Three Irish Tenors Center for Performing Arts
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The Frothy Band at Imminent Brewery, Northfield Minnesota on April 7Th, 7- 10 Pm
April Irish Music & 2018 Márt Dance Association Márta The mission of the Irish Music and Dance Association is to support and promote Irish music, dance, and other cultural traditions to insure their continuation. Inside this issue: IMDA Recognizes Dancers 2 Educational Grants Available Thanks You 6 For Irish Music and Dance Students Open Mic Night 7 The Irish Music and Dance Association (IMDA) would like to lend a hand to students of Irish music, dance or cultural pursuits. We’re looking for students who have already made a significant commitment to their studies, and who could use some help to get to the next level. It may be that students are ready to improve their skills (like fiddler and teacher Mary Vanorny who used her grant to study Sligo-style fiddling with Brian Conway at the Portal Irish Music Week) or it may be a student who wants to attend a special class (like Irish dancer Annie Wier who traveled to Boston for the Riverdance Academy). These are examples of great reasons to apply for an IMDA Educational Grant – as these students did in 2017. 2018 will be the twelfth year of this program, with help extended to 43 musicians, dancers, language students and artists over the years. The applicant may use the grant in any way that furthers his or her study – help with the purchase of an instrument, tuition to a workshop or class, travel expenses – the options are endless. Previous grant recipients have included musicians, dancers, Irish language students and a costume designer, but the program is open to students of other traditional Irish arts as well. -
The Dublin Gate Theatre Archive, 1928 - 1979
Charles Deering McCormick Library of Special Collections Northwestern University Libraries Dublin Gate Theatre Archive The Dublin Gate Theatre Archive, 1928 - 1979 History: The Dublin Gate Theatre was founded by Hilton Edwards (1903-1982) and Micheál MacLiammóir (1899-1978), two Englishmen who had met touring in Ireland with Anew McMaster's acting company. Edwards was a singer and established Shakespearian actor, and MacLiammóir, actually born Alfred Michael Willmore, had been a noted child actor, then a graphic artist, student of Gaelic, and enthusiast of Celtic culture. Taking their company’s name from Peter Godfrey’s Gate Theatre Studio in London, the young actors' goal was to produce and re-interpret world drama in Dublin, classic and contemporary, providing a new kind of theatre in addition to the established Abbey and its purely Irish plays. Beginning in 1928 in the Peacock Theatre for two seasons, and then in the theatre of the eighteenth century Rotunda Buildings, the two founders, with Edwards as actor, producer and lighting expert, and MacLiammóir as star, costume and scenery designer, along with their supporting board of directors, gave Dublin, and other cities when touring, a long and eclectic list of plays. The Dublin Gate Theatre produced, with their imaginative and innovative style, over 400 different works from Sophocles, Shakespeare, Congreve, Chekhov, Ibsen, O’Neill, Wilde, Shaw, Yeats and many others. They also introduced plays from younger Irish playwrights such as Denis Johnston, Mary Manning, Maura Laverty, Brian Friel, Fr. Desmond Forristal and Micheál MacLiammóir himself. Until his death early in 1978, the year of the Gate’s 50th Anniversary, MacLiammóir wrote, as well as acted and designed for the Gate, plays, revues and three one-man shows, and translated and adapted those of other authors. -
2014–2015 Season Sponsors
2014–2015 SEASON SPONSORS The City of Cerritos gratefully thanks our 2014–2015 Season Sponsors for their generous support of the Cerritos Center for the Performing Arts. YOUR FAVORITE ENTERTAINERS, YOUR FAVORITE THEATER If your company would like to become a Cerritos Center for the Performing Arts sponsor, please contact the CCPA Administrative Offices at 562-916-8510. THE CERRITOS CENTER FOR THE PERFORMING ARTS (CCPA) thanks the following current CCPA Associates donors who have contributed to the CCPA’s Endowment Fund. The Endowment Fund was established in 1994 under the visionary leadership of the Cerritos City Council to ensure that the CCPA would remain a welcoming, accessible, and affordable venue where patrons can experience the joy of entertainment and cultural enrichment. For more information about the Endowment Fund or to make a contribution, please contact the CCPA Administrative Offices at (562) 916-8510. MARQUEE Sandra and Bruce Dickinson Diana and Rick Needham Eleanor and David St. Clair Mr. and Mrs. Curtis R. Eakin A.J. Neiman Judy and Robert Fisher Wendy and Mike Nelson Sharon Kei Frank Jill and Michael Nishida ENCORE Eugenie Gargiulo Margene and Chuck Norton The Gettys Family Gayle Garrity In Memory of Michael Garrity Ann and Clarence Ohara Art Segal In Memory Of Marilynn Segal Franz Gerich Bonnie Jo Panagos Triangle Distributing Company Margarita and Robert Gomez Minna and Frank Patterson Yamaha Corporation of America Raejean C. Goodrich Carl B. Pearlston Beryl and Graham Gosling Marilyn and Jim Peters HEADLINER Timothy Gower Gwen and Gerry Pruitt Nancy and Nick Baker Alvena and Richard Graham Mr. -
CCN-BALLET DE LORRAINE Thu, Feb 16, 7:30 Pm Carlson Family Stage
2016 // 17 SEASON Northrop and Walker Art Center Present CCN-BALLET DE LORRAINE Thu, Feb 16, 7:30 pm Carlson Family Stage Devoted Fabrications Sounddance Dear Friends of Northrop, Northrop at the University of Minnesota and Walker Art Center Present Tonight, we collaborate with Walker Art Center as part of their major survey: Merce Cunningham: Common Time, offering two of Cunningham’s groundbreaking choreographic works. The program begins with Devoted, a commissioned work by the trend setting choreographic duo Cecilia Bengolea and François Chaignaud. Infused with current dance hall and pop culture, CCN-BALLET DE these French choreographers are clearly influenced by modern and even post-modern American dance history—history that was forever changed by Cunningham's impact. LORRAINE Fabrications, the second work on our program, actually had its world premiere right here at Northrop in 1987, with Cunningham dancing, as he did in every performance by his company until he was 70. When he died a few months after his 90th birthday, he Choreographer and General Director had won every choreographic award and accolade imaginable, PETTER JACOBSSON Christine Tschida. Photo by Tim Rummelhoff. and left a legacy of nearly 200 works. It’s interesting to think about the audience who sat here at Northrop 30 years ago, and their world. Choreographer and Coordinator of Research Ronald Reagan was in his second term in the White House and had just struggled through a government THOMAS CALEY shutdown. News of the Iran-Contra Scandal had recently broken. Mad Cow Disease was discovered in the U.K., and the Minnesota Twins would go on to win their first World Series later that year. -
School Show Study Guide
420 East Packer Avenue Bethlehem, PA 18015-3179 (610) 758-2787 www.ZoellnerArtsCenter.org School Show Study Guide: Wednesday, March 13, 2019 at 10:00am Baker Hall at Zoellner Arts Center USING THIS STUDY GUIDE Dear Educator, On Wednesday, March 13, your class will attend a performance by Murphy’s Celtic Legacy, at Lehigh University’s Zoellner Arts Center in Baker Hall. You can use this study guide to engage your students and enrich their Zoellner Arts Center field trip. Materials in this guide include information about the performance, what you need to know about coming to a show at Zoellner Arts Center and interesting and engaging activities to use in your classroom prior to and following the performance. These activities are designed to go beyond the performance and connect the arts to other disciplines and skills including: Dance Culture Expression Social Sciences Teamwork Choreography Before attending the performance, we encourage you to: Review the Know before You Go items on page 3 and Terms to Know on pages 9. Learn About the Show on pages 4. Help your students understand Ireland on pages 11, the Irish dance on pages 17 and St. Patrick’s Day on pages 23. Engage your class the activity on pages 25. At the performance, we encourage you to: Encourage your students to stay focused on the performance. Encourage your students to make connections with what they already know about rhythm, music, and Irish culture. Ask students to observe how various show components, like costumes, lights, and sound impact their experience at the theatre. After the show, we encourage you to: Look through this study guide for activities, resources and integrated projects to use in your classroom. -
Emma Warren Photo: Talbot Lee Photography
191 Wardour Street London W1F 8ZE Phone: 020 7439 3270 Email: [email protected] Website: www.olivia-bell.co.uk Emma Warren Photo: Talbot Lee Photography Ensemble / Understudy Cosette in Les Misérables UK Tour, Cameron Mackintosh LTD. Height: 5'3" (160cm) Nationality: Irish Playing Age: 16 - 25 years Eye Colour: Hazel Appearance: White Hair Colour: Light/Mid Brown Credits 2018, Musical, Ensemble/Understudy Penny, Hairspray UK Tour, Paul Kerryson 2017, Musical, Johanna / Ensemble, SWEENEY TODD, Richard Burton Company, Paul Kerryson 2017, Musical, Marigold, TICKLEDOM, Manders Brind Productions, Richard Tunley 2017, Musical, Ensemble, TIGER BAY THE MUSICAL, Wales Millenium Centre, Melly Still 2017, Pantomime, Jasmine, ALADDIN, Qdos Entertainment, Michael Fentiman 2017, Stage, Soloist / Ensemble, LARGER THAN LIFE, RWCMD, Paul David-Gough 2016, Concert, Soloist / Ensemble / Dance Captain, CHRISTMAS ON BROADWAY, RWCMD, David Mahoney 2016, Concert, Soloist / Ensemble, TRIBUTE GALA CONCERT TO DAME SHIRLEY BASSEY, RWCMD, Michael Morwood 2016, Dance, 2012-2016 Lead Female Irish Dancer, RIVERDANCE (WORLD TOURS), Abhann Productions, John McColgan 2013, Dance, Lead Female Irish Dancer, HEARTBEAT OF HOME, Riverdream Productions, John McColgan 2012, Dance, Lead Vocalist, RIVER DANCE, Abhann Productions, John McColgan 2010, Pantomime, Jill, JACK AND THE BEANSTALK, Theatreworx, Karl Harpur 2010, Television, Contestant, OVER THE RAINBOW, Talkback Thames - BBC, Simon Staffurth 2006, Pantomime, Cinderella, CINDERELLA, Spotlight Productions, Stuart O'Connor -
EVITA’ COMES to HONG KONG General Tickets on Sale from Today
For Immediate Release POWERFUL, PASSIONATE & POLITICAL TIM RICE AND ANDREW LLOYD WEBBER’S MASTERPIECE ‘EVITA’ COMES TO HONG KONG General Tickets On Sale from Today [Hong Kong, 16 January 2018] For the first time ever, the original West End and Broadway production of TIM RICE and ANDREW LLOYD WEBBER’s iconic musical EVITA, directed by legendary Broadway director HAL PRINCE, will open in Hong Kong at the Lyric Theatre, Hong Kong Academy for Performing Arts on 11 May 2018 for a strictly limited season. The acclaimed show comes to Hong Kong as part of an international tour, taking in Singapore, Taipei and Tokyo. General tickets are now on sale and are available online at www.hkticketing.com, or by calling 31- 288-288. Seats can also be obtained at all HK Ticketing or Tom Lee outlets in person. Fans are urged to act fast to avoid disappointment as the show has received an enthusiastic response during the American Express Priority Booking period. EVITA won two Olivier Awards following its sensational West End opening in 1978, for Best Musical and Best Performance in a Musical for the then unknown Elaine Paige, propelling her to stardom. The show opened on Broadway in 1979, and won an incredible seven Tony Awards and six Drama Desk Awards, cementing Tim Rice and Andrew Lloyd Webber’s place as one of the most successful musical partnerships of all time. EVITA was the first British musical to receive the Tony Award for Best Musical. In total, the show has won more than 20 major awards. Set in Buenos Aires between 1934 and 1952, EVITA charts the rags-to-riches rise of Eva Perón, wife of former Argentine dictator Juan Perón, from her humble beginnings through to the extraordinary wealth, power and status which ultimately led her to be heralded as the “spiritual leader of the nation” by the Argentine people. -
Original Song Settings of Irish Texts by Irish Composers, 1900-1930
Technological University Dublin ARROW@TU Dublin Masters Applied Arts 2018 Examining the Irish Art Song: Original Song Settings of Irish Texts by Irish Composers, 1900-1930. David Scott Technological University Dublin, [email protected] Follow this and additional works at: https://arrow.tudublin.ie/appamas Part of the Composition Commons Recommended Citation Scott, D. (2018) Examining the Irish Art Song: Original Song Settings of Irish Texts by Irish Composers, 1900-1930.. Masters thesis, DIT, 2018. This Theses, Masters is brought to you for free and open access by the Applied Arts at ARROW@TU Dublin. It has been accepted for inclusion in Masters by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License Examining the Irish Art Song: Original Song Settings of Irish Texts by Irish Composers, 1900–1930 David Scott, B.Mus. Thesis submitted for the award of M.Phil. to the Dublin Institute of Technology College of Arts and Tourism Supervisor: Dr Mark Fitzgerald Dublin Institute of Technology Conservatory of Music and Drama February 2018 i ABSTRACT Throughout the second half of the nineteenth century, arrangements of Irish airs were popularly performed in Victorian drawing rooms and concert venues in both London and Dublin, the most notable publications being Thomas Moore’s collections of Irish Melodies with harmonisations by John Stephenson. Performances of Irish ballads remained popular with English audiences but the publication of Stanford’s song collection An Irish Idyll in Six Miniatures in 1901 by Boosey and Hawkes in London marks a shift to a different type of Irish song. -
The Capuchin Annual and the Irish Capuchin Publications Office
1 Irish Capuchin Archives Descriptive List Papers of The Capuchin Annual and the Irish Capuchin Publications Office Collection Code: IE/CA/CP A collection of records relating to The Capuchin Annual (1930-77) and The Father Mathew Record later Eirigh (1908-73) published by the Irish Capuchin Publications Office Compiled by Dr. Brian Kirby, MA, PhD. Provincial Archivist July 2019 No portion of this descriptive list may be reproduced without the written consent of the Provincial Archivist, Order of Friars Minor Capuchin, Ireland, Capuchin Friary, Church Street, Dublin 7. 2 Table of Contents Identity Statement.......................................................................................................................................... 5 Context................................................................................................................................................................ 5 History ................................................................................................................................................ 5 Archival History ................................................................................................................................. 8 Content and Structure ................................................................................................................................... 8 Scope and content ............................................................................................................................. 8 System of arrangement .................................................................................................................... -
View the Irish Culture Pack
A GLIMPSE OF IRELAND IRELAND IRELAND IRELAND Getting to Ireland Belfast City Airport (BHD) Belfast International Airport (BFS) Cork Airport (ORK) Derry Airport (LDY) Donegal Airport (CFN) Dublin Airport (DUB) Galway Airport (GWY) Ireland West Airport Knock (NOC) Kerry Airport (KIR) Shannon Airport (SNN) Sligo Airport (SXL) Waterford Airport (WAT) Climate Ireland enjoys a temperate climate, (proximity to Atlantic Ocean & presence of the Gulf Stream). Typical winter weather in Ireland is clouds and rain --occasional sunny spell. The mountains may have snow on them for many weeks in winter, Temperatures --a January average of 5ºC. Overnight temperatures often drop below freezing point, and ice and frosts are common. Each winter there are a few weeks when the temperature does not rise above freezing point all day, and rivers and lakes can partially freeze over. Typically, summers in Ireland have warm, sunny weather and a sky dotted with gentle fluffy clouds. Light rain occasionally occurs on days like these. In July and August, the conditions can become very humid and thunder storms can occur with lightning. Average July temp 15ºC, Across Ireland, the local climate differs from place to place. The wettest weather always occurs in mountains The driest weather occurs east The south that enjoys the warmest weather. Occasionally there is a "blast from the north", bringing very cold weather from the Arctic, characterised by icy winds, snow and frost. Population Approximately 4.35 million In 1841, the population of the was over 6.5 million people. The Irish Potato famine and the emigration it caused had a dramatic effect 1871 the population had almost halved to four million 1926 had reduced further to three million The population held firm around three million until the early 1970s when the population began to rise again. -
0-Start File
Riverdance as Music Adrian Scahill Riverdance: Representing Irish Traditional Music As the archetypal example of the globalization and commodification of Ireland and Irish culture, 1 Riverdance can justly be described as one of the emblems for the now rapidly fading Celtic Tiger. 2 The show also was arguably one of the pri - mary catalysts in the transformation of Irish traditional music from a primar - ily geographically (and ethnically) situated music into what Mark Slobin has described as an “affinity interculture.” 3 Now, participation in the music is gov - erned by choice, and the possibility of “becoming Irish music” is open to all. 4 This connection between the show and the tradition has been utilized and emphasized in a range of contexts, from tourist promotional literature 5 to aca - demic course descriptions and writing. 6 The link with tradition has also been adverted to by its composer Bill Whelan himself. 7 In the show’s promotional material, Sam Smyth’s description of Riverdance as a “two-hour celebration of traditional music and dance” appears to conflate the two. 8 In the same vein, Fin - tan O’Toole has noted that what “made Riverdance so exhilarating was the 1. G. Honor Fagan, “Globalized Ireland, or, Contemporary Transformations of National Identity?” in The End of Irish History? Critical Approaches to the Celtic Tiger , ed. Colin Coulter and Steve Cole - man (Manchester: Manchester University Press, 2003 ), p. 114 –17 . 2. See: Denis O’Hearn, Inside the Celtic Tiger: The Irish Economy and the Asian Model (London: Pluto Press, 1998 ), p. 117 ; P. J. Mathews, “In Praise of ‘Hibernocentrism’: Republicanism, Global - ization and Irish Culture,” The Republic: A Journal of Contemporary and Historical Debate , 4 (2005 ), 9–10 . -
Kimmel Center Cultural Campus Presents Riverdance – 25Th Anniversary Show
Tweet it! You don’t have to be Irish to come celebrate @Riverdance 25th Anniversary Show @KimmelCenter 1/21-26, as part of #BWYPHL 2019-20 season. More info at kimmelcenter.org. #ArtHappensHere Press Contacts: Lauren Woodard Carole Morganti, CJM Public Relations (215) 790-5835 (609) 953-0570 [email protected] [email protected] KIMMEL CENTER CULTURAL CAMPUS PRESENTS RIVERDANCE – 25TH ANNIVERSARY SHOW 25 BREATHTAKING YEARS. ONE WORLDWIDE PHENOMENON. THE INTERNATIONAL IRISH DANCE PHENOMENON RETURNS TO PHILADELPHIA, JANUARY 21 – 26 AT THE MERRIAM THEATER ON THE KIMMEL CENTER CULTURAL CAMPUS “A family evening unlike anything else!” – THE TIMES OF LONDON “The show is quite simply incredible. A phenomenon of historic proportions.” – THE WASHINGTON TIMES “Triumphant! A perfect Gem.” – NEW YORK POST FOR IMMEDIATE RELEASE (Philadelphia, PA, November 21, 2019) – Abhann Productions is proud to announce that Riverdance – 25th Anniversary Show will be presented by the Kimmel Center Cultural Campus in a strictly limited engagement at the Merriam Theater from January 21 – 26, 2020, as part of the Kimmel Center’s Broadway Philadelphia 2019-20 season and the 2019-20 Family Discovery Series. “We are so excited to once again present this iconic troupe in Philadelphia and, this year, as part of our ongoing family-friendly Family Discovery Series,” said Anne Ewers, President and CEO of the Kimmel Center for the Performing Arts. “The 25th anniversary show is a testament to the ongoing popularity and success of a phenomenal production, touting the iconic dancing known around the world and its Grammy Award-winning score. Presented in conjunction with productions like Nick Jr.