Threat Report: Doc Otaku
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Sample File Credits and Legal Stuff
Sample file Credits and Legal Stuff The ALGERNON Files 3.0: Carapace Writing and Design: Aaron Sullivan Printed in the USA Editing: Glenn Hall and Leon Chang Wordmonkey Studios Graphic Design: Eloy Lasanta 8703 Pitch Pine Way Art: Alex Williamson Louisville, KY 40228 Publisher: Wordmonkey Studios Email: [email protected] Web Site: www.wordmonkeystudios.com The ALGERNON Files 3.0: Carapace is ©2015 Wordmonkey Studios. All rights reserved. References to other copyrighted material in no way constitute a challenge to the respective copyright holders of that material. Mutants & Masterminds, Super-Powered by M&M, Green Ronin, and their associated logos are trademarks of Green Ronin Publishing, LLC. The following is designated as Product Identity, in accordance with Section 1(e) of the Open Game License, Version 1.0a: hero points, power points. All characters and their associated images, descriptions, backgrounds, and related information are declared Product Identity. The following text is Open Gaming Content: all game system rules and material not previously declared Product Identity. Earth-Prime, Emerald City, Freedom City, and all associated character names, place names, and descriptions are copyright and Product Identity of Green Ronin Publishing and are used with permission. OPEN GAME LICENSE Version 1.0a 4. Grant and Consideration: In consideration for agree- 14 Reformation: If any provision of this License is held to The following text is the property of Wizards of the ing to use this License, the Contributors grant You a perpet- be unenforceable, such provision shall be reformed only to Coast, Inc. and is Copyright 2000 Wizards of the Coast, Inc ual, worldwide, royalty-free, non-exclusive license with the the extent necessary to make it enforceable. -
SILVER AGE SENTINELS (D20)
Talking Up Our Products With the weekly influx of new roleplaying titles, it’s almost impossible to keep track of every product in every RPG line in the adventure games industry. To help you organize our titles and to aid customers in finding information about their favorite products, we’ve designed a set of point-of-purchase dividers. These hard-plastic cards are much like the category dividers often used in music stores, but they’re specially designed as a marketing tool for hobby stores. Each card features the name of one of our RPG lines printed prominently at the top, and goes on to give basic information on the mechanics and setting of the game, special features that distinguish it from other RPGs, and the most popular and useful supplements available. The dividers promote the sale of backlist items as well as new products, since they help customers identify the titles they need most and remind buyers to keep them in stock. Our dividers can be placed in many ways. These are just a few of the ideas we’ve come up with: •A divider can be placed inside the front cover or behind the newest release in a line if the book is displayed full-face on a tilted backboard or book prop. Since the cards 1 are 11 /2 inches tall, the line’s title will be visible within or in back of the book. When a customer picks the RPG up to page through it, the informational text is uncovered. The card also works as a restocking reminder when the book sells. -
Mutants & Masterminds
SOURCEBOOK GRR2011e LUCIEN SOULBAN · GREEN RONIN PUBLISHING SOURCEBOOK A refitted VTOL Carnival Air-freighter lumbers through the air like an overfed bumblebee, sluggish and heavy on the noise. You sit onboard, waiting to land. Not since the Atlanta Boys Convoy of 1934, when the government loaded 52 hardened criminals into a train and shipped them out to “inaugurate” Alcatraz Island, has secrecy and security been this heavy. For Super-Con Air, however, this is business as usual. The Carnival is the workhorse of convict transports; she can normally carry 23 passengers along with 22 tons of cargo, but following the refit, she’s hefting two additional power plants and space for 10 powered felons… eight awake and two asleep. Awake, you sit in reinforced cage called “The Egg,” because that’s what it looks like. The Egg suppresses active power fields and locks you down in sensory deprivation for the trip. It’s a blackout of your senses, designed to keep you off- balance when they finally transfer you out. Asleep, the Department of Justice deems you too powerful to risk handling. You’re probably a Type IV or V, and that makes folks nervous enough to crank you out in a hotsleep coffin. You won’t wake up until you’re imbedded 200 meters deep inside “the Mountain.” You feel like you’ve been in the dark for years before someone nudges your Egg. That’s just the VTOL setting down on the landing pad. A few minutes later, there’s motion again. They’ve disconnected your Egg from its suspension struts aboard the Carnival, and they’re wheeling you down the jet’s back ramp. -
True20 Adventure Roleplaying Trademark License FAQ
True20 Adventure Roleplaying Trademark License FAQ Q: Do I have to submit my products for approval? A: No, you do not. We've tried to make the license easy to use. If you just follow the terms, you shouldn't have any problems. Q: Can I use this license for electronic products other than PDFs, like character generators? A: No, this license is only for the publication of printed books and PDF products. Any other sort of products must be licensed from Green Ronin on an individual basis. Q: Why can't I put True20 or True in the title? A: Green Ronin has established a naming pattern in its previous True20 books and we'd like that pattern to remain unique to official releases. Q: When can I start publishing using this license? A: Any time after May 12, 2008. Q: Can I use this license to do product in other languages? A: Yes, you can. The only additional limitation is that you must follow the terminology used in the appropriate True20 corebook if it exists in the language you're going to use. For example, Wyrd Edizione publishes True20 in Italy. If you want to do Italian language True20 material, you must follow the translation standards of Wyrd's version of the core rulebook. This is to ensure that terminology remains consistent in each language. Q: What should the Section 15 of the Open Game License in my product include? A: For starters it must include the entirety of the Section 15 from the Revised Edition of True20 Adventure Roleplaying. -
Super-Powered by M&M FAQ Q: Do I Have to Submit My Products For
Super-Powered by M&M FAQ Q: Do I have to submit my products for approval? A: No, you do not. We've tried to make the license easy to use. If you just follow the terms, you shouldn't have any problems. This is one of the biggest changes from M&M Superlink, our previous licensing program for Mutants & Masterminds. Q: Can I use this license for electronic products other than PDFs, like character generators? A: No, this license is only for the publication of printed books and PDF products. Any other sort of products must be licensed from Green Ronin on an individual basis. Q: When can I start publishing using this license? A: Any time after January 31, 2011. Q: Who can use this license? A: Almost anyone as long as you follow the terms. The only limitation is that those found in violation of the M&M Superlink license cannot take advantage of Super-Powered by M&M. This is spelled out in Section 2 of the Super-Powered by M&M license. Q: Can I use this license to do product in other languages? A: Yes, you can. The only additional limitation is that you must follow the terminology used in the licensed edition of the Mutants & Mastermind’s Hero’s Handbook if it exists in the language you're going to use. This is to ensure that terminology remains consistent in each language. Q: What should the Section 15 of the Open Game License in my product include? A: For starters it must include the entirety of the Section 15 from the Mutants & Masterminds Hero’s Handbook. -
Threat Report: Trident Threat Report: Trident Steelhead and Ultramarine
TEAM HISTORY Coral Snake needs Trawler’s expertise and, to a lesser extent, Steelhead’s muscle and deep-sea capabilities. She wants to claim the mystic power she knows awaits her in Although the authorities tend to believe Trawler—with Lemuria. Once she has that, she’ll have no further use for her history as a smuggler and dubious “salvage opera- her so-called “partners.” Until all the pieces are in place, tor”—is the force behind the Trident, the group actually however, she keeps Trawler close, dangling promises in came together due to one of its other members. Coral front of her, and Steelhead at arm’s length, keeping a close Snake has extensively studied her Serpent heritage and eye on him. the secrets of ancient Lemuria. She believes the key to greater power and control over her ophidian nature lies there, deep beneath the Pacific. To reach it, she needs TACTICS help. So she came up with the smuggling scheme and re- cruited Trawler and Steelhead to help back it, prom- In spite of past successes, Coral Snake does not ising Trawler a shot at the greatest trea- want the smuggling ring to overplay its sure trove she could imagine. Forked hand. There’s added profit in keeping tongue firmly in demand high, cheek, Coral while also lying Snake dubbed low to evade the their new venture authorities, who “the Trident”. are increasingly Initially, the smug- intent on closing gling operation relied up the smuggling heavily on Trawler’s resourc- routes into Emerald City. es and the capabilities of its Eager as she is to further three founders. -
Emerald City Knights
EMERALD CITY KNIGHTS CHAPTER 1: LIFE IN THE AFTERMATH THIRD EDITION Andre Nutter (order #3018914) 178.76.130.9 MUTANTS & MASTERMINDS EMERALD CITY KNIGHTS PICKING UP THE PIECES This chapter picks up right where “The Silver Storm”—the COMFORTABLE WORDS prologue to Emerald City Knights—left off, with the heroes dealing with the aftermath of the strange explosion that Deeds normally count more than just talk, but when words has unleashed something new and dangerous in Emerald can calm a panic and get the many rubberneckers to City. disperse peacefully, speeches are worthwhile. If the heroes With the last of the berserk stormers defeated or in have demonstrated good, noble conduct thus far, they face retreat, the heroes have a number of options. As always, Indifferent crowds that depart once they’re sweet-talked there’s no telling for sure what the players are going to up to Favorable or better via the normal DC 15 Persuasion do, but this section provides some guidelines for the most check. Characters Behaving Badly thus far in the adventure likely possibilities. If they go beyond the scope of what’s (your typical ‘90s-refugee antihero, for instance) can use provided, feel free to mix and match these scenes, or wing Intimidation instead, treating the bystanders (Will defense it entirely, as the proper plot progression necessitates. 0) like minions. This isn’t exactly the best public relations move, but it does clear the scene as needed. SCENE 1: WE CAN BE HEROES THE WEIGHT Some downtown buildings and walls proved not to be Scene Type: Challenge up to super-fight code and collapsed, burying many Of the most obvious and critical concern are the innocent innocents alive. -
Pyramid Volume 2 Bundle Preview
TM PYRAMID MAGAZINE Editor PYR MID Derek Pearcy Issue Number 1 May/June Managing Editor CONTENTS Loyd Blankenship Editorial Assistants Jeff Koke Space Knights: A Sneak Preview Susan Pinsonneault By Loyd Blankenship............................................ 11 Graphic Design Derek Pearcy Designer’s Notes: GURPS Atomic Horror: Cover Art “Paramedics were called in John Zeleznik when Dars attempted to dig “Of Martians and McCarthy” out his interface jack with a By Paul Elliott....................................15 Staff Artist pocket knife.” – page 67 Laura Eisenhour GURPS Supporting Cast: “Extras” Illustrations By Fraser Cain ...................................65 Dan E. Carroll Primary Sources: Laura Eisenhour David Plunkett Saga of Pliocene Exile, by Julian May Jeremy Pyles By David J. Hayes.................................................................................. Dan Smith 17 Jana C. Wilson Print Buying “The street dregs are as likely to run Derek Pearcy The Hole Monica Stephens screaming from you as they are to kill you A multi-genre campaign background and sell your body for its chemicals.” Sales Manager for any game system. – page 23 Dana Blankenship By Jeff Koke ..................19 Circulation Manager David Schoenert Publisher Godzilla 2072: Atomic Monsters in the World of Ogre! Steve Jackson By John Hurtt..............................................................................................31 Pyramid is published bi- monthly by Steve Jackson Voodoo: Roleplaying Background for Magic and Horror Games Incorporated, -
Dragon Magazine #249
HISTORICAL FANTASY Issue # 249 Volume XXIII, NO. 2 July 1998 Seeds of Evil James Wyatt Combining the historical AD&D® supplements with the Masque of the Red Death campaign for a legacy of terror. 26 66 Wyrms of the North Ed Greenwood The guile and subtlety of a drow lurks behind the Below the Tomb of Horrors smile of The Dark Lady. Bruce R. Cordell 76 Giants in the Earth New terrors to add to the classic AD&D module J. Gregory Keyes New legends from or any cryptic dungeon in your campaign. the World of the Waterborn. 38 82 Bazaar of the Bizarre Jeffrey Mendoza Before your next Sixguns and Sesheyans trek, shop at A Travelers Emporium. 90 Arcane Lore Rich Baker Ed Bonny Discover the dire powers of ® Back to the future with ALTERNITY game rules The Lost Spellbook of Rary the Traitor. for Old West firearms, plus guidelines for creating your own Weird West campaign. 98 Dungeon Mastery Holly Ingraham Learn the vocabulary 48 of the Underdark in Deep Meanings. Fiction Wakes the Narrow Forest The Wyrms Turn . 4 J. Gregory Keyes D-MAIL .................... 6 The ghost of his father compels Fool Wolf FORUM ...................... 10 to visit giant country. SAGE ADVICE ................. 18 58 OUT OF CHARACTER ........... 24 BOOKWYRMS ................. 72 CONVENTION CALENDAR ........ 102 DRAGONMIRTH .............. 104 KNIGHTS OF THE DINNER TABLE . 106 ROLEPLAYING REVIEWS ......... 108 GAME PREVIEWS ............... 114 PROFILES .................... 120 Publisher Wendy Noritake Executive Editor Pierce Watters Editor Dave Gross Art Director Larry Smith Associate Editor Chris Perkins Editorial Assistant Jesse Decker Production Manager John Dunn Advertising Sales Manager Bob Henning Advertising Traffic Manager Judy Smitha ® Michael Roele falls before the might of the dread Gorgon in this months cover by BIRTHRIGHT campaign artist Tony Szczudlo. -
3734-Sample.Pdf
Sample file UNEARTHED ARCANA ANDY COLLINS, JESSE DECKER, DAVID NOONAN, RICH REDMAN ADDITIONAL DESIGN ART DIRECTOR ANDREW FINCH, STEVE KENSON, CHARLES DAWN MURIN RYAN, BILL SLAVICSEK, ED STARK, JONATHAN COVER ARTIST TWEET, JD WIKER, JAMES WYATT MATT CAVOTTA EDITORS INTERIOR ARTISTS MICHELE CARTER, GWENDOLYN F.M. STEVEN BELLEDIN, ED COX, WAYNE ENGLAND, KESTREL, CHARLES RYAN EMILY FIEGENSCHUH, DAVID HUDNUT, JEREMY JARVIS, DOUG KOVACS, JOHN AND MANAGING EDITOR LAURA LAKEY, DAVID MARTIN, DENNIS KIM MOHAN CRABAPPLE MCCLAIN, MARK NELSON, JAMES DESIGN MANAGER PAVELEC, STEVE PRESCOTT, DAVID ROACH, ED STARK RICHARD SARDINHA, RON SPENCER, STEPHEN TAPPIN, JOEL THOMAS, BEN THOMPSON DIRECTOR OF RPG R&D GRAPHIC DESIGNER BILL SLAVICSEK DAWN MURIN IMAGE TECHNICIAN GRAPHIC PRODUCTION SPECIALIST JAY SAKAMOTO ERIN DORRIES PRODUCTION MANAGER CARTOGRAPHER JOSH FISCHER TODD GAMBLE This d20™ System game utilizes mechanics developed for the new DUNGEONS & DRAGONS® game by Jonathan Tweet, Monte Cook, Skip Williams, Richard Baker, and Peter Adkison. Resources for this product include Psionics Handbook by Bruce Cordell, Swords of Our Fathers by JD Wiker (Game Mechanics), Mutants & Masterminds by Steve Kenson (Green Ronin Publishing), Call of Cthulhu by Monte Cook and John Tynes, d20 Mod- ern Roleplaying Game by Bill Slavicsek, Jeff Grubb, Rich Redman, and Charles Ryan, Oriental Adventures by James Wyatt, Star Wars Roleplaying Game by Bill Slavicsek, Andy Collins, and JD Wiker, Player’s Option: Combat & Tactics by L. Richard Baker III and Skip Williams, Alternity Player’s Handbook by Bill Slavicsek and Richard Baker, and the University of Notre Dame’s Latin parser at http://www.nd.edu/~archives/latgramm.htm. Valuable advice provided by Bruce Cordell and James Wyatt Playtesters: Richard Baker, Greg Collins, Dale Donovan, Chris Galvin, Joe Hauck, Kevin Kukas, Viet Nguyen, Brent Pearson, Tim Rhoades, Marc Russell, Scott Smith, Dennis Worrell, Warren Wyman, James Wyatt U.S., CANADA, ASIA, PACIFIC, EUROPEAN HEADQUARTERS & LATIN AMERICA Wizards of the Coast, Belgium Wizards of the Coast, Inc. -
Presenting: the Heist
MUTANTSANDMASTERMINDS.COM EXCLUSIVE THE HEIST ADVENTURE W.011.01 THE HEIST GK SC PRESENTING:A MUTANTS & MASTERMINDS MINI-ADVENTURE THE HEIST The Heist is an introductory adventure for the Mutants & Masterminds Superhero Roleplaying Game designed for 4 PL 10 THE ACTION heroes, although it can be modified for a larger group or for Read the following aloud to the players: lower-PL heroes. The heroes must thwart Rant and Rave, a It’s a fairly ordinary afternoon at the central branch of the brother/sister villain duo attempting to rob a bank in Freedom Eastern Seaboard (or E-Sea) Bank in downtown Freedom City. City with the aid of some hired muscle. Suddenly a group of armed men burst through the front GETTING THE HEROES INVOLVED doors of the building into the lobby. They order the bank patrons to lie on the floor and clear the way for a man and There are two simple ways of getting the heroes involved in the woman to enter behind them. They’re in their early 20s and adventure. In the first, some or all of the heroes might be visiting both are dressed in raver-style clothes. There’s a definite fam- the bank in their secret identities to conduct some routine busi- ily resemblance. The woman’s hair is long and flowing and ness. They are there when the villains show up and have to figure the man’s short and spiky. some way to slip away from the action long enough to change “Rant and Rave are in the house!” the man says with a into their superhero identities (assuming that they maintain smirk. -
Threat Report: the Atom Family Threat Report: the Atom Family Sample File
Sample file THE ATOM FAMILY often buried himself in his research. He began to study MEMBERS: Maximus Atom, Tesla Atom, Victoria Atom, robotics and computers more in-depth, building robotic Chase Atom, Jack Wolf, Doctor Atom playmates and nannies to help care for Andrea and Jack. BASE: The Nucleus, atop the Goodman Building, She began attending the Hanover Institute of Technol- Freedom City ogy in 1976, and there saw the performance of a “men- MOTIVATIONS: Explorers talist” named Mentac, who debunked psychic research. The current generation of the world-famous Atom Family When she also discovered Mentac had actual psychic have been celebrities since the moment they were born. powers, she learned he pretended to be a stage mental- The Family is made up of adventurers and explorers who ist and debunker as a way for him to find con-artists as investigate strange phenomena and fight threats to the well as true paranormals who abused their abilities and safety of Freedom City and the world. The current team bring them to justice. Andrea introduced Mentac to her consists of the four grandchildren of Doctor Alexander father and he began a long association with the Atom Atom—Max, Tess, Vicky, and Chase—their friend and Family. legal guardian “Uncle” Jack Wolf, and their grandfather’s For the better part of a decade, the quartet of Doctor disembodied intellect, maintained within the computers Atom, Andrea, Mentac, and Jack Wolf explored strange of their headquarters, the Nucleus, atop the Goodman phenomena and fought hidden menaces. Andrea Building in Freedom City. became more and more attracted to the mysterious and aloof Mentac, while Jack silently carried a torch for the HISTORY lovely Andrea.