Forever and Ever, Amen a Memoir of Music, Faith, and Braving the Storms of Life

Total Page:16

File Type:pdf, Size:1020Kb

Forever and Ever, Amen a Memoir of Music, Faith, and Braving the Storms of Life FOREVER AND EVER, AMEN A MEMOIR OF MUSIC, FAITH, AND BRAVING THE STORMS OF LIFE RANDY TRAVIS WITH KEN ABRAHAM Forever and Ever Amen_1P.indd 5 12/7/18 2:07 PM © 2019 Randy Travis All rights reserved. No portion of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means— electronic, mechanical, photocopy, recording, scanning, or other— except for brief quotations in critical reviews or articles, without the prior written permission of the publisher. Published in Nashville, Tennessee, by Nelson Books, an imprint of Thomas Nelson. Nelson Books and Thomas Nelson are registered trademarks of HarperCollins Christian Publishing, Inc. Thomas Nelson titles may be purchased in bulk for educational, business, fund- raising, or sales promotional use. For information, please e- mail [email protected]. Any Internet addresses, phone numbers, or company or product information printed in this book are offered as a resource and are not intended in any way to be or to imply an endorsement by Thomas Nelson, nor does Thomas Nelson vouch for the existence, content, or services of these sites, phone numbers, companies, or products beyond the life of this book. Scripture quotation marked kjv is from the King James Version, public domain. ISBN 978–1–4002–0798–5 (HC) ISBN 978–1–4002–0799–2 (eBook) Library of Congress Cataloging- in- Publication Data ISBN 978–1–4002–0798–5 Printed in the United States of America 19 20 21 22 23 LSC 10 9 8 7 6 5 4 3 2 1 Forever and Ever Amen_1P.indd 6 12/7/18 2:07 PM AUTHOR’S NOTE Because of certain circumstances I have experienced, I have relied on a number of individuals to help describe and fill in some details of this story. I have drawn upon the recollections of doctors, lawyers, music executives, fellow artists and writers, longtime band members and crew, friends, and family members to present this story as accurately as possible. Forever and Ever Amen_1P.indd 7 12/7/18 2:07 PM 1 PULL THE PLUG It was a sound I had become much too familiar with— the constant whirr of the machine that was keeping my collapsed lungs breathing, the incessant beep, beep, beep sound of the heart monitor. This was the soundtrack to the constant swirl of pensive doctors and nurses flitting in and out of my hospital room, poking one of my arms and then the other, taking more blood, running another test. You should always be careful what you say in a hospital room when a patient is unconscious or in a coma. Don’t ever utter a negative statement about his or her condition because the person in the coma might well be able to hear you. I know that is true. Because when I was in that state someone said the unthinkable: “He’s not going to make it.” “Maybe it’s time to discontinue life support.” “He can’t survive this.” “It’s time to pull the plug.” This wasn’t the first time my fiancé, Mary Davis, had heard such dire predictions. The doctors had given me less than a 1 percent chance of sur- vival since I’d first entered the hospital in Texas more than six weeks earlier, unable to breathe, with a virus in my heart that had led to a massive stroke 1 Forever and Ever Amen_1P.indd 1 12/7/18 2:07 PM 2 Forever and Ever, Amen and emergency surgery in which a large portion of my skull was removed to relieve the pressure in my brain. That portion of my skull was now secured in a pouch made of my own skin and sewn into my abdomen so the skull tissue could be kept alive until it was safe to reposition it on my head. The stroke had taken away my ability to speak clearly, and it had para- lyzed my right side, so I could barely move. After three weeks in the hospital in Texas, we had transferred to a rehabilitation center in Nashville, where my lungs had collapsed, I had contracted a staph infection, and my body was now septic. At times, I was semiconscious at best and breathing with the help of a machine. I had spent more than six weeks in a coma. A tra- cheotomy stabbed through my throat, and my head was covered with what looked like a 1920s football helmet. By this point, the doctors had basically given up any hope of my survival, and they probably thought they were being compassionate by encouraging Mary to pull the plug. Mary leaned in close to me at my bedside, where she had spent every day for the past two months. She pressed her hand into mine. “Honey, you have to let me know if you want to keep fighting,” Mary said. I wanted to shout as loudly as I had ever bellowed, yet no words formed, no sound came out of my mouth. But a single tear trickled from my eye and down my face as I mustered every ounce of energy I had. I squeezed Mary’s hand. She knew. Mary stood straight up, turned, and faced the doctors. “It’s not our choice . .” She stopped short, the words caught in her throat. She couldn’t bring herself to say, “. to decide whether Randy Travis lives or dies,” but everyone in the room understood. She squared her shoulders and looked straight at the doctors. “I suggest that everybody get on board, and let’s do everything we can to save him.” We both knew that my life was in God’s hands. Like me, Mary believed that God had plans for my life and that our faith would get us through. We just weren’t quite sure how. But I had braved numerous storms in my life and had frequently faced overwhelming odds, times when others had advised me to give up. I hadn’t quit then— and I wasn’t about to do it now. Forever and Ever Amen_1P.indd 2 12/7/18 2:07 PM 2 A TROUBLED YOUTH Get on up on this horse, Randy,” Daddy urged me. An unusually skillful horse trainer, my dad had taught the horse to kneel down on its front knees so I could climb into the saddle. I scrambled to place my foot into one of the stirrups and threw my leg over the beautiful animal as Daddy took a photograph. With a slight nudge from Daddy, the horse rose majestically to his full height. I felt as though I were on top of the world. I’ve always wanted to be a cowboy. From the time I was born as Randy Bruce Traywick— on May 4, 1959, in Marshville, North Carolina, a small town with a population of approximately three- thousand people, located about a half hour’s drive southeast of Charlotte— I had felt comfortable atop a horse. Thanks to Daddy’s profession, all my family members were as at home riding a horse as we were riding in a car. I was one of six kids in the Traywick household. My mama, Bobbie Rose Traywick, was a quiet, brown- eyed, dark- haired beauty. Mama worked in a textile mill that made potholders. She was a salt- of- the- earth sort of woman who felt it was her mission to have children, so she and Daddy had six of us within ten years. My brother Ricky Harold is the oldest, thirteen months older than me. I’m second in line, followed by Rose Mary in 1961; David in ‘62; Linda Sue in ‘64; and our youngest brother, Dennis, in ‘68. Our dad, Harold Traywick, was a tall, lean man who worked in 3 Forever and Ever Amen_1P.indd 3 12/7/18 2:07 PM 4 Forever and Ever, Amen construction but also raised beef cows on our property and trained horses. At one point we had as many as twenty or thirty horses on our property, so I grew up working with them and the other animals. Part of my chores every morning involved pitching hay for the horses and cleaning out the stalls with my brothers. That could be a bit of an adventure sometimes. In our teen years, my younger brother David grew a marijuana plant right outside the stables. He nurtured that plant, watered it, and watched it grow to nearly four feet high. No doubt he was planning to enjoy a number of home- grown highs. What he didn’t realize, though, was that his mari- juana plant had grown high enough that one of our horses could stick his neck out the stable window and nibble on it. Once he started, the horse chomped down that entire plant! When we went to clean out his stable the next morning, that poor horse’s front legs were crossed, and he was leaning over precariously to one side. He slumped over in a stupor, stoned out of his mind, and stayed that way for three days before he finally sobered up and could walk straight. I should have learned a lesson from that horse about the effects of marijuana, but I didn’t— not then, anyway I loved riding horses, even in the snow. When it snowed— which was always a big deal for kids in the Carolinas— my three brothers and two sisters and I, along with any cousins that might show up, would tie a sled behind one of the horses and use the horse to pull us up the hill.
Recommended publications
  • Music Community Honors Randy Travis in Song
    Lifestyle FRIDAY, FEBRUARY 10, 2017 With 'love and joy,' Gyllenhaal opens Broadway theater roadway welcomed a new theatre Wednesday with a ribbon-cutting cere- Bmony led by Jake Gyllenhaal. The "Brokeback Mountain" and "Nightcrawler" star was on hand with a pair of oversize gold- en scissors to reopen the Hudson Theatre with "Sunday in the Park with George," the venue's first theatrical production in nearly 50 years. "I can't stress enough how impor- tant it is to have joy in this world and that's what this space is and that's what this show is all about," Gyllenhaal said. "It's all about love and joy so I hope people will come and expe- rience that with us." Gyllenhaal helped cut a green ribbon with co-star Annaleigh Ashford, Travis Tritt, from left, Randy Travis, Mary Travis and Ricky Traywick say goodnight at the ‘1 and his name will adorn a plaque commemo- Night. 1 Place. 1 Time.: A Heroes and Friends Tribute to Randy Travis’ at Bridgestone Arena. rating the event. The ornate, refurbished the- ater wasn't quite ready for its close-up, with garbage cans still in plastic in the lobby and signs still needing to be hung. Music community honors Opened in 1903 - a week before the New Amsterdam Theatre - the Hudson becomes both Broadway's oldest theater and its Jake Gyllenhaal participates in newest. It's the first new Broadway theater in Broadway's "Sunday in the Park with almost 20 years and becomes the 41st such George" media day and Hudson Theatre Randy Travis in song venue.
    [Show full text]
  • Gator Cases Master Cross Reference April 5, 2010.Xlsx
    Master Cross Reference Chart Updated April 5, 2010 Includes: Pro A/V, Keyboard, Guitar, Recording, and DJ gear Manufacturer Model Type Fit (1) Fit (2) Fit (3) Fit (4) Fit (5) 360 Systems DR600 Digital Audio Gear G‐MIX‐B 1515 G‐TOUR 12X17 G‐TOUR 12X17 3M S15 Projector GAV‐20 3M S40 Projector GAV‐1412‐RGAV‐DLX‐1412R GAV‐DLX‐20 GAV‐PE‐1412R 3M S50 Projector GAV‐1412‐RGAV‐PE‐1412R 3M S55 Projector GAV‐1412‐RGAV‐DLX‐1412R GAV‐DLX‐20 GAV‐PE‐1412R 3M X40 Projector GAV‐1412‐RGAV‐DLX‐1412R GAV‐DLX‐20 GAV‐PE‐1412R 3M X45 Projector GAV‐1412‐RGAV‐DLX‐1412R GAV‐DLX‐20 GAV‐PE‐1412R 3M X50 Projector GAV‐1412‐RGAV‐DLX‐1412R GAV‐DLX‐20 GAV‐PE‐1412R 3M X55 Projector GAV‐1412‐RGAV‐DLX‐1412R GAV‐DLX‐20 GAV‐PE‐1412R 3M X75 Projector GAV‐1412‐RGAV‐PE‐1412R Access VIRUS CLASSIC Keyboard G‐MEDIA PROBPXL Access VIRUS TI 61 Keyboard GK‐61 GKC‐1540 GKPE‐61‐TSA G‐TOUR 61 Access VIRUS TI DESKTOP Keyboard G‐MEDIA PROBPXL Adam SUB10 Speaker GPA‐450‐515 GPA‐777 GPA‐E15 GPA‐SCVR450‐515 Adam SUB8 Speaker GPA‐600 Adam Audio SUB10 MKII Speaker GPA‐450‐515 GPA‐777 GPA‐E15 GPA‐SCVR450‐515 Akai APC40 Digital Audio Gear GMC‐2222 G‐MIX 19X21 G‐MIX‐B 1815 G‐MIX‐L 1618A Akai Miniak Keyboard G‐MULTIFX‐2411 Akai MPC1000 Digital Audio Gear G‐MEDIA PRO BP G‐MULTIFX‐1510 G‐TOUR 12X17 G‐TOUR 12X17 Akai MPC2000XL‐MCD Digital Audio Gear GMC‐2222 G‐MIX‐B 1815 G‐MIX‐B 1818 G‐MIX‐B 2118 G‐MIX‐L 1618A Akai MPC2500 Digital Audio Gear GMC‐2222 G‐MIX 19X21 G‐MIX‐B 1815 G‐MIX‐L 1618A Akai MPC4000 PLUS Digital Audio Gear G‐MIX 19X21 G‐MIX‐B 2118 GP‐PC309 G‐TOUR 19X21 GX‐1921‐7.5 Akai MPC500 Digital
    [Show full text]
  • (12) United States Patent (10) Patent No.: US 8,686,269 B2 Schmidt Et Al
    USOO8686269B2 (12) United States Patent (10) Patent No.: US 8,686,269 B2 Schmidt et al. (45) Date of Patent: * Apr. 1, 2014 (54) PROVIDING REALISTIC INTERACTION TO (56) References Cited A PLAYER OF A MUSIC-BASED VIDEO GAME U.S. PATENT DOCUMENTS (75) Inventors: Daniel A. Schmidt, Somery ille, MA 3.430,530D211,666 AS 3/19697/1968 GrindingerMacGillavry (US); Gregory B. LoPiccolo, Brookline, 3,897,711 A 8/1975 Elledge MA (US); Eran Egozy, Brookline, MA D245,038 S 7, 1977 Ebata et al. (US) D247,795 S 4, 1978 Darrell 4,128,037 A 12, 1978 Montemurro (73) Assignee: Harmonix Music Systems, Inc., E. 88: Sushida et al. Cambridge, MA (US) D262,017 S 11/1981 Frakes, Jr. D265,821 S 8, 1982 Okada et al. (*) Notice: Subject to any disclaimer, the term of this D266,664 S 10, 1982 Hoshino et al. patent is extended or adjusted under 35 (Continued) U.S.C. 154(b) by 823 days. This patent is Subject to a terminal dis- FOREIGN PATENT DOCUMENTS claimer. AT 468071 T 6, 2010 AU T41239 B2 4f1999 (21) Appl. No.: 12/263,434 (Continued) (22) Filed: Oct. 31, 2008 OTHER PUBLICATIONS (65) Prior Publication Data Guitar Hero (video game) Wikipedia, the free encyclopedia— US 2009/OO82O78A1 Mar. 26, 2009 (Publisher RedOctane) Release Date Nov. 2005.* Related U.S. Application Data (Continued) (63) Continuation of application No. 1 1/683,136, filed on Mar. 7, 2007, now Pat. No. 7,459,624. Primary Examiner — Marlon Fletcher (74) Attorney, Agent, or Firm — Wilmer Cutler Pickering (60) Provisional application No.
    [Show full text]
  • Guernsey's Auction Auction Catalog
    HOME ABOUT AUCTIONS SELLING BUYING SOLD BY GUERNSEY'S PRIVATE SALES CATALOGUES FINDERS CONTACT View Auctions Bidder Login Create Account Get Started Help Search... GO Guernsey's Auction > The Artistry of the Guitar - Day 1 The Artistry of the Guitar - Day 1 Wednesday, April 02, 2014 | 7:00 PM Eastern Auction closed. Internet Premium: 25% See Special Terms for additional fees Location: New York, NY Share: Share 52 Guernsey's Auction Description: Nearly three hundred instruments historic Martin, Gibson, Epiphone, 212-794-2280 Gretsch, Washburn, Stromberg and Larson Brothers guitars. Bid on items created by such talented craftsmen as Torres, D'Angelico, etc Internet Premium: 25% Participation Requirements: Valid Credit Card required for bidding approval Payment Options: Visa, MasterCard, Discover, Check, Money Order, and Wire Transfer open in browser PRO version Are you a developer? Try out the HTML to PDF API pdfcrowd.com Visa MasterCard Discover more Sort By: Search Catalog: Go to Lot: Per Page: Go to Page: View ing: Sale Order GO GO 25 GO Page 4 of 6 Refresh Items Print Catalog Increment Table All Items | Closed Items Displaying 76 - 100 of 136 1968 Gibson Everly Brothers Custom Sold for: $ 20,000.00 Lot # 77 to onsite Low Est: 50000 High Est: 60000 NO RESERVE. The Gibson Everly Brothers flattop, produced from 1962 through 1972, is one of the rarest and collectible models Gibson offered during the 1960s. It has a curvaceous jumbo body similar to the J-185 and boasts flashy cosmetic features that include star-shaped peghead and fretboard inlays, a shiny jet black finish, and a pair of oversized pickguards that cover a good portion of the guitar’s top.
    [Show full text]
  • Legendary Guitars & Musical Treasures
    LEGENDARY GUITARS & MUSICAL TREASURES DECEMBER 2, 2017 Legendary Guitars & Musical Treasures - Dec 2 1: Les Paul electric guitar signed to Bruce Springsteen USD 5,000 - 7,000 An Epiphone electric guitar signed to Bruce Springsteen, from Les Paul. Serial #9400536. Les respected Bruce and thought he was a "cool dude." The consigner of this item, who worked for Les Paul, had given Bruce an acoustic guitar Les had signed in the 1990s. When Les heard he was on tour a few years later, he signed this guitar to Bruce. Lester William Polsfuss was an inventor and musician. A talented musician as well as inventor, Les Paul is credited with various recording innovations and his skilled guitar playing, however he is probably best known for helping to design the Gibson Les Paul.The consigner of this item worked directly with Les Paul. 2: 1963 Jan & Dean Master Tapes USD 3,000 - 5,000 Two master tracks from the album "Jan & Dean Take Linda Surfin'". Recorded on February 20th, 1963. Track list: "Rhythm of the Rain" and "Mr. Bass Man." Arranged and produced by Jan Berry and supervised by Lou Adler, "Jan & Dean Take Linda Surfin'" is the duo's first Liberty album, and included the usual backup of high quality musicians, giving Jan & Dean ample opportunity for vocal acrobatics and comic antics in "Mr. Bass Man," while their rendition of "Rhythm of the Rain" has a low-key charm that wasn't usually associated with the duo.Jan & Dean were an American rock duo made up of Jan Berry and Dean Torrence.
    [Show full text]
  • Circus Magazine
    SUMMER TOUR INFO ON VAN HALEN, TOM PETTY, NUGENT, STYX, RUSH, PRETENDERS, STONES, REO JUNE 30, 1981 FOC 55037-7 $1.50 Special 8-Paae - Pullou"* Sec"*lon AGujde"o .ear After The II Tragedy, The Rock & Roll d Bounces Back On"our HO&' S,.AR­ RAYER! SHIP Their I lew LPs REI/ ~'Ned Inside How". Bu~~ Guj.a. • j.hOU1 Gojnl Brok. o _ __ 'I OZZY OSBOURNE JUNE 30, 1981 ({·X') i it) t·, ,\'. I ., i 26' ;\ ;: i i :; t) 25 Ozzy Osbou rne • Letters A day in the life of the prince valiant Feedback from our readers of darkness. wi th color photos - (Gerald Roth berg) • I Front Pages News from the rock & roll scene - (Lisa Robinson) Marshall Tucker •• Circus Word Find Puzzling game for fans Band - (Steven Dean Pastis) Circus travels to South Carolina to visit Spartanburg's pride and JOY, Ozzy Osbourne's travels, p. 25 MTB - (Ph ilip Bashe) 20 Stage Pass Circus hunts down rock's reporter­ eating carnivore. Ted Nugent. Also: Adam and the Ants prove the psy­ 14 Jefferson Starship chedelic revival is coming over­ Poster ground -(Steve Weitzman) 15 Summer Rock 1981 .7 Longplayers Circus reports on~ho is hitting the Reviews of new LPs by the Who. road this summer Pat Travers. Judas Priest , Plasmat­ -(Steve Weitzman) ics and more - (J. M. Young. Jim Farber) 45 The Vapors Smoke gets in their eyes Journey continues, p.50 .,4 Back Pages - (Ph ilip Bashe) Inside inform ation on the rock scene 5. Rock & Roll Year­ -(Lou O'Neill Jr .) book: Class of '81 •• April Wine Who are 1981's standout students Circus (I SS 0009-7365) IS pub­ of rock & roll? lished monthly by Circus Enter­ The toast of Canada pops its cork prises Corporatio n.
    [Show full text]
  • Visual Song Book
    House of Fellowship Song Book 1 6 I Believe God The Water Way Key of A Key of F I believe God! I believe God! Long ago the maids drew water Ask what you will and it shall be done; In the evening time, they say Trust and obey, believe Him and say: One day Isaac sent his servant I believe, I believe God. To stop Rebekah on her way "My master sent me here to tell thee; And if you want salvation now See these jewels rich and rare; And the Holy Ghost and power, Would'st thou not his lovely bride be Just trust and obey, In that country over there?" Believe Him and say: I believe, I believe God. CHORUS It shall be light in the evening time, 2 The path to glory you will surely find; Reach Out, Touch The Lord Thru the water way, It is the light today, Key of F Buried in the precious Name of Jesus. Young and old, repent of all your sin, Reach out and touch the Lord The Holy Ghost will surely enter in; As He goes by, The evening Light has come, You'll find He's not too busy, It is a fact that God and Christ are one. To hear your heart's cry; He's passing by this moment, So, God's servants come to tell you Your needs to supply, Of a Bridegroom in the sky Reach out and touch the Lord Looking for a holy people As He goes by. To be his bride soon, by and by He sends to us refreshing water 3 In this wondrous latter day Feeling So Much Better They who really will be raptured Key of F Must go thru the water way Feeling so much better Are you on your way to ruin Talking about this good old Way, Cumbered with a load of care Feeling so much better See the quick work God is doing Talking about the Lord; That so his glory you may share Let's go on, let's go on At last the faith he once delivered Talking about this good old Way, To the saints, is ours today Let's go on, let's go on To get in the church triumphant Talking about the Lord.
    [Show full text]
  • OH Completed List
    OH Completed List Page 1 of 70 9/6/2017 7:02:48AM First Name Last Name Title Interview Date Yoshiharu Abe TEAC, Engineer and Innovator d 10/14/2006 Norbert Abel Abel Hammer Company, President 07/17/2015 David L. Abell David L. Abell Fine Pianos, Founder d 10/18/2005 Susan Aberbach Hill & Range Songs Inc., President 11/14/2012 Lester Abrams Songwriter 02/02/2015 Richard Abreau Music Village, Advocate 07/03/2013 Gus Acevedo International House of Music, Founder 01/20/2012 Ken Achard Peavey Corporation, Sales Director UK 07/11/2005 Antonio Acosta Luthier Strings, Founder 01/17/2007 Cliff Acred Amro Music, Band Instrument Repair 07/15/2013 Mike Adams Moog Music, President 01/13/2010 Arthur Adams Songwriter, Musician 09/25/2011 Edna Adams World Wide Music, Former Sales Executive 04/16/2010 Paul Adams Piano Technician 07/17/2015 Hawley Ades Shawnee Press, Music Arranger d 06/10/2007 Henry Adler Henry Adler Music, Founder d 10/19/2007 Dominique Agnew NAMM, Director Trade Show Sales 08/13/2009 Charles Ahlers Anaheim Visitor and Convention Bureau, 01/25/2013 President Don Airey Musician, Product Endorser 09/29/2014 Takehiko Akaboshi Japan Music Volunteer Assoc., Chairman d 10/14/2006 Bulent Akbay Istanbul Mehmet, Product Specialist 04/11/2013 Joy Akerman Museum of Making Music, Docent 11/30/2007 Toshio Akiyama Band Director 12/15/2011 Marty Albertson Guitar Center, Chairman 01/21/2012 John Aldridge Not So Modern Drummer, Founder 01/23/2005 Tommy Aldridge Musician, Product Endorser 01/19/2008 Philipp Alexander Musik Alexander, President 03/15/2008 Will Alexander Engineer, Synthesizers 01/22/2005 01/22/2015 Van Alexander Composer, Arranger, Bandleader d 10/18/2001 James Alexander Musician 07/15/2015 Pat Alger Songwriter 07/10/2015 Frank Alkyer Down Beat and Music Inc, Editor 03/31/2011 Davie Allan Musician, Guitarist, Early Rock 09/25/2011 Fred Allard Amp Sales, Inc, Founder 12/08/2010 John Allegrezza Allegrezza Piano, President 10/10/2012 Andy Allen Luthier 07/11/2017 Richard (RC) Allen Luthier, Friend of Paul A.
    [Show full text]
  • HOUSE JOINT RESOLUTION NO. 522 by Representatives Beck, Russell
    HOUSE JOINT RESOLUTION NO. 522 By Representatives Beck, Russell, Powell, Reedy, Cepicky, Todd, Tim Hicks, Helton, Carr, Curcio, Weaver, Moody, Terry, Clemmons, Camper, Miller, Keisling and Senators Campbell, Gilmore, Yarbro A RESOLUTION to honor and recognize Randy Travis upon his thirty-fifth anniversary as a member of the Grand Ole Opry. WHEREAS, it is fitting that this General Assembly should recognize those gifted artists who have experienced great success in the world of country music; and WHEREAS, Randy Travis, one of the most legendary and beloved artists in the history of country music, will celebrate his thirty-fifth anniversary as a member of the Grand Ole Opry on August 10, 2021; and WHEREAS, a native of Marshville, North Carolina, Mr. Travis, born Randy Traywick, found his calling as a teenager when he won a talent contest and earned a regular gig performing at the popular Charlotte night club, Country City USA; and WHEREAS, he later moved to Nashville to pursue a career in country music and auspiciously landed at the Nashville Palace, where he cooked catfish, washed dishes, and performed; using the short-lived stage name Randy Ray, he released Live at the Nashville Palace; and WHEREAS, Mr. Travis signed with Warner Bros. Records in 1985, and the following year, under his current moniker, he released Storms of Life, a landmark country album that sold more than four million copies, won the Academy of Country Music's Album of the Year award, and spawned such hits as "On the Other Hand"; and WHEREAS, he has also found success
    [Show full text]
  • How to Survive a Storm
    Help With The Personal Crises Of Life Unless otherwise identified, scripture quotations are from the Holy Bible, King James Version. Scripture identified from the New American Standard Bible, Copyright the Lockman Foundation 1960, 1962, 1968, 1971, 1972, 1973, 1975, 1977. Dedication To Katie Kallas Who is teaching her grandparents again how exciting life can be. Copyright© 1994 Annuity Board of the Southern Baptist Convention All Rights Reserved Introduction Storms are a part of life. Floods, tornadoes, earthquakes, hurricanes and devastating fires are everyday occurrences. And the damage they do is enormous. In fact, according to the In- surance Information Institute, the estimated payoff on just five natural disasters (Hurricane Andrew, Hurricane Hugo, a 24-state snowstorm, a California brushfire, and Hurricane Iniki) in the past four years was more than $25 billion. There is no way to calculate the cost of these storms in terms of the emotional dis- tress they caused. The study of storms has become a science. Meteorologists know why some occur, generally when and where they will strike, and their intensity. We even know the good that comes from them. For ex- ample, hurricanes often claim thousands of lives and can do hundreds of millions of dollars of damage. But the good they do more than offsets the damage. They redistribute the heat in the atmosphere that tends to build up near the equator and they provide more than 25 percent of the available rainfall in some areas. Without hurricanes, heat at the equator would probably rise dangerously high, temperatures at the poles would drop lower and lower, and the lack of rainfall in certain areas would be ruinous to farmers, industries, and drinking water supplies.
    [Show full text]
  • Boxing Day Sale Dec 2002
    BOXING DAY SALE! ► All items are new stock with full warranty unless noted ► All guitars come with full setup, plus our standard one-year no-charge setup & service ►All sales items are final sales: sorry but no trade-ins allowed on sale items ! Boxing Day sale prices apply only to new, in-stock items. Discounts do not apply to individual instruments that are already discounted. Prices subject to change at our discretion. Fender Guitars NO TAX (HST) On Any New Fender Guitar Gretsch Guitars NO TAX (HST) On Any New Gretsch Guitar Contact our in-store Gretsch & Gibson specialist Nevin Douglas – for any questions on these fine instruments. Eastman Guitars Pre-war Martin-style Ukuleles; Soprano, Concert & Tenor sizes. Solid mahogany construction and finished in Nitrocellulose lacquer. View Online Assorted Eastman Ukuleles on special at: $299. (Reg. $499) All Eastman instruments are hand-made, all solid wood guitars finished in Nitro-cellulose lacquer; built by the world’s largest maker of violins. These superb guitars continue to amaze us with consistent quality at a low price. They have a confusing number of models in a variety of woods: most are OM body, Parlour size or Dreadnought and look similar View models online. EASTMAN ACOUSTIC GUITARS Eastman E10P Parlour Guitar with Case: $999. *Plus HST (Reg. $1439) Eastman E20P Rosewood Parlour Guitar with Case: $1099. *Plus HST (Reg. $1559) EASTMAN ARCHTOP JAZZ GUITARS Eastman AR371 and 372 (Gibson ES 175 Style): $899. *Plus HST (Reg. $1299) Eastman AR 405E (Gibson 1950s ES 125 Dog-Ear Pickup): $770. *Plus HST (Reg. $1170) “Wow…we’re givin’ it away eh?!” Contact our in-store specialist – Brian Dickie – for any questions on these fine instruments.
    [Show full text]
  • (12) United States Patent (10) Patent No.: US 8,003,872 B2 Lopiccolo Et Al
    USO08003872B2 (12) United States Patent (10) Patent No.: US 8,003,872 B2 Lopiccolo et al. (45) Date of Patent: Aug. 23, 2011 (54) FACILITATING INTERACTION WITH A 6,379,244 B1* 4/2002 Sagawa et al. .................... 463,7 MUSIC-BASED VIDEO GAME 6,390,923 B1 5/2002 Yoshitomi et al. 6,699,123 B2 * 3/2004 Matsuura et al. ............... 463,31 (75) Inventors: Gregory B. Lopiccolo, Brookline, MA 2004/0244566 Al 12/2004 Steiger (US); Robert Kay, Cambridge, MA FOREIGN PATENT DOCUMENTS (US); Eric J. Brosius, Arlington, MA DE 19833 989 2, 2000 (US); Daniel K. Sussman, Allston, MA EP 1 081 680 3, 2001 (US); Eran B. Egozy, Cambridge, MA WO WO 86,01927 3, 1986 (US) WO WO 2004/OO8430 1, 2004 (73) Assignee: Harmonix Music Systems, Inc., Cambridge, MA (US) OTHER PUBLICATIONS GamesRadar Guitar Hero Summary. Retrieved Jan. 2, 2010. http:// (*) Notice: Subject to any disclaimer, the term of this www.gamesradar.com/ps2/guitar-hero/g-200512169201488.3026.* patent is extended or adjusted under 35 Guitar Hero Review by T Prime. Retrieved Jan. 2, 2010. http://www. U.S.C. 154(b) by 277 days. gamefaqs.com/consoleps2/review/R113400.html.* Guitar Hero Review by Misfit 119. Retrieved Jan. 2, 2010. http:// (21) Appl. No.: 11/609,654 www.gamefaqs.com/console ps2/review/R110926.html.* 1-1. Guitar Hero Review by Ninjujitsu. Retrieved Jan. 2, 2010. http:// (22) Filed: Dec. 12, 2006 www.gamefaqs.com/console ps2/review/R94093.html.* O O Guitar Hero Review by SaxMyster. Retrieved Jan. 2, 2010. http:// (65) Prior Publication Data www.gamefaqs.com/console ps2/review/R109815.html.* US 2007/O2323.74 A1 Oct.
    [Show full text]