Chapter 6 -- the Rise of Ancient Greece
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Greece(12Th Century B.C.E-600C.E)
Greece(12th century b.c.e-600c.e) By: Lily Gardner Geographic Impact on Society ❖ Located on a small peninsula and were divided deeply by steep mountains and valleys ❖ Geography contributed to its political organization ❖ City-states fought a lot because they didn’t have a common enemy ❖ They didn’t have good land for farming so they ate food from the Mediterranean Sea and the Aegean Sea and the Ionian Sea ❖ Peninsula’s provide good protection, so ancient Greece was able to protect themselves Political System and Impact on Society ❖ In early greek history only the wealthy and noble men had the rights of full citizenship, such as speaking and voting in the assembly, holding public office, and fighting in the army ❖ Slowly, the men in lower class began to get these rights as they could purchase the armor and weapons ❖ Tyrants appeared for a time, and they even had the support of the lower class because they wanted to challenge the rights of the wealthy ❖ Political authority was given to its Council of Elders made of 28 men that were over the age of 60. These men came from wealthy segments of society and they served for life ❖ Women were citizens but stayed at home and took care of children ❖ Women also weren’t allowed to own property or be involved in the economy or politics Economic System and Impact on Society ❖ Greek traders looked for iron ❖ Greeks were expansive people ❖ Geography help lead to city-states ❖ City-states were constantly fighting and arguing ❖ The impoverished Greek farmers looked for land ❖ Settlers brought culture, tarding, -
The Terracotta Figurines of Amisos. 14 I
The Terracotta figurines of Amisos School of Humanities MA in Black Sea Cultural Studies The Terracotta Figurines of Amisos . Name: Eleni Mentesidou Student ID: 221100015 Name of Supervisor: Pr. Styliani Drougou Submission Date: 18 November 2011 0 The Terracotta figurines of Amisos Abstract. The subject of the present dissertation is the terracotta figurines of Amisos’ workshop which is in its most productive period during Mithridates Eupator kingship. The study has been focused on the figurines in relation with the economic, political and religious life of Amisos. Aim of our research was to find out in what extent the city’s economy and culture as the political circumstances, during the period of its activity, affected the production of the amisian terracotta workshop. Before dealing with the main subject has been considered necessary an introduction concerning the location, the geography, the foundation and the history of Amisos in order to be understood the general historical and cultural context that effected the evolvement and the activity of the terracotta workshop. Moreover, the following analysis of Amisos’ economy as the description of the occupations and the products of the amisians demonstrate on the one hand that the production and the exportation of the terracotta figurines were part of Amisos’ economy and on the other hand that the coroplasts of the amisian workshop represent through the selection of their subjects the city’s economical life. The forth chapter deals with the figurines as products of the amisian workshop. However, the lack of scientific treatment coupled with the fact that the figurines are partly preserved and have been diffused all over the world, impedes their study. -
Poison King: the Life and Legend of Mithradates the Great, Rome's
Copyrighted Material Kill em All, and Let the Gods Sort em Out IN SPRING of 88 BC, in dozens of cities across Anatolia (Asia Minor, modern Turkey), sworn enemies of Rome joined a secret plot. On an appointed day in one month’s time, they vowed to kill every Roman man, woman, and child in their territories. e conspiracy was masterminded by King Mithradates the Great, who communicated secretly with numerous local leaders in Rome’s new Province of Asia. (“Asia” at this time referred to lands from the eastern Aegean to India; Rome’s Province of Asia encompassed western Turkey.) How Mithradates kept the plot secret remains one of the great intelli- gence mysteries of antiquity. e conspirators promised to round up and slay all the Romans and Italians living in their towns, including women and children and slaves of Italian descent. ey agreed to confiscate the Romans’ property and throw the bodies out to the dogs and crows. Any- one who tried to warn or protect Romans or bury their bodies was to be harshly punished. Slaves who spoke languages other than Latin would be spared, and those who joined in the killing of their masters would be rewarded. People who murdered Roman moneylenders would have their debts canceled. Bounties were offered to informers and killers of Romans in hiding.1 e deadly plot worked perfectly. According to several ancient histo- rians, at least 80,000—perhaps as many as 150,000—Roman and Italian residents of Anatolia and Aegean islands were massacred on that day. e figures are shocking—perhaps exaggerated—but not unrealistic. -
The Nature of Hellenistic Domestic Sculpture in Its Cultural and Spatial Contexts
THE NATURE OF HELLENISTIC DOMESTIC SCULPTURE IN ITS CULTURAL AND SPATIAL CONTEXTS DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Craig I. Hardiman, B.Comm., B.A., M.A. ***** The Ohio State University 2005 Dissertation Committee: Approved by Dr. Mark D. Fullerton, Advisor Dr. Timothy J. McNiven _______________________________ Advisor Dr. Stephen V. Tracy Graduate Program in the History of Art Copyright by Craig I. Hardiman 2005 ABSTRACT This dissertation marks the first synthetic and contextual analysis of domestic sculpture for the whole of the Hellenistic period (323 BCE – 31 BCE). Prior to this study, Hellenistic domestic sculpture had been examined from a broadly literary perspective or had been the focus of smaller regional or site-specific studies. Rather than taking any one approach, this dissertation examines both the literary testimonia and the material record in order to develop as full a picture as possible for the location, function and meaning(s) of these pieces. The study begins with a reconsideration of the literary evidence. The testimonia deal chiefly with the residences of the Hellenistic kings and their conspicuous displays of wealth in the most public rooms in the home, namely courtyards and dining rooms. Following this, the material evidence from the Greek mainland and Asia Minor is considered. The general evidence supports the literary testimonia’s location for these sculptures. In addition, several individual examples offer insights into the sophistication of domestic decorative programs among the Greeks, something usually associated with the Romans. -
Handbook of Sports and Media
Job #: 106671 Author Name: Raney Title of Book: Handbook of Sports & Media ISBN #: 9780805851892 HANDBOOK OF SPORTS AND MEDIA LEA’S COMMUNICATION SERIES Jennings Bryant/Dolf Zillmann, General Editors Selected titles in Communication Theory and Methodology subseries (Jennings Bryant, series advisor) include: Berger • Planning Strategic Interaction: Attaining Goals Through Communicative Action Dennis/Wartella • American Communication Research: The Remembered History Greene • Message Production: Advances in Communication Theory Hayes • Statistical Methods for Communication Science Heath/Bryant • Human Communication Theory and Research: Concepts, Contexts, and Challenges, Second Edition Riffe/Lacy/Fico • Analyzing Media Messages: Using Quantitative Content Analysis in Research, Second Edition Salwen/Stacks • An Integrated Approach to Communication Theory and Research HANDBOOK OF SPORTS AND MEDIA Edited by Arthur A.Raney College of Communication Florida State University Jennings Bryant College of Communication & Information Sciences The University of Alabama LAWRENCE ERLBAUM ASSOCIATES, PUBLISHERS Senior Acquisitions Editor: Linda Bathgate Assistant Editor: Karin Wittig Bates Cover Design: Tomai Maridou Photo Credit: Mike Conway © 2006 This edition published in the Taylor & Francis e-Library, 2009. To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk. Copyright © 2006 by Lawrence Erlbaum Associates All rights reserved. No part of this book may be reproduced in any form, by photostat, microform, retrieval system, or any other means, without prior written permission of the publisher. Library of Congress Cataloging-in-Publication Data Handbook of sports and media/edited by Arthur A.Raney, Jennings Bryant. p. cm.–(LEA’s communication series) Includes bibliographical references and index. -
Acts 19:23–41—Temple of Artemis
Supplement to Introducing the New Testament, 2nd ed. © 2018 by Mark Allan Powell. All rights reserved. 17.8 Acts 19:23–41—Temple of Artemis The temple of Artemis sat on a platform 400 feet long and 240 feet wide. The building itself was larger than a modern football field: 360 feet long and 180 feet wide. It had more than 120 columns, each of which was over 55 feet tall and gilded with gold and silver. A peaked roof rested atop the columns. The temple that existed in New Testament times was actually the third one on that site. It had been constructed in the late fourth century BCE, the work having begun in 323. Literary sources describe the temple as being richly adorned with paintings and sculptures by some of the most renowned artists of antiquity. In the second century BCE, Antipater of Sidon compiled a list of the seven wonders of the world, including the Temple of Artemis among them. He offers this comment: I have set eyes on the wall of lofty Babylon on which is a road for chariots, and the statue of Zeus by the Alpheus, and the hanging gardens, and the colossus of the Sun, and the huge labor of the high pyramids, and the vast tomb of Mausolus; but when I saw the house of Artemis that mounted to the clouds, those other marvels lost their brilliancy, and I said, “Lo, apart from Olympus, the Sun never looked on aught so grand.” (Greek Anthology 9.58) Supplement to Introducing the New Testament, 2nd ed. -
Artemis: Depictions of Form and Femininity in Sculpture Laura G
Student Publications Student Scholarship Fall 2017 Artemis: Depictions of Form and Femininity in Sculpture Laura G. Waters Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/student_scholarship Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, and the Sculpture Commons Share feedback about the accessibility of this item. Waters, Laura G., "Artemis: Depictions of Form and Femininity in Sculpture" (2017). Student Publications. 658. https://cupola.gettysburg.edu/student_scholarship/658 This open access student research paper is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. Artemis: Depictions of Form and Femininity in Sculpture Abstract Grecian sculpture has been the subject of investigation for centuries. More recently, however, emphasis in the field of Art History on the politics of gender and sexuality portrayal have opened new avenues for investigation of those old statues. In depicting gender, Ancient Greek statuary can veer towards the non- binary, with the most striking examples being works depicting Hermaphroditos and ‘his’ bodily form. Yet even within the binary, there are complications. Depictions of the goddess Artemis are chief among these complications of the binary, with even more contradiction, subtext, and varied interpretation than representations of Amazons. The umen rous ways Artemis has been portrayed over the years highlight her multifarious aspects, but often paint a contradictory portrait of her femininity. Is she the wild mother? The asexual huntress? Or is she a tempting virgin, whose purity is at risk? Depictions of her in sculptural form, deliberately composed, offer answers. -
Produced by David Widger INNOCENTS ABROAD by Mark Twain [From an 1869--1St Edition] Part 4. CHAPTER XXXI. the BURIED CITY OF
Produced by David Widger INNOCENTS ABROAD by Mark Twain [From an 1869--1st Edition] Part 4. CHAPTER XXXI. THE BURIED CITY OF POMPEII They pronounce it Pom-pay-e. I always had an idea that you went down into Pompeii with torches, by the way of damp, dark stairways, just as you do in silver mines, and traversed gloomy tunnels with lava overhead and something on either hand like dilapidated prisons gouged out of the solid earth, that faintly resembled houses. But you do nothing the kind. Fully one-half of the buried city, perhaps, is completely exhumed and thrown open freely to the light of day; and there stand the long rows of page 1 / 107 solidly-built brick houses (roofless) just as they stood eighteen hundred years ago, hot with the flaming sun; and there lie their floors, clean-swept, and not a bright fragment tarnished or waiting of the labored mosaics that pictured them with the beasts, and birds, and flowers which we copy in perishable carpets to-day; and here are the Venuses, and Bacchuses, and Adonises, making love and getting drunk in many-hued frescoes on the walls of saloon and bed-chamber; and there are the narrow streets and narrower sidewalks, paved with flags of good hard lava, the one deeply rutted with the chariot-wheels, and the other with the passing feet of the Pompeiians of by-gone centuries; and there are the bake-shops, the temples, the halls of justice, the baths, the theatres--all clean-scraped and neat, and suggesting nothing of the nature of a silver mine away down in the bowels of the earth. -
'Temple States' of Pontus: Comana Pontica and Zela A
‘TEMPLE STATES’ OF PONTUS: COMANA PONTICA AND ZELA A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY EM İNE SÖKMEN IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN SETTLEMENT ARCHAEOLOGY APRIL 2005 Approval of the Graduate School of Social Sciences Prof. Sencer Ayata Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Science. Prof. Numan Tuna Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Master of Science. Asist. Prof. Dr .Deniz Burcu Erciyas Supervisor Examining Committee Members (first name belongs to the chairperson of the jury and the second name belongs to supervisor) Prof. Dr. Suna Güven (METU,AH) Asist. Prof. Dr. Deniz Burcu Erciyas (METU, SA) Asist. Prof. Dr. Jan Krzysztof Bertram (METU, SA) I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name : Emine Sökmen Signature : iii ABSTRACT ‘TEMPLE STATES’ OF PONTUS: COMANA PONTICA AND ZELA Sökmen, Emine M.S., Department of Settlement Archaeology Supervisor : Asist. Prof. Dr. Deniz Burcu Erciyas April 2005, 68 pages Before the Roman rule in Asia Minor, under the Hellenistic kings, small communities lived independently within areas surrounding temples with local powers. -
Plato's Dialogues. Part IV
Plato’s dialogues. Part IV: On successful survival Plato Plato’s Academy Contents SOCRATES: That you and I must now try to indicate some state and disposition of the soul, which has the property of 1. Philebus 1 making all men happy. ROTARCHUS 2. Timaeus 25 P : Yes, by all means. SOCRATES: And you say that pleasure, and I say that wis- 3. Critias 51 dom, is such a state? PROTARCHUS: True. 4. Laws 57 4.1. Book I 57 SOCRATES: And what if there be a third state, which is 4.2. Book II 67 better than either? Then both of us are vanquished–are we 4.3. Book III 75 not? But if this life, which really has the power of making men 4.4. Book IV 85 happy, turn out to be more akin to pleasure than to wisdom, 4.5. Book V 93 the life of pleasure may still have the advantage over the life 4.6. Book VI 100 of wisdom. 4.7. Book VII 112 4.8. Book VIII 126 PROTARCHUS: True. 4.9. Book IX 134 SOCRATES: Or suppose that the better life is more nearly 4.10. Book X 145 allied to wisdom, then wisdom conquers, and pleasure is 4.11. Book XI 156 defeated;–do you agree? 4.12. Book XII 165 PROTARCHUS: Certainly. 5. Epinomis 176 SOCRATES: And what do you say, Philebus? PHILEBUS: I say, and shall always say, that pleasure is easily the conqueror; but you must decide for yourself, 1. PHILEBUS Protarchus. PROTARCHUS: You, Philebus, have handed over the argu- PERSONS OF THE DIALOGUE: Socrates, Protarchus, Phile- ment to me, and have no longer a voice in the matter? bus. -
Ancient Rome and Early Christianity, 500 B.C.-A.D. 500
Ancient Rome and Early Christianity, 500 B.C.-A.D. 500 Previewing Main Ideas POWER AND AUTHORITY Rome began as a republic, a government in which elected officials represent the people. Eventually, absolute rulers called emperors seized power and expanded the empire. Geography About how many miles did the Roman Empire stretch from east to west? EMPIRE BUILDING At its height, the Roman Empire touched three continents—Europe, Asia, and Africa. For several centuries, Rome brought peace and prosperity to its empire before its eventual collapse. Geography Why was the Mediterranean Sea important to the Roman Empire? RELIGIOUS AND ETHICAL SYSTEMS Out of Judea rose a monotheistic, or single-god, religion known as Christianity. Based on the teachings of Jesus of Nazareth, it soon spread throughout Rome and beyond. Geography What geographic features might have helped or hindered the spread of Christianity throughout the Roman Empire? INTERNET RESOURCES • Interactive Maps Go to classzone.com for: • Interactive Visuals • Research Links • Maps • Interactive Primary Sources • Internet Activities • Test Practice • Primary Sources • Current Events • Chapter Quiz 152 153 What makes a successful leader? You are a member of the senate in ancient Rome. Soon you must decide whether to support or oppose a powerful leader who wants to become ruler. Many consider him a military genius for having gained vast territory and wealth for Rome. Others point out that he disobeyed orders and is both ruthless and devious. You wonder whether his ambition would lead to greater prosperity and order in the empire or to injustice and unrest. ▲ This 19th-century painting by Italian artist Cesare Maccari shows Cicero, one of ancient Rome’s greatest public speakers, addressing fellow members of the Roman Senate. -
Ancient Greece Packet 2
Ancient Greece Packet 2 Greek Mythology Homer • The Greeks lacked ___________________________, so they learned about the Trojan war through spoken word • Greatest Greek story teller was a blind man named _____________________________. The Iliad and the Odyssey • Two ______________________________________________ composed by Homer about the Trojan War. • ______________________________ – Narrative poems that tell about heroic deeds. • The heroes of The Iliad are ___________________________ and _________________________________. • The Odyssey is about a 10-year journey home of _______________________________ and his adventures along the way. Greek Myths • Greeks developed a rich set of __________________________ which means traditional stories about their gods • Greeks have a _____________________________________ religion. This means they believed in ___________ gods • Myths explained changing of the ____________________________________ and the mysteries of ___________________. • Greek gods/goddesses had many of the same qualities as humans: o ________________________ o Jealousy o ________________________ • Greek gods competed and _________________________________ with each other constantly. • Gods lived forever on Mt. _________________________________ The Gods and Goddesses of Ancient Greece • Mount Olympus o ________________________ of the Gods o Originally thought to be a _______________ mountain o Finally came to be thought of as a _____________________________________ mountain in the sky • Zeus o Supreme ______________________ of the