF ROCK CAMP QTHE BARE ESSENTIALS OF BASS EFFECTS ...and more! WHERE THE MUSIC BEGINS.BEGINS INSIDE 3 A NOTE FROM THE PRESIDENT 4 Gear: Guitars 6 THE UKULELE By Ian James 14 THE ESSENTIALS OF BASS EFFECTS By Chad Morey 16 Gear: Pro Audio 20 LOWEST OF THE LOW By Kevin Young 22 Gear: Recording 26 THE BEST METHOD BOOK By Krista Rice 28 Gear: Print 29 GIFT GIVING OUTSIDE THE BOX By Michelle Fedorowich 30 Gear: Keyboards 32 BUYING GIFTS FOR THE HARD TO BUY FOR DRUMMER By Tony Bouma 34 Gear: Drums 39 IN CELEBRATION OF ROCK CAMP 40 Gear: Band Editor and Publisher: Sheri Katz Design and Layout: Cristine Giampaolo Copywriting Assistance: TJ Kingston and Brian McConnell Writers: Tony Bouma, Michelle Fedorowich, Ian James, Chad Morey, Krista Rice, Kevin Young ESSENTIAL INFORMATION: The Long & McQuade Magazine is published by Long & McQuade Musical Instruments Limited. CIRCULATION 300,000 copies per issue. All rights reserved. Contents may not be reprinted without the permission of the publisher. Please do not send unsolicited manuscripts, artwork or photos. The Long & McQuade Magazine takes no responsibility for return of any unsolicited materials. Printed in Canada. PUBLICATIONS MAIL AGREEMENT #40026865 Circulation inquiries, address changes and updates should be directed to [email protected]. CORPORATE HEAD OFFICE: Long & McQuade Limited, 722 Rosebank Road, Pickering ON L1W 4B2 PUBLISHING OFFICE & ADVERTISER INQUIRIES: Long & McQuade Limited • Attention: The Long & McQuade Magazine, 722 Rosebank Road, Pickering ON L1W 4B2 4 Contact Sheri Katz: [email protected]. -
Operation Manual
OPERATION MANUAL Thank you very much for purchasing the ZOOM . Please read this manual carefully to learn about all the functions of the so that you will be able to use it fully for a long time. Keep this manual in a convenient place for reference when necessary. Contents Usage and Safety Precautions …………… 2 Changing Patch Memories ………………… 20 Introduction ………………………………… 3 Changing Various Settings ………………… 22 Terms Used in This Manual ………………… 3 Using the Tuner ……………………………… 28 Part Names ………………………………… 4 About the Firmware ………………………… 30 Turning the Power ON ……………………… 6 Restoring the to its Factory Default Settings ………………………… 32 Adjusting the Tone and Volume …………… 8 Effect Types and Parameters ……………… 33 Adjusting Effects …………………………… 10 Troubleshooting …………………………… 42 Using the Boost Function ………………… 15 Specifications ……………………………… 43 Using the Anti-Feedback Function ………… 16 Selecting and Saving Patch Memories …… 18 © 2013 ZOOM CORPORATION Copying or reproduction of this document in whole or in part without permission is prohibited. Usage and Safety Precautions SAFETY PRECAUTIONS Battery handling Install the batteries with the correct +/- orientation. In this manual, symbols are used to highlight warnings Use a specified battery type. Do not mix new and old batteries or and cautions that you must read to prevent accidents. The different brands or types at the same time. When not using the unit meanings of these symbols are as follows: for an extended period of time, remove the batteries from the unit. Usage and Safety Precautions Usage and Safety If a battery leak should occur, wipe the battery compartment and the battery terminals carefully to remove all battery residue. Something that could cause serious injury or death. -
Rush, Musicians' Rock, and the Progressive Post-Counterculture
UNIVERSITY OF CALIFORNIA Los Angeles Permanent Change: Rush, Musicians’ Rock, and the Progressive Post-Counterculture A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Musicology by Durrell Scott Bowman 2003 © Copyright by Durrell Scott Bowman 2003 The dissertation of Durrell Scott Bowman is approved. ____________________________________ _ Susan McClary ____________________________________ Mitchell Morris ____________________________________ Christopher Waterman ____________________________________ Robert Walser, Committee Chair University of California, Los Angeles 2003 ii TABLE OF CONTENTS Figures and Tables (lists of) ......................................................................................... iv Musical Examples (lists of).............................................................................................v Acknowledgements ....................................................................................................... vi Vita ............................................................................................................................... viii Publications and Presentations.................................................................................... ix Abstract of the Dissertation ......................................................................................... xi Introduction ....................................................................................................................1 Chapter 1 Cast in This Unlikely -
Alex Lifeson: Rush's Kinetic Lead Guitarist
BLEil LIFESOn Rush's Kinetic Lead Guitarist I By Jim Schwartz ENTION THE words "power trio," and most people think back M to the late '60s and early '70s when gargantuan walls of gray Marshall stacks formed an imposingly loud backdrop for a single guitar, bass, and drums. It was the age of psychedelia-of mind-expanding experi ments both synthetic and organic. Bands such as Cream and the Jim Hendrix Experi ence left listeners' ears ringin.g and musicians' heads swimming with soulful, mysterious melodies. • With the advance of ll\fulical technology in the '70s, and with the desires of many groups to elaborate further upon their roots, new equipment (and often more personnel) was added to the power trio's basic format: a second guitar, a vocalist, horns, keyboards, and a myriad of special effects. For some bands the '70s became the age oftechno-rock as the simple power trio was, at best, rele gated to a backwater status. There are a few three-piece groups, however, which retained their attraction for simplicity in numbers while also integrating into their music some ofthe most progressive components of modern instrument technol ogy. Rush is such a band. When three young Canadians-guitar ist Alex Lifeson, bassist Geddy Lee, and drummer John Rutsey-first decided to join musician experimented with new instru or its love of playing music. Shunned by musical forces as Rush in 1968, they couldn't ments. Lifeson incorporated guitar synthe most radio stations in the past because of help but be captivated by their British and sizer and Moog Taurus bass pedals into long songs and often shrill vocals, the group American contemporaries who, at that time, Rush's tunes; Lee's bass shared time with built its following through almost constant were forging the foundations of power rock.