The Emergence of Semantics in Four Linguistic Traditions Amsterdam Studies in the Theory and History of Linguistic Science
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Golden Gorgon-Medousa Artwork in Ancient Hellenic World
SCIENTIFIC CULTURE, Vol. 5, No. 1, (2019), pp. 1-14 Open Access. Online & Print DOI: 10.5281/zenodo.1451898 GOLDEN GORGON-MEDOUSA ARTWORK IN ANCIENT HELLENIC WORLD Lazarou, Anna University of Peloponnese, Dept of History, Archaeology and Cultural Resources Management Palaeo Stratopedo, 24100 Kalamata, Greece ([email protected]; [email protected]) Received: 15/06/2018 Accepted: 25/07/2018 ABSTRACT The purpose of this research is to highlight some characteristic examples of the golden works depicting the gorgoneio and Gorgon. These works are part of the wider chronological and geographical context of the ancient Greek world. Twenty six artifacts in total, mainly jewelry, as well as plates, discs, golden bust, coins, pendant and a vial are being examined. Their age dates back to the 6th century. B.C. until the 3rd century A.D. The discussion is about making a symbol of the deceased persist for long in the antiquity and showing the evolution of this form. The earliest forms of the Gorgo of the Archaic period depict a monster demon-like bellows, with feathers, snakes in the head, tongue protruding from the mouth and tusks. Then, in classical times, the gorgonian form appears with human characteristics, while the protruded tusks and the tongue remain. Towards Hellenistic times and until late antiquity, the gorgoneion has characteristics of a beautiful woman. Snakes are the predominant element of this gorgon, which either composes the gargoyle's hairstyle or is plundered like a jewel under its chin. This female figure with the snakes is interwoven with Gorgo- Medusa and the Perseus myth that had a wide reflection throughout the ancient times. -
Chapter 6 -- the Rise of Ancient Greece
Chapter Preview This chapter will examine the rise of Ancient Greece and the development of democracy, philosophy, and the arts during the Golden Age of Athens. Section I The Rise of Greek Civilization Sectiom 2 Religion, Philosophy, and the Arts Target Reading Skill Sequence ln this chaptel you will focus on using sequencing to help you understand how events are related to one another. Sequencing helps you see the order in which events happened and can help you understand and remember them. ) The ruins of the Temple of Poseidon in Greece 166 History of Our World W 'athon I Ephr I I l I i Crete i 0 miles 0 kilometers Lambert -Location Notice.the land of the ancient Greeks: the mainland and- the islands in the Aegean and Mediterranean Seas. The ancient Greeks ' *-Describealso built colonies on the coast of Asia Minori or modern-day Turkey. How would you describe the lands of the ancient Greeks? rGo q&nline L---+HSehool.com Use Web Code Study map some guesses * Draw Conclusions the to make about how mup-0601 for step-by-step '-.the people of ancient Greece earned a living. What role did the sea map skills practice. *iirobably have in their lives? Why do you think some Greeks left , ancient Greece to build cities elsewhere? Ch2'- Read Objectives Target epic (ee ik) n. a long poem ln this section you will Reading Skill that tells a story 1. Understand how Greece's geographic ldentify Sequence acropolis (uh rnan puh lis) setting influenced the development of Noting the order in which n. -
Greek Myths - Creatures/Monsters Bingo Myfreebingocards.Com
Greek Myths - Creatures/Monsters Bingo myfreebingocards.com Safety First! Before you print all your bingo cards, please print a test page to check they come out the right size and color. Your bingo cards start on Page 3 of this PDF. If your bingo cards have words then please check the spelling carefully. If you need to make any changes go to mfbc.us/e/xs25j Play Once you've checked they are printing correctly, print off your bingo cards and start playing! On the next page you will find the "Bingo Caller's Card" - this is used to call the bingo and keep track of which words have been called. Your bingo cards start on Page 3. Virtual Bingo Please do not try to split this PDF into individual bingo cards to send out to players. We have tools on our site to send out links to individual bingo cards. For help go to myfreebingocards.com/virtual-bingo. Help If you're having trouble printing your bingo cards or using the bingo card generator then please go to https://myfreebingocards.com/faq where you will find solutions to most common problems. Share Pin these bingo cards on Pinterest, share on Facebook, or post this link: mfbc.us/s/xs25j Edit and Create To add more words or make changes to this set of bingo cards go to mfbc.us/e/xs25j Go to myfreebingocards.com/bingo-card-generator to create a new set of bingo cards. Legal The terms of use for these printable bingo cards can be found at myfreebingocards.com/terms. -
Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on. -
MYTHOLOGY – ALL LEVELS Ohio Junior Classical League – 2012 1
MYTHOLOGY – ALL LEVELS Ohio Junior Classical League – 2012 1. This son of Zeus was the builder of the palaces on Mt. Olympus and the maker of Achilles’ armor. a. Apollo b. Dionysus c. Hephaestus d. Hermes 2. She was the first wife of Heracles; unfortunately, she was killed by Heracles in a fit of madness. a. Aethra b. Evadne c. Megara d. Penelope 3. He grew up as a fisherman and won fame for himself by slaying Medusa. a. Amphitryon b. Electryon c. Heracles d. Perseus 4. This girl was transformed into a sunflower after she was rejected by the Sun god. a. Arachne b. Clytie c. Leucothoe d. Myrrha 5. According to Hesiod, he was NOT a son of Cronus and Rhea. a. Brontes b. Hades c. Poseidon d. Zeus 6. He chose to die young but with great glory as opposed to dying in old age with no glory. a. Achilles b. Heracles c. Jason d. Perseus 7. This queen of the gods is often depicted as a jealous wife. a. Demeter b. Hera c. Hestia d. Thetis 8. This ruler of the Underworld had the least extra-marital affairs among the three brothers. a. Aeacus b. Hades c. Minos d. Rhadamanthys 9. He imprisoned his daughter because a prophesy said that her son would become his killer. a. Acrisius b. Heracles c. Perseus d. Theseus 10. He fled burning Troy on the shoulder of his son. a. Anchises b. Dardanus c. Laomedon d. Priam 11. He poked his eyes out after learning that he had married his own mother. -
Produced by David Widger INNOCENTS ABROAD by Mark Twain [From an 1869--1St Edition] Part 4. CHAPTER XXXI. the BURIED CITY OF
Produced by David Widger INNOCENTS ABROAD by Mark Twain [From an 1869--1st Edition] Part 4. CHAPTER XXXI. THE BURIED CITY OF POMPEII They pronounce it Pom-pay-e. I always had an idea that you went down into Pompeii with torches, by the way of damp, dark stairways, just as you do in silver mines, and traversed gloomy tunnels with lava overhead and something on either hand like dilapidated prisons gouged out of the solid earth, that faintly resembled houses. But you do nothing the kind. Fully one-half of the buried city, perhaps, is completely exhumed and thrown open freely to the light of day; and there stand the long rows of page 1 / 107 solidly-built brick houses (roofless) just as they stood eighteen hundred years ago, hot with the flaming sun; and there lie their floors, clean-swept, and not a bright fragment tarnished or waiting of the labored mosaics that pictured them with the beasts, and birds, and flowers which we copy in perishable carpets to-day; and here are the Venuses, and Bacchuses, and Adonises, making love and getting drunk in many-hued frescoes on the walls of saloon and bed-chamber; and there are the narrow streets and narrower sidewalks, paved with flags of good hard lava, the one deeply rutted with the chariot-wheels, and the other with the passing feet of the Pompeiians of by-gone centuries; and there are the bake-shops, the temples, the halls of justice, the baths, the theatres--all clean-scraped and neat, and suggesting nothing of the nature of a silver mine away down in the bowels of the earth. -
Stories and Essays on Persephone and Medusa Isabelle George Rosett Scripps College
Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2017 Voices of Ancient Women: Stories and Essays on Persephone and Medusa Isabelle George Rosett Scripps College Recommended Citation Rosett, Isabelle George, "Voices of Ancient Women: Stories and Essays on Persephone and Medusa" (2017). Scripps Senior Theses. 1008. http://scholarship.claremont.edu/scripps_theses/1008 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. VOICES OF ANCIENT WOMEN: STORIES AND ESSAYS ON PERSEPHONE AND MEDUSA by ISABELLE GEORGE ROSETT SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS PROFESSOR NOVY PROFESSOR BERENFELD APRIL 21, 2017 1 2 Dedicated: To Max, Leo, and Eli, for teaching me about surviving the things that scare me and changing the things that I can’t survive. To three generations of Heuston women and my honorary sisters Krissy and Madly, for teaching me about the ways I can be strong, for valuing me exactly as I am, and for the endless excellent desserts. To my mother, for absolutely everything (but especially for fielding literally dozens of phone calls as I struggled through this thesis). To Sam, for being the voice of reason that I happily ignore, for showing up with Gatorade the day after New Year’s shenanigans, and for the tax breaks. To my father (in spite of how utterly terrible he is at carrying on a phone conversation), for the hikes and the ski days, for quoting Yeats and Blake at the dinner table, and for telling me that every single essay I’ve ever asked him to edit “looks good” even when it was a blatant lie. -
Classical Images – Greek Perseus
Classical images – Greek (birth of Pegasus from Medusa’s blood) Perseus Perseus and the birth of Perseus Running Gorgon, headless Medusa and small Perseus/ 2 Perseuses and Atehna with shield Attic bilingual white ground lekythos Black-figure pouring bowl with 3 handles th attr. Diosphos Painter, c. 500-450 BC Boiotia (Thebes), late 5 C BC New York, Metropolitan Museum of Art Boston MFA (Ac 01.8070) (1070) 1 Classical images – Greek (birth of Pegasus and Chrysaor from Medusa’s blood) Perseus The birth of Perseus and Chrysaor The birth of Perseus and Chrysaor Etruscan Athenian black-figure pyxis, 6ht C BC Munich Paris, Musée du Louvre (Ca 2588) The birth of Perseus and Chrysaor Sarcophagus from Golgoi (Cyprus) 2 Classical images – Greek (with Cetus) Perseus Corinthian black-figure amphora from Cerveteri, c. 575-550 BC Berlin, Antikensammlungen (inv F 1652) Athens, S Niarchos Collection Herakles and the Trojan Ketos Caeretan black-figure hydria; c. 530-520BC credit: www.theoi.com 3 Classical images – Greek (killing Medusa) Perseus Perseus receiving gifts of winged Perseus with hat, winged boots and kibisi over shoulder, straight sword, sandals, hat and kibisi looking away from Medusa (centaur) Eleusis, Museum Relief amphora, c. 660 BC Poaris, Musée du Louvre Perseus with Medusa’s head under his arm, with hat and winged boots Metope from Thermios, c. 630 BC 4 Athens, National Archeological Museum (13401) Classical images – Greek (killing Medusa) Perseus Perseus and the Graiai, winged Persues holding head of Medusa above Tunny fish boots, kibisis over shoulder, Stater of Mysia, Kyzikos, c. 400-330 BC stealing away with the head Boston, Museum of Fine Arts (04.1339) Attic, red-figure krater fragment Delos Museum (B7263) 5 Classical images – Greek (killing Medusa) Perseus Perseus and Polydektes with Athena at left Perseus decapitating Medusa with Athens to right Perseus averting gaze as he kills Medusa Attic red-figure bell-krater, c. -
Greek Mythology #18—POSEIDON by Joy Journeay
Western Regional Button Association is pleased to share our educational articles with the button collecting community. This article appeared in the May 2017 WRBA Territorial News. Enjoy! WRBA gladly offers our articles for reprint, as long as credit is given to WRBA as the source, and the author. Please join WRBA! Go to www.WRBA.us Greek Mythology #18—POSEIDON by Joy Journeay God of: The Sea, Earthquakes, Storms and Horses Home: MOUNT OLYMPUS or the Sea Symbols: Trident, Fish, Dolphin, Horse and Bull Parents: Cronus and Rhea Consorts: Amphitrite Siblings: Hestia, Hades, Hera, Zeus, Demeter Children: Theseus, Triton, Polyphemus, Belus, Agenor, Neleus, Atlas Roman Counterpart: Neptune Poseidon was the second son of Chronus and Rhea. Like his other siblings, he was swallowed by Cronus at birth then later saved by his brother Zeus. Poseidon is second in power only to Zeus. Poseidon is most often shown in a chariot pulled by horses or hippocampus—beasts with the front half of a horse and the back half of a fish tail. Poseidon is associated with dolphins and his trident, a three- pronged spear. His beautiful palace on the seafloor was made of coral and gemstones. Poseidon had a strong and difficult personality, and was known for his greed. He was often at odds with other gods as his eyes often rested upon their possessions, which he wanted to make his own. Athena and Poseidon competed for the city of Athens, resolving to Poseidon from Milos. settle the issue by each offering the Athenians a gift and letting the city 2nd Century BC. -
Plato's Dialogues. Part IV
Plato’s dialogues. Part IV: On successful survival Plato Plato’s Academy Contents SOCRATES: That you and I must now try to indicate some state and disposition of the soul, which has the property of 1. Philebus 1 making all men happy. ROTARCHUS 2. Timaeus 25 P : Yes, by all means. SOCRATES: And you say that pleasure, and I say that wis- 3. Critias 51 dom, is such a state? PROTARCHUS: True. 4. Laws 57 4.1. Book I 57 SOCRATES: And what if there be a third state, which is 4.2. Book II 67 better than either? Then both of us are vanquished–are we 4.3. Book III 75 not? But if this life, which really has the power of making men 4.4. Book IV 85 happy, turn out to be more akin to pleasure than to wisdom, 4.5. Book V 93 the life of pleasure may still have the advantage over the life 4.6. Book VI 100 of wisdom. 4.7. Book VII 112 4.8. Book VIII 126 PROTARCHUS: True. 4.9. Book IX 134 SOCRATES: Or suppose that the better life is more nearly 4.10. Book X 145 allied to wisdom, then wisdom conquers, and pleasure is 4.11. Book XI 156 defeated;–do you agree? 4.12. Book XII 165 PROTARCHUS: Certainly. 5. Epinomis 176 SOCRATES: And what do you say, Philebus? PHILEBUS: I say, and shall always say, that pleasure is easily the conqueror; but you must decide for yourself, 1. PHILEBUS Protarchus. PROTARCHUS: You, Philebus, have handed over the argu- PERSONS OF THE DIALOGUE: Socrates, Protarchus, Phile- ment to me, and have no longer a voice in the matter? bus. -
Author Title Call Number Age Grp. Catalog of Holdings As of September 14, 2017 Peretti, Frank E
Author Title Call Number Age Grp. Catalog of Holdings as of September 14, 2017 Peretti, Frank E. 09-307Piercing the darkness Per 09-307 Adult Saso, Patt. 10 best gifts for your teen : raising teens with love and understanding649.125 Sas 01-2933 Adult Wardwell, Jane. [from old catalog] 10[cents] crafts for kids. 790 War Adult Hosier, Helen Kooiman. 100 Christian women who changed the twentieth century 270.82 Hos 02-3083 Adult Osbeck, Kenneth W. 101 hymn stories 783.909 Osb Adult Cloud, Henry. 12 "Christian" beliefs that can drive you crazy : relief from false assumptions248.4 Clo 07-389 Adult Hamilton, Virginia, 1936-2002. 1283The time-ago tales of Jahdu. J Fic Ham Juvenile 131 Christians everyone should know 270.092 Chr 02-3119 Adult Barnes, Emilie. 15 minutes alone with God 242.643 Bar 08-181 Adult Stiles, J. Mack, 1956- 17 things my kids taught me about God : parables of spiritual sight242 Sti 02-3064 Adult Christman, Margaret C. S. 1846 : portrait of the nation 973.6 Chr 07-378 Adult Ortberg, John 1-John: Love Each Other CE ORT Study Guide Adult Campolo, Anthony. 20 hot potatoes Christians are afraid to touch 241 Cam 04-99 Adult Newton, Eric, 1893-1965. 2000 years of Christian art 704.9482 New Adult 2008 YOUNG @ HEART DVD 003 2011 Adult Filipi, Emily, 1932- 3,285 Bible questions & answers 220 Fil 1196 Adult Lucado, Max. 3:16 : the numbers of hope 226.506 Luc Adult Fritz, Daniel. 36 parables : yellow (DVD) DVD 028 Fri Adult Reigh, Maggie 9 WAYS TO BRING OUT THE BEST IN YOU & YOUR CHILD 649.1 Rei Adult Canfield, Jack. -
Fiction and Story
ACC.NO. AUTHOR'S NAME TITLE OF BOOKS PUBLISHER 96 Bhatt , Bhashkerbhai Birbal The Wise Navneet : Mumbai 97 Bhatt , Bhashkerbhai Birbal The Wise Navneet : Mumbai 98 Bhatt , Bhashkerbhai Birbal The Wise Navneet : Mumbai 99 Bhatt , Bhashkerbhai Birbal The Wise Navneet : Mumbai 100 Bhatt , Bhashkerbhai Birbal The Wise Navneet : Mumbai 101 Joshi , Yogesh Huumorous Tales Of Tenalirama Navneet : Mumbai 102 Joshi , Yogesh Huumorous Tales Of Tenalirama Navneet : Mumbai 103 Joshi , Yogesh Huumorous Tales Of Tenalirama Navneet : Mumbai 104 Joshi , Yogesh Huumorous Tales Of Tenalirama Navneet : Mumbai 105 Joshi , Yogesh Huumorous Tales Of Tenalirama Navneet : Mumbai 106 Joshi , Yogesh Huumorous Tales Of Tenalirama Navneet : Mumbai Let'S See & Say : The Story Of Puss 109 Dhawan , Kiran Ill Book Place And Boots Let'S See & Say : The Story Of Puss 110 Dhawan , Kiran Ill Book Place And Boots Let'S See & Say : The Story Of Puss 111 Dhawan , Kiran Ill Book Place And Boots Let'S See & Say ;The Story Of The 112 Dhawan , Kiran Ill Book Place Musician Of Breman Let'S See & Say ;The Story Of The 113 Dhawan , Kiran Ill Book Place Musician Of Breman 114 Dhawan , Kiran Ill Let'S See & Say ; The Ugly Duckling Book Place 115 Dhawan , Kiran Ill Let'S See & Say ; The Ugly Duckling Book Place Let'S See & Say ; Little Red Riding 116 Dhawan , Kiran Ill Book Place Hood Let'S See & Say ; Ali Baba & The 117 Dhawan , Kiran Ill Book Place Fourty Thieves Let'S See & Say ; Snow Whitw & 118 Dhawan , Kiran Ill Book Place The 7 Dwarfs Let'S See & Say ;The Story Of The 119 Dhawan , Kiran Ill Book Place Musician Of Breman 120 Sharma , Reita The Pied Piper Of Hamalin D.S.