DOCSLIB.ORG

Edition 3 | 2019-2020

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Edition 3 | 2019-2020 SHOWCASE Contents 4 Letter from the President 4 Board of Directors and Staff 9 Come From Away 23 Comprehensive Campaign 24 Institutional and Government Support 25 Individual Support 27 Matching Gifts The First North American Tour Company of COME FROM AWAY, 27 Honickman Family Society Photo by Matthew Murphy, 2018 29 Kimmel Center Staff The use of cameras and recording equipment is prohibited during the performances. As a courtesy to the performers and fellow audience members, please turn off all beepers, watch alarms, and cellular phones. Latecomers and those who leave the concert hall during the performance will be seated at appropriate intervals. Showcase is published by the Kimmel Center for the Performing Arts Administrative Offices, 1500 Walnut Street, 17th Floor, Philadelphia, PA 19102 For information about advertising in Showcase, contact Onstage Publications Proud Season Sponsor 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com @KIMMELCENTER #ArtHappensHere KIMMELCENTER.ORG#ArtHappensHere 3 Kimmel Center Cultural Campus KIMMEL CENTER, INC., OFFICERS AND BOARD OF DIRECTORS Michael D. Zisman, Chairman Anne C. Ewers, President and CEO Robert R. Corrato, Vice-Chair Jane Hollingsworth, Vice-Chair Stanley Middleman, Treasurer Jami Wintz McKeon, Secretary David P. Holveck, Immediate Past Chair Bart Blatstein Richard D. Carpenter Dear friends, Vanessa Z. Chan Reverend Luis A. Cortés, Jr. Welcome to the Academy of Music on the Kimmel Center Cultural Robert J. Delany Sr. Campus, the two-week home of this 7-time-Tony nominee and James F. Dever, Jr. Winner for Best Musical, Come From Away. We are thrilled to Frances R. Graham Michael B. Hill host this show’s Philadelphia premiere. A story rich with heart that Philip P. Jaurigue captures the love and resilience of the human spirit in the wake of the Obra Kernodle unthinkable, it is captured through a lens of hospitality and grace. Brook J. Lenfest Jeffrey A. Leonard As we officially kick off our 2019–20 Kimmel Center Broadway P. Edward Lovelidge Philadelphia season, boasting a combined 44 Tony Awards®, we Jeffrey P. McFadden invite audiences to be swept away into new worlds with each show. Elizabeth Murphy Productions premiering in Philadelphia for the first-time-ever Nicole Perkins Sulaiman W. Rahman include: Tony- and Grammy Award-winning Dear Evan Hansen, Ronald Rubin the musical that stunned Broadway from songwriting duo Benj Mark H. Samuels Pasek (also a Philadelphia native!) and Justin Paul (of The Greatest Anne Faulkner Schoemaker Showman fame); Mean Girls, the movie-turned-musical from Matthew A. Taylor Sherry Varrelman superstar comedian (and Philly-area native) Tina Fey; Tony Laurie Wagman Award winners SpongeBob SquarePants and The Band’s Visit; Joseph Zebrowitz and Escape to Margaritaville, the perfect recipe for a good time with Jimmy Buffet’s greatest hits. New and favorites returning by TRUSTEES EMERITI popular demand include Cirque Dreams: Holidaze, Hello Dolly!, Sidney Kimmel Riverdance, Les Misérables, Jesus Christ Superstar, Waitress, and The Hon. Bob P. Casey* The Hon. Edward G. Rendell Summer: The Donna Summer Musical. The Hon. Tom Ridge George M. Ross* At the center of Come From Away is an unforgettable, international Willard G. Rouse III* tale of community and friendship. Don’t forget about our FREE *Awarded posthumously monthly programs that speak to the breadth of the human experience. NEW this fall—visit our Commonwealth Plaza in EXECUTIVE STAFF the Kimmel Center to experience Los Trompos (or “The Spinning Anne C. Ewers, President and CEO J. Edward Cambron, Executive Vice President Tops”). Engineered by Mexican artists Héctor Esrawe and Ignacio and COO Cadena, and crafted with traditional Mexican weavings, these Stan Applegate, Executive Vice President and CFO larger-than-life art pieces are here for you to sit or spin—and while Crystal Brewe, Senior Vice President of you’re there, Look Up! Look In! Commissioned by the Kimmel Strategic Marketing and Communications Center, Mexican-American, Philadelphia-based artist Karina Puente Ross Richards, Senior Vice President of Facilites and Operations has designed “Papel Picado”, as an aerial companion piece to Los Trompos with 53 hand-cut structures suspended above the Plaza. PRESIDENT’S The latest in a line of Kimmel-commissioned work, this exhibition LEADERSHIP COUNCIL is one facet of our vision to transform lives daily through the arts. Wynne Amick Both grace our Plaza through November 17. David Cohen Stephen Cozen The Kimmel Center Cultural Campus is the region’s most impactful Lisa Crutchfield non-profit performing arts center, and a home to not only touring Peter Dean Broadway, but world-renowned jazz, comedians, family-friendly Thomas A. Decker John A. Francis fun, eight distinguished Resident Companies, and FREE education William Hankowsky opportunities all year long. Thank you for joining us for a season of Lisa Kabnick memory-making as we grow our community of Broadway fans & Marjorie Rendell experience Tony-winning blockbuster shows in our own backyard. Lyn Ross Timothy Scheve Make sure to sign up for our Ovation weekly e-newsletter and Molly Shepard connect with us on Facebook, Instagram, and Twitter to ensure you Brian Tierney don’t miss any news! James Zug Warmly, 4 Junkyard Dog Productions Jerry Frankel Latitude Link Smith & Brant Theatricals Steve & Paula Reynolds David Mirvish Michael Rubinoff Alhadeff Productions Michael Alden & Nancy Nagel Gibbs Sam Levy Rodney Rigby Spencer Ross Richard Winkler Yonge Street Theatricals Sheridan College Michael & Ellise Coit Ronald Frankel Sheri & Les Biller Richard & Sherry Belkin Marlene & Gary Cohen Allan Detsky & Rena Mendelson Lauren Doll Barbara H. Freitag Wendy Gillespie Laura Little Theatricals Carl & Jennifer Pasbjerg Radio Mouse Entertainment The Shubert Organization Cynthia Stroum Tulchin Bartner Productions Gwen Arment/Molly Morris & Terry McNicholas Maureen & Joel Benoliel/Marjorie & Ron Danz Pamela Cooper/Corey Brunish Demos Bizar/Square 1 Theatrics Joshua Goodman/Lauren Stevens Adam Blanshay Productions/Judith Ann Abrams Productions Bill & Linda Potter/Rosemary & Kenneth Willman and La Jolla Playhouse and Seattle Repertory Theatre Present Book, Music and Lyrics by IRENE SANKOFF and DAVID HEIN Featuring MARIKA AUBREY KEVIN CAROLAN HARTER CLINGMAN NICK DUCKART CHAMBLEE FERGUSON CHRISTINE TOY JOHNSON JULIE JOHNSON JAMES EARL JONES II JULIA KNITEL ANDREW SAMONSKY SHARONE SAYEGH DANIELLE K. THOMAS JENNY ASHMAN JANE BUNTING AMELIA CORMACK AARON MICHAEL RAY KILTY REIDY BRANDON SPRINGMAN Scenic Design Costume Design Lighting Design Sound Design BEOWULF BORITT TONI-LESLIE JAMES HOWELL BINKLEY GARETH OWEN Orchestrations Arrangements Music Coordinator Hair Design AUGUST ERIKSMOEN IAN EISENDRATH DAVID LAI DAVID BRIAN BROWN Casting Dialect Coach Tour Booking Agency Marketing Strategy and Direction Tour Press and Marketing TELSEY + COMPANY JOEL GOLDES THE BOOKING GROUP ON THE RIALTO ANITA DLONIAK Rachel Hoffman, C.S.A. Meredith Blair, Kara Gebhart & ASSOCIATES, INC. General Management Production Management Company Manager Production Stage Manager ALCHEMY PRODUCTION GROUP JUNIPER STREET PRODUCTIONS, INC. ERIK BIRKELAND SHAWN PENNINGTON Music Supervision IAN EISENDRATH Musical Staging KELLY DEVINE Directed by CHRISTOPHER ASHLEY Come From Away was originally co-produced in 2015 by La Jolla Playhouse and Seattle Repertory Theatre and presented in 2016 by Ford’s Theatre Come From Away (NAMT Festival 2013) was originally developed at the Canadian Music Theatre Project, Michael Rubinoff—Producer, Sheridan College in Oakville, Ontario, Canada and was further developed at Goodspeed Musicals’ Festival of New Artists, in East Haddam, Connecticut. The Canada Council for the Arts, the Ontario Arts Council and the 5th Avenue Theatre, Seattle, Washington, also provided development support. Broadway Philadelphia is presented collaboratively by The Kimmel Center for the Performing Arts and The Shubert Organization. 9 CAST Bonnie and others ..........................................................................................SHARONE SAYEGH Oz and others .............................................................................................. HARTER CLINGMAN Beverley/Annette and others ............................................................................ MARIKA AUBREY Janice and others ..................................................................................................... JULIA KNITEL Bob and others ..........................................................................................JAMES EARL JONES II Claude and others ..............................................................................................KEVIN CAROLAN Kevin T./Garth and others .........................................................................ANDREW SAMONSKY Nick/Doug and others ........................................................................... CHAMBLEE FERGUSON Kevin J./Ali and others ........................................................................................NICK DUCKART Hannah and others ................................................................................... DANIELLE K. THOMAS Beulah and others .................................................................................................JULIE JOHNSON Diane and others ...............................................................................CHRISTINE TOY JOHNSON STANDBYS Standbys never substitute for listed performers
Load more

Recommended publications
  • The Frothy Band at Imminent Brewery, Northfield Minnesota on April 7Th, 7- 10 Pm
    April Irish Music & 2018 Márt Dance Association Márta The mission of the Irish Music and Dance Association is to support and promote Irish music, dance, and other cultural traditions to insure their continuation. Inside this issue: IMDA Recognizes Dancers 2 Educational Grants Available Thanks You 6 For Irish Music and Dance Students Open Mic Night 7 The Irish Music and Dance Association (IMDA) would like to lend a hand to students of Irish music, dance or cultural pursuits. We’re looking for students who have already made a significant commitment to their studies, and who could use some help to get to the next level. It may be that students are ready to improve their skills (like fiddler and teacher Mary Vanorny who used her grant to study Sligo-style fiddling with Brian Conway at the Portal Irish Music Week) or it may be a student who wants to attend a special class (like Irish dancer Annie Wier who traveled to Boston for the Riverdance Academy). These are examples of great reasons to apply for an IMDA Educational Grant – as these students did in 2017. 2018 will be the twelfth year of this program, with help extended to 43 musicians, dancers, language students and artists over the years. The applicant may use the grant in any way that furthers his or her study – help with the purchase of an instrument, tuition to a workshop or class, travel expenses – the options are endless. Previous grant recipients have included musicians, dancers, Irish language students and a costume designer, but the program is open to students of other traditional Irish arts as well.
    [Show full text]
  • INTO the WOODSIN CONCERT Book by James Lapine Music and Lyrics by Stephen Sondheim
    PRESENTS INTO THE WOODSIN CONCERT Book by James Lapine Music and Lyrics by Stephen Sondheim Directed by Michael Torontow NOVEMBER 14 -16, 2019 Georgian Theatre, Barrie | 705-792-1949 www.tift.ca Presented by | Season Partner Artistic Producer Arkady Spivak INTO THE WOODS Book by James Lapine Music and Lyrics by Stephen Sondheim Director Michael Torontow Music Director Wayne Gwillim Choreographer Lori Watson Set and Lighting Designer Joe Pagnan Costume Designer Laura Delchiaro Production Manager Jeff Braunstein Stage Manager Dustyn Wales Assistant Stage Manager Sam Hale Sound Designer Joshua Doerksen Props Master Vera Oleynikova CAST OF CHARACTERS Cast Baker-------------------------------------------------------------------------------------------------------------------------------Aidan deSalaiz Cinderella’s Prince, Wolf, Lucinda------------------------------------------------------------------------------------Griffin Hewitt Witch---------------------------------------------------------------------------------------------------------------------------------Alana Hibbert Rapunzel’s Prince, Florinda, Milky White-------------------------------------------------------------------------Richard Lam Baker’s Wife---------------------------------------------------------------------------------------------------------------Jamie McRoberts Jack’s Mother, Stepmother, Granny, Giant------------------------------------------------------------------Charlotte Moore Jack, Steward------------------------------------------------------------------------------------------------------------------Justin
    [Show full text]
  • Edition 2 | 2018-2019
    WHAT’S INSIDE Anastasia | 13 Cast | 14 Musical Numbers | 16 Who’s Who | 17 Staff | 23 At A Glance | 26 ADVERTISING Onstage Publications 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com This program is published in association with Onstage Publications, 1612 Prosser Avenue, Kettering, OH 45409. This program may not be reproduced in whole or in part without written permission from the publisher. JBI Publishing is a division of Onstage Publications, Inc. Contents © 2018. All rights reserved. Printed in the U.S.A. peace center 3 peace center 11 STAGE ENTERTAINMENT BILL TAYLOR TOM KIRDAHY HUNTER ARNOLD 50 CHURCH STREET PRODUCTIONS THE SHUBERT ORGANIZATION ELIZABETH DEWBERRY & ALI AHMET KOCABIYIK CARL DAIKELER WARNER/CHAPPELL MUSIC 42ND.CLUB/PHIL KENNY JUDITH ANN ABRAMS PRODUCTIONS BROADWAY ASIA/UMEDA ARTS THEATER PETER MAY DAVID MIRVISH SANDI MORAN SEOUL BROADCASTING SYSTEM LD ENTERTAINMENT/SALLY CADE HOLMES SERIFF PRODUCTIONS VAN DEAN TAMAR CLIMAN in association with HARTFORD STAGE present Book By Music By Lyrics By TERRENCE McNALLY STEPHEN FLAHERTY LYNN AHRENS Inspired by the TWENTIETH CENTURY FOX MOTION PICTURES LILA COOGAN STEPHEN BROWER JASON MICHAEL EVANS JOY FRANZ TARI KELLY EDWARD STAUDENMAYER BRIANNA ABRUZZO VICTORIA BINGHAM RONNIE S. BOWMAN, JR. ALISON EWING PETER GARZA JEREMIAH GINN BRETT-MARCO GLAUSER LUCY HORTON MARY ILLES FRED INKLEY KOURTNEY KEITT BETH STAFFORD LAIRD MARK MacKILLOP KENNETH MICHAEL MURRAY TAYLOR QUICK CLAIRE RATHBUN MICHAEL McCORRY ROSE MATT ROSELL SAREEN TCHEKMEDYIAN ADDISON MACKYNZIE VALENTINO Scenic Design Costume Design Lighting Design Sound Design ALEXANDER DODGE LINDA CHO DONALD HOLDER PETER HYLENSKI Projection Design Hair/Wig Design Makeup Design Casting by AARON RHYNE CHARLES G.
    [Show full text]
  • 2014–2015 Season Sponsors
    2014–2015 SEASON SPONSORS The City of Cerritos gratefully thanks our 2014–2015 Season Sponsors for their generous support of the Cerritos Center for the Performing Arts. YOUR FAVORITE ENTERTAINERS, YOUR FAVORITE THEATER If your company would like to become a Cerritos Center for the Performing Arts sponsor, please contact the CCPA Administrative Offices at 562-916-8510. THE CERRITOS CENTER FOR THE PERFORMING ARTS (CCPA) thanks the following current CCPA Associates donors who have contributed to the CCPA’s Endowment Fund. The Endowment Fund was established in 1994 under the visionary leadership of the Cerritos City Council to ensure that the CCPA would remain a welcoming, accessible, and affordable venue where patrons can experience the joy of entertainment and cultural enrichment. For more information about the Endowment Fund or to make a contribution, please contact the CCPA Administrative Offices at (562) 916-8510. MARQUEE Sandra and Bruce Dickinson Diana and Rick Needham Eleanor and David St. Clair Mr. and Mrs. Curtis R. Eakin A.J. Neiman Judy and Robert Fisher Wendy and Mike Nelson Sharon Kei Frank Jill and Michael Nishida ENCORE Eugenie Gargiulo Margene and Chuck Norton The Gettys Family Gayle Garrity In Memory of Michael Garrity Ann and Clarence Ohara Art Segal In Memory Of Marilynn Segal Franz Gerich Bonnie Jo Panagos Triangle Distributing Company Margarita and Robert Gomez Minna and Frank Patterson Yamaha Corporation of America Raejean C. Goodrich Carl B. Pearlston Beryl and Graham Gosling Marilyn and Jim Peters HEADLINER Timothy Gower Gwen and Gerry Pruitt Nancy and Nick Baker Alvena and Richard Graham Mr.
    [Show full text]
  • Bergen Goes to Broadway 2017/2018 Season
    BERGEN GOES TO BROADWAY 2017/2018 SEASON Our Bergen Goes to Broadway series is pleased to announce its exciting 2017/2018 season with the opportunity to attend the following outstanding Broadway productions! Because of the popularity and the high demand for tickets to these performances, the due dates for payment are already upon us. Please join us for all performances or choose those that are most appealing to you. Tickets are limited and are open to the entire Bergen Catholic community. Checks should be made out to Bergen Catholic and sent to the attention of Barbara Peraino. Our opening shows, Come from Away, and closing show, Dear Evan Hansen, have already sold out! However, we are pleased to announce that tickets are now available for the following production that is about to take the Broadway stage by storm as well as the continuing smash hit, School of Rock! The Band`s Visit - Thursday, January 4th 2018. Dinner at Tony DiNapoli and transportation is included in the $120.00 cost of the trip. Payment is due by September 10th. “Some shows are so full of heart and so overflowing with integrity — of talent, of skill and of purpose – that a critic is torn between singing its praises from the rooftops and wanting to protect something rare and fragile. Even when, truth to tell, a great show is usually a tough one as well, able to withstand the pressure of raves and the demand to sacrifice a little bit of proximity to reach a wider audience. That was true of Rent, and Spring Awakening and, of course, Hamilton.
    [Show full text]
  • Table of Contents
    Table of Contents PART I. Introduction 5 A. Overview 5 B. Historical Background 6 PART II. The Study 16 A. Background 16 B. Independence 18 C. The Scope of the Monitoring 19 D. Methodology 23 1. Rationale and Definitions of Violence 23 2. The Monitoring Process 25 3. The Weekly Meetings 26 4. Criteria 27 E. Operating Premises and Stipulations 32 PART III. Findings in Broadcast Network Television 39 A. Prime Time Series 40 1. Programs with Frequent Issues 41 2. Programs with Occasional Issues 49 3. Interesting Violence Issues in Prime Time Series 54 4. Programs that Deal with Violence Well 58 B. Made for Television Movies and Mini-Series 61 1. Leading Examples of MOWs and Mini-Series that Raised Concerns 62 2. Other Titles Raising Concerns about Violence 67 3. Issues Raised by Made-for-Television Movies and Mini-Series 68 C. Theatrical Motion Pictures on Broadcast Network Television 71 1. Theatrical Films that Raise Concerns 74 2. Additional Theatrical Films that Raise Concerns 80 3. Issues Arising out of Theatrical Films on Television 81 D. On-Air Promotions, Previews, Recaps, Teasers and Advertisements 84 E. Children’s Television on the Broadcast Networks 94 PART IV. Findings in Other Television Media 102 A. Local Independent Television Programming and Syndication 104 B. Public Television 111 C. Cable Television 114 1. Home Box Office (HBO) 116 2. Showtime 119 3. The Disney Channel 123 4. Nickelodeon 124 5. Music Television (MTV) 125 6. TBS (The Atlanta Superstation) 126 7. The USA Network 129 8. Turner Network Television (TNT) 130 D.
    [Show full text]
  • National Endowment for the Arts Annual Report 1982
    Nat]onal Endowment for the Arts National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1982. Respectfully, F. S. M. Hodsoll Chairman The President The White House Washington, D.C. March 1983 Contents Chairman’s Statement 3 The Agency and Its Functions 6 The National Council on the Arts 7 Programs 8 Dance 10 Design Arts 30 Expansion Arts 46 Folk Arts 70 Inter-Arts 82 International 96 Literature 98 Media Arts: Film/Radio/Television 114 Museum 132 Music 160 Opera-Musical Theater 200 Theater 210 Visual Arts 230 Policy, Planning and Research 252 Challenge Grants 254 Endowment Fellows 259 Research 261 Special Constituencies 262 Office for Partnership 264 Artists in Education 266 State Programs 272 Financial Summary 277 History of Authorizations and Appropriations 278 The descriptions of the 5,090 grants listed in this matching grants, advocacy, and information. In 1982 Annual Report represent a rich variety of terms of public funding, we are complemented at artistic creativity taking place throughout the the state and local levels by state and local arts country. These grants testify to the central impor­ agencies. tance of the arts in American life and to the TheEndowment’s1982budgetwas$143million. fundamental fact that the arts ate alive and, in State appropriations from 50 states and six special many cases, flourishing, jurisdictions aggregated $120 million--an 8.9 per­ The diversity of artistic activity in America is cent gain over state appropriations for FY 81.
    [Show full text]
  • Mirvish Productions' Corporate Discount Program
    MIRvish Productions’ CORPORATE DISCOUNT PROGRAM Use promo code CORPGRP online at mirvish.com or by calling TicketKing at either 416-872-1212 or 1-800-461-3333. Information on the upcoming shows included in the program are below. Certain restrictions my apply. MAY 17-29, 2016 Ed Mirvish Theatre, 244 Victoria St, Toronto The international Irish dance phenomenon is back by popular demand in Riverdance - The 20th Anniversary World Tour. Drawing on Irish traditions, the combined talents of the performers propel Irish dancing and music into the present day, capturing the imagination of audiences across all ages and cultures in an innovative and exciting blend of dance, music and song. Of all the performances to emerge from Ireland - in rock, music, theatre and film - nothing has carried the energy, the sensuality and the spectacle of Riverdance. Riverdance - The 20th Anniversary World Tour is composed by Bill Whelan, produced by Moya Doherty and directed by John McColgan, and comes directly to North America from a sold out run across Europe and Asia. SAVE 20%! EXCLUDES SATURDAY EVENINGS. MAy 17–JunE 12, 2016 Panasonic Theatre, 651 Yonge St, Toronto Starvox Entertainment Presents Forever Plaid PLAID IS BACK! A quartet of male singers takes a detour to heaven on the way to their first big concert. They posthumously take the stage for one final gig in this goofy 1950s nostalgia trip. Fantastically funny and timelessly tuneful, their close harmonies and charming choreography take you on a journey through your favourite pop hits of the 1950s, such as Moments to Remember, Heart and Soul and Love is a Many Splendored Thing.
    [Show full text]
  • Collection of Television Press Kits, 1958, Ca
    http://oac.cdlib.org/findaid/ark:/13030/c87082fc No online items Finding Aid for the Collection of television press kits, 1958, ca. 1974-ca. 2004 Finding aid prepared by Arts Special Collections staff; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] © 2012 The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 1908 1 television press kits, 1958, ca. 1974-ca. 2004 Title: Collection of television press kits Collection number: 1908 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 9.5 linear ft.(19 boxes and 1 flat box.) Date (inclusive): 1958, ca. 1974-2004 Abstract: This collections documents a variety of television show genres broadcast on networks such as ABC, CBS, NBC, HBO, PBS, SHOWTIME, and TNT. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the caollection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.
    [Show full text]
  • Philadelphia, Pennsylvania Photograph Courtesy of the Convention and Visitors Bureau Philadelphia
    Philadelphia, Pennsylvania Photograph courtesy of the Convention and Visitors Bureau Philadelphia. hen you talk to people in a courtyard, the whole covered by a tremendous Philadelphia, you keep hearing two glass canopy. It was designed to be “open, public, W conflicting ideas: Philadelphians porous, and accessible,” says Price. “It’s meant to are intensely proud of their city and bring new people in.” Philadelphians suffer from an inferiority com- And it does. The Kimmel Center created a The Kimmel plex. “The proximity to New York can overshad- stunning new home for its resident companies— ow Philadelphia,” says Janice Price, president the Philadelphia Orchestra, the Chamber Center was and CEO of the Kimmel Center for the Orchestra of Philadelphia, the Philadelphia designed to be Performing Arts and a former Lincoln Center Chamber Music Society, PHILADANCO, executive. American Theater Arts for Youth, and the Philly “open, public, But Philadelphia has a bustling arts scene of Pops. The Opera Company of Philadelphia and its own, featuring everything from long-estab- the Pennsylvania Ballet were thus able to book porous, and lished organizations such as the Philadelphia more time in the historic Academy of Music, accessible. It’s Orchestra, the Philadelphia Museum of Art and which had previously also been home to the the Rodin Museum to new galleries run by young orchestra. And like New York’s Lincoln Center, meant to bring artists and thriving festivals of film, literature Kimmel Center Presents has become a hub in its and music. And what other city boasts a street own right, providing space for visiting musicians new people in.” running right through the center of town called who previously had no place to perform.
    [Show full text]
  • ANTA Theater and the Proposed Designation of the Related Landmark Site (Item No
    Landmarks Preservation Commission August 6, 1985; Designation List 182 l.P-1309 ANTA THFATER (originally Guild Theater, noN Virginia Theater), 243-259 West 52nd Street, Manhattan. Built 1924-25; architects, Crane & Franzheim. Landmark Site: Borough of Manhattan Tax Map Block 1024, Lot 7. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the ANTA Theater and the proposed designation of the related Landmark Site (Item No. 5). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The ANTA Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built in the 1924-25, the ANTA was constructed for the Theater Guild as a subscription playhouse, named the Guild Theater. The fourrling Guild members, including actors, playwrights, designers, attorneys and bankers, formed the Theater Guild to present high quality plays which they believed would be artistically superior to the current offerings of the commercial Broadway houses. More than just an auditorium, however, the Guild Theater was designed to be a theater resource center, with classrooms, studios, and a library. The theater also included the rrost up-to-date staging technology.
    [Show full text]
  • Sample Teaching Artists
    Sample Teaching Artists George Hamilton, Broadway and Film Actor, Broadway Actresses Charlotte D’Amboise & Jasmine Guy speaks at a Chicago Day on Broadway speak at a Chicago Day on Broadway Fashion Designer, Tommy Hilfiger, speaks at a Career Day on Broadway SOME OF OUR PASSPORT TO BROADWAY CREATIVE TEAM STEPHEN BROTEBECK (Choreographer) Mr. Brotebeck is an Associate Professor of Musical Theatre at San Diego State University in the prestigious MFA Musical Theatre program where he has directed and choreographed productions of Leonard Bernstein’s Mass, Company, Enchanted April, The Full Monty, Jesus Christ Superstar, The Drowsy Chaperone (Craig Noel Award Nomination), and On The Eve. Mr. Brotebeck is also the Artistic Director of the Okoboji Summer Theatre in Okoboji, Iowa, where he has directed I Ought To Be In Pictures, A Grand Night For Singing, And The World Goes ‘Round and The Spitfire Grill. On Broadway, Stephen served as the Movement Associate on the Tony® Award winning production of Peter and the Starcatcher and also the Off-Broadway transfer to New World Stages, choreographed by Steven Hoggett. In addition he served as an Assistant Director on the Broadway premiere of Ghost The Musical, directed by Matthew Warchus. As a Director and Choreographer, Stephen’s credits include Enchanted April (Co-Director and Choreographer) at Arena Stage in Washington D.C., My Fair Lady, Camelot and Children of Eden (Associate Director/Choreographer) at The Kennedy Center, and The 2012 and 2013 Great American Songbook Hall of Fame Ceremonies presented by Michael Feinstein, honoring Liza Minnelli, Rita Moreno, Jimmy Webb, Cole Porter, Marilyn and Alan Bergman, Barry Manilow and Frank Sinatra (Director and Choreographer).
    [Show full text]